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简介《燕乐探微》作者丘琼荪的学术贡献
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作者 孙新财 《乐府新声(沈阳音乐学院学报)》 2005年第4期25-28,共4页
1.28调源于四弦十四柱,直项的秦汉乐琵琶。 2.隋唐燕乐调不尽是外来乐调,也有中国本土的乐调。 3.唐用玉尺律(黄钟=e)、宋用铁尺律(黄钟=#f)。 4.宋用正声为基调、唐用下徵(为基调)。 5.苏祇婆七声调及燕乐四声调,都是“音阶。 6... 1.28调源于四弦十四柱,直项的秦汉乐琵琶。 2.隋唐燕乐调不尽是外来乐调,也有中国本土的乐调。 3.唐用玉尺律(黄钟=e)、宋用铁尺律(黄钟=#f)。 4.宋用正声为基调、唐用下徵(为基调)。 5.苏祇婆七声调及燕乐四声调,都是“音阶。 6.“为调名制”下有四音阶、“之调名制”只用一音阶记谱。 7.《辽史》“四旦”的用法,与《隋志》的用法同。“旦”实包举七调,“旦”绝不作“均” 字用。 展开更多
关键词 探微 丘琼荪 28调 玉尺律 铁尺律 正声基调 下微基调 苏祗婆七调 音阶 调式 声调 转调乐 旋宫 随调音阶 固定音阶 之、为调名制
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Some Remarks Regarding Originality and Historical Transformations of Chopin's Mazurkas, as Based on the Mathematical Systematic Method of the Tonal Structure Analysis
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作者 Miroslaw Majchrzak 《Journal of Literature and Art Studies》 2014年第1期34-45,共12页
Musical analysis enables us to study the various elements of a musical work, for example texture, m dynamics, or harmony (including tonality). Thanks to musical analysis we are able to trace the compos technique, or... Musical analysis enables us to study the various elements of a musical work, for example texture, m dynamics, or harmony (including tonality). Thanks to musical analysis we are able to trace the compos technique, or assess the artistic value of given work. In addition to traditional, descriptive methods of e it ody, onal music analysis, we can observe in 20th century the development of methods based on science (mathematics, otherwise statistics). Such methodologies allow us to obtain a strict understanding of the structure of musical pieces Applying mathematical methods for musical analysis seems very reasonable in relation to the output of Frederic Chopin, due to large originality of the elements of musical pieces of this composer. Present paper was written as a result of research related to the applying of numerical method of analysis for exploring the tonal structure of Chopin's works. The author's research method enables a strict analysis of the chord's domination that can be classified under given key (range)--taking into consideration the harmonic functions. By the method of analysis we can get charts that depict whole diatonic vertical music material of the given piece. The main objective of the present study is to describe observations on the high uniqueness in the tonal construction of selected Chopin's mazurkas, especially, when compared to the miniatures of other composers of the first half of the 19th century and previously analyzed Chopin's pieces: etudes, preludes, and songs. 展开更多
关键词 computational musicology music analysis Chopin's mazurkas TONALITY
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