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Nanjing Painting & Calligraphy Academy: 1; 作者 Zhu Daoping 1 Cuizhou Islet xuanwu Lake Nanjing 210009 China</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期23-23,共1页</span> </dd> <dd> <span class="abstract"> <span class="">FOUNDED in 1979,the Nanj-ing Painting and CaligraphyAcademy consists of 20 profes-sional painters,over 40 invited paintersand a few brilliant graduates from sev-eral art schools.The academy hasemerged as a major art f...</span> <span style="display:none;">FOUNDED in 1979,the Nanj-ing Painting and CaligraphyAcademy consists of 20 profes-sional painters,over 40 invited paintersand a few brilliant graduates from sev-eral art schools.The academy hasemerged as a major art force,withmost of its members being young andmiddle-aged painters.The academy is composed of aChinese painting research studio,anexhibition section,arts and crafts salessection and an administrative office.In1992 the Nanjing municipal govern-ment made cotributions to the acade-my for the construction of a paintingstudio and an exhibition hall coveringa combined floor area of 1,000</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dIn title="In">In</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy">Calligraphy</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcademy title="Academy"><u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dNanjing title="Nanjing">Nanjing</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainting title="Painting"><u>painting</u></a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865145','mBS+t+RgeIbhqrmSldXZL2asVDBalLKBunmDkzmWCWi8MdDqtMVY/Q==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865145')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7112585411" target="_blank" index="1" articleid="7112585411">勉萨派唐卡非遗传承人罗布斯达的教学创新</a> </dt> <dd class="no">2</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112585411" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%82%b9%e8%8c%82 title="邹茂"><span>邹茂</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e5%86%ac%e6%a2%85 title="刘冬梅"><span>刘冬梅</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85113B" target="_blank" title="高原文化研究">《高原文化研究》</a> <span class="medal"> </span> </span><span class="vol">2024年第2期87-107,共21页</span> </dd> <dd> <span class="abstract"> <span class="">罗布斯达1967年出生于西藏日喀则拉孜县扎西岗乡的一个唐卡绘画世家勉冲平康家族,是藏族唐卡勉萨画派国家级非物质文化遗产代表性传承人。2005年罗布斯达在拉萨创立勉萨派艺术发展中心,致力于传授唐卡绘画技艺。为进一步推动唐卡艺术的...</span> <span style="display:none;">罗布斯达1967年出生于西藏日喀则拉孜县扎西岗乡的一个唐卡绘画世家勉冲平康家族,是藏族唐卡勉萨画派国家级非物质文化遗产代表性传承人。2005年罗布斯达在拉萨创立勉萨派艺术发展中心,致力于传授唐卡绘画技艺。为进一步推动唐卡艺术的发展,他于2012年创办西藏唐卡画院,并探索出一套产、学、研相结合的唐卡教学模式。在西藏唐卡画院,罗布斯达从学生的“心力”“手力”与“眼力”三方面入手,通过进阶式教学训练,提高学生的基本功。他采用实物展示与直观教学、图书陈列与知识扩展以及参加唐卡展览等多元化的教学方法,实践着“观—练—展”相结合的教学理念,从而有效弥补了传统唐卡教学模式的单一性缺陷。自2020年起,西藏唐卡画院相继成为西藏职业技术学院与西藏大学艺术学院的教学实践基地。在与西藏职业技术学院的合作中,罗布斯达强调职业教育的实用性,不仅传授传统技艺,更注重培养学生的品德修养,使教学模式更加贴近当代社会的生产需求,实现了传统标准与现代社会生产的有机结合。同时,他注重理论与实践的融合,培养学生的创作能力,这一举措标志着罗布斯达在高等唐卡教育领域中的又一创新实践。