IN Chinese costume dramas, imperial concubines are always seen wearing delicate decorations on the head, from phoenix coronets dotted with splendid jewelry to hairpins with elegant dangling ornaments. Those crafted it...IN Chinese costume dramas, imperial concubines are always seen wearing delicate decorations on the head, from phoenix coronets dotted with splendid jewelry to hairpins with elegant dangling ornaments. Those crafted items combine colorful jewelry with gold wires;the craft used to manufacture them is called Chinese filigree inlay.展开更多
This research is aimed to investigate the venues and influences of how arts centers can help promote culture diversity,equality and sustainability in cities.By analyzing the newly established National Kaohsiung Center...This research is aimed to investigate the venues and influences of how arts centers can help promote culture diversity,equality and sustainability in cities.By analyzing the newly established National Kaohsiung Center for the Arts Weiwuying in Taiwan,it is my goal to bring out the objectives of practical approaches,of how arts center embedded cultural diversity and cultural equality through its design,organization and governance system,to connect city governance with cultural policy.In addition,relating to cultural policy and city governance by cross-examine interaction between them,this research endeavors to conceptualize the meanings and significance behind those changes in a city.Last,in terms of cultural sustainability,it will be our main goal to recognize the link which leads cultural diversity and equality to cultural sustainability development of the city.展开更多
EDITOR’S NOTE: The Chongqing Publishing House has published a set of eight books under the general title of Series Books on Folk Art in Tibet, covering clay molding art, mask art, garments, tangka painting, weaving, ...EDITOR’S NOTE: The Chongqing Publishing House has published a set of eight books under the general title of Series Books on Folk Art in Tibet, covering clay molding art, mask art, garments, tangka painting, weaving, building and decoration, Mani stone carving, and sculpturing. They contain some 20,000 illustrations to enhance reader interest.展开更多
Frida Kahlo and Diego Rivera, Jean- Paul Sartre and Simone de Beauvoir D in the world of arts and letters, the "power couple" has always been a fascinating and somewhat rare phenomenon. In
海德格尔的存在论美学来源于他对柏拉图美学的现象学阐释。针对柏拉图《理想国》中艺术与真的关系,海德格尔指出艺术并不处于与真的“分裂”关系之中,而是在指向存在之真时具有等级意义上的归属关系;进一步,海德格尔通过对《斐德若篇》...海德格尔的存在论美学来源于他对柏拉图美学的现象学阐释。针对柏拉图《理想国》中艺术与真的关系,海德格尔指出艺术并不处于与真的“分裂”关系之中,而是在指向存在之真时具有等级意义上的归属关系;进一步,海德格尔通过对《斐德若篇》中“美是那最耀显、最令人出神的”进行现象学阐释,指出美是“对存在之观照”(Seinsblick)的赢获和保持,因而是架接具体存在者的“显象”(Schein)与源初的“存在”(Sein)之间的桥梁。在重建美与真共属关系基础上,海德格尔提出了其存在论的美学命题:“美是存在的耀显(Scheinen des Seins)”,美在于现象的自身生成。展开更多
The intention of achieving objectives through art seemingly conflicts with Kant's tenet that judgments of taste should be devoid of conceptual determinations.According to Kant,beautiful art must be viewed as the p...The intention of achieving objectives through art seemingly conflicts with Kant's tenet that judgments of taste should be devoid of conceptual determinations.According to Kant,beautiful art must be viewed as the product of genius,a rare gift of nature that operates through the work of aesthetic ideas.This prompts inquiries into the respective roles of genius and taste in the production of beautiful art.It has been proposed that genius is a mere concept,a universal capacity,or a collaborator with taste,but these accounts are found to be deficient.Drawing upon Kant's distinction between free beauty and adherent beauty,this paper demonstrates that genius is neither sufficient nor necessary to produce beautiful art.Furthermore,this paper investigates the significance of taste in artistic production,taking into consideration the autonomy and refinement of taste over time.展开更多
文摘IN Chinese costume dramas, imperial concubines are always seen wearing delicate decorations on the head, from phoenix coronets dotted with splendid jewelry to hairpins with elegant dangling ornaments. Those crafted items combine colorful jewelry with gold wires;the craft used to manufacture them is called Chinese filigree inlay.
文摘This research is aimed to investigate the venues and influences of how arts centers can help promote culture diversity,equality and sustainability in cities.By analyzing the newly established National Kaohsiung Center for the Arts Weiwuying in Taiwan,it is my goal to bring out the objectives of practical approaches,of how arts center embedded cultural diversity and cultural equality through its design,organization and governance system,to connect city governance with cultural policy.In addition,relating to cultural policy and city governance by cross-examine interaction between them,this research endeavors to conceptualize the meanings and significance behind those changes in a city.Last,in terms of cultural sustainability,it will be our main goal to recognize the link which leads cultural diversity and equality to cultural sustainability development of the city.
文摘EDITOR’S NOTE: The Chongqing Publishing House has published a set of eight books under the general title of Series Books on Folk Art in Tibet, covering clay molding art, mask art, garments, tangka painting, weaving, building and decoration, Mani stone carving, and sculpturing. They contain some 20,000 illustrations to enhance reader interest.
文摘Frida Kahlo and Diego Rivera, Jean- Paul Sartre and Simone de Beauvoir D in the world of arts and letters, the "power couple" has always been a fascinating and somewhat rare phenomenon. In
文摘海德格尔的存在论美学来源于他对柏拉图美学的现象学阐释。针对柏拉图《理想国》中艺术与真的关系,海德格尔指出艺术并不处于与真的“分裂”关系之中,而是在指向存在之真时具有等级意义上的归属关系;进一步,海德格尔通过对《斐德若篇》中“美是那最耀显、最令人出神的”进行现象学阐释,指出美是“对存在之观照”(Seinsblick)的赢获和保持,因而是架接具体存在者的“显象”(Schein)与源初的“存在”(Sein)之间的桥梁。在重建美与真共属关系基础上,海德格尔提出了其存在论的美学命题:“美是存在的耀显(Scheinen des Seins)”,美在于现象的自身生成。
文摘The intention of achieving objectives through art seemingly conflicts with Kant's tenet that judgments of taste should be devoid of conceptual determinations.According to Kant,beautiful art must be viewed as the product of genius,a rare gift of nature that operates through the work of aesthetic ideas.This prompts inquiries into the respective roles of genius and taste in the production of beautiful art.It has been proposed that genius is a mere concept,a universal capacity,or a collaborator with taste,but these accounts are found to be deficient.Drawing upon Kant's distinction between free beauty and adherent beauty,this paper demonstrates that genius is neither sufficient nor necessary to produce beautiful art.Furthermore,this paper investigates the significance of taste in artistic production,taking into consideration the autonomy and refinement of taste over time.
