The Application of Embodied Cognitive Linguistics in the English Translation of Two-Part Allegorical Saying—An Analysis of Examples From A Dream of Red Mansions

As a kind of widely circulated folk language,two-part allegorical saying(“xiehouyu”)carries the wisdom of the Chinese people and is characterized with humor and vivid imagery.Taking the two English translation versions of A Dream of Red Mansions as examples,this paper analyzes the English translation of two-part allegorical saying based on the core principle of Embodied Cognitive Linguistics(ECL),“Reality-Cognition-Language”,and explores how the English translation of two-part allegorical saying reflects the three dimensions of ECL.

Translation Studies from a Cross-Cultural Perspective:Reinventing Subjectivity-A Case Study of English Translation of A Dream of Red Mansions

The integration of cross-cultural inquiries into the realm of translation has given rise to a distinct subfield known as cross-cultural translation studies.This approach emphasizes the importance of delving into the cultural subtleties and the awareness of cultural subjectivity within the translation process.Central to this framework is the concept of reshaping cultural nuances and the subjectivity of culture.This paper introduces three principal translation strategies that emerge from a cross-cultural standpoint:the alienation translation strategy,the‘cannibalism’translation strategy,and the destructive translation strategy.Utilizing the English translation of“Dream of the Red Chamber”as a case study,the paper examines how cultural nuances and cultural subjectivity influence the selection of translation strategies and demonstrates the practical application of cross-cultural research within the translation sphere.Hence,the significance of cross-cultural translation studies lies in its capacity to offer a novel lens through which to view translation studies.It encourages a reevaluation of cultural nuances and subjectivity in translation,which is of profound practical importance for advancing the field of translation studies,enhancing cross-cultural communication,and facilitating the spread of Chinese discourse on the global stage.

Landscape Architecture in Literature Classics——Comparative Analysis of Gardens in A Dream in Red Mansions and The Story of Genji

In the study of two similar literature masterpieces, A Dream in Red Mansions and The Story of Genji, garden planning, plant selection, aesthetic conception, descriptions about gardens, religious elements, architectural decorations and touring ways in both works were comparatively analyzed. Differences in geological conditions, social backgrounds, aesthetic traditions and religious beliefs led to different development trends of gardens in China and Japan. Chinese gardens were largely influenced by humanistic and cultural elements, famous for poetic and artistic conceptions, while Japanese gardens covered by religious colors, and most of its private gardens built with Buddhist preferences just like temple gardens. Chinese gardens valued the application of diversified plant species, while Japanese gardens favored evergreen plants, not flowers. Chinese preferred sightseeing in scenery, but Japanese preferred meditation, which means that, there were different touring ways in two countries. In conclusion, social and cultural differences contributed to the literati garden with profound humanity background in China and the Buddhist garden of religious colors in Japan.

Study on the Influence of Cultural Context on the Translation of A Dream of Red Mansions

A Dream of Red Mansions is one of the greatest novels of ancient China, which has rich cultural connotations,reflecting the profound culture of the Chinese nation and the rich literary tradition. However, it is so difficult for the Western readers who do not understand the Chinese traditional culture to get the essence of the work.It is apparently necessary to explore the influence of cultural context on the translation of A Dream of the Red Mansions. With a deep understanding of the cultural background of the original work, the information and images can be conveyed to the target audience.

The analysis of grammatical metaphor in the two translations of A Dream of Red Mansion

Despite the various perspectives of the study of the two English translations of A Dream of Red Mansion, very few studies probe into them from the angle of grammatical metaphor. The paper attempts to conduct a qualitative and quantitative study of the two English translations based on the three grammatical metaphors, trying to prove that grammatical metaphor can be used to decipher and unveil some phenomena in translation as well as being used as a criterion to assess the translation.

Aristotle's Tragedy Theory and Its Application in the Analysis of A Dream of Red Mansions

Aristotle's theory of tragedy is advocated by many western scholars and has exerted tremendous influence on the modern play writing and tragic studies. The present thesis will use the theory of Aristotle to analyze the tragic plot in"A Dream of Red Mansions"in order to investigate whether there is any similarity between Chinese and western tragedies.

The Influence of Cultural Differences on the Translation of A Dream of Red Mansions

It can be divided into two approaches to culture involved in translation: SL culture-oriented and TL culture-oriented.This kind of classification is based on the analysis of translation of cultural loaded words and expressions in the two English versions( Xianyi Yang& Gladys Yang and David Hawkes) of the Chinese classical novel A Dream of Red Mansion.The analysis leads to the conclusion that both methods can achieve the goal in the target language culture as long as the differences are taken into consideration in the purpose of translation,the form of the texts,the purpose of the author and the readers.

Corpus-based Contrastive Analysis of“Root”Metaphor Translation in Dream of the Red Mansion

Both the study of metaphor and translation has taken an empirical turn in the past decade,corpus-based method has provided a practical and objective way for investigating metaphor translation from a comparative and cognitive perspective.The purpose of this paper is to reveal the cognitive differences in the perception of“root”between English and Chinese through a contrastive analysis of the two English translations of a Chinese classic novel—Dream of the Red Mansion,the two translations are completed by a native Chinese speaker and a native English speaker respectively.The study is divided into two parts,the first part is devoted to a contrastive analysis of typical examples selected from the data acquired from the online English-Chinese parallel corpus with the online corpus analysis tool Wmatrix,two deductions have been drawn through the analysis concerning the cognition difference in root perception:(1)the integral perception of root and a plant in Chinese VS the binary cognition in English;(2)the concreteness of“root”metaphor in Chinese VS the abstractness in“root”metaphor application in English.Then the two deductions are further demonstrated through corpus-assisted study of“root”metaphor in large online corpuses.The differences in root metaphor usage as well as the cognitive reasons behind the differences have been investigated with emphasis not only on the dominant conceptual root metaphors,but also the semantic preference of the collocated words of the metaphors.

