钢琴制造技术发展的历史变迁及其对演奏艺术的影响

本论文探讨了钢琴制造技术发展的历史变迁及其对演奏艺术的影响。通过梳理钢琴制造技术发展的主要阶段,我们可以观察到音色优化和声音表达的提高,钢琴制造技术和演奏风格的不断转变,以及钢琴制造技术的进步对作曲和演奏的相互促进。钢琴制作技术的进步和突破不仅赋予了钢琴更丰富的音色和表现能力,也对演奏者提出了更高的技术要求,同时促进了作曲和演奏领域的创新。然而,钢琴制造技术的发展也面临着挑战,需要在技术和理念上不断创新和改革。通过对钢琴制造技术的过去和未来进行全面地研究,我们可以更好地理解和欣赏钢琴表演艺术的独特魅力。

新疆维吾尔族乐器都塔尔拨弦与扫弦演奏的声学测量与比较分析

都塔尔是流行于我国新疆地区和中亚、伊朗等国的重要弹拨乐器,维吾尔族都塔尔的拨弦和扫弦是其重要的演奏技法。通过音乐声学频谱测量的方式和比较分析来研究这一维吾尔族乐器独特而又丰富的音色表现力,可以推测维吾尔族人对于都塔尔独特的音色审美习惯。

初探蒙古族古乐器——胡笳

胡笳是我国古代北方游牧民族的一种吹管乐器，长于表达哀婉凄切、痛楚与思念的音调。由于时代的变迁，它已从人们的记忆当中消失了，好在还有一些史料对它有些记载。本文试图通过这些史料对胡笳进行追忆，从它的发源地，在流传的过程中它的材质、形状的演变及它的音色表现力三方面进行阐述。

Music of the Arab-Anglicans in Israel： Dynamics of Ethno-Religious Identity

The paper focuses on music of the contemporary Arab-Anglican communities in Israel in their dynamics over the last years. The analysis is based on field recordings and other ethnography collected by the author in 2006-2011. The music of the contemporary Arab-Anglican churches in Israel comprises different styles, which might be decoded as indices of group identity, and transmits different signifiers of belonging to diverse branches of the contemporary world Anglican tradition. A remarkable feature of this Christian community is the ongoing shift of subaltern identities when their most ＂Western＂ component--association with a particular sub-division of the Church--receives its musical expression by means of ＂local motif＇, that is, the tunes associated with regional repertories. The dynamics of ethno-religious identity of Arab-Anglicans in Israel manifests itself through several tendencies, such as ecumenical tendency and some other trends. Though the study is situated in the context of an interdisciplinary academic discourse, music is the main text addressed. ＂Reading＂ this music allowed the author to uncover tenets, trends, and interrelations within the communities under study.

扬琴在演奏中的音色问题浅探

要想使扬琴的音色更加完美,音乐更加动听,就必须要求演奏者具备扎实的基本功,独特的技巧表现力,对乐曲理性分析,审美意识等综合能力。如何最大限度地发挥扬琴这一乐器所固有的音乐特质和韵味,挖掘其声音表现中所蕴藏的潜力,进一步丰富其音色表现力,是扬琴演奏及教学中要探讨的一个重要问题。