In this age of modernization and mechanization, we seem to have lost sensitivity to a collective awareness regarding the welfare of our surroundings, people, animals, microbes, and plants. We seem to encounter systemi...In this age of modernization and mechanization, we seem to have lost sensitivity to a collective awareness regarding the welfare of our surroundings, people, animals, microbes, and plants. We seem to encounter systemic problems of corruption, moral bankruptcy, and spiritual decay. This leads to a rise in violence at various levels： individual, familial, societal, global, environmental, and biological. In order to combat these problems, it is necessary to examine the diverse semantics of the concept of peace： positive peace, negative peace, world peace, socio-cultural peace, and individual peace. The semantics of peace changes according to the context, for example, ＂May he rest in peace,＂ is quite different from： ＂His beautiful memories will give you peace.＂ Since society is constituted of a group of persons, an individual becomes society＇s substantive foundation with his/her conscious self, made of mind, body and spirit. The individual with creative power can become an agent of positive change. Using the interdisciplinary socio-linguistic/semantic and humanistic-philosophical approaches, this paper analyzes the ＂all-inclusive＂ and ＂interdependent＂ nature of life and the role and power of the individual （self） in the creation of peace at diverse levels： personal, community, the globe, and the cosmos. The paper draws heavily from India＇s spiritual worldview and humanistic techniques in resolving conflicts and attaining freedom from ill-health for peaceful living.展开更多
The paper highlights some of the changes that are taking place across the entire spectrum of business environment with an objective of understanding this new context. Politics is changing to reflect shifts in economic...The paper highlights some of the changes that are taking place across the entire spectrum of business environment with an objective of understanding this new context. Politics is changing to reflect shifts in economics which is simultaneously causing social strife and unrest. Technology has disrupted many business models and with rapid advancements will change the way we live, work, and interact with each other. So much so that this new reality is being termed as the fourth industrial revolution. We are clearly on the edges of the new times but are trying to make sense of it all ironically with a mindset which is anchored in the past. To be future ready, the future has to be forecasted or imagined or even willed by the collective consciousness of humanity. This paper has captured the changes through extensive research and personal insights into the changing paradigms. The paper finally puts forth two likely scenarios that might emerge which need to be further researched upon so that more conclusions can be drawn.展开更多
The political theatre in the Arab world emerged from rough seas of opposition and state monitoring schemes. Some critics may claim that political tendencies in Arab theatre can be traced to the early contributors to A...The political theatre in the Arab world emerged from rough seas of opposition and state monitoring schemes. Some critics may claim that political tendencies in Arab theatre can be traced to the early contributors to Arab theatre Others attribute the emergence of this theatre to the revolution of Egypt＇s Nasir. However, the Syrian playwright Sa＇d Allah Wannus may be viewed as the true representative of this kind of theatre in the Arab world. Shocked by the defeat of the Arabs by Israel in 1967, he began what he coined ＂theatre of politicization＂, aiming to attack Arab governments and blaming them for the defeat, and at the same time, insighting his audience to revolt against existing political ideas. In this kind of theatre, the audience assumed ever-increasing importance. Wannus wrote several plays, the aim of which was to develop a mentality and strengthen a collective consciousness in an Arab historical context. This article aims to exploring the concept of theatre of politicization and the impact of that on Arab political theatre展开更多
This article aims to present Beloved, a ghost-in-the-flesh protagonist of Toni Morrison＇s Pulitzer Prize-winning novel Beloved （1987）, as an incarnation of memory of slavery. Interpreted as personal and shared expe...This article aims to present Beloved, a ghost-in-the-flesh protagonist of Toni Morrison＇s Pulitzer Prize-winning novel Beloved （1987）, as an incarnation of memory of slavery. Interpreted as personal and shared experience, Beloved will be analyzed on the basis of memory＇s dynamic nature as an active mnemonic agent operating in and between the individual and collective zones. It will be also argued that on the one hand, Beloved embodies memories of past slaved lives of the novel＇s central characters, Sethe and Paul D, while on the other hand she plays the role of an allegoric reminder of all Black slaves who lived and died in bondage on the American continent. Finally, Beloved will be symbolically seen as a historical, cultural and psychological link between contemporary African Americans and their African ancestors of the Middle Passage. The theoretical framework for this study of Morrison＇s most memorable ghost figure will follow from a discussion of memory＇s individual and shared qualities, as well as from the concepts of a collective consciousness, the collective unconscious, and collective memory.展开更多
