Since Korea-Japan annexation in 1910, Japan has promoted the migration and/or tourism into colonial Chosun （old Korea） as an efficient cultural strategy for extending imperialism into Korean peninsula. In many tour ...Since Korea-Japan annexation in 1910, Japan has promoted the migration and/or tourism into colonial Chosun （old Korea） as an efficient cultural strategy for extending imperialism into Korean peninsula. In many tour guide books, the gisaeng （Korean female entertainers） was not only a symbol of Chosun tradition, but a main icon of Chosun tourism. The high class Korean-styled restaurants （yorijoem） were established as tourist attraction for Japanese inlanders, with singing and dancing gisaengs, ondol （Korean heating floor） house and Korean authentic cuisine, etc. The aim of this paper is firstly to explore the existential change of gisaengs in the yorijoem through its spatial significance in the 1930s, and secondly to explore the identity of Seoul local food culture and its metamorphosis under the colonial modernity.展开更多
文摘Since Korea-Japan annexation in 1910, Japan has promoted the migration and/or tourism into colonial Chosun （old Korea） as an efficient cultural strategy for extending imperialism into Korean peninsula. In many tour guide books, the gisaeng （Korean female entertainers） was not only a symbol of Chosun tradition, but a main icon of Chosun tourism. The high class Korean-styled restaurants （yorijoem） were established as tourist attraction for Japanese inlanders, with singing and dancing gisaengs, ondol （Korean heating floor） house and Korean authentic cuisine, etc. The aim of this paper is firstly to explore the existential change of gisaengs in the yorijoem through its spatial significance in the 1930s, and secondly to explore the identity of Seoul local food culture and its metamorphosis under the colonial modernity.
