Research on the Audio Publishing of Classical Books Based on the Theory of Business Model Canvas: Taking Romance of the Three Kingdoms in Digital Audio Platforms as an Example

Visual media have dominated sensory communications for decades,and the resulting“visual hegemony”leads to the call for the“auditory return”in order to achieve a holistic balance in cultural acceptance.Romance of the Three Kingdoms,a classic literary work in China,has received significant attention and promotion from leading audio platforms.However,the commercialization of digital audio publishing faces unprecedented challenges due to the mismatch between the dissemination of long-form content on digital audio platforms and the current trend of short and fast information reception.Drawing on the Business Model Canvas Theory and taking Romance of the Three Kingdoms as the main focus of analysis,this paper argues that the construction of a business model for the audio publishing of classical books should start from three aspects:the user evaluation of digital audio platforms,the establishment of value propositions based on the“creative transformation and innovative development”principle,and the improvement of the audio publishing infrastructure to ensure the healthy operation and development of the digital audio platforms and consequently improve their current state of development and expand the boundaries of cultural heritage.

A Study on the Acceptance of the English Translation of Romance of the Three Kingdoms by Overseas Readers Based on Python Data Analysis Technology

Paperless reading has become a prevalent trend among global readers,leading to the accumulation of vast amounts of reading data on numerous book websites.This offers new perspectives for studying translated works.This paper utilizes Python-based data processing technology to collect and analyze reader reviews of Romance of the Three Kingdoms on Amazon and Goodreads,presenting trends in review volume,word cloud maps,and readers’emotional attitudes in a quantitative manner.The findings indicate that overseas readers generally exhibit a positive emotional tendency towards Romance of the Three Kingdoms and recognize its cultural value.However,negative opinions do exist,focusing on aspects of the book’s quality,such as printing quality and proofreading.These results provide valuable insights for the foreign translation of canonical texts.

Embryos - the evolutionary boundary of kingdoms of organisms

Bioevolution is still a main puzzle and attracts many scientists to research on it. Here I present that organisms have two impor- tant properties, definite structure and self-reproduction. Based on the number and connection of the structural units, organisms can be di- vided into three groups, unicellular, particellular and polycellular organisms. It can be called polycellular evolution that organisms evolve from unicellular, particellular to polycellular. Also it can be called diploid evolution that organisms evolve from haplobes to diplobes, two groups based on the reproductive differences. Some concepts like spore, zygote and embryos are redefined in the paper. Moreover, I present that embryos are the most important boundary of bioevolution and organisms can be divided into two evolutionary phases, the lower and the higher. The lower organisms, Kingdom Microbia (kingd. nov.), are inembryonate, which include Acytophyla (phyl. nov.), bacteria, protozoa, fungi and inembryonate algae. The higher organisms are embryonate and have two branches, Kingdom Plantae and Kingdom Animalia. Plantae are sessile and, autotrophic or sporogenic, which include higher plants and Nudembryophyta (phyl. nov.). Animalia are heterotrophic and, motile or gametogenic, which include all multicellular animals. The new system, which reflects the two important phases of bioevolu- tion and two branches of higher organisms, can really correct the problem of different kingdoms in different researches or by different re- searchers.

English Translation Study of Romance of the Three Kingdoms in China in the Last Five Years

According to the research of Wen Jun and Li Peijia, this paper examins the articles and treatises regarding the English translations of Romance of the Three Kingdoms in China in the past five years. It is divided into four sections: Summary, Language, Literature and Culture. We point out the existing problems of the current studies;limited in traditional linguistic levels, leaning to the translation of Moss Roberts, neglecting the study of non-cover-to-cover translations, revelry at home and coldness abroad. Besides, we put forward the translation studies of Romance of the Three Kingdoms based on comparative literature to fill the gaps in the current research. The translation study of comparative literature pays attention to four aspects;literary translations and translated literature, cover-to-cover translations and non-cover-to-cover translations, C.H. Brewitt-Taylor and Moss Roberts, domestic and overseas.

The Three Kingdoms Culture and the City of Chengdu

The Three Kingdoms Culture is regarded as the most influential part in the colorful traditional cultures of Chengdu. In this paper, the relationship between the Three Kingdoms Culture and the City of Chengdu is discussed in three respects based on the definition of Three Kingdoms:(1) Chengdu is the core of the original culture of the Three Kingdoms;(2) it is the center for inheritance of the Culture;(3) it is the research center of the Culture. The research of the Three Kingdoms Culture is a topic worth considering in the process of Chengdu's growing into an International metropolis.

Creative Treason of Moss Roberts’Allusion Translation in Three Kingdoms:A Historical Novel

San Guo Yan Yi is one of the Four Great Classical Novels of ancient China.A large number of Chinese allusions have been cited in this book,containing rich cultural connotations and national characteristics.Under the guidance of creative treason,this paper analyzes the translator’conscious and unconscious creative treason in the translation process by comparing the original allusion with the translated text and further explores the reasons of creative treason.The study has found that through creative treason in allusion translations,Moss Roberts conveyed the deeper meanings of the allusions,connecting the context closely and ensuring the readers’understanding of the whole text;but he also failed to reveal the form or the historical and cultural connotation of some allusions in the original text.

