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Data-driven Discovery: A New Era of Exploiting the Literature and Data 被引量:6
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作者 Ying Ding Kyle Stirling 《Journal of Data and Information Science》 2016年第4期1-9,共9页
In the current data-intensive era, the traditional hands-on method of conducting scientific research by exploring related publications to generate a testable hypothesis is well on its way of becoming obsolete within j... In the current data-intensive era, the traditional hands-on method of conducting scientific research by exploring related publications to generate a testable hypothesis is well on its way of becoming obsolete within just a year or two. Analyzing the literature and data to automatically generate a hypothesis might become the de facto approach to inform the core research efforts of those trying to master the exponentially rapid expansion of publications and datasets. Here, viewpoints are provided and discussed to help the understanding of challenges of data-driven discovery. 展开更多
关键词 A new Era of Exploiting the literature and Data Data-driven Discovery
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Theoretical and Practical Exploration of Ideology and Politics in British and American Literature Curriculum
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作者 Wei He Qin He 《Journal of Contemporary Educational Research》 2023年第12期15-22,共8页
British and American literature is the essence of culture and civilization created in the long historical development process and a bright pearl in the treasure house of world literature.Different types of civilizatio... British and American literature is the essence of culture and civilization created in the long historical development process and a bright pearl in the treasure house of world literature.Different types of civilization history,ideological history,and values can better help students understand the literary quality and ideology in various periods of Western civilization.Studying British and American literature aids students in using cross-cultural perspectives to distinguish Chinese and foreign literature and culture.Therefore,the ideological and political tasks of the curriculum are particularly prominent.This research takes a fragment of selected British and American literature as an example to analyze the paths and methods of ideological and political coordination between British and American literature and curriculum,and to explore new ways of educating students in colleges and universities using British and American literature in the new era. 展开更多
关键词 British and American literature Integration of ideology and politics into courses new teaching methods
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New concept on teaching English literature to college English majors
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作者 JIA Yu-ping MIAO Yong-gang 《Sino-US English Teaching》 2009年第5期15-18,共4页
The teaching of English literature to English majors in universities should emphasize on both the introduction of literary history and the analysis of specific literary works. In view of the present situation in the t... The teaching of English literature to English majors in universities should emphasize on both the introduction of literary history and the analysis of specific literary works. In view of the present situation in the teaching of English literature, such as limited teaching hours, excessive contents and the outmoded teaching methods, the teachers should change their concept and mode of teaching, improve their teaching methods, and fully explore new concepts to promote the effectiveness and realize the targets of teaching. 展开更多
关键词 teaching of English literature combination of literary history and literary works teachingmethodology new concept
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The Current Situation and Counter Measures of Compilation of English Literature Textbooks in the Context of New Liberal Arts
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作者 WANG Hai-yan CHEN Yu-tong 《Journal of Literature and Art Studies》 2022年第11期1197-1202,共6页
With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic at... With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic attributes of English majors and the important position of literature in foreign language learning are emphasized.Nowadays,the English literature curriculum is facing the problems of marginalization,reduction of class hours,simplification of curriculum and so on.Then in the context of the new liberal arts,it provides a new way to break through the dilemma of the literature curriculum.The study has collected the use of teaching materials of British and American literature courses in some colleges and universities across the country.Based on the survey results,the compilation of teaching materials in the new era should consider how to adapt to students’deep learning,autonomous learning,cross learning and research-based learning to provide guidance and support.The diversity of learning requires us to break the monotony of textbook compilation,show diversity and complement each other. 展开更多
关键词 new liberal arts compilation of textbooks English literature
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A New Way to Look into Literature——Comment on Structuralist Literary Criticism
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作者 He Zhigang 《鄂西大学学报(社会科学版)》 1987年第4期75-79,共5页
What is structruralism?Is it a school or a movement?Many critics agreethat structruralism is,in a broad sense,a revolution in the human thinkingprocess.Structuralism is,as Barthe,properly defined in,the activity of re... What is structruralism?Is it a school or a movement?Many critics agreethat structruralism is,in a broad sense,a revolution in the human thinkingprocess.Structuralism is,as Barthe,properly defined in,the activity of re-defining all the cultural phenomena,an activity grounded in the belief th-at like language,a myth,wrestling match,system of tribal kinship orrestaurant menu is a system of signs,In this connection,structuralism ismuch concerned with and influenced by the modern schools of linguisticsespecially by the structural linguistics originated by Sausure. 展开更多
关键词 A new Way to Look into literature Comment on Structuralist Literary Criticism
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Research on British and American Literature Teaching Based on Cognitive Poetics
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作者 HOU Xia 《Cultural and Religious Studies》 2022年第8期444-447,共4页
The gradual implementation of the new curriculum reform has led to a particularly severe challenge in the teaching of English and American literature,which still adopts the traditional teaching mode.Interpretation of ... The gradual implementation of the new curriculum reform has led to a particularly severe challenge in the teaching of English and American literature,which still adopts the traditional teaching mode.Interpretation of text is the focus of cognitive poetics,which can effectively combine people’s daily cognitive ability and literary ability,thus enlightening the teaching of British and American literature.Incorporating the concept of cognition into English and American literature textbooks can completely subvert the traditional evaluation and teaching mode in the past.It is also an effective way to improve students’humanistic quality and improve the communication between students’literary cognition and daily cognition experience. 展开更多
关键词 new curriculum reform British and American literature cognitive reading
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new Heights in Chinese Acrobatics——A Report on the Fourth National Acrobatics Contest
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作者 Lin Yinglan</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期58-59,共2页</span> </dd> <dd> <span class="abstract"> <span class="">FROM September 15 to 23,1995 China‘s Fourth NationalAcrobatics Contest was held inshenyang in Liaoning Province.Thecompetition held every four years wasjointly sponsored by the Ministry ofCulfure and the municipal go...</span> <span style="display:none;">FROM September 15 to 23,1995 China‘s Fourth NationalAcrobatics Contest was held inshenyang in Liaoning Province.Thecompetition held every four years wasjointly sponsored by the Ministry ofCulfure and the municipal governmentof the city.It aimed at carrying forwardChina’s outstanding national culture,developing acrobatics,and presentingexcellent acts so as to keep pacewith he international level of the art.Compared with the previous</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dnew title="new"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dHeights title="Heights">Heights</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dA title="A">A</a></span> <span><a href=/Qikan/Search/Index?key=K%3dReport title="Report">Report</a></span> <span><a href=/Qikan/Search/Index?key=K%3don title="on">on</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dFourth title="Fourth"><u>fourth</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dNational title="National">National</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dContest title="Contest">Contest</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865164','mBS+t+RgeIZLgcmEGkHk8Lcd18txpUfaCmbNHFeg9DYxIV+BiLKlAg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865164')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=1004865165" target="_blank" index="7" articleid="1004865165">new Heights in Chinese Acrobatics——A Report on the Fourth National Acrobatics Contest</a> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1004865165" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%3cTitle%3eZheng%2bLang title="<Title>Zheng Lang"><span><Title>Zheng Lang</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期60-61,共2页</span> </dd> <dd> <span class="abstract"> <span class="">IN October 1995 Pingdingshan,Henan Province,known as the "city of the eagle,"hosted China’s Second Quyi Festival,which was jointly sponsored by the Chinese Quyi Artists Association and the municipal governm...</span> <span style="display:none;">IN October 1995 Pingdingshan,Henan Province,known as the "city of the eagle,"hosted China’s Second Quyi Festival,which was jointly sponsored by the Chinese Quyi Artists Association and the municipal government.President Jing Zemin wrote an inscription for the festival:"Carry forward the national culture;Let the art of Quyi flourish."Premier Li Peng alsl wrote one:"A famous city on the Central Plain,the home of Quyi."During the festival 528 artists from 23 of Chi-</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dnew title="new"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dHeights title="Heights">Heights</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dA title="A">A</a></span> <span><a href=/Qikan/Search/Index?key=K%3dReport title="Report">Report</a></span> <span><a href=/Qikan/Search/Index?key=K%3don title="on">on</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dFourth title="Fourth"><u>fourth</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dNational title="National">National</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dContest title="Contest">Contest</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865165','mBS+t+RgeIYj/m5XGFlaiCTU6l0zszn3tWmEXSVp2SomWB22Bb5qIg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865165')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111524940" target="_blank" index="8" articleid="7111524940">新媒介文学阅读的文化逻辑及其阐释路径</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="7111524940" data-zkbycount="2">2</a></span> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111524940" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e4%ba%9a%e6%96%8c title="刘亚斌"><span>刘亚斌</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83891A" target="_blank" title="广州大学学报(社会科学版)">《广州大学学报(社会科学版)》</a> <span class="medal"> <span title="化学文摘(网络版)">CAS</span> </span> </span><span class="vol">2024年第1期95-106,共12页</span> </dd> <dd> <span class="abstract"> <span class="">自网络文学诞生以来,学术界基于社会状况、媒介特征和文本内容等阐释途径,建构了现代性、后现代和数字现代主义三种新媒介文学阅读的文化逻辑。