浅论高温色釉彩装饰

瓷器是我们中华民族的伟大发明，有着优秀的传统。景德镇瓷器有悠久的历史，从宋代起，逐渐形成青白瓷烧制中心，一步一步取得辉煌的发展，元、明、清以及近代，都有不同的成就和特色，全世界无不知晓景德镇这个著名的瓷都。中国陶瓷最初的装饰是以颜色釉为通体装饰，其历史最久，品种最多，数量最大。千百年来，瓷都景德镇所创造的变幻奇妙釉色及其丰富多彩的装饰，具有高度的艺术成就，在世界工艺美术史上闪烁着灿烂的光辉。而今已跨入二十一世纪，瓷都景德镇就象一块闪光的宝石，吸引着无数的中外游客纷至踏来，人们对景德镇的艺术陶瓷赞不绝口，对奇异的颜色釉装饰陶瓷更是连声叫绝。

金代红绿彩瓷器釉彩装饰的形成与演变

金代红绿彩瓷器是我国最早的釉上多色彩绘瓷器,它的出现在我国彩瓷发展史上具有里程碑式的意义。金代红绿彩瓷器釉彩装饰的形成一方面与金代稳定、繁荣,兼容并蓄的社会环境有关,另一方面,与女真文化中潜在的生命意识和中原文化中的吉祥观念有很深的联系,抑或可以说是女真文化与中原文化的深度融合促成了金代红绿彩瓷器这一独特彩瓷品种的产生。金代红绿彩瓷器产生之后,釉彩装饰风格从初期的精雕细琢,到不拘一格再到简约、粗放的过程,其中,金章宗泰和年间是红绿彩瓷器釉彩装饰的顶峰,之后便逐渐走向衰落。

Discussion on the Understanding and Inheritance of Jingdezhen Traditional Famille Rose Decoration and Color Enamel Craftsmanship

Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is restricted not only by historical change and geographical conditions and also by how to inherit the craftsmanship. In this paper, through the literature studies, sociology investigation, market research, and comparative analysis of the traditional pastel industry in Jingdezhen, the making flows of famille rose decoration and color enamel are introduced plus the author＇s understanding of famille rose decoration and color enamel, and also the understanding and inheritance of Jingdezhen traditional famille rose decoration and color enamel craftsmanship as ＂intangible cultural heritage＂ are discussed. Therefore, theoretical basis and practice guidance are provided for famille rose decoration and color enamel craftsmanship to develop toward the cultural industry, and also a reference in theory and practice is available for the inheritance and development of the handmade ceramic products as ＂intangible cultural heritage＂.