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a5%bf%e8%97%8f%e5%94%90%e5%8d%a1 title="西藏唐卡">西藏唐卡</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bd%97%e5%b8%83%e6%96%af%e8%be%be title="罗布斯达">罗布斯达</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2%e4%bc%a0%e4%b9%a0 title="画院传习">画院传习</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ad%a6%e6%a0%a1%e6%95%99%e8%82%b2 title="学校教育">学校教育</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%99%e5%ad%a6%e5%88%9b%e6%96%b0 title="教学创新">教学创新</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112585411','jBFjQsoi3SxO4hnlmFXCCiKyF4yC/20zgFRPBgvTxyGAUHw52oJSGA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112585411')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7109900245" target="_blank" index="2" articleid="7109900245">“御书院”还是“御画院”?——郭熙的供职情况及相关问题考辨</a> </dt> <dd class="no">3</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7109900245" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%82%96%e9%9b%aa title="肖雪"><span>肖雪</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报（美术与设计）">《南京艺术学院学报（美术与设计）》</a> <span class="medal"> <span title="北大核心期刊（2020版）">北大核心</span> </span> </span><span class="vol">2023年第3期78-82,I0002,I0003,共7页</span> </dd> <dd> <span class="abstract"> <span class="">郭熙为北宋画院画家,由画院艺学升迁至画院待诏,这几乎已经成为中国古代画史的习惯性叙述。然而值得注意的是,在北宋的画史文献材料《图画见闻志》与《宣和画谱》中关于郭熙的供职之处有“御书院”与“御画院”两个地方。那么,郭熙究竟...</span> <span style="display:none;">郭熙为北宋画院画家,由画院艺学升迁至画院待诏,这几乎已经成为中国古代画史的习惯性叙述。然而值得注意的是,在北宋的画史文献材料《图画见闻志》与《宣和画谱》中关于郭熙的供职之处有“御书院”与“御画院”两个地方。那么,郭熙究竟供职于哪里,以及他又官至何处待诏?对此,本文将通过对郭熙供职情况的考察,探究画史材料中出现的“御书院”“御画院”与“图画院”三者之间的关系,厘清郭熙的供职之处及其升迁历程。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%be%a1%e4%b9%a6%e9%99%a2 title="御书院">御书院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%be%a1%e7%94%bb%e9%99%a2 title="御画院">御画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%be%e7%94%bb%e9%99%a2 title="图画院">图画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ad%a6%e5%a3%ab%e9%99%a2 title="学士院">学士院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%be%85%e8%af%8f title="翰林待诏">翰林待诏</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7109900245','hwDi4QybFaveTWaWJUSt6e41ndlgbjHe4+VDzBany1bDZAwMJMzh3A==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7109900245')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7110905140" target="_blank" index="3" articleid="7110905140">上海美专学生王卓艺术轨迹考</a> </dt> <dd class="no">4</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7110905140" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%8d%a2%e6%b0%b8%e7%90%87 title="卢永琇"><span>卢永琇</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82425X" target="_blank" title="艺术探索">《艺术探索》</a> <span class="medal"> </span> </span><span class="vol">2023年第5期50-56,共7页</span> </dd> <dd> <span class="abstract"> <span class="">王卓在上海美专接受了系统的美术教育,是一位本土培养的艺术家。他毕业后从事美术教育工作并不断进行油画、水彩和美术摄影的创作,后在艺术报纸、平面设计等媒体中展露才华。他助力艺术家的发展,助推天津市立美术馆的发展,为我们了解近...</span> <span style="display:none;">王卓在上海美专接受了系统的美术教育,是一位本土培养的艺术家。他毕业后从事美术教育工作并不断进行油画、水彩和美术摄影的创作,后在艺术报纸、平面设计等媒体中展露才华。他助力艺术家的发展,助推天津市立美术馆的发展,为我们了解近代北方地区美术面貌保留下大量的珍贵资料。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%8e%8b%e5%8d%93 title="王卓">王卓</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%8a%e6%b5%b7%e7%be%8e%e4%b8%93 title="上海美专">上海美专</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%a4%a9%e6%b4%a5%e5%b8%82%e7%ab%8b%e7%be%8e%e6%9c%af%e9%a6%86 title="天津市立美术馆">天津市立美术馆</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b2%b9%e7%94%bb title="油画">油画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%91%84%e5%bd%b1 