In this paper, the network movie as the research object, quoted in the theory of ＂collective memory＂ from Mauric Halbwachs, the academic circles in recent years on the Internet Movie different viewpoint for referenc...In this paper, the network movie as the research object, quoted in the theory of ＂collective memory＂ from Mauric Halbwachs, the academic circles in recent years on the Internet Movie different viewpoint for reference, consult a lot of literatures, the method of interdisciplinary research in the field of psychology, culture, to ＂memory＂, ＂culture＂, ＂group （SOCIAL）＂ in three aspects, analysis of network movie as an expression of individual consciousness, contradiction between individual and collective in the expression of the collective memory of the film, through the analysis of the network specific expression, expression, the expression of an important role in the formation of rebellious sense for people aesthetic psychology, the awakening of individual consciousness and group identity. Therefore, it is necessary to culture the appearance and development of Internet Movie, is bound to the mode of expression, the people＇s cultural psychology and social individual to collective identity have significant influence.展开更多
While criminal investigations are usually conducted after the crime has been committed, these investigations can benefit from community crime prevention initiatives. The use of citizen volunteers, citizen awareness ca...While criminal investigations are usually conducted after the crime has been committed, these investigations can benefit from community crime prevention initiatives. The use of citizen volunteers, citizen awareness campaigns, community-driven research, and programs that facilitate effective police-community relations can aid the investigator in collecting testimony that might otherwise go unreported. Specific examples of how cases have been cleared due to the beneficial inclusion of citizen satisfaction research, crime prevention resources, and volunteer personnel demonstrate how community, crime prevention, and investigation of criminal behavior can be interlinked. The theme of this paper rests on the notion that the community＇s sense of collective efficacy, crime prevention efforts, and criminal investigation processes are not mutually exclusive, but instead should be considered as related aspects of the crime-fighting spectrum.展开更多
When Elizabethan＇s were trained to read and write, the handwriting they first learned was ＂Secretary＂ （or ＂Secretarial＂） hand, reflecting the style used by monks and scribes well back into the Middle Ages. Only...When Elizabethan＇s were trained to read and write, the handwriting they first learned was ＂Secretary＂ （or ＂Secretarial＂） hand, reflecting the style used by monks and scribes well back into the Middle Ages. Only in the mid-1500s did an alternative hand called ＂Italic＂ （or ＂Italianate＂） slowly begin to be adopted as a second hand, reflecting handwriting used on the continent, and Italic was rarer than Secretary until well after 1600. Today, extant Elizabethan handwriting samples normally show each person used both hand styles, and where only one hand is extant for a given person, it is usually a Secretary hand. Thus, it＇s a surprise that two noblemen, the great William Cecil, Lord Burghley, and his son-in-law Edward DeVere, the 17th Earl of Oxford, are each assumed to have only Italic hand samples among their voluminous collections of handwriting. Did they not learn and never use Secretary hands, or is it that any Secretary hands in their documents are simply presumed to be written by clerks？ This article begins with questioning whether the two men really were limited to Italic hands, fmds a few plausible Secretary hand samples for one of them （possibly for both）, reconstructs a hypothetical Italic alphabet for him, and nominates many candidate manuscripts （MSS, singular MS） for having been written or contributed to by him, some of which may be relevant to Shakespeare studies. Other subjects touched on are calligraphy, a clerk （or amanuensis）, and griffe de notaire （literally a ＂notary＇s scratch＂, or identifying scribble）.展开更多
文摘In this age of modernization and mechanization, we seem to have lost sensitivity to a collective awareness regarding the welfare of our surroundings, people, animals, microbes, and plants. We seem to encounter systemic problems of corruption, moral bankruptcy, and spiritual decay. This leads to a rise in violence at various levels： individual, familial, societal, global, environmental, and biological. In order to combat these problems, it is necessary to examine the diverse semantics of the concept of peace： positive peace, negative peace, world peace, socio-cultural peace, and individual peace. The semantics of peace changes according to the context, for example, ＂May he rest in peace,＂ is quite different from： ＂His beautiful memories will give you peace.＂ Since society is constituted of a group of persons, an individual becomes society＇s substantive foundation with his/her conscious self, made of mind, body and spirit. The individual with creative power can become an agent of positive change. Using the interdisciplinary socio-linguistic/semantic and humanistic-philosophical approaches, this paper analyzes the ＂all-inclusive＂ and ＂interdependent＂ nature of life and the role and power of the individual （self） in the creation of peace at diverse levels： personal, community, the globe, and the cosmos. The paper draws heavily from India＇s spiritual worldview and humanistic techniques in resolving conflicts and attaining freedom from ill-health for peaceful living.
文摘The paper highlights some of the changes that are taking place across the entire spectrum of business environment with an objective of understanding this new context. Politics is changing to reflect shifts in economics which is simultaneously causing social strife and unrest. Technology has disrupted many business models and with rapid advancements will change the way we live, work, and interact with each other. So much so that this new reality is being termed as the fourth industrial revolution. We are clearly on the edges of the new times but are trying to make sense of it all ironically with a mindset which is anchored in the past. To be future ready, the future has to be forecasted or imagined or even willed by the collective consciousness of humanity. This paper has captured the changes through extensive research and personal insights into the changing paradigms. The paper finally puts forth two likely scenarios that might emerge which need to be further researched upon so that more conclusions can be drawn.