现代性文化逻辑是由走向现代化国家的社会现实状况决定的,但网络文学中明显可见其阅读的后...</span> <span style="display:none;">自网络文学诞生以来,学术界基于社会状况、媒介特征和文本内容等阐释途径,建构了现代性、后现代和数字现代主义三种新媒介文学阅读的文化逻辑。现代性文化逻辑是由走向现代化国家的社会现实状况决定的,但网络文学中明显可见其阅读的后现代性;网络媒介带来了读写的后现代文化逻辑,却遭受到现代性立场的批判;数字现代主义将网络媒介与网络文学区隔,主张文本内容及其主题的新现代性,陷入媒介文艺学的内在矛盾中;它们存在着文学内容和主题的困境、媒介作为中介的片面性以及语言文本的过分重视等不足。要把握新媒介文学阅读的文化逻辑,必须回到后现代的原初含义,认清其是建立在可操作、多元呈现和融合生成的界面上,且在读者、阅读文本和审美效果等方面具有“虚拟后现代”特性。新媒介文学阅读体现出阅读文化的范式转型和阐释学意义。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%aa%92%e4%bb%8b%e6%96%87%e5%ad%a6 title="新媒介文学">新媒介文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%95%8c%e9%9d%a2%e9%98%85%e8%af%bb title="界面阅读">界面阅读</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%8c%96%e9%80%bb%e8%be%91 title="文化逻辑">文化逻辑</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%98%90%e9%87%8a%e8%b7%af%e5%be%84 title="阐释路径">阐释路径</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111524940','iulfB4Pcz9/ybuP3EqE+8u0CVUBsLzKbHHlb0l6jk7hopCHrntmVDQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111524940')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111541267" target="_blank" index="9" articleid="7111541267">《有人将至》:“后戏剧”表演史脉络中的福瑟“新话剧”</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="7111541267" data-zkbycount="1">1</a></span> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111541267" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%82%93%e8%8f%a1%e5%bd%ac title="邓菡彬"><span>邓菡彬</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86744X" target="_blank" title="广东外语外贸大学学报">《广东外语外贸大学学报》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期101-110,共10页</span> </dd> <dd> <span class="abstract"> <span class="">诺奖得主中剧作家比例(相较于二战前)的显著下降,揭示了“表演转向”“后戏剧”等思潮背后的艺术生产现实。18世纪末至20世纪,西方表演史历经“文学戏剧”“后剧本”两个代际,现在此脉络中又出现了福瑟“新话剧”带来的新的可能性:它是...</span> <span style="display:none;">诺奖得主中剧作家比例(相较于二战前)的显著下降,揭示了“表演转向”“后戏剧”等思潮背后的艺术生产现实。18世纪末至20世纪,西方表演史历经“文学戏剧”“后剧本”两个代际,现在此脉络中又出现了福瑟“新话剧”带来的新的可能性:它是“文学戏剧”的否定之否定,回归剧作家精确规定的剧本;又具“后剧本”时代解放演员身体动能和鼓励观众参与的进步性。《有人将至》的两个汉语演出版本(2010, 2021)为我们提供具身性入口来理解福瑟剧本“诗意极简”“特定模糊性”的特点:让演员和观众每个人“在高度个人化的层面上接受故事”,又被共时性地凝聚到音乐性的共同体空间。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%90%8e%e6%88%8f%e5%89%a7 title="后戏剧">后戏剧</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e8%af%9d%e5%89%a7 title="新话剧">新话剧</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%ba%ab%e4%bd%93%e7%94%b5 title="身体电">身体电</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a7%82%e4%bc%97%e5%8f%82%e4%b8%8e title="观众参与">观众参与</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%ba%e8%b4%9d%e5%b0%94%e6%96%87%e5%ad%a6%e5%a5%96 title="诺贝尔文学奖">诺贝尔文学奖</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111541267','iulfB4Pcz9/a5YJaioyhBu8EPaQVK8c6eJJB5Vq2h9HM0dWctLoylA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111541267')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111621145" target="_blank" index="10" articleid="7111621145">经管类文献综述写作的“新概念-立体结构”法</a> </dt> <dd class="no">11</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111621145" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e4%ba%8e%e5%bf%a0%e6%b1%9f title="于忠江"><span>于忠江</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%83%9d%e7%88%b1%e6%b0%91 title="郝爱民"><span>郝爱民</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%83%91%e4%b9%a6%e8%80%80 title="郑书耀"><span>郑书耀</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=84495A" target="_blank" title="大连民族大学学报">《大连民族大学学报》</a> <span class="medal"> <span title="化学文摘(网络版)">CAS</span> </span> </span><span class="vol">2024年第1期91-96,共6页</span> </dd> <dd> <span class="abstract"> <span class="">文献综述是经管类学术论文的重要组成部分。如何才能写出高质量的文献综述是非常值得关注的问题。概括相关的研究,一般遵循文献综述写作的平面分类模式,其抓住了对文献进行分类的要求,但也存在分类评价标准、研究内容、表达形式三方面...</span> <span style="display:none;">文献综述是经管类学术论文的重要组成部分。如何才能写出高质量的文献综述是非常值得关注的问题。概括相关的研究,一般遵循文献综述写作的平面分类模式,其抓住了对文献进行分类的要求,但也存在分类评价标准、研究内容、表达形式三方面不足。为了弥补不足,提出了文献综述写作的“新概念-立体结构”法。该方法的主要特征是:(1)指出清晰明确的文献分类评价标准,即文献内容的组间差异极大化、组内差异极小化标准;(2)鼓励不断利用抽象、归纳、概括能力,形成具有导向意义的新概念;(3)要求建构不同概念之间的多层级空间立体结构,形成抽象等级不同的、纵向的、整体性的观点脉络。“新概念-立体结构”方法既能从整体上解决文献综述的写作问题,也能为创新性研究提供更加可靠的基础。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e7%8c%ae%e7%bb%bc%e8%bf%b0 title="文献综述">文献综述</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%88%86%e7%b1%bb title="分类">分类</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%a6%82%e5%bf%b5 title="新概念">新概念</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ab%8b%e4%bd%93%e7%bb%93%e6%9e%84 title="立体结构">立体结构</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bd%92%e7%ba%b3%e8%83%bd%e5%8a%9b title="归纳能力">归纳能力</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111621145','PzP7IGPit5QdMw0iTpqX/RWCmh5tmOXtgAuE9OI8xUGeoxlG9tKqGA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111621145')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7113277997" target="_blank" index="11" articleid="7113277997">“文学革命”中“人的主体性”建构逻辑</a> </dt> <dd class="no">12</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7113277997" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%b0%b7%e9%b9%8f%e9%a3%9e title="谷鹏飞"><span>谷鹏飞</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80759X" target="_blank" title="西北大学学报(哲学社会科学版)">《西北大学学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第6期58-73,共16页</span> </dd> <dd> <span class="abstract"> <span class="">由五四新文化运动所推动的中国现代“文学革命”,是一场涵盖了文学创作、文学作品、文学批评与文学功用等多重要素在内的文学事件。作为一场影响20世纪中国文学至为深刻的文学事件,它以改革甚或弃逐传统文学的形式与内容为手段,以追求...</span> <span style="display:none;">由五四新文化运动所推动的中国现代“文学革命”,是一场涵盖了文学创作、文学作品、文学批评与文学功用等多重要素在内的文学事件。作为一场影响20世纪中国文学至为深刻的文学事件,它以改革甚或弃逐传统文学的形式与内容为手段,以追求文学表达的“个体-大众-阶级-民族-国家”主体性为主题,以塑造审美的人、道德的人、知识的人为目标,从而形成了一种既区别于西方文学现代性演变中处于与社会现代性对抗关系的“人的主体性”,也区别于中国现代“革命文学”之后文学现代性之于社会现代性遵从关系的“人的主体性”,表现为一种居于二者之间的独异型“人的主体性”。始于文学现代性而终于社会现代性,是这种独异型“人的主体性”的本质特质;勠力于社会现代性与文学现代性的建设,是这种独异型“人的主体性”的根本目标。对“文学革命”中“人的主体性”的不同逻辑划界,不是为了强调其内涵的显著差异,而是要彰显其作用于社会与文学自身的不同方式与不同功能,进而反省其价值与不足。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%ba%94%e5%9b%9b%e6%96%b0%e6%96%87%e5%8c%96 title="五四新文化">五四新文化</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%8e%b0%e4%bb%a3%e6%80%a7 title="现代性">现代性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9c%e6%96%87%e5%ad%a6%e9%9d%a9%e5%91%bd%e2%80%9d title="“文学革命”">“文学革命”</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9c%e4%ba%ba%e7%9a%84%e4%b8%bb%e4%bd%93%e6%80%a7%e2%80%9d title="“人的主体性”">“人的主体性”</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7113277997','kNZIXFOG8yVlPZpAM2I7Rayc+NxZc9Oo45Lsib97LDoV5H7c/xhWXQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7113277997')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111851928" target="_blank" index="12" articleid="7111851928">文学社团与文化机构合作的范例——重识文学研究会与商务印书馆的关系</a> </dt> <dd class="no">13</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111851928" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e5%bf%97%e5%b9%b3 title="张志平"><span>张志平</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%8e%e7%9b%b4%e9%a3%9e title="李直飞"><span>李直飞</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=87060X" target="_blank" title="云南大学学报(社会科学版)">《云南大学学报(社会科学版)》</a> <span class="medal"> </span> </span><span class="vol">2024年第2期45-54,共10页</span> </dd> <dd> <span class="abstract"> <span class="">在经济与文学的关系中,经济基础决定着作为特殊意识的文学已成为常识,但是,文学对经济的能动性往往被研究界所忽略。在许多时候,文学并不是消极的被经济所决定,如文学研究会在与商务印书馆的合作中表现出了强烈的主体性。在商务印书馆...</span> <span style="display:none;">在经济与文学的关系中,经济基础决定着作为特殊意识的文学已成为常识,但是,文学对经济的能动性往往被研究界所忽略。在许多时候,文学并不是消极的被经济所决定,如文学研究会在与商务印书馆的合作中表现出了强烈的主体性。在商务印书馆从诸多方面影响了文学研究会时,文学研究会也一直主动借用商务印书馆的力量发展、壮大自己,当商务印书馆妨碍文学研究会实现自身的宗旨时,文学研究会则努力突破束缚。双方长期合作,是双方成功平衡各方利益和诉求的结果,在双方冲突、妥协、磨合的过程中成功平衡了经济与文化、政治与文化等多种因素的冲突。双方形成了既独立自主,又相互借重、制约,形成均势的复杂关系。这是在现代文学市场中形成的现代文学与社会资本之间的新型机制。这种新型机制作为民国文学机制的一部分,是研究者触摸民国文学历史脉络、探究中国文学现代化规律的一个窗口。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%ad%a6%e7%a0%94%e7%a9%b6%e4%bc%9a title="文学研究会">文学研究会</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%95%86%e5%8a%a1%e5%8d%b0%e4%b9%a6%e9%a6%86 title="商务印书馆">商务印书馆</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%ad%a6%e6%96%b0%e6%9c%ba%e5%88%b6 title="文学新机制">文学新机制</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111851928','Le+hAMfymHq3OMH7tYfTBXVwaH9Zc7Tth6eLHNYdFIgzGuMI+pbYgA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111851928')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112676917" target="_blank" index="13" articleid="7112676917">新城市科学:技术、计算、变革与应用</a> </dt> <dd class="no">14</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112676917" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%be%99%e7%80%9b title="龙瀛"><span>龙瀛</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%b5%b5%e6%85%a7%e6%95%8f title="赵慧敏"><span>赵慧敏</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e4%b8%9a%e6%88%90 title="张业成"><span>张业成</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96009X" target="_blank" title="城市规划">《城市规划》</a> <span class="medal"> <span title="中国科学引文数据库-核心(2023-2024)">CSCD</span> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第7期4-15,共12页</span> </dd> <dd> <span class="abstract"> <span class="">技术发展推动了城市科学的进步。第四次工业革命已推动城市科学进入新城市科学阶段。本文归纳总结了新城市科学的发展脉络,对其内涵和外延进行了拓展,并将以城市作为实验室的新城市科学归纳为以下3个维度:(1)新的城市科学方面,海量、高...</span> <span style="display:none;">技术发展推动了城市科学的进步。第四次工业革命已推动城市科学进入新城市科学阶段。本文归纳总结了新城市科学的发展脉络,对其内涵和外延进行了拓展,并将以城市作为实验室的新城市科学归纳为以下3个维度:(1)新的城市科学方面,海量、高密、高频的新数据,主动城市感知等新技术及人工智能等新方法的发展促进了研究范式的转变;(2)新城市的科学方面,技术带来了城市本体,即个体日常活动、社会组织和城市空间的变革,越来越多的研究开始试图刻画这些变革的时空规律;(3)未来城市方面,新技术的发展将驱动未来城市的变革,城市科学家开始对未来城市空间原型进行推演并对其创造方式进行创新。城市科学工作者应抓住时代机遇,共同推进新城市科学的发展。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%9f%8e%e5%b8%82%e7%a7%91%e5%ad%a6 title="新城市科学">新城市科学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ac%ac%e5%9b%9b%e6%ac%a1%e5%b7%a5%e4%b8%9a%e9%9d%a9%e5%91%bd title="第四次工业革命">第四次工业革命</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a2%a0%e8%a6%86%e6%80%a7%e6%8a%80%e6%9c%af title="颠覆性技术">颠覆性技术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9f%8e%e5%b8%82%e8%a7%84%e5%88%92 title="城市规划">城市规划</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%9c%aa%e6%9d%a5%e5%9f%8e%e5%b8%82 title="未来城市">未来城市</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112676917','UwJBFKX4dLeBhkAsfnltGCQRCoT6WMl5iu90DSRoSQ1FGbpNQShSDQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112676917')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7111904463" target="_blank" index="14" articleid="7111904463">文学“小史”与历史“大事”——“新史学”与胡适《谈新诗》的批评理路</a> </dt> <dd class="no">15</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111904463" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e7%bd%97%e4%b9%89%e5%8d%8e title="罗义华"><span>罗义华</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%aa%86%e7%be%bd%e8%8a%af title="骆羽芯"><span>骆羽芯</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=91357A" target="_blank" title="武汉大学学报(哲学社会科学版)">《武汉大学学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第3期125-132,共8页</span> </dd> <dd> <span class="abstract"> <span class="">胡适兼具新史学家与新文学家的身份,他的新诗批评彰显了“以史入文”和“以文入史”的辩证法。