title="摄影">摄影</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7110905140','ypblgnqXVDvGa4VoKvqaIDrKulSrCLBeh5vtz9GBZb9PvlTLUoCNLA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7110905140')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=41108744" target="_blank" index="4" articleid="41108744">论清宫瓷胎画珐琅彩性质与地位</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="41108744" data-zkbycount="6">6</a></span> </dt> <dd class="no">5</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="41108744" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%ad%94%e5%85%ad%e5%ba%86 title="孔六庆"><span>孔六庆</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e5%80%a9 title="张倩"><span>张倩</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报（美术与设计）">《南京艺术学院学报（美术与设计）》</a> <span class="medal"> <span title="北大核心期刊（2011版）">北大核心</span> </span> </span><span class="vol">2012年第1期39-44,181-182,共6页</span> </dd> <dd> <span class="abstract"> <span class="">对于具有对外交流礼品功用的珐琅彩,康熙帝的老师高士奇认为"其成功与否关乎政治",雍正帝力求"内庭恭造之式",乾隆帝像康熙、雍正一样对清宫瓷胎画珐琅彩指导入微。康熙对西方珐琅彩的向往与追求奠定了发展基础,雍...</span> <span style="display:none;">对于具有对外交流礼品功用的珐琅彩,康熙帝的老师高士奇认为"其成功与否关乎政治",雍正帝力求"内庭恭造之式",乾隆帝像康熙、雍正一样对清宫瓷胎画珐琅彩指导入微。康熙对西方珐琅彩的向往与追求奠定了发展基础,雍正趋向成熟,康、雍画珐琅立足于中国传统题材,乾隆则明显引进西方画面,于是工艺与画面这两者均呈现中西合璧的性质。珐琅彩材质中的"砷"元素对于粉彩的发生发展起关键作用,使中国陶瓷绘画的发展有了新转折。也使中国陶瓷绘画的发展状态从自身系统改变到中、西两种文化系统结合,这条新思路的开端意义,无疑是历史性的。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b8%85%e5%ae%ab%e7%93%b7%e8%83%8e%e7%94%bb%e7%8f%90%e7%90%85%e5%bd%a9 title="清宫瓷胎画珐琅彩">清宫瓷胎画珐琅彩</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e6%80%a7 title="院体性">院体性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e8%a5%bf%e5%90%88%e7%92%a7%e6%80%a7 title="中西合璧性">中西合璧性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%bd%ac%e6%8a%98%e7%82%b9 title="转折点">转折点</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('41108744','0Me9hFahhoLBMRuMobpBc7i3fDm4lDoof3Fc5Xd2QUs=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('41108744')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=8759166" target="_blank" index="5" articleid="8759166">西蜀画院有无考辨</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="8759166" data-zkbycount="4">4</a></span> </dt> <dd class="no">6</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="8759166" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%9f%a9%e5%88%9a title="韩刚"><span>韩刚</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86576X" target="_blank" title="贵州大学学报（艺术版）">《贵州大学学报（艺术版）》</a> <span class="medal"> </span> </span><span class="vol">2003年第2期53-58,共6页</span> </dd> <dd> <span class="abstract"> <span class="">自上世纪80年代以来,西蜀有“画院”或创建有“翰林图画院”为中国绘画史上有画院之始,几乎成了中国美术史学界公认的史实。然而,经我们研究发现,这一所谓的开创性的重大史实纯属乌有。</span> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2 title="画院">画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%9b%be%e7%94%bb%e9%99%a2 title="翰林图画院">翰林图画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e9%99%a2 title="翰林院">翰林院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%be%85%e8%af%8f title="翰林待诏">翰林待诏</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('8759166','V/kFXW3GvpwG4kEKQrqic0Lu7m4xq0vxiJePyadBRvs=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('8759166')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=36225483" target="_blank" index="6" articleid="36225483">两宋画院教育初探</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="36225483" data-zkbycount="2">2</a></span> </dt> <dd class="no">7</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="36225483" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%a1%be%e5%b9%b3 