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民族音乐“跨时空、跨文化”教学方法的实践探究 被引量:4
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作者 肖媛妩 李晓光 《课程.教材.教法》 CSSCI 北大核心 2019年第5期134-138,共5页
基于基础教育教学实践,本研究提出“跨时空、跨文化”民族音乐教学方法,即在民族音乐课堂教学中运用“跨时空、跨文化”的教学方法完成课程目标。“跨时空、跨文化”教学,努力实现音乐课堂教学的完整结构,明确课程教学目标,提供多元综... 基于基础教育教学实践,本研究提出“跨时空、跨文化”民族音乐教学方法,即在民族音乐课堂教学中运用“跨时空、跨文化”的教学方法完成课程目标。“跨时空、跨文化”教学,努力实现音乐课堂教学的完整结构,明确课程教学目标,提供多元综合的背景知识,评估与反馈教学效果。系统实施“跨时空、跨文化”音乐教学,可以开阔学生的视野和思维空间,综合培养学生的感受力、鉴赏力、表现力、创新力,提高他们的民族音乐文化素养。 展开更多
关键词 民族音乐 时空、文化教学方法 音乐能力 文化素养
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浅析英语教学中的跨文化教学——以《新编大学英语》第二册为例
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作者 张晔 《科技信息》 2010年第33期I0241-I0242,共2页
外语教学的根本目的就是为了实现跨文化交际,培养可以与不同文化背景的人进行交流的跨文化交际人才。因此在外语教学中,必须足够重视与目标语相关的文化因素,同时也要重视传授本族语文化因素,语言教学必须和相应的文化教学联系起来。本... 外语教学的根本目的就是为了实现跨文化交际,培养可以与不同文化背景的人进行交流的跨文化交际人才。因此在外语教学中,必须足够重视与目标语相关的文化因素,同时也要重视传授本族语文化因素,语言教学必须和相应的文化教学联系起来。本文浅析了文化因素对交际能力的影响、外语教学的文化内容,文化教学的教学原则和教学方法,以期对培养跨文化交际人才有所裨益。 展开更多
关键词 文化教学 教学原则 跨文化教学方法
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国际商务人才跨文化能力及其培养 被引量:24
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作者 李宋昊 《商业时代》 北大核心 2006年第1期69-70,共2页
本文通过综述国内外相关研究来描述国际商务人员的核心能力——跨文化能力的内涵:跨文化意识、跨文化商务技巧和跨文化管理能力。并以Clackworthy的跨文化能力发展曲线(CulturalLearningCurve)为蓝本,阐述不同阶段下跨文化能力发展的特... 本文通过综述国内外相关研究来描述国际商务人员的核心能力——跨文化能力的内涵:跨文化意识、跨文化商务技巧和跨文化管理能力。并以Clackworthy的跨文化能力发展曲线(CulturalLearningCurve)为蓝本,阐述不同阶段下跨文化能力发展的特点。最后简单介绍事实教学、分析教学和实践教学等的跨文化能力培养教学策略。 展开更多
关键词 文化贸易能力 文化能力发展曲线 文化能力培养教学方法本科 实践教学
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Acquisition of pronunciation of consonant clusters by Arabic speakers of English as a second language
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作者 Seetha Jayaraman 《Sino-US English Teaching》 2010年第1期46-56,共11页
The study is based on an observation of the pronunciation of a group of undergraduate students of English as a Second Language (ESL) whose mother tongue is Arabic and who have no formal training in the spoken variet... The study is based on an observation of the pronunciation of a group of undergraduate students of English as a Second Language (ESL) whose mother tongue is Arabic and who have no formal training in the spoken variety of English other than that received in the classroom. The study of acquisition of pronunciation of consonant clusters at morphological, particularly at the morphophonological levels indicates that the learners are sensitive to the syllabic structure viz., cccv type and cccvcc type, at the word-initial, medial and final positions. Samples of words with different consonant clusters were tested with a homogeneous group of students. Words of identical morphological categories were used as the data to test the students' level of perception. These were analyzed using Speech Analyzer Version 2.5. The data includes consonant clusters like plosive-fricative, plosive-plosive, fricative-fricative and plosive-fricative-trill/liquid combinations. The results varied according to the perceptual and articulatory abilities of the learners. It was observed that the plosive perception and acquisition of three-consonant clusters of plosive-plosive word initially, plosive-plosive combinations word finally and plosive-fricative type, posed more difficulty for the learners. The tendency to drop one of the consonants of the cluster was more pronounced with syllables ending in plural morphemes and those ending in -mp, -pt, -kt, -nt, -bt, etc. Difficulty was also noticed with the initial plosive+/r/, plosive+/1/combinations, especially in word initial positions. Across the syllable boundaries, these clusters are almost inaudible with some speakers. The difficulty in the articulation of these consonant clusters can be accounted for the mother tongue influence, as in the case of many other features. The results of the analysis have a pedagogical implication in the use of such words with consonant clusters, to teach reading skills to the students of undergraduate level in the present setting and promote self-learning through the use of speech tools. 展开更多
关键词 consonant clusters acoustic parameters DURATION INTELLIGIBILITY spectrograms
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The Intercultural and Psychophysical Pedagogy of Phillip Zarrilli
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作者 Lori Lee Wallace 《Journalism and Mass Communication》 2014年第8期510-516,共7页
Phillip Zarrilli is an acting teacher whose pedagogy incorporates the Asian disciplines of hatha yoga, kalarippayattu, and t 'ai chi ch 'uan. His intercultural pedagogy would be best labeled as "psychophysical" ba... Phillip Zarrilli is an acting teacher whose pedagogy incorporates the Asian disciplines of hatha yoga, kalarippayattu, and t 'ai chi ch 'uan. His intercultural pedagogy would be best labeled as "psychophysical" based on his own assertions and when bearing in mind the traditions that he considers most personally influential, all of which have intercultural elements, both Western and Asian. This paper examines Zarrilli's personal origins, his pedagogy, his teaching influences, and his legacy based on his artistic progeny. Information was gathered through interviews, personal observation, on-site participation, and literature. The subjects of these analyses were: the disciplines of Asian origin relevant to Zarrilli's pedagogy; how his teaching influences his students; Zarrilli's personal development from university to his present international teaching, directing, and writing; his past and current projects; and what his work means today. 展开更多
关键词 Phillip Zarrilli acting pedagogy psycbophysical
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