Through the analysis on China＇s economic develop- ment, utilization of resource environment and soft power, a basic judgment was made of the influence of ＂China development＂. The overall influential power of China ...Through the analysis on China＇s economic develop- ment, utilization of resource environment and soft power, a basic judgment was made of the influence of ＂China development＂. The overall influential power of China development on international community was misunderstood. What we see is the role of ＂China Factor＂ in different fields. In the process of economic globalization, what economic system of capitalist market has seen is ＂China＇s cheap labor＂, ＂China＇s loose economic system environment＂, ＂earlier abuse of unlimited resource environment＂, ＂China＇s broad consumption market＂ and ＂demographic dividend＂. In global or Asian financial crisis, what other countries valued was China＇s ＂foreign currency＂ accumulated over the years. In global gov- ernance or crisis management, what international community expected was ＂China＇s obligations and responsibilities＂ without the right of speech, etc.. All these are the ＂passive＂ roles produced by ＂a single factor＂ in definite fields. The active and initiative role China will play in international community still needs time and the continuous efforts of several generations. China once was a big country that had significant inftuential power on the world, and China＇s renaissance is a normal process of development of things. What excessive talks about its influential power reflect may be the lack of China＇s influence.展开更多
This article discusses the representation of the sea in selected works of W. H. Longfellow, Herman Melville, and lan Wedde, tracing its transformation from a romantic icon to a global commons. Despite differences in t...This article discusses the representation of the sea in selected works of W. H. Longfellow, Herman Melville, and lan Wedde, tracing its transformation from a romantic icon to a global commons. Despite differences in their portrayals, all three artists find stagnation alongside vitality in the ebb and flow or the rolling of the sea. Similar to Longfellow, Melville romanticizes the sea in Moby-Dick as an ultimate sanctuary, the domain of reveries. At the same time, Melville also portrays the sea as a global commons where U.S. capitalism dominates the global order and exploits the resources. In addressing the environmental issues such as the possibility of whales＇ extinction, Melville echoes ＂the tragedy of the commons＂ lamented by Garrett Hardin. Queequeg, the ＂primitive＂ man who saves Ishmael from the wolfish industrial capitalism is thought to be modeled after a MAori from New Zealand. Today, the M^ori＇s ancestral sea-based culture is threatened by economic globalization. Wedde, a New Zealand poet, confronted the plans to construct an aluminum smelter in his country. His poem juxtaposes themes of precariousness and desolation with resilience and defiant survival, a motif mirrored in Longfellow＇s and Melville＇s portrayals of the sea.展开更多
Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire（ under the American Esquires copyright） as a case study of indigenous media in the context of the globalization of the mark...Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire（ under the American Esquires copyright） as a case study of indigenous media in the context of the globalization of the market economy, and approaches it with critical theories of political economy of communication, in order to offer insight into the commodification process of the Chinese male and expose its implicit dependent economy model. Thus the author attempts to demonstrate how male fashion media in China are trying to re-construct Chinese males＇ masculinity in a post-socialist state and trying to re-map the spheres of class and commodity, as being manipulated by the international copyright system, in the context of postcolonialism, intending to change traditional gender order and to sustain Western Capitalism＇s planetary expansion.展开更多
文摘Through the analysis on China＇s economic develop- ment, utilization of resource environment and soft power, a basic judgment was made of the influence of ＂China development＂. The overall influential power of China development on international community was misunderstood. What we see is the role of ＂China Factor＂ in different fields. In the process of economic globalization, what economic system of capitalist market has seen is ＂China＇s cheap labor＂, ＂China＇s loose economic system environment＂, ＂earlier abuse of unlimited resource environment＂, ＂China＇s broad consumption market＂ and ＂demographic dividend＂. In global or Asian financial crisis, what other countries valued was China＇s ＂foreign currency＂ accumulated over the years. In global gov- ernance or crisis management, what international community expected was ＂China＇s obligations and responsibilities＂ without the right of speech, etc.. All these are the ＂passive＂ roles produced by ＂a single factor＂ in definite fields. The active and initiative role China will play in international community still needs time and the continuous efforts of several generations. China once was a big country that had significant inftuential power on the world, and China＇s renaissance is a normal process of development of things. What excessive talks about its influential power reflect may be the lack of China＇s influence.
文摘This article discusses the representation of the sea in selected works of W. H. Longfellow, Herman Melville, and lan Wedde, tracing its transformation from a romantic icon to a global commons. Despite differences in their portrayals, all three artists find stagnation alongside vitality in the ebb and flow or the rolling of the sea. Similar to Longfellow, Melville romanticizes the sea in Moby-Dick as an ultimate sanctuary, the domain of reveries. At the same time, Melville also portrays the sea as a global commons where U.S. capitalism dominates the global order and exploits the resources. In addressing the environmental issues such as the possibility of whales＇ extinction, Melville echoes ＂the tragedy of the commons＂ lamented by Garrett Hardin. Queequeg, the ＂primitive＂ man who saves Ishmael from the wolfish industrial capitalism is thought to be modeled after a MAori from New Zealand. Today, the M^ori＇s ancestral sea-based culture is threatened by economic globalization. Wedde, a New Zealand poet, confronted the plans to construct an aluminum smelter in his country. His poem juxtaposes themes of precariousness and desolation with resilience and defiant survival, a motif mirrored in Longfellow＇s and Melville＇s portrayals of the sea.
文摘Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire（ under the American Esquires copyright） as a case study of indigenous media in the context of the globalization of the market economy, and approaches it with critical theories of political economy of communication, in order to offer insight into the commodification process of the Chinese male and expose its implicit dependent economy model. Thus the author attempts to demonstrate how male fashion media in China are trying to re-construct Chinese males＇ masculinity in a post-socialist state and trying to re-map the spheres of class and commodity, as being manipulated by the international copyright system, in the context of postcolonialism, intending to change traditional gender order and to sustain Western Capitalism＇s planetary expansion.