Research Overview of the Best Versions of A Dream in Red Mansions since the 20th Century

There are many different versions of A Dream in Red Mansions and some versions are different from the others in content,which has drawn great attention from the academic circle. Since the 20 th century,different scholars have different views upon which is best among the 13 versions of A Dream in Red Mansions. Some believe that the versions that showthe real writing of Cao Xueqin are the best; while others believe that the versions with the vivid description and artistic influence are the best,and there are still others who stick to both the two views. This paper attempts to overviewsuch researches for almost a century,which is undoubtedly meaningful for the further study of A Dream in Red Mansions in the future.

Reading ＂A Dream in Red Mansions＂and Seeing the Holographic Image of Chinese Classical Furniture Art

The furniture world of ＂A Dream in Red Mansions＂ is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet the pursuit of aesthetic contentment. On different occasions, coordinated with different furniture, it can form a harmonious picture with the environment. At the same time, their display range and combination mode also strictly follow different etiquette systems. In the red mansions, it shows the artistic beauty and is in the feudal shadow, and there is no exception in the furniture world. For ＂A Dream in Red Mansions＂ , it is how beautiful and how sad it is!

Study of the Translation Strategy on Costumes in A Dream of Red Mansions—Taking Yang Xianyi’s Version as An Example

Because of its overwhelming and long-lasting attraction,Hong Lou Meng which is regarded as the most remarkable Chinese novel has never ceased to be investigated by Chinese and foreign scholars.Yang Xianyi’s translation version is one of the best translation versions,especially the dress translation.Yang Xianyi’s version of A Dream of Red Mansions provides good examples for translation strategies analysis.

A Study of C-E Translation of Flower Culture from the Perspective of Peter Newmark’s Semantic and Communicative Translation Theory——A Case Study of Xue Baochai’s Flower Card in A Dream of Red Mansions

In the process of cultural exchanges between China and the West,Chinese traditional flower culture is an important con?tent of communication.From the case of Xue Baochai’s flower card,this paper compares and analyzes the translation of flower cul?ture in Yang Hsien-yi’s and David Hawkes’translations of A Dream of Red Mansions,attempting to seek a translation strategy for flower culture.The theoretical foundation adopted is Newmark’s semantic and communicative translation theory.

On the English Version of A Dream in Red Mansions Translated by Liu Wuji

In An Introduction to Chinese Literature written by Liu Wuji,there are six translations of the passages in A Dream in Red Mansions,of which the Chinese version is the Zhiyanzhai version.Recently,it is doubted whether the six translations are all quoted.Through detailed analysis and literature review,this paper finds out that the translations of A Dream in Red Mansions are all translated by Liu Wuji,and the Chinese version is the Chengyi Version.

A study of Wang Xifeng's Character from the Perspective of Interpersonal Function——Based on Yang Xianyi's A dream of Red Mansions

Interpersonal function is one of the metafunctions of Systemic Functional Linguistics, which plays an increasingly prominent role in stylistics study. Based on the theory of systematic function and interpersonal function, this paper, taking Yang Xianyi's version of A Dream of Red Mansions as the corpus, probes into Wang Xifeng's character through the analysis of mood, modality and address forms in order to bring some enlightenment to the study of the Honglou Meng.

Analysis of Translation on Conversations in A Dream in Red Mansions via the Perspective of Speech Act Theory

From the perspective of Speech Act Theory, it aims to analyze the translation of a novel—A Dream in Red Mansions provided by Yang Xianyi. It analyzes and appraises some conversations via a simple evaluation model based on the realization of three speech acts that the writer would like to let readers understand. It finally arrives at the conclusion that the quoted version of conversations is vivid and appropriate except for a few expressions.

Non-verbal Communication in the Adaptation of Literary Work-Take A Dream of Red Mansions for Instance

Apart from intercultural communication and ESL education,non-verbal communication is also an ideal method to examine the visual adaptation of literary works when it is further classified into direct and indirect communication.Whether an actor or an actress’non-verbal performances are compatible to the non-verbal behaviour of the character he or she plays is of great importance in the appraisal,which is transparent through the comparison and contrast of non-verbal communication in two versions of A Dream of Red Mansions TV series.

Translations of Unreliable Narrative in Hongloumeng:A Comparative Study on A Dream of Red Mansions and The Story of the Stone

As an encyclopedic novel and the summit of Chinese classical literary creation,Hongloumeng has not received due critical attention to its unusual narrative style,let alone abundant unreliable narrative.From unreliable narration of narrator and character,this research probes into effective translation strategies to achieve a balance between source text and target text,in light of a comparative analysis of typical illustrations taken from A Dream of Red Mansions and The Story of the Stone.

Reading ＂A Dream in Red Mansions＂and Seeing the Holographic Image of Chinese Classical Furniture Art

The furniture world of ＂A Dream in Red Mansions＂ is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet the pursuit of aesthetic contentment. On different occasions, coordinated with different furniture, it can form a hamaonious picture with the enviromnent. At the same time, their display range and combination mode also strictly follow different etiquette systems. In the red mansions, it shows the artistic beauty and is in the feudal shadow, and there is no exception in the furniture world. For ＂A Dream in Red Mansions＂ , it is how beautiful and how sad it is!

The Study of Chinese Etiquette on A Dream of Red Mansion

The ancestors of China leaves their descendants countless moral regulations over different occasions.This essay exam?ines the book,A dream of Red Mansion,from the perspective of Chinese etiquette and discusses different etiquette requirements in different occasions.