title="顾平"><span>顾平</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%a8%e5%8b%87 title="杨勇"><span>杨勇</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报（美术与设计）">《南京艺术学院学报（美术与设计）》</a> <span class="medal"> <span title="北大核心期刊（2008版）">北大核心</span> </span> </span><span class="vol">2010年第6期17-25,共9页</span> </dd> <dd> <span class="abstract"> <span class="">美术教育与美术创作的关系密不可分,宋朝画院的建立对于美术创作具有深远的影响,其中美术教育起到了不可低估的作用,但是由于资料的阙如,关于两宋美术教育的目的、内容和方式、方法等一系列问题至今没有一个令人满意的答案,本文尝试对...</span> <span style="display:none;">美术教育与美术创作的关系密不可分,宋朝画院的建立对于美术创作具有深远的影响,其中美术教育起到了不可低估的作用,但是由于资料的阙如,关于两宋美术教育的目的、内容和方式、方法等一系列问题至今没有一个令人满意的答案,本文尝试对两宋时期的美术教育进行探索,希望对此问题有一定的帮助。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%a4%e5%ae%8b%e7%94%bb%e9%99%a2 title="两宋画院">两宋画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e5%ad%a6 title="画学">画学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%a7%81%e4%ba%ba%e6%95%99%e5%ad%a6 title="私人教学">私人教学</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('36225483','hfGlhgLBTF3pieq5SaKlzFH9Vqa5085ScWjWk27JljM=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('36225483')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=43167453" target="_blank" index="7" articleid="43167453">再论“金陵八家”与画派</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="43167453" data-zkbycount="3">3</a></span> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="43167453" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%91%a8%e7%a7%af%e5%af%85 title="周积寅"><span>周积寅</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85510X" target="_blank" title="艺术百家">《艺术百家》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2012-2013）">CSSCI</span> <span title="北大核心期刊（2011版）">北大核心</span> </span> </span><span class="vol">2012年第5期92-102,6+332-343+345,共11页</span> </dd> <dd> <span class="abstract"> <span class="">清代画史上之所以称"金陵八家"是因为这八位画家的艺术成就及其在当时的影响是相当的,有一定的代表性。有人将"金陵八家"视为"金陵画派"或是"金陵画派的中坚与核心";也有人从清初金陵文人画家...</span> <span style="display:none;">清代画史上之所以称"金陵八家"是因为这八位画家的艺术成就及其在当时的影响是相当的,有一定的代表性。有人将"金陵八家"视为"金陵画派"或是"金陵画派的中坚与核心";也有人从清初金陵文人画家和院体画家中筛选出十位精英组合成"金陵画派",甚至将所有清初画坛上包括"金陵八家"多种说法的十九人在内的风格不同的各派系画家,只要住在金陵的,统统称为"金陵画派"。本文论述何谓画派,也即中国传统画派形成的三个条件:要风格相近、要传承关系一致,要有权威性的开派人物。其中"风格相近"是最主要的。画派命名标志,以地域命名也好,以开派人物命名也好,若离开了这三个条件,便不成其一派。文章最后指出,新世纪掀起一股打造画派热,是违背画派形成规律的。古代画派是带有宗派性的,往往门户起见,互为指摘,不可取,还是不人为打造的好,最好是一人一派。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e7%be%8e%e6%9c%af%e5%8f%b2 title="中国美术史">中国美术史</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%87%91%e9%99%b5%e5%85%ab%e5%ae%b6 title="金陵八家">金陵八家</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e6%b4%be title="画派">画派</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a3%8e%e6%a0%bc title="风格">风格</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a7%84%e5%be%8b title="规律">规律</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e4%ba%ba%e7%94%bb title="文人画">文人画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%89%93%e9%80%a0 title="打造">打造</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%80%e4%ba%ba%e4%b8%80%e6%b4%be