一方面,他取径“新史学”的核心观念与方法,将“进化”史观、科学实证等融进《谈新诗》一文,使其呈现历史和科学的双重维度,依循着一条“以...</span> <span style="display:none;">胡适兼具新史学家与新文学家的身份,他的新诗批评彰显了“以史入文”和“以文入史”的辩证法。一方面,他取径“新史学”的核心观念与方法,将“进化”史观、科学实证等融进《谈新诗》一文,使其呈现历史和科学的双重维度,依循着一条“以史入文”的批评理路。另一方面,他以《谈新诗》一文参与新诗史的建构又折射出其以新诗批评进入历史的文学诉求,体现了“以文入史”的批评意图。在文史互动视域下钩沉“新史学”与《谈新诗》的互动渊源与路径,为窥见“新史学”在胡适文学观念中的位置与功能、辨析“新史学”与“新文学”之间的隐秘联系,提供了一个具体而微的佐证。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%83%a1%e9%80%82 title="胡适">胡适</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%8f%b2%e5%ad%a6 title="新史学">新史学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e8%b0%88%e6%96%b0%e8%af%97%e3%80%8b title="《谈新诗》">《谈新诗》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e8%af%97%e6%89%b9%e8%af%84 title="新诗批评">新诗批评</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%96%87%e5%ad%a6 title="新文学">新文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%8f%b2%e4%ba%92%e5%8a%a8 title="文史互动">文史互动</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111904463','+9WSq1MrJGPQ49rkU2pIxkV+gQ8SI2ns+u5MJZq1rdtikWx1oL872w==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111904463')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7113086440" target="_blank" index="15" articleid="7113086440">作为方法的异质与共构--以新移民文学为中心</a> </dt> <dd class="no">16</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7113086440" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%8e%e6%b4%aa%e5%8d%8e title="李洪华"><span>李洪华</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80292X" target="_blank" title="暨南学报(哲学社会科学版)">《暨南学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第8期12-23,共12页</span> </dd> <dd> <span class="abstract"> <span class="">新移民文学是世界华文文学新的生长点,代表了世界华文文学发展的新力量和新方向。在新的时代语境下,新移民文学在题材领域、思想内涵和话语方式等方面表现出新质素。本文借鉴希利斯·米勒等的异质理论和布尔迪厄的场域理论,将“异...</span> <span style="display:none;">新移民文学是世界华文文学新的生长点,代表了世界华文文学发展的新力量和新方向。在新的时代语境下,新移民文学在题材领域、思想内涵和话语方式等方面表现出新质素。本文借鉴希利斯·米勒等的异质理论和布尔迪厄的场域理论,将“异质”与“共构”作为方法,尝试为新移民文学研究提供新的视野和思路。新移民文学的“异质”研究,即在共构视域中,把新移民文学的特质作为重点,研究新移民文学在主体构成、书写对象、审美情感、话语风格等方面的新特点。新移民文学的共构研究,就是把新移民文学纳入海外华人文学、中国当代文学或居住国文学等场域,探讨其如何参与不同文学场域的建构,及其与场域中他者的相互联系和相互影响。“异质”与“共构”研究突破了区域研究或个案研究的零散性,进而拓展新移民文学的研究空间。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e7%a7%bb%e6%b0%91%e6%96%87%e5%ad%a6 title="新移民文学">新移民文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bc%82%e8%b4%a8 title="异质">异质</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%85%b1%e6%9e%84 title="共构">共构</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9c%ba%e5%9f%9f title="场域">场域</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b9%e6%b3%95 title="方法">方法</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7113086440','aGVuQCZ3B0ym35svBfm6h0VKwQ9ATKk3mmsD7GsKUEa1M0KVXlLwnA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7113086440')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112703222" target="_blank" index="16" articleid="7112703222">“人民文艺”中农民历史主体性的想象与构建</a> </dt> <dd class="no">17</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112703222" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%98%8e%e6%b5%a9%e5%b2%97 title="阎浩岗"><span>阎浩岗</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83395X" target="_blank" title="陕西师范大学学报(哲学社会科学版)">《陕西师范大学学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第4期137-145,共9页</span> </dd> <dd> <span class="abstract"> <span class="">“人民文艺”是以农民为主体的文艺。毛泽东将原本被排斥于现代文艺活动之外的农民作为文艺活动的主要对象,彻底改变了中国的文艺生态和文化生态。如果从其启蒙对象即工农大众来说,“人的文学”没有实现其目标。“人的文学”未能完成的...</span> <span style="display:none;">“人民文艺”是以农民为主体的文艺。毛泽东将原本被排斥于现代文艺活动之外的农民作为文艺活动的主要对象,彻底改变了中国的文艺生态和文化生态。如果从其启蒙对象即工农大众来说,“人的文学”没有实现其目标。“人的文学”未能完成的“启蒙农民”“改造农民”重任,最后由“人民文艺”逐步实现了。“人民文艺”使农民完成了观念上的转换与更新。要深刻理解“人民文艺”,首先要理解区别于资产阶级现代性文化的无产阶级新文化,即新民主主义文化和社会主义文化。在新民主主义阶段,无产阶级新文化强调的是反帝反封建;到了社会主义阶段,则将“资产阶级文化”与“封建文化”一道作为批判和否定的对象。此时,“人民文艺”更突出革命农民对“无产阶级意识”的接受过程;“人民文艺”赋予了农民以新的“人民”品性,塑造具有无产阶级意识的“社会主义新农民”形象,成为其重要职责。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%ba%ba%e6%b0%91%e6%96%87%e8%89%ba title="人民文艺">人民文艺</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%97%a0%e4%ba%a7%e9%98%b6%e7%ba%a7%e6%96%b0%e6%96%87%e5%8c%96 title="无产阶级新文化">无产阶级新文化</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%86%9c%e6%b0%91%e5%8e%86%e5%8f%b2%e4%b8%bb%e4%bd%93%e6%80%a7 title="农民历史主体性">农民历史主体性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%a4%be%e4%bc%9a%e4%b8%bb%e4%b9%89%e6%96%b0%e5%86%9c%e6%b0%91%e5%bd%a2%e8%b1%a1 title="社会主义新农民形象">社会主义新农民形象</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112703222','YdXXTpohfAMrWPY5dD1cGHmK6xO/owCSaKHFOH4zVDvB8GkHpg5E5w==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112703222')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112318420" target="_blank" index="17" articleid="7112318420">五四时期白话与文言关系论</a> </dt> <dd class="no">18</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112318420" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%ab%98%e7%8e%89 title="高玉"><span>高玉</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80307X" target="_blank" title="北京师范大学学报(社会科学版)">《北京师范大学学报(社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第3期81-89,共9页</span> </dd> <dd> <span class="abstract"> <span class="">汉语构成在中国古代是白话与文言并存,文言是主体,白话是补充。五四新文化运动提倡白话,但并不否定文言文,“废除”的不是文言文,而是文言文的主体地位,无论是在理论上,还是在实践上,文言文在当时都不可能被禁止和弃用,也不应该被禁止...</span> <span style="display:none;">汉语构成在中国古代是白话与文言并存,文言是主体,白话是补充。五四新文化运动提倡白话,但并不否定文言文,“废除”的不是文言文,而是文言文的主体地位,无论是在理论上,还是在实践上,文言文在当时都不可能被禁止和弃用,也不应该被禁止和弃用。文言与白话在五四时期经历了巨大的地位变化:白话文最初是争合法地位,后来是争主体地位,维持主体地位;文言文最初是保主体地位,后来是争合法地位,保应用上的“一席之地”。五四时期语言“保守派”从来不否认白话文,他们只是反对用白话文取代文言文,“激进派”从来不否定文言文,他们只是提倡在白话文的基础上建立新的“国语”,他们反对的是文言文的汉语主体地位。无论在过去,还是现在,白话与文言都不是互相排斥、“你死我活”的关系,而是主次分明、相辅相成、并存竞争关系。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%96%87%e5%ad%a6%e8%bf%90%e5%8a%a8 title="新文学运动">新文学运动</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b1%89%e8%af%ad title="汉语">汉语</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%99%bd%e8%af%9d title="白话">白话</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e8%a8%80 title="文言">文言</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112318420','qZC1r4SG0guw9Skumra7lqoeBMY5BENLeZURv7I0jJQnaNgvyOc14g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112318420')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112983449" target="_blank" index="18" articleid="7112983449">自创生:媒介及新媒介文艺意义生成</a> </dt> <dd class="no">19</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112983449" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%8d%95%e5%b0%8f%e6%9b%a6 title="单小曦"><span>单小曦</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e5%8d%83%e7%91%9c title="刘千瑜"><span>刘千瑜</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80159X" target="_blank" title="浙江社会科学">《浙江社会科学》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第9期126-138,160,F0003,共15页</span> </dd> <dd> <span class="abstract"> <span class="">“自创生”是用以描述系统自我生成性质的重要概念,“自创生系统”是能够自主生产、递归进化的系统。自创生理论以生成论为哲学基础,在去“本体”化的过程中建构了独特的“自体论”。按照自创生理论,媒介是典型的自创生系统。进入现代社...</span> <span style="display:none;">“自创生”是用以描述系统自我生成性质的重要概念,“自创生系统”是能够自主生产、递归进化的系统。自创生理论以生成论为哲学基础,在去“本体”化的过程中建构了独特的“自体论”。按照自创生理论,媒介是典型的自创生系统。进入现代社会,媒介系统将物质性与技术性转化为自身的生产力,展现出更为强劲的自主性,并在进阶演化和更新迭代的螺旋式生成运动中表现出递归性以及人、物、媒介之间新的缔合关系。数字新媒介系统的自创生进入了“数智化”阶段,形成了以计算法则为主导的信息生产方式,也带来了新世界即赛博空间的涌现。新媒介的数智化自创生,建构了新媒介文艺意义生成的自创生性质。从自创生视角看,新媒介文艺实践不过是数字化的人类行动者与媒介性行动者在互动耦合过程中,联合其他生产要素共同开展的自创生性文艺意义生产活动。在这一过程中,媒介性与文艺性交叠衍生,数字文艺性也由此生成。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%87%aa%e5%88%9b%e7%94%9f title="自创生">自创生</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%80%a6%e5%90%88%e5%85%b3%e7%b3%bb title="耦合关系">耦合关系</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%aa%92%e4%bb%8b%e6%96%87%e8%89%ba title="新媒介文艺">新媒介文艺</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%b0%e5%ad%97%e6%96%87%e8%89%ba%e6%80%a7 title="数字文艺性">数字文艺性</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112983449','yKCAZgi280NauJxyXeEmR/k1QlIkRLnjtk1oeJGDeI1AgqjZL5fbmw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112983449')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112782597" target="_blank" index="19" articleid="7112782597">论新时代中国文艺的守正创新:逻辑、内涵与路径</a> </dt> <dd class="no">20</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112782597" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%91%a8%e8%8a%b3 title="周芳"><span>周芳</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80166X" target="_blank" title="思想战线">《思想战线》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第4期143-149,共7页</span> </dd> <dd> <span class="abstract"> <span class="">守正创新是新时代中国文艺发展的必由之路。从逻辑上看,文艺守正创新是马克思主义的本质要求,是百年中国文艺发展的经验总结,是新时代繁荣社会主义文艺的必然选择。从内涵上看,文艺守正要求坚持以马克思主义为指导,坚持文艺的人民性,坚...</span> <span style="display:none;">守正创新是新时代中国文艺发展的必由之路。从逻辑上看,文艺守正创新是马克思主义的本质要求,是百年中国文艺发展的经验总结,是新时代繁荣社会主义文艺的必然选择。从内涵上看,文艺守正要求坚持以马克思主义为指导,坚持文艺的人民性,坚持中国共产党对文艺工作的领导;坚持中国特色社会主义文艺的创作方向;文艺创新要求在创新精神下坚持文艺理论和文艺实践的创新,用新的文艺理论指导新的文艺实践。从实践路径看,要坚持以人民为中心的创作导向;坚持古为今用、洋为中用;善于发掘新现象、新人物,正确运用新技术、新手段;努力提高个人的道德修养。只有将守正创新落到实处,才能实现文艺的繁荣兴盛,从而推动中华民族现代文明建设。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%97%b6%e4%bb%a3%e6%96%87%e8%89%ba title="新时代文艺">新时代文艺</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%88%e6%ad%a3%e5%88%9b%e6%96%b0 title="守正创新">守正创新</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%9f%e6%88%90%e9%80%bb%e8%be%91 title="生成逻辑">生成逻辑</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%86%85%e6%b6%b5%e6%84%8f%e8%95%b4 title="内涵意蕴">内涵意蕴</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%9e%e8%b7%b5%e8%b7%af%e5%be%84 title="实践路径">实践路径</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112782597','YdXXTpohfAPif4ZLa3Bl7xdGtKM5ye8zGJq8QBa3Tc04ocAgYxWk9A==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112782597')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> </div> <div class="full-list" id="detail" style="display:none"> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=671312309" target="_blank" index="0" articleid="671312309">Data-driven Discovery: A New Era of Exploiting the Literature and Data</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="671312309" data-zkbycount="6">6</a></span> </dt> <dd class="no">1</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="671312309" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dYing%2bDing title="Ying Ding"><span>Ying Ding</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dKyle%2bStirling title="Kyle Stirling"><span>Kyle Stirling</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dDepartment%2bof%2bInformation%2band%2bLibrary%2bScience>Department of Information and Library Science</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=70017A" target="_blank" title="Journal of Data and Information Science">《Journal of Data and Information Science》</a> <span class="medal"> </span> </span><span class="vol">2016年第4期1-9,共9页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">In the current data-intensive era, the traditional hands-on method of conducting scientific research by exploring related publications to generate a testable hypothesis is well on its way of becoming obsolete within just a year or two. Analyzing the literature and data to automatically generate a hypothesis might become the de facto approach to inform the core research efforts of those trying to master the exponentially rapid expansion of publications and datasets. Here, viewpoints are provided and discussed to help the understanding of challenges of data-driven discovery.