文摘The political theatre in the Arab world emerged from rough seas of opposition and state monitoring schemes. Some critics may claim that political tendencies in Arab theatre can be traced to the early contributors to Arab theatre Others attribute the emergence of this theatre to the revolution of Egypt＇s Nasir. However, the Syrian playwright Sa＇d Allah Wannus may be viewed as the true representative of this kind of theatre in the Arab world. Shocked by the defeat of the Arabs by Israel in 1967, he began what he coined ＂theatre of politicization＂, aiming to attack Arab governments and blaming them for the defeat, and at the same time, insighting his audience to revolt against existing political ideas. In this kind of theatre, the audience assumed ever-increasing importance. Wannus wrote several plays, the aim of which was to develop a mentality and strengthen a collective consciousness in an Arab historical context. This article aims to exploring the concept of theatre of politicization and the impact of that on Arab political theatre
文摘This article aims to present Beloved, a ghost-in-the-flesh protagonist of Toni Morrison＇s Pulitzer Prize-winning novel Beloved （1987）, as an incarnation of memory of slavery. Interpreted as personal and shared experience, Beloved will be analyzed on the basis of memory＇s dynamic nature as an active mnemonic agent operating in and between the individual and collective zones. It will be also argued that on the one hand, Beloved embodies memories of past slaved lives of the novel＇s central characters, Sethe and Paul D, while on the other hand she plays the role of an allegoric reminder of all Black slaves who lived and died in bondage on the American continent. Finally, Beloved will be symbolically seen as a historical, cultural and psychological link between contemporary African Americans and their African ancestors of the Middle Passage. The theoretical framework for this study of Morrison＇s most memorable ghost figure will follow from a discussion of memory＇s individual and shared qualities, as well as from the concepts of a collective consciousness, the collective unconscious, and collective memory.
文摘In this paper, the network movie as the research object, quoted in the theory of ＂collective memory＂ from Mauric Halbwachs, the academic circles in recent years on the Internet Movie different viewpoint for reference, consult a lot of literatures, the method of interdisciplinary research in the field of psychology, culture, to ＂memory＂, ＂culture＂, ＂group （SOCIAL）＂ in three aspects, analysis of network movie as an expression of individual consciousness, contradiction between individual and collective in the expression of the collective memory of the film, through the analysis of the network specific expression, expression, the expression of an important role in the formation of rebellious sense for people aesthetic psychology, the awakening of individual consciousness and group identity. Therefore, it is necessary to culture the appearance and development of Internet Movie, is bound to the mode of expression, the people＇s cultural psychology and social individual to collective identity have significant influence.
文摘While criminal investigations are usually conducted after the crime has been committed, these investigations can benefit from community crime prevention initiatives. The use of citizen volunteers, citizen awareness campaigns, community-driven research, and programs that facilitate effective police-community relations can aid the investigator in collecting testimony that might otherwise go unreported. Specific examples of how cases have been cleared due to the beneficial inclusion of citizen satisfaction research, crime prevention resources, and volunteer personnel demonstrate how community, crime prevention, and investigation of criminal behavior can be interlinked. The theme of this paper rests on the notion that the community＇s sense of collective efficacy, crime prevention efforts, and criminal investigation processes are not mutually exclusive, but instead should be considered as related aspects of the crime-fighting spectrum.
文摘When Elizabethan＇s were trained to read and write, the handwriting they first learned was ＂Secretary＂ （or ＂Secretarial＂） hand, reflecting the style used by monks and scribes well back into the Middle Ages. Only in the mid-1500s did an alternative hand called ＂Italic＂ （or ＂Italianate＂） slowly begin to be adopted as a second hand, reflecting handwriting used on the continent, and Italic was rarer than Secretary until well after 1600. Today, extant Elizabethan handwriting samples normally show each person used both hand styles, and where only one hand is extant for a given person, it is usually a Secretary hand. Thus, it＇s a surprise that two noblemen, the great William Cecil, Lord Burghley, and his son-in-law Edward DeVere, the 17th Earl of Oxford, are each assumed to have only Italic hand samples among their voluminous collections of handwriting. Did they not learn and never use Secretary hands, or is it that any Secretary hands in their documents are simply presumed to be written by clerks？ This article begins with questioning whether the two men really were limited to Italic hands, fmds a few plausible Secretary hand samples for one of them （possibly for both）, reconstructs a hypothetical Italic alphabet for him, and nominates many candidate manuscripts （MSS, singular MS） for having been written or contributed to by him, some of which may be relevant to Shakespeare studies. Other subjects touched on are calligraphy, a clerk （or amanuensis）, and griffe de notaire （literally a ＂notary＇s scratch＂, or identifying scribble）.