title="一人一派">一人一派</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('43167453','AfuL91DphDzPzrqPkRUm3IK9DGbpf/lR4ixIDWu2u6c=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('43167453')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=72696582504849574851485053" target="_blank" index="8" articleid="72696582504849574851485053">兼综与开拓——从“浙派之祖”戴进看明代院体画的时代演进</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="72696582504849574851485053" data-zkbycount="2">2</a></span> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="72696582504849574851485053" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e5%8f%8c%e5%8f%b6 title="董双叶"><span>董双叶</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96995X" target="_blank" title="河北学刊">《河北学刊》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2019-2020）">CSSCI</span> <span title="北大核心期刊（2017版）">北大核心</span> </span> </span><span class="vol">2019年第3期192-198,共7页</span> </dd> <dd> <span class="abstract"> <span class="">戴进是明代著名画家及院体画代表人物,但当时画坛对其画风和地位毁誉纷纭。究其原因,除了浙派绘画与文人画之争的社会大背景外,戴进画风之多样性和复杂性也是重要因素。其画风兼具南北二宗,形式多样,虽被誉为"浙派之祖",但也...</span> <span style="display:none;">戴进是明代著名画家及院体画代表人物,但当时画坛对其画风和地位毁誉纷纭。究其原因,除了浙派绘画与文人画之争的社会大背景外,戴进画风之多样性和复杂性也是重要因素。其画风兼具南北二宗,形式多样,虽被誉为"浙派之祖",但也蕴含有元代文人画的因素,具有兼综前人和开辟新风的双重特点,承前启后,在明代院体画乃至中国绘画史上占有重要地位。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%88%b4%e8%bf%9b title="戴进">戴进</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e4%ba%ba%e7%94%bb title="文人画">文人画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b5%99%e6%b4%be title="浙派">浙派</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('72696582504849574851485053','Phu75v4YeJZhTmae0qQVsz51t3V7wKvvtYFBTIubkEXD1QEfFHHhpaGXJked241lCFc8ltlG3QA=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('72696582504849574851485053')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=9470939" target="_blank" index="9" articleid="9470939">中国古代画院沿革考</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="9470939" data-zkbycount="4">4</a></span> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="9470939" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%a1%be%e5%b9%b3 title="顾平"><span>顾平</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86576X" target="_blank" title="贵州大学学报（艺术版）">《贵州大学学报（艺术版）》</a> <span class="medal"> </span> </span><span class="vol">2004年第1期16-21,共6页</span> </dd> <dd> <span class="abstract"> <span class="">中国历史上画院建制的形成、发展过程渊远流长。它源于宫廷绘画 ,并伴随其繁荣而繁荣。宋代画院是我国历史上最为繁荣时期 ,在画史产生了深远的影响。这些影响来源于三方面的变化 :第一 ,画院画格与画家思想的变化 ;第二 ,画院的建制 ;...</span> <span style="display:none;">中国历史上画院建制的形成、发展过程渊远流长。它源于宫廷绘画 ,并伴随其繁荣而繁荣。宋代画院是我国历史上最为繁荣时期 ,在画史产生了深远的影响。这些影响来源于三方面的变化 :第一 ,画院画格与画家思想的变化 ;第二 ,画院的建制 ;第三 ,表现题材转向花鸟、山水。考证画院的沿革我们还可得出如下结论 :画家身份 ,表现为逐渐文人化的趋势 ;创作任务和题材 ,表现为从侧重于宣教的人物、故事逐渐向赏玩化的山水、花鸟变化 ;绘画风格 ,从表现自然之貌走向表现自然之趣 ,进而表现画面之趣。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2%e6%b2%bf%e9%9d%a9 title="画院沿革">画院沿革</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%8b%e4%bb%a3%e7%94%bb%e9%99%a2 title="宋代画院">宋代画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2%e5%bb%ba%e5%88%b6 title="画院建制">画院建制</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('9470939','QTSsmPuhAHHqzqKH69XmCewykf3Fc0UPgpJWagUsP7c=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('9470939')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7106694991" target="_blank" index="10" articleid="7106694991">试论南宋院体山水画的诗意内蕴</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="7106694991" data-zkbycount="2">2</a></span> </dt> <dd class="no">11</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7106694991" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%88%e9%87%8e title="陈野"><span>陈野</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80159X" target="_blank" title="浙江社会科学">《浙江社会科学》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2021-2022）">CSSCI</span> <span title="北大核心期刊（2020版）">北大核心</span> </span> </span><span class="vol">2022年第3期131-138,106,160,161,共11页</span> </dd> <dd> <span class="abstract"> <span class="">诗画融合是中国古代绘画传统的主要特征和重要成就。