“本体”思考与“通觉”表现——丁建元“新性灵散文”探析

当代散文作家中,丁建元不仅善于继承、借鉴、融合,将明清“公安派”及20世纪二三十年代周作人、林语堂倡导的“独抒性灵”精神传承下来,而且勇敢探索、开拓、创新,走出一条独特之路,建构起独特的个人艺术世界——“新性灵散文”:将生活体验、生命体验与艺术鉴赏有机结合,延伸至对生命、人性及人与自然的关系、人在宇宙中的地位等进行普遍化、哲学化思考,实现对生命“本体”的深入探索,创造出更广阔、更博大的题材空间;通过“通觉化”将众多感觉方法、思维方法、艺术界域、表现手段全面打通,创造一种专属于丁建元的艺术空间。并通过它对生命张力与艺术张力进行全面挖掘,引领散文创作、散文阅读、散文研究走向一个全新的“位面”或者“界面”。

Poetry and Cinema

Poetry can be seen as a means for communicating a message in a unique vision. The same can be applied to cinema. Literature precedes the making of a film in most cases. The preparation for a movie is written in much details, be it for stories, scenes, dialogues, storyboards, or technical descriptions. In that extend, words are the genesis of cinema. Poetry is a unique way to express one＇s point of view in a metaphoric way, far from common means of communicating a message. This purpose is the one of many a film director with daring, controversial, or highly personal ideas. The study will concentrate on the link of cinema with poetry based on the concept of rhymes and rhythms.