道教方术与唐代士大夫的政治斗争

道教方术在唐代相当盛行,上至皇帝士大夫,下到普通民众多热衷于从事道教方术活动。事实上,唐代诸次政治斗争都潜藏了道教方术与士大夫的隐秘联系,唐代士大夫或利用道教方术韬光养晦,积蓄力量,或借助道教方术争权逐利,攻击政敌,在一定程度上影响了正常的政治秩序,加速了唐朝的灭亡。

浅析韩愈三篇碑志文中的反道教方术思想

韩愈对道教深恶痛绝，对道教的毒害有切肤之痛，他利用碑志文反对道教，既是揭露道教的虚伪和荒谬以达到捍卫儒道的目的，也是实践他“不平则鸣”“文以明道”的古文理论的成功范例之一。

Discussion on the Inheritance and Development of Taoism＇s Simple Aesthetics Spirit in Contemporary Landscape Paintings

Nowadays, the landscape paintings dominated by Taoism＇ s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the eastern culture and the western culture, and the interaction of arts. In the process of development from the tradition to the modem times, the original source of contemporary landscape paintings＇ artistic spirit should be traced, and the corresponding historical stages should be objectively and rationally analyzed, so that contemporary landscape paintings can better adapt to the present conditions, and then their real existence and creative development can be really realized.

郭璞《游仙诗》中的神仙世界与宗教存想

郭璞《游仙诗》第三、九两首诗中的神仙世界不是作为现实生活和诗人理想升华的艺术想象的产物,而是通过服食丹药、行气、服炼津液和"静啸"等方术修炼所诱发的宗教存想的结果,具有鲜明的宗教性质。这两首诗的主要内容都是由方术修炼、存想"幻视"所见的神仙世界和从神仙世界对人间的审视等三部分构成。在这三个方面,这两首诗之间又存在明显差别,而这些差别无一例外都是学道修仙不断进展和加深的具体表现。对于第三、九两首诗的新解读,将影响我们对于《游仙诗》的认识和评价,促进郭璞和《游仙诗》研究的深入发展。