This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursui...This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursuit of modem education, simple appearance, great leaders, and the ambassadors of culture, the author＇s research indicates that Chen＇s construction of＂new woman＂ has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of ＂the New Culture Movement＂. Meanwhile, Chen＇s gender consciousness is also an important element. Moreover, Chen＇s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women＇s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen＇s construction of＂new woman＂ is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modem womanhood. Through the examination of Chen＇s ＂new woman＂, this paper seeks to enrich our understanding of the complexity of modem Chinese women＇s exploration of modem womanhood.展开更多
Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the ...Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the entry of foreign missionaries. Various types of Christian buildings rose up in the province, were constructed by local builder, but designed and funded by foreign missionaries. In comparison to other Christian buildings, churches have unique historical value, cultural value and also special meaning in architecture art. However, their cultural heritage value has not yet been sufficiently considered. They are facing the prospect of being damaged and demolished, even in nowadays. It is incumbent that their architecture to be historically evaluated and that ways to be found to preserve them. In this paper, the author will focus on the neoteric Christian churches and illustrate the architecture by taking examples from the churches in Shaanxi, along with the intention to clarify the relationship between social background and the history of evolution of these churches. In addition, the authors have taken the chance to understand more comprehensively about the fascinating history of these Christian churches by way of field surveys and taping into archival documents.展开更多
In the name of visual pleasure, there are different entertainments in today＇s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are tur...In the name of visual pleasure, there are different entertainments in today＇s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are turning voyeurs without their consent. In the first phase, the study reveals the process where film influences voyeuristic behavior. The urge to explore others＇ private matters starts through the way film reflects, reveals, and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking, and spectacle. Several voyeuristic means in films pursue set formation, and they all persuade the viewer to identify with the male character by allowing the viewer to see what he sees through different voyeuristic means. The use of devices as a telescope, magnifying glass, and keyholes is the motivation for the close-up shots. They turn the viewer into a participant and spectator and allow the viewer to look at previously unseen and hidden details, but they do not let the viewer become totally a part of the action. In this study, films like Peeping Tom and Sliver are analyzed to understand big screen voyeurism. In the second phase, this study presents the voyeurism initiated by television programs such as reality shows, ＂soap operas＂, daytime television, talk shows, real life documentaries, and ＂docudramas＂. At the pinnacle, there are the government, police, and the employers who are assisting to produce a new ＂watched＂ culture with the use of closed circuit TV devices. Some camera operators are known to have made ＂greatest hits＂ tapes and other material captured on CCTV has become the footage used to create television programs for entertainment purposes. Thus, they are influencing public voyeurism. Programs like ＂Big Daddy＂, ＂Big Brother＂, and ＂Big Boss＂ are disclosing personal activities of the characters through hidden cameras. They are considered as soft-core pornography on mainstream television and satellite channels.展开更多
文摘This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursuit of modem education, simple appearance, great leaders, and the ambassadors of culture, the author＇s research indicates that Chen＇s construction of＂new woman＂ has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of ＂the New Culture Movement＂. Meanwhile, Chen＇s gender consciousness is also an important element. Moreover, Chen＇s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women＇s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen＇s construction of＂new woman＂ is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modem womanhood. Through the examination of Chen＇s ＂new woman＂, this paper seeks to enrich our understanding of the complexity of modem Chinese women＇s exploration of modem womanhood.
文摘Christian buildings in Shaanxi already have more than 1,300 years development history since the first church was built in Chang＇an in 635 AD. The Rapid development of Christian buildings started from 1840 due to the entry of foreign missionaries. Various types of Christian buildings rose up in the province, were constructed by local builder, but designed and funded by foreign missionaries. In comparison to other Christian buildings, churches have unique historical value, cultural value and also special meaning in architecture art. However, their cultural heritage value has not yet been sufficiently considered. They are facing the prospect of being damaged and demolished, even in nowadays. It is incumbent that their architecture to be historically evaluated and that ways to be found to preserve them. In this paper, the author will focus on the neoteric Christian churches and illustrate the architecture by taking examples from the churches in Shaanxi, along with the intention to clarify the relationship between social background and the history of evolution of these churches. In addition, the authors have taken the chance to understand more comprehensively about the fascinating history of these Christian churches by way of field surveys and taping into archival documents.
文摘In the name of visual pleasure, there are different entertainments in today＇s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are turning voyeurs without their consent. In the first phase, the study reveals the process where film influences voyeuristic behavior. The urge to explore others＇ private matters starts through the way film reflects, reveals, and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking, and spectacle. Several voyeuristic means in films pursue set formation, and they all persuade the viewer to identify with the male character by allowing the viewer to see what he sees through different voyeuristic means. The use of devices as a telescope, magnifying glass, and keyholes is the motivation for the close-up shots. They turn the viewer into a participant and spectator and allow the viewer to look at previously unseen and hidden details, but they do not let the viewer become totally a part of the action. In this study, films like Peeping Tom and Sliver are analyzed to understand big screen voyeurism. In the second phase, this study presents the voyeurism initiated by television programs such as reality shows, ＂soap operas＂, daytime television, talk shows, real life documentaries, and ＂docudramas＂. At the pinnacle, there are the government, police, and the employers who are assisting to produce a new ＂watched＂ culture with the use of closed circuit TV devices. Some camera operators are known to have made ＂greatest hits＂ tapes and other material captured on CCTV has become the footage used to create television programs for entertainment purposes. Thus, they are influencing public voyeurism. Programs like ＂Big Daddy＂, ＂Big Brother＂, and ＂Big Boss＂ are disclosing personal activities of the characters through hidden cameras. They are considered as soft-core pornography on mainstream television and satellite channels.