Romance of the Three Kingdoms －The TV Series

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英国职教高校考试招生制度变革的内在逻辑与动力因素——基于历史制度主义的视角

职教高校考试招生制度是我国职业教育顺利迈向高质量发展阶段的关键制度。从历史制度主义考察英国近30年来职教高校考试招生制度的形成和变革,经历了基于扩大教育参与的初创阶段、基于提高职教标准的转型阶段以及对接产业发展战略的新发展阶段,这一发展历程既体现出制度变迁对学术资格考试的路径依赖,也体现了渐进转型的过程,最终摆脱对学术资格考试的依附,形成独立的技术资格考试招生制度。对驱动变革因素考察表明:经济利益驱动与文化认同是主要的结构性动力;制度的自我学习与强化是内生性动力;政府、雇主和高校的利益博弈是推进政策演变的行动性动力。

英国大型阅读推广项目多元协作模式解析

“多元协作”组织实施模式是英国大型阅读推广项目得以成功开展的主要因素之一。政府、社会组织、公共图书馆、企业、公众等多元主体以不同角色和作用结成协作关系及协作网络,形成了特色而有效的协作机制。该模式具有跨界协作、伙伴关系、双核心、专业性、广泛性和适应性等特点及优势,但也存在松散性和不稳定性的潜在问题。我国可从创新和改进政府引导扶持方式、树立公共图书馆多元协作“核心”地位、主动吸纳社会资金并充分利用社会资源、推动跨领域协作、确立规范稳定的协作机制等方面对其经验加以借鉴。

从“学徒制”到“场景化”:英国博士生跨学科联合培养的实践探索

博士生培养模式对保障博士生教育质量、助力拔尖创新人才培养具有重要价值。自中世纪开始,英国便以“精英式”高等教育享誉全球。然而,英国现代意义上的博士生教育滞后于大多数欧美国家,精致的“学徒制”被当作博士生培养的主要模式。随着博士生教育质量的内部诉求与外部问责,英国政府逐步意识到传统“学徒制”模式不再适用新时代博士生培养,开始积极探索新型博士生培养模式。目前,英国政府、大学、企业与其他社会组织形成博士生培养共同体。一方面,英国依托完备的政策制度、成熟的组织体系与充足的资金保障,搭建起稳固坚实的博士生育人“场”;另一方面,英国通过贯通型协同培养、高精度课程整合、导师共享型指导与交往参与式活动,营造了动态灵活的博士生培养“景”。可以说,英国初步构建了助力博士生教育高质量发展的全面“场景化”培养模式。

英国公共图书馆老年人与闭居者服务调查与启示

文章以19个英国公共图书馆为调查对象,采用网站调查法、邮件咨询法和文献调研法,对英国公共图书馆的老年人与闭居者服务内容进行探究。调查发现,英国公共图书馆的老年人与闭居者服务内容主要围绕着健康与医疗服务、无障碍服务、送书上门服务、特惠服务、休闲服务五个方面展开,并通过分析英国公共图书馆面向老年人与闭居者服务的现状、内容和特点,提炼出其对我国公共图书馆开展相关服务的启示。

十六国时期战争中的军粮问题研究

以十六国时期战争中的军粮问题为研究对象,考察了战前军粮筹备、战时军粮供给对战争的影响。认为粮食对根据地的选择有制约作用;军粮补给状况是交战双方制定相应征讨策略的重要依据;军粮供应危机的化解是战争能否取胜的关键。十六国时期,征战双方在军粮问题上展开的一系列颉颃,展现了军粮在战争中的复杂性和丰富性。

历史迭转中“同治中兴”诗歌的众声与别调

咸同时期,内忧外患的社会变局迫使士人乱极思治、危世图存。以治世为理想的士人援引历代治乱之道,属望中兴。诗人的中兴书写,以同治改元与同治三四年间江南克复两度达到高潮,被赋予了强烈的政治寓意:前一节点的中兴书写重在激励,以稳民心;后一节点重在歌咏,以庆中兴。在书写中兴之局时,亦有诗人创作了一些针砭现实之作,这构成了中兴诗歌写作中的别调。这些别调之音在咸同、光绪的迭代中呈现出不同的内容倾向,前一时期侧重于中兴之局的名不副实,而后一时期倾向于通过回忆中兴之局针砭现实。诗人对同治中兴的书写,不管是众声还是别调,都是现实境况的一体两面,既展现了诗人于变局下的盛世夙愿,亦体现了他们藉作品讽谕现实的济世情怀。

圣域重构——《法雍之书》与“消失的‘迷宫’”