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dA title="A">A</a></span> <span><a href=/Qikan/Search/Index?key=K%3dNew title="New"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dEra title="Era">Era</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dExploiting title="Exploiting">Exploiting</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLiterature title="Literature"><u>literature</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and">and</a></span> <span><a href=/Qikan/Search/Index?key=K%3dData title="Data">Data</a></span> <span><a href=/Qikan/Search/Index?key=K%3dData-driven title="Data-driven">Data-driven</a></span> <span><a href=/Qikan/Search/Index?key=K%3dDiscovery title="Discovery">Discovery</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG201 title="G201"> G201 [文化科学—传播学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('671312309','1NQjYLSLd2kxSKyUXGlS77DwXz4F8U2Q9kFWT1vmapuwvtyxVTJQ1g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('671312309')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111200505" target="_blank" index="1" articleid="7111200505">Theoretical and Practical Exploration of Ideology and Politics in British and American Literature Curriculum</a> </dt> <dd class="no">2</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111200505" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dWei%2bHe title="Wei He"><span>Wei He</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dQin%2bHe title="Qin He"><span>Qin He</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dSchool%2bof%2bForeign%2bLanguages>School of Foreign Languages</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=77358X" target="_blank" title="Journal of Contemporary Educational Research">《Journal of Contemporary Educational Research》</a> <span class="medal"> </span> </span><span class="vol">2023年第12期15-22,共8页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>“2022 Research Project of Xiangtan Institute of Technology’s School-Level Education and Teaching Reform”(Project number:XTLG2022B034)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">British and American literature is the essence of culture and civilization created in the long historical development process and a bright pearl in the treasure house of world literature.Different types of civilization history,ideological history,and values can better help students understand the literary quality and ideology in various periods of Western civilization.Studying British and American literature aids students in using cross-cultural perspectives to distinguish Chinese and foreign literature and culture.Therefore,the ideological and political tasks of the curriculum are particularly prominent.This research takes a fragment of selected British and American literature as an example to analyze the paths and methods of ideological and political coordination between British and American literature and curriculum,and to explore new ways of educating students in colleges and universities using British and American literature in the new era.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dBritish title="British">British</a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and">and</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAmerican title="American">American</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterature title="literature"><u>literature</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dIntegration title="Integration">Integration</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dideology title="ideology">ideology</a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and">and</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpolitics title="politics">politics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dinto title="into">into</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcourses title="courses">courses</a></span> <span><a href=/Qikan/Search/Index?key=K%3dNew title="New"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dteaching title="teaching">teaching</a></span> <span><a href=/Qikan/Search/Index?key=K%3dmethods title="methods">methods</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dH31 title="H31"> H31 [语言文字—英语] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111200505','s9ERNnCMjBzqEHjd6Fv4hODdgBKUyoueKd3N92tByqmNa00ccwYilQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111200505')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=31015437" target="_blank" index="2" articleid="31015437">New concept on teaching English literature to college English majors</a> </dt> <dd class="no">3</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="31015437" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dJIA%2bYu-ping%2bMIAO%2bYong-gang title="JIA Yu-ping MIAO Yong-gang"><span>JIA Yu-ping MIAO Yong-gang</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dSchool%2bof%2bForeign%2bLanguages>School of Foreign Languages</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=88585X" target="_blank" title="Sino-US English Teaching">《Sino-US English Teaching》</a> <span class="medal"> </span> </span><span class="vol">2009年第5期15-18,共4页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">The teaching of English literature to English majors in universities should emphasize on both the introduction of literary history and the analysis of specific literary works. In view of the present situation in the teaching of English literature, such as limited teaching hours, excessive contents and the outmoded teaching methods, the teachers should change their concept and mode of teaching, improve their teaching methods, and fully explore new concepts to promote the effectiveness and realize the targets of teaching.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dteaching title="teaching">teaching</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dEnglish title="English">English</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterature title="literature"><u>literature</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcombination title="combination">combination</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterary title="literary">literary</a></span> <span><a href=/Qikan/Search/Index?key=K%3dhistory title="history">history</a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and">and</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterary title="literary">literary</a></span> <span><a href=/Qikan/Search/Index?key=K%3dworks title="works">works</a></span> <span><a href=/Qikan/Search/Index?key=K%3dteachingmethodology title="teachingmethodology">teachingmethodology</a></span> <span><a href=/Qikan/Search/Index?key=K%3dnew title="new"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dconcept title="concept">concept</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e9%ab%98%e6%a0%a1 title="高校">高校</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%8b%b1%e8%af%ad%e4%b8%93%e4%b8%9a title="英语专业">英语专业</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%99%e5%ad%a6%e6%a8%a1%e5%bc%8f title="教学模式">教学模式</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%99%e5%ad%a6%e8%b4%a8%e9%87%8f title="教学质量">教学质量</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dH31 title="H31"> H31 [语言文字—英语] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('31015437','Y2eY2e2ZbonJWaekw9Tb5JTniWrEl3j85TywtwqjaFo=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('31015437')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7108709643" target="_blank" index="3" articleid="7108709643">The Current Situation and Counter Measures of Compilation of English Literature Textbooks in the Context of New Liberal Arts</a> </dt> <dd class="no">4</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7108709643" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dWANG%2bHai-yan title="WANG Hai-yan"><span>WANG Hai-yan</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dCHEN%2bYu-tong title="CHEN Yu-tong"><span>CHEN Yu-tong</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dDepartment%2bof%2bForeign%2bLanguages>Department of Foreign Languages</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71229X" target="_blank" title="Journal of Literature and Art Studies">《Journal of Literature and Art Studies》</a> <span class="medal"> </span> </span><span class="vol">2022年第11期1197-1202,共6页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic attributes of English majors and the important position of literature in foreign language learning are emphasized.Nowadays,the English literature curriculum is facing the problems of marginalization,reduction of class hours,simplification of curriculum and so on.Then in the context of the new liberal arts,it provides a new way to break through the dilemma of the literature curriculum.The study has collected the use of teaching materials of British and American literature courses in some colleges and universities across the country.Based on the survey results,the compilation of teaching materials in the new era should consider how to adapt to students’deep learning,autonomous learning,cross learning and research-based learning to provide guidance and support.The diversity of learning requires us to break the monotony of textbook compilation,show diversity and complement each other.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dnew title="new"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dliberal title="liberal">liberal</a></span> <span><a href=/Qikan/Search/Index?key=K%3darts title="arts">arts</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcompilation title="compilation">compilation</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dtextbooks title="textbooks">textbooks</a></span> <span><a href=/Qikan/Search/Index?key=K%3dEnglish title="English">English</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterature title="literature"><u>literature</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dH31 title="H31"> H31 [语言文字—英语] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7108709643','S4jHXObOfLt4IWExMlgXfFVNUqufGHRAU2n29jQIbQm8NBgd2dEkqQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7108709643')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1003086653" target="_blank" index="4" articleid="1003086653">A New Way to Look into Literature——Comment on Structuralist Literary Criticism</a> </dt> <dd class="no">5</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1003086653" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dHe%2bZhigang title="He Zhigang"><span>He Zhigang</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=91398Z" target="_blank" title="鄂西大学学报(社会科学版)">《鄂西大学学报(社会科学版)》</a> <span class="medal"> </span> </span><span class="vol">1987年第4期75-79,共5页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">What is structruralism?Is it a school or a movement?Many critics agreethat structruralism is,in a broad sense,a revolution in the human thinkingprocess.Structuralism is,as Barthe,properly defined in,the activity of re-defining all the cultural phenomena,an activity grounded in the belief th-at like language,a myth,wrestling match,system of tribal kinship orrestaurant menu is a system of signs,In this connection,structuralism ismuch concerned with and influenced by the modern schools of linguisticsespecially by the structural linguistics originated by Sausure.