画史上论述诗画融合,一般都聚焦于文人画传统,将诗书画印合一视为文人画的典型特征。南宋院体山水画在古代绘画中占有重要地位,但已有研究大多从绘画技法上对之加以认可,而无关乎"...</span> <span style="display:none;">诗画融合是中国古代绘画传统的主要特征和重要成就。画史上论述诗画融合,一般都聚焦于文人画传统,将诗书画印合一视为文人画的典型特征。南宋院体山水画在古代绘画中占有重要地位,但已有研究大多从绘画技法上对之加以认可,而无关乎"诗画融合""诗画一律"等相关于诗意内蕴这一中国绘画艺术传统最为推崇的艺术风格与内在精神特质层面。深入南宋院体山水画发展历程,可见大量蕴含浓郁诗意的作品,体现出融于构图、笔墨等形式语言本质层面的诗画融合境界,由内而外地散发出中国古典绘画艺术民族特征的韵致。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8d%97%e5%ae%8b%e9%99%a2%e4%bd%93%e5%b1%b1%e6%b0%b4%e7%94%bb title="南宋院体山水画">南宋院体山水画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%97%e7%94%bb%e8%9e%8d%e5%90%88 title="诗画融合">诗画融合</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%97%e6%84%8f title="诗意">诗意</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7106694991','6VHanuCwIIuW3flAFumSf5uziaYXSzFlia38qPXIb2q+yvK3uqZ0TA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7106694991')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=15436106" target="_blank" index="11" articleid="15436106">南宋初院画的兴盛及其原因</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="15436106" data-zkbycount="3">3</a></span> </dt> <dd class="no">12</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="15436106" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%82%93%e4%b9%94%e5%bd%ac title="邓乔彬"><span>邓乔彬</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83891A" target="_blank" title="广州大学学报（社会科学版）">《广州大学学报（社会科学版）》</a> <span class="medal"> </span> </span><span class="vol">2005年第3期5-10,共6页</span> </dd> <dd> <span class="abstract"> <span class="">南宋初年宋金停战,经济、社会有较大发展,宋高宗恢复了画院。由于建制与北宋不同,高宗对画家奖掖甚力,大批南渡的院画家充分发挥了艺术才能,造就出绘画的中兴。伴随着文人画的退潮,南宋院画较之北宋有不少发展进步,究其原因,是多方面的...</span> <span style="display:none;">南宋初年宋金停战,经济、社会有较大发展,宋高宗恢复了画院。由于建制与北宋不同,高宗对画家奖掖甚力,大批南渡的院画家充分发挥了艺术才能,造就出绘画的中兴。伴随着文人画的退潮,南宋院画较之北宋有不少发展进步,究其原因,是多方面的。而与高宗个人相关的,主要有四点:一是高宗宣扬"中兴",绘画转向历史题材,促进了画院人物画的发展;二是能充分发挥不同画家的专长和创造性,使院画各类作品艺术水平普遍提高;三是画家不再拘守某种范式,有较大的创作自由;四是高宗较尊重画家的创作个性,较重视画家的创作权,使画家的主体意识增强。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8d%97%e5%ae%8b title="南宋">南宋</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e7%94%bb title="院画">院画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%85%b4%e7%9b%9b title="兴盛">兴盛</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%8b%e9%ab%98%e5%ae%97 title="宋高宗">宋高宗</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%aa%e4%ba%ba%e4%bd%9c%e7%94%a8 title="个人作用">个人作用</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('15436106','yQnq4tuSjYY5PzUtzS5LIcH7/z04XkyHW+oKSZVsWmI=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('15436106')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=1000010431" target="_blank" index="12" articleid="1000010431">“以诗入画”——从郭熙《早春图》看宋代画院绘画的审美特质</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="1000010431" data-zkbycount="3">3</a></span> </dt> <dd class="no">13</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1000010431" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%ad%99%e5%80%a9 title="孙倩"><span>孙倩</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83424A" target="_blank" title="宜宾学院学报">《宜宾学院学报》</a> <span class="medal"> </span> </span><span class="vol">2007年第8期116-117,共2页</span> </dd> <dd> <span class="abstract"> <span class="">宋代是中国绘画史上极重要的时期,这表现在宋代画院绘画不仅具有高度的写实性,而且进一步引入了"以诗入画"的美学原则。