音乐会社文化内涵

陕西西安和河北冀中的音乐会社在律调谱器曲等音乐本体中心特征的意义上具有相通一致性,在用乐的功能性上亦有一致性,因此需要从文化的深层把握这其中的内涵。本文侧重于冀中音乐会社,辨析两者之间从吉礼承祀对象以及凶礼为用的同一性,音乐本体的相通性、保持传承相对稳定的内因,以及何以产生变异的诸种要素。认定其为中国音乐文化大传统当下存在的意义。

黑眼睛与蓝眼睛——比评张振涛《冀中乡村礼俗中的鼓吹乐社——音乐会》与钟思第《采风——新旧中国的民间艺人生活》

同样是民族音乐学领域的著作,同样带有一代学术中坚的放眼世界的开阔思路,同样关注一个地区之中的传统乐种,黑眼睛与蓝眼睛的中外学者从不同的视角、不同层面上的研究各取所需、尽显其能.虽然两位学者的偏重不甚相同,但是给民族音乐学界带来的活力以及对于新生代的震撼是无以伦比的.

The Baul Sursadhak： The Tradition and Individual Talent

The Bauls or the fakirs of Bengal have been unacknowledged prophets even a century back, till the recent interest now in their music, philosophy, and performance. The Bauls do not revere class/caste/religious divides and often flout the norms of the society by their divine madness. Etymologically, the word derives from Sanskrit, ＂vatula＂ （meaning one who is affected by the wind disease or is mad）, or ＂vyakula＂ （meaning restless or disordered）. In recent years however, Bauls have been recognized as a religious sect, yet the connotation of madness still clings to their reputation. This paper is going to discuss briefly how the Baul tradition developed in Bengal and then focus on the Baul philosophy in the Baul-gan texts and on their musical appeal. Many of the Baul-gans have had profound influence on other forms of music. Closely associated with the Baul sangeet is the Bhatiali music whose rhythm, has often won the hearts of many classical musicians. Often times the classical musicians have been found to render the ektatra or dotara sounds in their improvisations. Rabindranath Tagore too has used some of the Baul maestro, Lalon Fakir＇s lyrics, philosophy as well as music in many of his songs. More recently, Baul songs have been rendered through fusion bands or experimental music.

Social Media Is the New Punk User Experience, Social Music and DIY Culture

In the digital convergence culture （Jenkins, 2006） and in the network society （Castells, 1996）, the theories of personal branding, social identity, and the two-step flow of communication have become intertwined to create a model through which individuals and musicians share and embrace music. This paper examines the rise of social network for music involving both the practices of use and consumption and those of creation, sharing and distribution of innovative and independents musical reality. Social media have introduced radical changes in social and musical practices increasing the ability of creation from the bottom in contrast to mainstream. Moreover, thanks to performativity, collaboration and participation offering by Web 2.0, fit fully in culture ＂DIY 2.0＂ offering an interesting chance for the emerging underground music.

Fission of the End of the Century——Analysis on the Non-Rationalism Ethics Thoughts in Late Nineteenth Century European Music

In the creation works of European musicians in late nineteenth Century, it has more profound philosophical and ethical foundation, and its production and development has a profound reflection of music art on social life, but it is also a response to contemporary European romanticism non-rationalism ethics.

Current Development Condition and Prospect of Chinese Music Culture

The development of music culture industry is presented with diverse structure, which arises from that the value of music culture has been repositioned under the condition of socialist market economy. On ontology research, music culture industry is mainly for integrating and connecting the development system of music itself, and as mentioned before, the related scope is only limited to these inner factors. Actually. the purpose of music culture industry is not the product of subjective conjecture, and it all realistic foundations and clues will be found out in the running law of market economy and culture. It is easy to discover that the influence of culture industrialization era is really strong, and the establishment of knowledge-based economy requires art circulation and relevant modes. On another level, the current development condition of music culture also catches our attention.

The Innovation of the Theory of She Minority Music

In recent years, China increasingly pays attention to problems of quality education to produce more high-quality personnels. Today, quality education in our country is in full swing, and music art education in our country is going through a series of reforms, and has made rapid development to a certain extent. For a long time, She minority music in our country＇s national music plays a special role, and in today＇s construction of socialist market economy, innovation of traditional music is of great significance. This paper introduces the status of development of the traditional music culture, expounds the significance of the innovation of traditional music and puts forward some suggestions about innovation to traditional music

论村落结构中的民间乐社

中国的村落结钩研究一直是人类学研究的中心问题,然而,此类研究基本上是基于政权、宗权和绅权三个方面进行的。1949年以后,中国曾一度采用公社制,目前又采用县、乡、村的三级结构。此结构体现出了政权的主导性,也体现出了中国农村社会的结构单元特征。本文所指"村落结构"是老百姓生活中的控制力量,这种力量同样建构中国农村的社会与生活,其中既包括社会权力,也包括社会生产力和意识形态,它们构成了传统村落结构的基本框架,其中,音乐会社是重要的组成部分。本文以流传在河北、山西、陕西、湖南土家族地区等地的音乐会社为对象,探讨这些会社在传统村落中的作用,以及随着村落结构的变化所遇到的问题。与此同时,说明在新时期城市化发展进程中,"乡愁"的意义与价值。

How to Improve Old People＇s Music-Learning Level in the Aging Society —— An analysis of old people＇s psychology in the learning of music

The world has paid more and more attention to the old people＇s life, physiology and mental health, which became a popular and hot issue that attracted the expert＇s sight. Questions of how to teach them, how to create a harmonious teaching environment, how to communicate with them about the key point and how to teach them in a more scientific way need to be considered and discussed further,

On the Integrated Model of Music in the Creation and Dissemination of New Media Era

Into the era of new media art, music develops toward a more comprehensive, more novel direction. Music is no longer pure spirit product, and becomes a resource of information society. This paper analyzes the new media era music creation mode change, as a result of this mode of music dissemination of new characteristics were summarized, illustrate the influence of new media tools generated for music culture, find some means of basis for the development of music art in the new environment. With the development of computer and the popularization of the Internet, everyone can become the creator and disseminator of music. At the same time of the concept and the mode of creation have changed, music dissemination way is to find a broader approach. In numerous new media era music works, those who conform to the times and the nature of music works will also become a classic in the information after the bubble.

Influence of Social Determinants in Preference of Public Audience at Music Performances in the Republic of Macedonia

This paper displays the results of a survey of public music performances held during 2010 in Skopje, the capital of the Republic of Macedonia. Study of the audience of public musical events was limited only to the number of visitors. Field research included 653 musical events with a total of 545,340 visitors grouped into eight categories according to the preference by genres of music preference, age, status symbol, origin of the performers, space, and organizers. Our experience in monitoring public musical events through personal presence, the recorded materials, and the continuous monitoring of information from electronic and print media, enabled us to record events and to build some initial comments and assumptions about the structure of the audience and music preference. We have chosen to consider the impact of the sociological determinants on the preference of the audience in the public musical performances through the music genres, the age, the status symbol, the origin of the performers, the area of maintenance, and the organizers of musical events. According to the genre distribution, classical music events prevail, and the greatest numbers of visitors are registered at the pop rock concerts. The structure of the audience according to the age varies depending on the musical genre, so the widest age structure covers the events of pop rock music.