20年和50年、80年、100年、150年

２０年和５０年、８０年、１００年、１５０年马鸣在纪念党的十一届三中全会２０周年时，有一个如何说明我们亲历其中的这最近２０年的巨大历史进步，同中国革命和建设以往的不同历史阶段、同《共产党宣言》发表以来的共产主义运动和马克思主义发展历史之间的相互关系问题...

An Interpretation of the Influential Power of China Development

Through the analysis on China＇s economic develop- ment, utilization of resource environment and soft power, a basic judgment was made of the influence of ＂China development＂. The overall influential power of China development on international community was misunderstood. What we see is the role of ＂China Factor＂ in different fields. In the process of economic globalization, what economic system of capitalist market has seen is ＂China＇s cheap labor＂, ＂China＇s loose economic system environment＂, ＂earlier abuse of unlimited resource environment＂, ＂China＇s broad consumption market＂ and ＂demographic dividend＂. In global or Asian financial crisis, what other countries valued was China＇s ＂foreign currency＂ accumulated over the years. In global gov- ernance or crisis management, what international community expected was ＂China＇s obligations and responsibilities＂ without the right of speech, etc.. All these are the ＂passive＂ roles produced by ＂a single factor＂ in definite fields. The active and initiative role China will play in international community still needs time and the continuous efforts of several generations. China once was a big country that had significant inftuential power on the world, and China＇s renaissance is a normal process of development of things. What excessive talks about its influential power reflect may be the lack of China＇s influence.

Capitalism, Internationalism, and Socialism in Times of Globalization

This paper will mention Marxist propositions, presented since the mid-19th century, about capitalism, socialism, and internationalism. According to Marx, socialism would replace capitalism and internationalism would occur through the dissolution of nation states. Later, Marxist circles presented a historical arrow in the form of 〉 capitalism 〉 socialism 〉 internationalism. Taking into account recent steps of globalization and measures imposed by national governments in the face of the deep financial crisis of 2008, it is interesting to compare the above theory with some historical events that have happened since the 19th century. Much has happened that Marx did not predict. Considering the world trajectory since the Second World War, it seems that the historical arrow has the form of 〉 capitalism 〉 internationalism 〉 hybridism of capitalism and socialism 〉？

From the Romantic Sea to the Sea as the Global Commons＂ Portrayals of the Waterbody in Longfellow, Melville, and Ian Wedde

This article discusses the representation of the sea in selected works of W. H. Longfellow, Herman Melville, and lan Wedde, tracing its transformation from a romantic icon to a global commons. Despite differences in their portrayals, all three artists find stagnation alongside vitality in the ebb and flow or the rolling of the sea. Similar to Longfellow, Melville romanticizes the sea in Moby-Dick as an ultimate sanctuary, the domain of reveries. At the same time, Melville also portrays the sea as a global commons where U.S. capitalism dominates the global order and exploits the resources. In addressing the environmental issues such as the possibility of whales＇ extinction, Melville echoes ＂the tragedy of the commons＂ lamented by Garrett Hardin. Queequeg, the ＂primitive＂ man who saves Ishmael from the wolfish industrial capitalism is thought to be modeled after a MAori from New Zealand. Today, the M^ori＇s ancestral sea-based culture is threatened by economic globalization. Wedde, a New Zealand poet, confronted the plans to construct an aluminum smelter in his country. His poem juxtaposes themes of precariousness and desolation with resilience and defiant survival, a motif mirrored in Longfellow＇s and Melville＇s portrayals of the sea.

Global Capitalism and Local Artistic Taste in Late Imperial/Early Modern China, 1600-1800

During the late Ming dynasty, conspicuous consumption based on global commerce vicariously impacted on literati life and elite taste in gardens, paintings, books, and antiquities. The expanding literati appetite for consumption carried over to the eighteenth century. The patrons of the late Ming（1368-1644） and early Qing（1644-1911） garden estates, for example, lived in a world where silver from the New World was exchanged to pay for Chinese commodities, principally silk, porcelain, tea, and jade. The Ming economy was further transformed by an agrarian revolution in which cotton displaced rice production in southern coastal provinces and the influx of Japanese silver heightened the monetarization of the sixteenth century economy in unprecedented ways. Ming Chinese unwittingly faced a global marketplace. Their arts and letters would never be the same again.

Male Fashion Magazines and Western Capitalism： Expansion in the Post-Colonial State

Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire（ under the American Esquires copyright） as a case study of indigenous media in the context of the globalization of the market economy, and approaches it with critical theories of political economy of communication, in order to offer insight into the commodification process of the Chinese male and expose its implicit dependent economy model. Thus the author attempts to demonstrate how male fashion media in China are trying to re-construct Chinese males＇ masculinity in a post-socialist state and trying to re-map the spheres of class and commodity, as being manipulated by the international copyright system, in the context of postcolonialism, intending to change traditional gender order and to sustain Western Capitalism＇s planetary expansion.