对于古典作家而言,“东方”几乎是一个无可或缺的镜像,而埃及则在相当程度上既是整个东方想象的核心,亦是其重要的异例。在他们笔下,一座“消失的‘迷宫’”便颇为引人注目,甚至一度令古老的金字塔都相形见绌。伴随着19世纪旨在重寻克诺索斯迷宫的克里特考古勃兴,对于这座埃及典范的探索热情亦高涨起来。然而,即使皮特里等埃及学家皆相继宣称在哈瓦拉发现了这座“迷宫”,但可资确证的古埃及文献寥寥无几,在被视为古代埃及“地图”的《法雍之书》中,更似乎是全然不见这一庞大建筑群之踪影。但事实上,“迷宫”恰恰就是物质化了的《法雍之书》,而《法雍之书》也即是文本化乃至“正典化”了的“迷宫”,共同体现出中王国末期古埃及人围绕法雍地区所构建的神圣景观与世界想象,是同一理念的不同载体。由此,神圣王权、法雍地区的索贝克崇拜与整个埃及世界遂得以融为一体,重新创造出一个崭新的、法雍化了的“世界”。在这个世界中,索贝克是统御一切信仰的信仰,不仅在世俗和现实的意义上整合着埃及各处,而且还通过法雍这一载体,将关乎世界的想象首次具象化、实体化、正典化,从而深入到每一个人的内心之中。

汉魏易代与高堂隆“切谏”诗学

高堂隆是三国时魏国的重要政治人物,经历了武帝、文帝与明帝三个时期,他秉持儒家人格风操,对当时的政治活动发表了许多看法。尤其是他勇于对魏明帝劳民伤财、穷奢极欲的行为进行谏阻,利用经学加以说服,光大了儒家诗学的切谏精神,发展了汉代的诗学,并影响到后来的杜甫、白居易等人的诗学精神。

《大明律》对成宗时期朝鲜的影响

朝鲜从成宗初年开始,适用法律偏离《大明律》的做法遭到了挑战,多种法律并存的状况发生变化,《大明律》成为定罪量刑的基本准则。随着《大明律》地位的提升,君主不可随意变通《大明律》的观念逐渐形成,《大明律》甚至成了抵制君主不正确决定的根据。由半岛特定的国情与风俗所决定,君主虽仍时或会推动朝廷对《大明律》的一些条款进行变通,但已相当节制。为了进一步提升《大明律》的地位与权威,朝廷还积极以《大明律》移风易俗,这是以法律形塑社会,乃《大明律》在半岛发挥的重要功能。

西汉王国“太仓”行政归属问题考辨

汉初王国无治粟内史,其太仓归属王国内史。在汉朝廷的治粟内史从内史中分离出来而独掌国家财政后,王国太仓才纳入国家财政管理体系,归属治粟内史。归属时间当在吕后统治时期,最早在吕后二年以后。王国太仓的主要负责人从王国选置,在纳入国家财政管理体系前,称太仓令;纳入国家财政体系后,改称太仓长。王国太仓改属中央,是汉朝廷尝试在“汉国”与“王国”关系上所做出的的重大改变,其后七国之乱没有酿成大祸与此不无关系。

植物RNA沉默抗病机制与应用研究进展

RNA沉默是真核生物基因表达调控的保守机制,在植物生长发育以及响应生物和非生物胁迫过程中发挥着非常重要的作用。跨界RNA沉默与种间RNA沉默为开发基于RNA沉默的作物病害防控体系提供了理论基础。本文概括了植物RNA沉默保守途径,归纳了RNA沉默在植物-病原互作研究中的代表性研究,阐述了基于RNA沉默开发的宿主诱导基因沉默、喷施诱导基因沉默和微生物诱导基因沉默技术的原理,以及应用研究现状,以期为开发基于RNA沉默的新型作物病害防控技术提供参考。

王室立法与墨洛温王朝王国法令研究

墨洛温王朝开国君主克洛维兼顾法理、历史与现实,确认罗马法、教会法和部族法等传统法律的效力,构筑起以王权为主导的法律多元秩序。6—7世纪,墨洛温王朝国王进一步融汇多元法律传统,制定王国法令,完善王国法律治理体系,实现了法兰克王国从帝国晚期部族政权向中古早期国家的转型。墨洛温王室立法在平衡央地法律关系、增强王权的公共属性、凝聚君臣共识等方面发挥了重要的整合功能,并且对加洛林王朝的法制建设产生了深远影响。

基于re3data的中英科学数据仓储平台对比研究

以re3data为数据获取源,选取中英两国406个科学数据仓储为研究对象,从分布特征、责任类型、仓储许可、技术标准及质量标准等5个方面、11个指标对两国科学数据仓储的建设情况进行对比分析,试图为我国数据仓储的可持续发展提出建议:广泛联结国内外异质机构,推进多学科领域的交流与合作,有效扩充仓储许可权限与类型,优化技术标准的应用现况,提高元数据使用的灵活性。