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dA title="A">A</a></span> <span><a href=/Qikan/Search/Index?key=K%3dNew title="New"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dWay title="Way">Way</a></span> <span><a href=/Qikan/Search/Index?key=K%3dto title="to">to</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLook title="Look">Look</a></span> <span><a href=/Qikan/Search/Index?key=K%3dinto title="into">into</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLiterature title="Literature"><u>literature</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dComment title="Comment">Comment</a></span> <span><a href=/Qikan/Search/Index?key=K%3don title="on">on</a></span> <span><a href=/Qikan/Search/Index?key=K%3dStructuralist title="Structuralist">Structuralist</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLiterary title="Literary">Literary</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCriticism title="Criticism">Criticism</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dC55 title="C55"> C55 [社会学] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dC95 title="C95"> C95 [社会学—民族学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1003086653','hqf0TwmLRx9I4W1AbDxSwocJaK+q7l1E9QlqxFZhhlm1vu8UxZnZlw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1003086653')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7107916134" target="_blank" index="5" articleid="7107916134">Research on British and American Literature Teaching Based on Cognitive Poetics</a> </dt> <dd class="no">6</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7107916134" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dHOU%2bXia title="HOU Xia"><span>HOU Xia</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dZhoukou%2bNormal%2bUniversity>Zhoukou Normal University</a></span> <span><a href=/Qikan/Search/Index?key=S%3dUniversiti%2bPutra%2bMalaysia>Universiti Putra Malaysia</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=72160X" target="_blank" title="Cultural and Religious Studies">《Cultural and Religious Studies》</a> <span class="medal"> </span> </span><span class="vol">2022年第8期444-447,共4页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>Research of Reform on Teaching of Literary Theory and Criticism Course Under Course Ideology and Politics(SZJG-2021007)</span></span> <span><span>2022 School-Level Curriculum Ideological and Political Education and Teaching Reform Research Project of Zhoukou Normal University.</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">The gradual implementation of the new curriculum reform has led to a particularly severe challenge in the teaching of English and American literature,which still adopts the traditional teaching mode.Interpretation of text is the focus of cognitive poetics,which can effectively combine people’s daily cognitive ability and literary ability,thus enlightening the teaching of British and American literature.Incorporating the concept of cognition into English and American literature textbooks can completely subvert the traditional evaluation and teaching mode in the past.It is also an effective way to improve students’humanistic quality and improve the communication between students’literary cognition and daily cognition experience.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dnew title="new"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcurriculum title="curriculum">curriculum</a></span> <span><a href=/Qikan/Search/Index?key=K%3dreform title="reform">reform</a></span> <span><a href=/Qikan/Search/Index?key=K%3dBritish title="British">British</a></span> <span><a href=/Qikan/Search/Index?key=K%3dand title="and">and</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAmerican title="American">American</a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterature title="literature"><u>literature</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcognitive title="cognitive">cognitive</a></span> <span><a href=/Qikan/Search/Index?key=K%3dreading title="reading">reading</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dH31 title="H31"> H31 [语言文字—英语] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7107916134','PrHNob2xtmCDikuHnP9oIuu5ZUfTdmOK4csWkjmdb4aYK8K7Z5Q2Hw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7107916134')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1004865164" target="_blank" index="6" articleid="1004865164">new Heights in Chinese Acrobatics——A Report on the Fourth National Acrobatics Contest</a> </dt> <dd class="no">7</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1004865164" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%3cTitle%3eLin%2bYinglan title="<Title>Lin Yinglan"><span><Title>Lin Yinglan</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期58-59,共2页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">FROM September 15 to 23,1995 China‘s Fourth NationalAcrobatics Contest was held inshenyang in Liaoning Province.Thecompetition held every four years wasjointly sponsored by the Ministry ofCulfure and the municipal governmentof the city.It aimed at carrying forwardChina’s outstanding national culture,developing acrobatics,and presentingexcellent acts so as to keep pacewith he international level of the art.Compared with the previous</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dnew title="new"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dHeights title="Heights">Heights</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dA title="A">A</a></span> <span><a href=/Qikan/Search/Index?key=K%3dReport title="Report">Report</a></span> <span><a href=/Qikan/Search/Index?key=K%3don title="on">on</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dFourth title="Fourth"><u>fourth</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dNational title="National">National</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dContest title="Contest">Contest</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ892 title="J892"> J892 [艺术—戏剧戏曲] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865164','mBS+t+RgeIZLgcmEGkHk8Lcd18txpUfaCmbNHFeg9DYxIV+BiLKlAg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865164')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1004865165" target="_blank" index="7" articleid="1004865165">new Heights in Chinese Acrobatics——A Report on the Fourth National Acrobatics Contest</a> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1004865165" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%3cTitle%3eZheng%2bLang title="<Title>Zheng Lang"><span><Title>Zheng Lang</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期60-61,共2页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">IN October 1995 Pingdingshan,Henan Province,known as the "city of the eagle,"hosted China’s Second Quyi Festival,which was jointly sponsored by the Chinese Quyi Artists Association and the municipal government.President Jing Zemin wrote an inscription for the festival:"Carry forward the national culture;Let the art of Quyi flourish."Premier Li Peng alsl wrote one:"A famous city on the Central Plain,the home of Quyi."During the festival 528 artists from 23 of Chi-</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dnew title="new"><u>new</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dHeights title="Heights">Heights</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dA title="A">A</a></span> <span><a href=/Qikan/Search/Index?key=K%3dReport title="Report">Report</a></span> <span><a href=/Qikan/Search/Index?key=K%3don title="on">on</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dFourth title="Fourth"><u>fourth</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dNational title="National">National</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcrobatics title="Acrobatics">Acrobatics</a></span> <span><a href=/Qikan/Search/Index?key=K%3dContest title="Contest">Contest</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ892 title="J892"> J892 [艺术—戏剧戏曲] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865165','mBS+t+RgeIYj/m5XGFlaiCTU6l0zszn3tWmEXSVp2SomWB22Bb5qIg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865165')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111524940" target="_blank" index="8" articleid="7111524940">新媒介文学阅读的文化逻辑及其阐释路径</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="7111524940" data-zkbycount="2">2</a></span> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111524940" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e4%ba%9a%e6%96%8c title="刘亚斌"><span>刘亚斌</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b5%99%e6%b1%9f%e5%a4%96%e5%9b%bd%e8%af%ad%e5%ad%a6%e9%99%a2%e4%b8%ad%e5%9b%bd%e8%af%ad%e8%a8%80%e6%96%87%e5%8c%96%e5%ad%a6%e9%99%a2>浙江外国语学院中国语言文化学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83891A" target="_blank" title="广州大学学报(社会科学版)">《广州大学学报(社会科学版)》</a> <span class="medal"> <span title="化学文摘(网络版)">CAS</span> </span> </span><span class="vol">2024年第1期95-106,共12页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社会科学基金重大项目(18ZDA282)</span></span> <span><span>国家社会科学基金后期资助项目(22FZWB085)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">自网络文学诞生以来,学术界基于社会状况、媒介特征和文本内容等阐释途径,建构了现代性、后现代和数字现代主义三种新媒介文学阅读的文化逻辑。现代性文化逻辑是由走向现代化国家的社会现实状况决定的,但网络文学中明显可见其阅读的后现代性;网络媒介带来了读写的后现代文化逻辑,却遭受到现代性立场的批判;数字现代主义将网络媒介与网络文学区隔,主张文本内容及其主题的新现代性,陷入媒介文艺学的内在矛盾中;它们存在着文学内容和主题的困境、媒介作为中介的片面性以及语言文本的过分重视等不足。要把握新媒介文学阅读的文化逻辑,必须回到后现代的原初含义,认清其是建立在可操作、多元呈现和融合生成的界面上,且在读者、阅读文本和审美效果等方面具有“虚拟后现代”特性。新媒介文学阅读体现出阅读文化的范式转型和阐释学意义。