三界沟通中的音声表演——以江西宁都客家出殡仪式为例

音声在具体仪式环节中因仪式程序的不同而相应的具有营造仪式场,作为交流手段和传递思想内容三种功能中的一种或多种,丧葬仪式中的观念或思想是通过共同参与仪式的天界、地界、人界三者之间的关系或关系转换体现出来的。音声的象征意义与功能因三者间相互关系的变化或转换而不同,理解仪式中天、地、人三界的相互关系是解读仪式中思想或观念的重要途径。

从社会性别看仪式音声及其社会功能——以瑜伽焰口仪式音声表演为例

仪式音声属佛教"五明"中的"声明",流播广泛、影响深远,具有社会教化之功能,在维系乡土社会秩序、传承中华传统文化以及和合人伦等方面发挥了重要作用。从社会性别视角解读瑜伽焰口仪式音声,可洞悉仪式音声表演中隐含的社会秩序、权力结构与文化认同,认知佛教文化的内涵与特质。通过分析仪式音声表演中两性身份结构、社会地位与仪式音声之间的互动关系,可揭示其隐喻的文化认同、思想观念、心理特质、反结构与阈限期等问题,试图厘清社会性别、权力、仪式表演和文化观念四者在仪式音声中的结构关系,探究仪式音声中潜藏的社会功能。

流淌在城市老街中的音乐与艺术——以青岛“劈柴院”中的茶社为例

青岛“劈柴院”曾是汇聚传统音声表演的聚集地,众多名角艺人在此落地生根,形成了独特的经营模式。民国时期的历史文献,记录了劈柴院茶社经营的境况,从中提炼出的演员情况、表演活动与管理制度等,生动构成了劈柴院的历史一隅,再现了20世纪劈柴院音声表演与商业经营互为表里、充分联动的生存样态。

Music and Performance as Sonic Acts of Political Struggle; Counter-Political Soundscapes in Urban Realm

The paper takes the relation between soundscapes and power struggles as its problem area and focuses on the role of music that is performed in public protests. It argues that music and street performances are conceived and therefore utilised as sonic acts of political struggle in urban realm. Starting with a general understanding of hearing mechanisms, the study elucidates the relationships among territoriality of soundscape, identity construction, social segregation and polarisation, and finally, power struggle. Within the framework of the intersection area of these concepts, the paper discusses the processes of politisation of soundscape through music as a form of protest event that is performed in public realm. Throughout the paper, it is focused on the significant cases of public protests as well as political events that occured in public space. The main emphasis is on the use of sound technologies to impose power on masses of people. The paper tackles the question of how the salient characteristics of soundscape are sonically adopted as means for counter-political acts in public realm.