This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursui...This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursuit of modem education, simple appearance, great leaders, and the ambassadors of culture, the author＇s research indicates that Chen＇s construction of＂new woman＂ has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of ＂the New Culture Movement＂. Meanwhile, Chen＇s gender consciousness is also an important element. Moreover, Chen＇s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women＇s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen＇s construction of＂new woman＂ is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modem womanhood. Through the examination of Chen＇s ＂new woman＂, this paper seeks to enrich our understanding of the complexity of modem Chinese women＇s exploration of modem womanhood.展开更多
Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the ...Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the entry of foreign missionaries. Various types of Christian buildings rose up in the province, were constructed by local builder, but designed and funded by foreign missionaries. In comparison to other Christian buildings, churches have unique historical value, cultural value and also special meaning in architecture art. However, their cultural heritage value has not yet been sufficiently considered. They are facing the prospect of being damaged and demolished, even in nowadays. It is incumbent that their architecture to be historically evaluated and that ways to be found to preserve them. In this paper, the author will focus on the neoteric Christian churches and illustrate the architecture by taking examples from the churches in Shaanxi, along with the intention to clarify the relationship between social background and the history of evolution of these churches. In addition, the authors have taken the chance to understand more comprehensively about the fascinating history of these Christian churches by way of field surveys and taping into archival documents.展开更多
Traditional Chinese culture covers a variety of ethical principles and behavioral norms that have arisen from thousands of years of Chinese social life to handle interpersonal relationships in an appropriate way. Such...Traditional Chinese culture covers a variety of ethical principles and behavioral norms that have arisen from thousands of years of Chinese social life to handle interpersonal relationships in an appropriate way. Such principles and norms are a typical expression of Chinese people＇s wisdom in the analysis of their surroundings. However, traditional Chinese culture also contains some poisonous thinking that has been carefully nurtured by feudal rulers to maintain their power. In the practice of the great social changes of pre-1949 China, after repeated experience, people gained a relatively clear and comprehensive understanding of traditional Chinese culture： it should neither be totally affirmed nor totally rejected. Rather, we should analyze it concretely, endeavoring to separate the dross from the essence. In late Qing and Republican China, traditional culture was continuously handed on and renewed, and this process will be carried on and on.展开更多
The concept of tianxia （all under heaven） had both a broad and a narrow meaning in traditional China, corresponding respectively to ＂the world＂ and ＂China.＂ It was generally believed that China＇s recent history...The concept of tianxia （all under heaven） had both a broad and a narrow meaning in traditional China, corresponding respectively to ＂the world＂ and ＂China.＂ It was generally believed that China＇s recent history saw a process in which tianxia contracted into a ＂state.＂ However, if we put the emphasis on what the Chinese literati had in mind, the process was more of a transformation from tianxia to ＂the world.＂ Kang Youwei creatively transformed Gongyang＇s idea of the ＂Three Worlds＂ from a diachronic to a synchronic concept, facilitating a smooth transformation from tianxia to ＂the world.＂ However, China was excluded fi-om the Western-dominated ＂world＂ system. The Chinese literati＇s yearning to become a part of＂the world,＂ and their endeavor to earn China a better position in the world, involved a hesitant process of exploration.展开更多
文摘This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursuit of modem education, simple appearance, great leaders, and the ambassadors of culture, the author＇s research indicates that Chen＇s construction of＂new woman＂ has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of ＂the New Culture Movement＂. Meanwhile, Chen＇s gender consciousness is also an important element. Moreover, Chen＇s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women＇s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen＇s construction of＂new woman＂ is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modem womanhood. Through the examination of Chen＇s ＂new woman＂, this paper seeks to enrich our understanding of the complexity of modem Chinese women＇s exploration of modem womanhood.
文摘Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the entry of foreign missionaries. Various types of Christian buildings rose up in the province, were constructed by local builder, but designed and funded by foreign missionaries. In comparison to other Christian buildings, churches have unique historical value, cultural value and also special meaning in architecture art. However, their cultural heritage value has not yet been sufficiently considered. They are facing the prospect of being damaged and demolished, even in nowadays. It is incumbent that their architecture to be historically evaluated and that ways to be found to preserve them. In this paper, the author will focus on the neoteric Christian churches and illustrate the architecture by taking examples from the churches in Shaanxi, along with the intention to clarify the relationship between social background and the history of evolution of these churches. In addition, the authors have taken the chance to understand more comprehensively about the fascinating history of these Christian churches by way of field surveys and taping into archival documents.
文摘Traditional Chinese culture covers a variety of ethical principles and behavioral norms that have arisen from thousands of years of Chinese social life to handle interpersonal relationships in an appropriate way. Such principles and norms are a typical expression of Chinese people＇s wisdom in the analysis of their surroundings. However, traditional Chinese culture also contains some poisonous thinking that has been carefully nurtured by feudal rulers to maintain their power. In the practice of the great social changes of pre-1949 China, after repeated experience, people gained a relatively clear and comprehensive understanding of traditional Chinese culture： it should neither be totally affirmed nor totally rejected. Rather, we should analyze it concretely, endeavoring to separate the dross from the essence. In late Qing and Republican China, traditional culture was continuously handed on and renewed, and this process will be carried on and on.
文摘The concept of tianxia （all under heaven） had both a broad and a narrow meaning in traditional China, corresponding respectively to ＂the world＂ and ＂China.＂ It was generally believed that China＇s recent history saw a process in which tianxia contracted into a ＂state.＂ However, if we put the emphasis on what the Chinese literati had in mind, the process was more of a transformation from tianxia to ＂the world.＂ Kang Youwei creatively transformed Gongyang＇s idea of the ＂Three Worlds＂ from a diachronic to a synchronic concept, facilitating a smooth transformation from tianxia to ＂the world.＂ However, China was excluded fi-om the Western-dominated ＂world＂ system. The Chinese literati＇s yearning to become a part of＂the world,＂ and their endeavor to earn China a better position in the world, involved a hesitant process of exploration.