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%aa%92%e4%bb%8b%e6%96%87%e5%ad%a6 title="新媒介文学">新媒介文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%95%8c%e9%9d%a2%e9%98%85%e8%af%bb title="界面阅读">界面阅读</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%8c%96%e9%80%bb%e8%be%91 title="文化逻辑">文化逻辑</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%98%90%e9%87%8a%e8%b7%af%e5%be%84 title="阐释路径">阐释路径</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dNew%2bMedia%2bLiterature title="New Media Literature"><u>new</u> Media <u>literature</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dinterface%2breading title="interface reading">interface reading</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcultural%2blogic title="cultural logic">cultural logic</a></span> <span><a href=/Qikan/Search/Index?key=K%3dexplanation%2bpath title="explanation path">explanation path</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG206 title="G206"> G206 [文化科学—传播学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111524940','iulfB4Pcz9/ybuP3EqE+8u0CVUBsLzKbHHlb0l6jk7hopCHrntmVDQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111524940')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111541267" target="_blank" index="9" articleid="7111541267">《有人将至》:“后戏剧”表演史脉络中的福瑟“新话剧”</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="7111541267" data-zkbycount="1">1</a></span> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111541267" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%82%93%e8%8f%a1%e5%bd%ac title="邓菡彬"><span>邓菡彬</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b5%b7%e5%8d%97%e5%a4%a7%e5%ad%a6%e5%9b%bd%e9%99%85%e4%bc%a0%e6%92%ad%e4%b8%8e%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2>海南大学国际传播与艺术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86744X" target="_blank" title="广东外语外贸大学学报">《广东外语外贸大学学报》</a> <span class="medal"> </span> </span><span class="vol">2024年第3期101-110,共10页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社会科学基金重大项目“当代欧美戏剧前沿理论研究”(18ZD06)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">诺奖得主中剧作家比例(相较于二战前)的显著下降,揭示了“表演转向”“后戏剧”等思潮背后的艺术生产现实。18世纪末至20世纪,西方表演史历经“文学戏剧”“后剧本”两个代际,现在此脉络中又出现了福瑟“新话剧”带来的新的可能性:它是“文学戏剧”的否定之否定,回归剧作家精确规定的剧本;又具“后剧本”时代解放演员身体动能和鼓励观众参与的进步性。《有人将至》的两个汉语演出版本(2010, 2021)为我们提供具身性入口来理解福瑟剧本“诗意极简”“特定模糊性”的特点:让演员和观众每个人“在高度个人化的层面上接受故事”,又被共时性地凝聚到音乐性的共同体空间。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e5%90%8e%e6%88%8f%e5%89%a7 title="后戏剧">后戏剧</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e8%af%9d%e5%89%a7 title="新话剧">新话剧</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%ba%ab%e4%bd%93%e7%94%b5 title="身体电">身体电</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a7%82%e4%bc%97%e5%8f%82%e4%b8%8e title="观众参与">观众参与</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%ba%e8%b4%9d%e5%b0%94%e6%96%87%e5%ad%a6%e5%a5%96 title="诺贝尔文学奖">诺贝尔文学奖</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dpost-dramatic%2btheater title="post-dramatic theater">post-dramatic theater</a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe%2bNew%2bDrama title="The New Drama">The <u>new</u> Drama</a></span> <span><a href=/Qikan/Search/Index?key=K%3dhuman%2bphysical%2belectricity title="human physical electricity">human physical electricity</a></span> <span><a href=/Qikan/Search/Index?key=K%3daudience%2bparticipation title="audience participation">audience participation</a></span> <span><a href=/Qikan/Search/Index?key=K%3dNobel%2bPrize%2bin%2bLiterature title="Nobel Prize in Literature">Nobel Prize in <u>literature</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI106.3 title="I106.3"> I106.3 [文学—世界文学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111541267','iulfB4Pcz9/a5YJaioyhBu8EPaQVK8c6eJJB5Vq2h9HM0dWctLoylA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111541267')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111621145" target="_blank" index="10" articleid="7111621145">经管类文献综述写作的“新概念-立体结构”法</a> </dt> <dd class="no">11</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111621145" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e4%ba%8e%e5%bf%a0%e6%b1%9f title="于忠江"><span>于忠江</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%83%9d%e7%88%b1%e6%b0%91 title="郝爱民"><span>郝爱民</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%83%91%e4%b9%a6%e8%80%80 title="郑书耀"><span>郑书耀</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e9%83%91%e5%b7%9e%e8%88%aa%e7%a9%ba%e5%b7%a5%e4%b8%9a%e7%ae%a1%e7%90%86%e5%ad%a6%e9%99%a2%e7%bb%8f%e6%b5%8e%e5%ad%a6%e9%99%a2>郑州航空工业管理学院经济学院</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%8e%e5%8c%97%e6%b0%b4%e5%88%a9%e6%b0%b4%e7%94%b5%e5%a4%a7%e5%ad%a6%e7%ae%a1%e7%90%86%e4%b8%8e%e7%bb%8f%e6%b5%8e%e5%ad%a6%e9%99%a2>华北水利水电大学管理与经济学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=84495A" target="_blank" title="大连民族大学学报">《大连民族大学学报》</a> <span class="medal"> <span title="化学文摘(网络版)">CAS</span> </span> </span><span class="vol">2024年第1期91-96,共6页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社科基金一般项目(19BJY130)</span></span> <span><span>郑州航空工业管理学院研究生教改项目阶段性成果(2021YJSJG04)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">文献综述是经管类学术论文的重要组成部分。如何才能写出高质量的文献综述是非常值得关注的问题。概括相关的研究,一般遵循文献综述写作的平面分类模式,其抓住了对文献进行分类的要求,但也存在分类评价标准、研究内容、表达形式三方面不足。为了弥补不足,提出了文献综述写作的“新概念-立体结构”法。该方法的主要特征是:(1)指出清晰明确的文献分类评价标准,即文献内容的组间差异极大化、组内差异极小化标准;(2)鼓励不断利用抽象、归纳、概括能力,形成具有导向意义的新概念;(3)要求建构不同概念之间的多层级空间立体结构,形成抽象等级不同的、纵向的、整体性的观点脉络。“新概念-立体结构”方法既能从整体上解决文献综述的写作问题,也能为创新性研究提供更加可靠的基础。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e7%8c%ae%e7%bb%bc%e8%bf%b0 title="文献综述">文献综述</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%88%86%e7%b1%bb title="分类">分类</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%a6%82%e5%bf%b5 title="新概念">新概念</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ab%8b%e4%bd%93%e7%bb%93%e6%9e%84 title="立体结构">立体结构</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bd%92%e7%ba%b3%e8%83%bd%e5%8a%9b title="归纳能力">归纳能力</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dliterature%2breview title="literature review"><u>literature</u> review</a></span> <span><a href=/Qikan/Search/Index?key=K%3dclassification title="classification">classification</a></span> <span><a href=/Qikan/Search/Index?key=K%3dnew%2bconcepts title="new concepts"><u>new</u> concepts</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpyramidal%2bstructure title="pyramidal structure">pyramidal structure</a></span> <span><a href=/Qikan/Search/Index?key=K%3dinductive%2bability title="inductive ability">inductive ability</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dF011 title="F011"> F011 [经济管理—政治经济学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111621145','PzP7IGPit5QdMw0iTpqX/RWCmh5tmOXtgAuE9OI8xUGeoxlG9tKqGA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111621145')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7113277997" target="_blank" index="11" articleid="7113277997">“文学革命”中“人的主体性”建构逻辑</a> </dt> <dd class="no">12</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7113277997" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%b0%b7%e9%b9%8f%e9%a3%9e title="谷鹏飞"><span>谷鹏飞</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e8%a5%bf%e5%8c%97%e5%a4%a7%e5%ad%a6%e6%96%87%e5%ad%a6%e9%99%a2>西北大学文学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80759X" target="_blank" title="西北大学学报(哲学社会科学版)">《西北大学学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第6期58-73,共16页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社会科学基金重大项目“百年来中国共产党文艺思想中的人民主体性阐释研究”(23&ZD274)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">由五四新文化运动所推动的中国现代“文学革命”,是一场涵盖了文学创作、文学作品、文学批评与文学功用等多重要素在内的文学事件。作为一场影响20世纪中国文学至为深刻的文学事件,它以改革甚或弃逐传统文学的形式与内容为手段,以追求文学表达的“个体-大众-阶级-民族-国家”主体性为主题,以塑造审美的人、道德的人、知识的人为目标,从而形成了一种既区别于西方文学现代性演变中处于与社会现代性对抗关系的“人的主体性”,也区别于中国现代“革命文学”之后文学现代性之于社会现代性遵从关系的“人的主体性”,表现为一种居于二者之间的独异型“人的主体性”。始于文学现代性而终于社会现代性,是这种独异型“人的主体性”的本质特质;勠力于社会现代性与文学现代性的建设,是这种独异型“人的主体性”的根本目标。对“文学革命”中“人的主体性”的不同逻辑划界,不是为了强调其内涵的显著差异,而是要彰显其作用于社会与文学自身的不同方式与不同功能,进而反省其价值与不足。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%ba%94%e5%9b%9b%e6%96%b0%e6%96%87%e5%8c%96 title="五四新文化">五四新文化</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%8e%b0%e4%bb%a3%e6%80%a7 title="现代性">现代性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9c%e6%96%87%e5%ad%a6%e9%9d%a9%e5%91%bd%e2%80%9d title="“文学革命”">“文学革命”</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9c%e4%ba%ba%e7%9a%84%e4%b8%bb%e4%bd%93%e6%80%a7%e2%80%9d title="“人的主体性”">“人的主体性”</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9cMay%2bFourth%e2%80%9dNew%2bCulture title="“May Fourth”New Culture">“May <u>fourth</u>”<u>new</u> Culture</a></span> <span><a href=/Qikan/Search/Index?key=K%3dmodernity title="modernity">modernity</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9cliterary%2brevolution%e2%80%9d title="“literary revolution”">“literary revolution”</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9chuman%2bsubjectivity%e2%80%9d title="“human subjectivity”">“human subjectivity”</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI206 title="I206"> I206 [文学—中国文学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7113277997','kNZIXFOG8yVlPZpAM2I7Rayc+NxZc9Oo45Lsib97LDoV5H7c/xhWXQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7113277997')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111851928" target="_blank" index="12" articleid="7111851928">文学社团与文化机构合作的范例——重识文学研究会与商务印书馆的关系</a> </dt> <dd class="no">13</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111851928" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e5%bf%97%e5%b9%b3 title="张志平"><span>张志平</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%8e%e7%9b%b4%e9%a3%9e title="李直飞"><span>李直飞</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e4%ba%91%e5%8d%97%e5%a4%a7%e5%ad%a6>云南大学</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e4%ba%91%e5%8d%97%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6>云南师范大学</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=87060X" target="_blank" title="云南大学学报(社会科学版)">《云南大学学报(社会科学版)》</a> <span class="medal"> </span> </span><span class="vol">2024年第2期45-54,共10页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>云南省研究生导师团队建设项目“中国现当代文学研究博士生导师团队”的阶段性研究成果。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">在经济与文学的关系中,经济基础决定着作为特殊意识的文学已成为常识,但是,文学对经济的能动性往往被研究界所忽略。在许多时候,文学并不是消极的被经济所决定,如文学研究会在与商务印书馆的合作中表现出了强烈的主体性。在商务印书馆从诸多方面影响了文学研究会时,文学研究会也一直主动借用商务印书馆的力量发展、壮大自己,当商务印书馆妨碍文学研究会实现自身的宗旨时,文学研究会则努力突破束缚。双方长期合作,是双方成功平衡各方利益和诉求的结果,在双方冲突、妥协、磨合的过程中成功平衡了经济与文化、政治与文化等多种因素的冲突。双方形成了既独立自主,又相互借重、制约,形成均势的复杂关系。这是在现代文学市场中形成的现代文学与社会资本之间的新型机制。这种新型机制作为民国文学机制的一部分,是研究者触摸民国文学历史脉络、探究中国文学现代化规律的一个窗口。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%ad%a6%e7%a0%94%e7%a9%b6%e4%bc%9a title="文学研究会">文学研究会</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%95%86%e5%8a%a1%e5%8d%b0%e4%b9%a6%e9%a6%86 title="商务印书馆">商务印书馆</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%ad%a6%e6%96%b0%e6%9c%ba%e5%88%b6 title="文学新机制">文学新机制</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dLiterary%2bResearch%2bAssociation title="Literary Research Association">Literary Research Association</a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe%2bCommercial%2bPress title="The Commercial Press">The Commercial Press</a></span> <span><a href=/Qikan/Search/Index?key=K%3da%2bnew%2bmechanism%2bof%2bliterature title="a new mechanism of literature">a <u>new</u> mechanism of <u>literature</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI253 title="I253"> I253 [文学—中国文学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111851928','Le+hAMfymHq3OMH7tYfTBXVwaH9Zc7Tth6eLHNYdFIgzGuMI+pbYgA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111851928')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112676917" target="_blank" index="13" articleid="7112676917">新城市科学:技术、计算、变革与应用</a> </dt> <dd class="no">14</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112676917" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%be%99%e7%80%9b title="龙瀛"><span>龙瀛</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%b5%b5%e6%85%a7%e6%95%8f title="赵慧敏"><span>赵慧敏</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e4%b8%9a%e6%88%90 title="张业成"><span>张业成</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b8%85%e5%8d%8e%e5%a4%a7%e5%ad%a6%e5%bb%ba%e7%ad%91%e5%ad%a6%e9%99%a2>清华大学建筑学院</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%ad%e5%9b%bd%e5%9f%8e%e5%b8%82%e8%a7%84%e5%88%92%e5%ad%a6%e4%bc%9a%e5%9f%8e%e5%b8%82%e8%a7%84%e5%88%92%e6%96%b0%e6%8a%80%e6%9c%af%e5%ba%94%e7%94%a8%e4%b8%93%e4%b8%9a%e5%a7%94%e5%91%98%e4%bc%9a>中国城市规划学会城市规划新技术应用专业委员会</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%ad%e5%9b%bd%e5%9f%8e%e5%b8%82%e8%a7%84%e5%88%92%e5%ad%a6%e4%bc%9a>中国城市规划学会</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96009X" target="_blank" title="城市规划">《城市规划》</a> <span class="medal"> <span title="中国科学引文数据库-核心(2023-2024)">CSCD</span> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第7期4-15,共12页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家自然科学基金重大项目课题(62394331/62394335)</span></span> <span><span>国家自然科学基金面上项目(52178044/51778319)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">技术发展推动了城市科学的进步。第四次工业革命已推动城市科学进入新城市科学阶段。本文归纳总结了新城市科学的发展脉络,对其内涵和外延进行了拓展,并将以城市作为实验室的新城市科学归纳为以下3个维度:(1)新的城市科学方面,海量、高密、高频的新数据,主动城市感知等新技术及人工智能等新方法的发展促进了研究范式的转变;(2)新城市的科学方面,技术带来了城市本体,即个体日常活动、社会组织和城市空间的变革,越来越多的研究开始试图刻画这些变革的时空规律;(3)未来城市方面,新技术的发展将驱动未来城市的变革,城市科学家开始对未来城市空间原型进行推演并对其创造方式进行创新。城市科学工作者应抓住时代机遇,共同推进新城市科学的发展。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%9f%8e%e5%b8%82%e7%a7%91%e5%ad%a6 title="新城市科学">新城市科学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%ac%ac%e5%9b%9b%e6%ac%a1%e5%b7%a5%e4%b8%9a%e9%9d%a9%e5%91%bd title="第四次工业革命">第四次工业革命</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a2%a0%e8%a6%86%e6%80%a7%e6%8a%80%e6%9c%af title="颠覆性技术">颠覆性技术</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9f%8e%e5%b8%82%e8%a7%84%e5%88%92 title="城市规划">城市规划</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%9c%aa%e6%9d%a5%e5%9f%8e%e5%b8%82 title="未来城市">未来城市</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bnew%2bscience%2bof%2bcities title="the new science of cities">the <u>new</u> science of cities</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bFourth%2bIndustrial%2bRevolution title="the Fourth Industrial Revolution">the <u>fourth</u> Industrial Revolution</a></span> <span><a href=/Qikan/Search/Index?key=K%3ddisruptive%2btechnologies title="disruptive technologies">disruptive technologies</a></span> <span><a href=/Qikan/Search/Index?key=K%3durban%2bplanning title="urban planning">urban planning</a></span> <span><a href=/Qikan/Search/Index?key=K%3dfuture%2bcities title="future cities">future cities</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dTU984 title="TU984"> TU984 [建筑科学—城市规划与设计] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112676917','UwJBFKX4dLeBhkAsfnltGCQRCoT6WMl5iu90DSRoSQ1FGbpNQShSDQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112676917')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7111904463" target="_blank" index="14" articleid="7111904463">文学“小史”与历史“大事”——“新史学”与胡适《谈新诗》的批评理路</a> </dt> <dd class="no">15</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7111904463" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e7%bd%97%e4%b9%89%e5%8d%8e title="罗义华"><span>罗义华</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%aa%86%e7%be%bd%e8%8a%af title="骆羽芯"><span>骆羽芯</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%ad%e5%8d%97%e6%b0%91%e6%97%8f%e5%a4%a7%e5%ad%a6%e6%96%87%e5%ad%a6%e4%b8%8e%e6%96%b0%e9%97%bb%e4%bc%a0%e6%92%ad%e5%ad%a6%e9%99%a2>中南民族大学文学与新闻传播学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=91357A" target="_blank" title="武汉大学学报(哲学社会科学版)">《武汉大学学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第3期125-132,共8页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社会科学基金项目(23BZW116)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">胡适兼具新史学家与新文学家的身份,他的新诗批评彰显了“以史入文”和“以文入史”的辩证法。一方面,他取径“新史学”的核心观念与方法,将“进化”史观、科学实证等融进《谈新诗》一文,使其呈现历史和科学的双重维度,依循着一条“以史入文”的批评理路。另一方面,他以《谈新诗》一文参与新诗史的建构又折射出其以新诗批评进入历史的文学诉求,体现了“以文入史”的批评意图。在文史互动视域下钩沉“新史学”与《谈新诗》的互动渊源与路径,为窥见“新史学”在胡适文学观念中的位置与功能、辨析“新史学”与“新文学”之间的隐秘联系,提供了一个具体而微的佐证。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e8%83%a1%e9%80%82 title="胡适">胡适</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%8f%b2%e5%ad%a6 title="新史学">新史学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e8%b0%88%e6%96%b0%e8%af%97%e3%80%8b title="《谈新诗》">《谈新诗》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e8%af%97%e6%89%b9%e8%af%84 title="新诗批评">新诗批评</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%96%87%e5%ad%a6 title="新文学">新文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e5%8f%b2%e4%ba%92%e5%8a%a8 title="文史互动">文史互动</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dHu%2bShih title="Hu Shih">Hu Shih</a></span> <span><a href=/Qikan/Search/Index?key=K%3dnew%2bhistoriography title="new historiography"><u>new</u> historiography</a></span> <span><a href=/Qikan/Search/Index?key=K%3dTalking%2babout%2bNew%2bPoetry title="Talking about New Poetry">Talking about <u>new</u> Poetry</a></span> <span><a href=/Qikan/Search/Index?key=K%3dnew%2bpoetry%2bcriticism title="new poetry criticism"><u>new</u> poetry criticism</a></span> <span><a href=/Qikan/Search/Index?key=K%3dnew%2blitera%e2%80%90ture title="new litera‐ture"><u>new</u> litera‐ture</a></span> <span><a href=/Qikan/Search/Index?key=K%3dinteraction%2bbetween%2bliterature%2band%2bhistory title="interaction between literature and history">interaction between <u>literature</u> and history</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI0 title="I0"> I0 [文学—文学理论] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7111904463','+9WSq1MrJGPQ49rkU2pIxkV+gQ8SI2ns+u5MJZq1rdtikWx1oL872w==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7111904463')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7113086440" target="_blank" index="15" articleid="7113086440">作为方法的异质与共构--以新移民文学为中心</a> </dt> <dd class="no">16</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7113086440" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%8e%e6%b4%aa%e5%8d%8e title="李洪华"><span>李洪华</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%97%e6%98%8c%e5%a4%a7%e5%ad%a6%e8%b0%b7%e9%9c%81%e5%85%89%e4%ba%ba%e6%96%87%e9%ab%98%e7%ad%89%e7%a0%94%e7%a9%b6%e9%99%a2>南昌大学谷霁光人文高等研究院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80292X" target="_blank" title="暨南学报(哲学社会科学版)">《暨南学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第8期12-23,共12页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">新移民文学是世界华文文学新的生长点,代表了世界华文文学发展的新力量和新方向。在新的时代语境下,新移民文学在题材领域、思想内涵和话语方式等方面表现出新质素。本文借鉴希利斯·米勒等的异质理论和布尔迪厄的场域理论,将“异质”与“共构”作为方法,尝试为新移民文学研究提供新的视野和思路。新移民文学的“异质”研究,即在共构视域中,把新移民文学的特质作为重点,研究新移民文学在主体构成、书写对象、审美情感、话语风格等方面的新特点。新移民文学的共构研究,就是把新移民文学纳入海外华人文学、中国当代文学或居住国文学等场域,探讨其如何参与不同文学场域的建构,及其与场域中他者的相互联系和相互影响。“异质”与“共构”研究突破了区域研究或个案研究的零散性,进而拓展新移民文学的研究空间。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e7%a7%bb%e6%b0%91%e6%96%87%e5%ad%a6 title="新移民文学">新移民文学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bc%82%e8%b4%a8 title="异质">异质</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%85%b1%e6%9e%84 title="共构">共构</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9c%ba%e5%9f%9f title="场域">场域</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b9%e6%b3%95 title="方法">方法</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dnew%2bimmigrant%2bliterature title="new immigrant literature"><u>new</u> immigrant <u>literature</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dheterogeneity title="heterogeneity">heterogeneity</a></span> <span><a href=/Qikan/Search/Index?key=K%3dco-construction title="co-construction">co-construction</a></span> <span><a href=/Qikan/Search/Index?key=K%3dfield title="field">field</a></span> <span><a href=/Qikan/Search/Index?key=K%3dmethod title="method">method</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI109 title="I109"> I109 [文学—世界文学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7113086440','aGVuQCZ3B0ym35svBfm6h0VKwQ9ATKk3mmsD7GsKUEa1M0KVXlLwnA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7113086440')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112703222" target="_blank" index="16" articleid="7112703222">“人民文艺”中农民历史主体性的想象与构建</a> </dt> <dd class="no">17</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112703222" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%98%8e%e6%b5%a9%e5%b2%97 title="阎浩岗"><span>阎浩岗</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b2%b3%e5%8c%97%e5%a4%a7%e5%ad%a6%e6%96%87%e5%ad%a6%e9%99%a2>河北大学文学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83395X" target="_blank" title="陕西师范大学学报(哲学社会科学版)">《陕西师范大学学报(哲学社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第4期137-145,共9页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社会科学基金项目“文化生态视域下的中国红色文学百年史(1921—2021)”(21BZW041)</span></span> <span><span>国家社会科学基金重大项目“红色文艺与百年中国研究”(21&ZD260)子课题“红色文艺与现代中国革命研究”。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">“人民文艺”是以农民为主体的文艺。毛泽东将原本被排斥于现代文艺活动之外的农民作为文艺活动的主要对象,彻底改变了中国的文艺生态和文化生态。如果从其启蒙对象即工农大众来说,“人的文学”没有实现其目标。“人的文学”未能完成的“启蒙农民”“改造农民”重任,最后由“人民文艺”逐步实现了。“人民文艺”使农民完成了观念上的转换与更新。要深刻理解“人民文艺”,首先要理解区别于资产阶级现代性文化的无产阶级新文化,即新民主主义文化和社会主义文化。在新民主主义阶段,无产阶级新文化强调的是反帝反封建;到了社会主义阶段,则将“资产阶级文化”与“封建文化”一道作为批判和否定的对象。此时,“人民文艺”更突出革命农民对“无产阶级意识”的接受过程;“人民文艺”赋予了农民以新的“人民”品性,塑造具有无产阶级意识的“社会主义新农民”形象,成为其重要职责。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%ba%ba%e6%b0%91%e6%96%87%e8%89%ba title="人民文艺">人民文艺</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%97%a0%e4%ba%a7%e9%98%b6%e7%ba%a7%e6%96%b0%e6%96%87%e5%8c%96 title="无产阶级新文化">无产阶级新文化</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%86%9c%e6%b0%91%e5%8e%86%e5%8f%b2%e4%b8%bb%e4%bd%93%e6%80%a7 title="农民历史主体性">农民历史主体性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%a4%be%e4%bc%9a%e4%b8%bb%e4%b9%89%e6%96%b0%e5%86%9c%e6%b0%91%e5%bd%a2%e8%b1%a1 title="社会主义新农民形象">社会主义新农民形象</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e2%80%9cPeople%e2%80%99s%2bLiterature%2band%2bArt%e2%80%9d title="“People’s Literature and Art”">“People’s <u>literature</u> and Art”</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bnew%2bculture%2bof%2bthe%2bproletariat title="the new culture of the proletariat">the <u>new</u> culture of the proletariat</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bhistorical%2bsubjectivity%2bof%2bfarmers title="the historical subjectivity of farmers">the historical subjectivity of farmers</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bimage%2bof%2bnew%2bsocialist%2bfarmers title="the image of new socialist farmers">the image of <u>new</u> socialist farmers</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dC912.82 title="C912.82"> C912.82 [经济管理] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112703222','YdXXTpohfAMrWPY5dD1cGHmK6xO/owCSaKHFOH4zVDvB8GkHpg5E5w==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112703222')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112318420" target="_blank" index="17" articleid="7112318420">五四时期白话与文言关系论</a> </dt> <dd class="no">18</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112318420" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%ab%98%e7%8e%89 title="高玉"><span>高玉</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b5%99%e6%b1%9f%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6%e4%ba%ba%e6%96%87%e5%ad%a6%e9%99%a2>浙江师范大学人文学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80307X" target="_blank" title="北京师范大学学报(社会科学版)">《北京师范大学学报(社会科学版)》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第3期81-89,共9页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社会科学基金重大课题“语言变革与中国现当代文学发展”(16ZDA190)。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">汉语构成在中国古代是白话与文言并存,文言是主体,白话是补充。五四新文化运动提倡白话,但并不否定文言文,“废除”的不是文言文,而是文言文的主体地位,无论是在理论上,还是在实践上,文言文在当时都不可能被禁止和弃用,也不应该被禁止和弃用。文言与白话在五四时期经历了巨大的地位变化:白话文最初是争合法地位,后来是争主体地位,维持主体地位;文言文最初是保主体地位,后来是争合法地位,保应用上的“一席之地”。五四时期语言“保守派”从来不否认白话文,他们只是反对用白话文取代文言文,“激进派”从来不否定文言文,他们只是提倡在白话文的基础上建立新的“国语”,他们反对的是文言文的汉语主体地位。无论在过去,还是现在,白话与文言都不是互相排斥、“你死我活”的关系,而是主次分明、相辅相成、并存竞争关系。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%96%87%e5%ad%a6%e8%bf%90%e5%8a%a8 title="新文学运动">新文学运动</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b1%89%e8%af%ad title="汉语">汉语</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%99%bd%e8%af%9d title="白话">白话</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e8%a8%80 title="文言">文言</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bNew%2bLiterature%2bMovement title="the New Literature Movement">the <u>new</u> <u>literature</u> Movement</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese%2blanguage title="Chinese language">Chinese language</a></span> <span><a href=/Qikan/Search/Index?key=K%3dvernacular%2bChinese title="vernacular Chinese">vernacular Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dclassical%2bChinese title="classical Chinese">classical Chinese</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI206 title="I206"> I206 [文学—中国文学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112318420','qZC1r4SG0guw9Skumra7lqoeBMY5BENLeZURv7I0jJQnaNgvyOc14g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112318420')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112983449" target="_blank" index="18" articleid="7112983449">自创生:媒介及新媒介文艺意义生成</a> </dt> <dd class="no">19</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112983449" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%8d%95%e5%b0%8f%e6%9b%a6 title="单小曦"><span>单小曦</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e5%8d%83%e7%91%9c title="刘千瑜"><span>刘千瑜</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%9d%ad%e5%b7%9e%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6%e4%ba%ba%e6%96%87%e5%ad%a6%e9%99%a2>杭州师范大学人文学院</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e6%9d%ad%e5%b7%9e%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6%e6%96%87%e8%89%ba%e6%89%b9%e8%af%84%e7%a0%94%e7%a9%b6%e9%99%a2>杭州师范大学文艺批评研究院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80159X" target="_blank" title="浙江社会科学">《浙江社会科学》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第9期126-138,160,F0003,共15页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>浙江省哲学社会科学重点研究基地杭州师范大学文艺批评研究院课题“当代中国新媒介文艺批评话语建构研究”(20JDZD045)</span></span> <span><span>国家社科基金重大项目“中国新媒介文艺研究”(18ZDA282)成果。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">“自创生”是用以描述系统自我生成性质的重要概念,“自创生系统”是能够自主生产、递归进化的系统。自创生理论以生成论为哲学基础,在去“本体”化的过程中建构了独特的“自体论”。按照自创生理论,媒介是典型的自创生系统。进入现代社会,媒介系统将物质性与技术性转化为自身的生产力,展现出更为强劲的自主性,并在进阶演化和更新迭代的螺旋式生成运动中表现出递归性以及人、物、媒介之间新的缔合关系。数字新媒介系统的自创生进入了“数智化”阶段,形成了以计算法则为主导的信息生产方式,也带来了新世界即赛博空间的涌现。新媒介的数智化自创生,建构了新媒介文艺意义生成的自创生性质。从自创生视角看,新媒介文艺实践不过是数字化的人类行动者与媒介性行动者在互动耦合过程中,联合其他生产要素共同开展的自创生性文艺意义生产活动。在这一过程中,媒介性与文艺性交叠衍生,数字文艺性也由此生成。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e8%87%aa%e5%88%9b%e7%94%9f title="自创生">自创生</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%80%a6%e5%90%88%e5%85%b3%e7%b3%bb title="耦合关系">耦合关系</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e5%aa%92%e4%bb%8b%e6%96%87%e8%89%ba title="新媒介文艺">新媒介文艺</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%b0%e5%ad%97%e6%96%87%e8%89%ba%e6%80%a7 title="数字文艺性">数字文艺性</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dautopoiesis title="autopoiesis">autopoiesis</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcoupling%2brelationship title="coupling relationship">coupling relationship</a></span> <span><a href=/Qikan/Search/Index?key=K%3dnew%2bmedia%2bliterature%2band%2bart title="new media literature and art"><u>new</u> media <u>literature</u> and art</a></span> <span><a href=/Qikan/Search/Index?key=K%3ddigital%2bliterariness title="digital literariness">digital literariness</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG206 title="G206"> G206 [文化科学—传播学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112983449','yKCAZgi280NauJxyXeEmR/k1QlIkRLnjtk1oeJGDeI1AgqjZL5fbmw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112983449')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112782597" target="_blank" index="19" articleid="7112782597">论新时代中国文艺的守正创新:逻辑、内涵与路径</a> </dt> <dd class="no">20</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112782597" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%91%a8%e8%8a%b3 title="周芳"><span>周芳</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e8%a5%bf%e5%8d%97%e4%ba%a4%e9%80%9a%e5%a4%a7%e5%ad%a6%e4%ba%ba%e6%96%87%e5%ad%a6%e9%99%a2>西南交通大学人文学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80166X" target="_blank" title="思想战线">《思想战线》</a> <span class="medal"> <span title="北大核心期刊(2023版)">北大核心</span> </span> </span><span class="vol">2024年第4期143-149,共7页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">守正创新是新时代中国文艺发展的必由之路。从逻辑上看,文艺守正创新是马克思主义的本质要求,是百年中国文艺发展的经验总结,是新时代繁荣社会主义文艺的必然选择。从内涵上看,文艺守正要求坚持以马克思主义为指导,坚持文艺的人民性,坚持中国共产党对文艺工作的领导;坚持中国特色社会主义文艺的创作方向;文艺创新要求在创新精神下坚持文艺理论和文艺实践的创新,用新的文艺理论指导新的文艺实践。从实践路径看,要坚持以人民为中心的创作导向;坚持古为今用、洋为中用;善于发掘新现象、新人物,正确运用新技术、新手段;努力提高个人的道德修养。只有将守正创新落到实处,才能实现文艺的繁荣兴盛,从而推动中华民族现代文明建设。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%b0%e6%97%b6%e4%bb%a3%e6%96%87%e8%89%ba title="新时代文艺">新时代文艺</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%88%e6%ad%a3%e5%88%9b%e6%96%b0 title="守正创新">守正创新</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%9f%e6%88%90%e9%80%bb%e8%be%91 title="生成逻辑">生成逻辑</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%86%85%e6%b6%b5%e6%84%8f%e8%95%b4 title="内涵意蕴">内涵意蕴</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%9e%e8%b7%b5%e8%b7%af%e5%be%84 title="实践路径">实践路径</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dliterature%2band%2bart%2bin%2bthe%2bnew%2bera title="literature and art in the new era"><u>literature</u> and art in the <u>new</u> era</a></span> <span><a href=/Qikan/Search/Index?key=K%3duphold%2bfundamental%2bprinciples%2band%2bbreak%2bnew%2bground title="uphold fundamental principles and break new ground">uphold fundamental principles and break <u>new</u> ground</a></span> <span><a href=/Qikan/Search/Index?key=K%3dgenerative%2blogic title="generative logic">generative logic</a></span> <span><a href=/Qikan/Search/Index?key=K%3dconnotation title="connotation">connotation</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpractice title="practice">practice</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dI02 title="I02"> I02 [文学—文学理论] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112782597','YdXXTpohfAPif4ZLa3Bl7xdGtKM5ye8zGJq8QBa3Tc04ocAgYxWk9A==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112782597')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> </div> <div class="table-list" id="list" style="display:none"> <table> <colgroup> <col width="25"> <col> <col width="150"> <col width="180"> <col width="80"> <col width="80"> <col width="100"> </colgroup> <thead> <tr> <th></th> <th>题名</th> <th>作者</th> <th>出处</th> <th>发文年</th> <th>被引量</th> <th>操作</th> </tr> </thead> <tbody> <tr> <td> <input type="checkbox" lay-filter="selectArticle" data-id="671312309" lay-skin="primary" title=""> <div class="table-no"><span class="no">1</span></div> </td> <td class="title"><a href="/Qikan/Article/Detail?id=671312309" target="_blank" index="0" articleid="671312309">Data-driven Discovery: A New Era of Exploiting the Literature and Data</a></td> <td class="t-left"> <a href=/Qikan/Search/Index?key=A%3dYing%2bDing title="Ying Ding">Ying Ding</a> <a href=/Qikan/Search/Index?key=A%3dKyle%2bStirling title="Kyle Stirling">Kyle Stirling</a> </td> <td class="t-left"> <a href="/Qikan/Journal/Summary?kind=1&gch=70017A" target="_blank" title="Journal of Data and Information Science"> 《Journal of Data and Information Science》 </a> <span class="from"> <span class="medal"> </span> </span> </td> <td class="cited">2016</td> <td class="cited"> <a href="javascript:void(0)" data-articleid="671312309" data-zkbycount="6">6</a> </td> <td class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('671312309','1NQjYLSLd2kxSKyUXGlS77DwXz4F8U2Q9kFWT1vmapuwvtyxVTJQ1g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('671312309')"><i class="icon-rar"></i>职称材料</a> </div> </td> </tr> <tr> <td> <input type="checkbox" lay-filter="selectArticle" data-id="7111200505" lay-skin="primary" title=""> <div class="table-no"><span class="no">2</span></div> </td> <td class="title"><a href="/Qikan/Article/Detail?id=7111200505" target="_blank" index="0" articleid="7111200505">Theoretical and Practical Exploration of Ideology and Politics in British and American Literature Curriculum</a></td> <td class="t-left"> <a href=/Qikan/Search/Index?key=A%3dWei%2bHe title="Wei He">Wei He</a> <a href=/Qikan/Search/Index?key=A%3dQin%2bHe title="Qin He">Qin He</a> </td> <td class="t-left"> <a href="/Qikan/Journal/Summary?kind=1&gch=77358X" target="_blank" title="Journal of Contemporary Educational Research"> 《Journal of Contemporary Educational Research》 </a> <span class="from"> <span class="medal"> </span> </span> </td> <td class="cited">2023</td> <td class="cited"> 0 </td> <td class="source"> <div class="article-source"> <a href="javascript:void(0);" 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href=/Qikan/Search/Index?key=A%3dCHEN%2bYu-tong title="CHEN Yu-tong">CHEN Yu-tong</a> </td> <td class="t-left"> <a href="/Qikan/Journal/Summary?kind=1&gch=71229X" target="_blank" title="Journal of Literature and Art Studies"> 《Journal of Literature and Art Studies》 </a> <span class="from"> <span class="medal"> </span> </span> </td> <td class="cited">2022</td> <td class="cited"> 0 </td> <td class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7108709643','S4jHXObOfLt4IWExMlgXfFVNUqufGHRAU2n29jQIbQm8NBgd2dEkqQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7108709643')"><i class="icon-rar"></i>职称材料</a> </div> </td> </tr> <tr> <td> <input type="checkbox" lay-filter="selectArticle" data-id="1003086653" lay-skin="primary" title=""> <div class="table-no"><span class="no">5</span></div> </td> <td class="title"><a href="/Qikan/Article/Detail?id=1003086653" target="_blank" index="0" articleid="1003086653">A New Way to Look into Literature——Comment on Structuralist Literary Criticism</a></td> <td class="t-left"> <a href=/Qikan/Search/Index?key=A%3dHe%2bZhigang title="He Zhigang">He Zhigang</a> </td> <td class="t-left"> <a href="/Qikan/Journal/Summary?kind=1&gch=91398Z" target="_blank" title="鄂西大学学报(社会科学版)"> 《鄂西大学学报(社会科学版)》 </a> <span class="from"> <span class="medal"> </span> </span> </td> <td class="cited">1987</td> <td class="cited"> 0 </td> <td class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1003086653','hqf0TwmLRx9I4W1AbDxSwocJaK+q7l1E9QlqxFZhhlm1vu8UxZnZlw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1003086653')"><i class="icon-rar"></i>职称材料</a> </div> </td> </tr> <tr> <td> <input type="checkbox" lay-filter="selectArticle" 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