本文以宋代院画家郭熙的代表作《早春图》为切入点,阐述宋代画院绘画"以诗入画"的特点。</span> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e6%97%a9%e6%98%a5%e5%9b%be%e3%80%8b title="《早春图》">《早春图》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2 title="画院">画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bb%a5%e8%af%97%e5%85%a5%e7%94%bb title="以诗入画">以诗入画</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1000010431','c4socuTxv6ehxAJCJlJLP3t6Tg1GL99aj/7+B89UnPdOplWyZIzdaA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1000010431')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=46448817" target="_blank" index="13" articleid="46448817">再谈敦煌壁画临摹</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="46448817" data-zkbycount="4">4</a></span> </dt> <dd class="no">14</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="46448817" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%8e%e5%85%b6%e7%90%bc title="李其琼"><span>李其琼</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82885X" target="_blank" title="敦煌研究">《敦煌研究》</a> <span class="medal"> <span title="中文社会科学引文索引-扩展（2012-2013）">CSSCI</span> <span title="北大核心期刊（2011版）">北大核心</span> </span> </span><span class="vol">2013年第3期22-27,共6页</span> </dd> <dd> <span class="abstract"> <span class="">敦煌壁画临摹工作早就开始了。有序的敦煌壁画临摹工作从国立敦煌艺术研究所开始,到今日的敦煌研究院已有近七十年从不间断的壁画临摹历史,六十余年间历经国立敦煌艺术研究所、敦煌文物研究所、敦煌研究院三次命名,反映了不同历史时期...</span> <span style="display:none;">敦煌壁画临摹工作早就开始了。有序的敦煌壁画临摹工作从国立敦煌艺术研究所开始,到今日的敦煌研究院已有近七十年从不间断的壁画临摹历史,六十余年间历经国立敦煌艺术研究所、敦煌文物研究所、敦煌研究院三次命名,反映了不同历史时期人们对敦煌壁画临摹工作的认识和要求,是有鲜明区别的,敦煌的临摹工作始终沿着目标明确的道路前进。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%a6%e7%85%8c%e5%a3%81%e7%94%bb%e4%b8%b4%e6%91%b9 title="敦煌壁画临摹">敦煌壁画临摹</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%bd%e7%ab%8b%e6%95%a6%e7%85%8c%e8%89%ba%e6%9c%af%e7%a0%94%e7%a9%b6%e6%89%80%e9%98%b6%e6%ae%b5 title="国立敦煌艺术研究所阶段">国立敦煌艺术研究所阶段</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%a6%e7%85%8c%e6%96%87%e7%89%a9%e7%a0%94%e7%a9%b6%e6%89%80%e9%98%b6%e6%ae%b5 title="敦煌文物研究所阶段">敦煌文物研究所阶段</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%a6%e7%85%8c%e7%a0%94%e7%a9%b6%e9%99%a2%e9%98%b6%e6%ae%b5 title="敦煌研究院阶段">敦煌研究院阶段</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('46448817','GlpSg13uqOt58L/XVq41J9oZfgQFwMWgKUywQaFu6tg=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('46448817')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7104859125" target="_blank" index="14" articleid="7104859125">20世纪五六十年代中国漆画 “工艺美院风格”的形成</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="7104859125" data-zkbycount="2">2</a></span> </dt> <dd class="no">15</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7104859125" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e4%bd%95%e6%8c%af%e7%ba%aa title="何振纪"><span>何振纪</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80267X" target="_blank" title="艺术生活">《艺术生活》</a> <span class="medal"> </span> </span><span class="vol">2020年第5期46-53,共8页</span> </dd> <dd> <span class="abstract"> <span class="">所谓"工艺美院风格",是指以成立于1956年的中央工艺美术学院为代表所形成的一股席卷20世纪五六十年代的装饰绘画风潮。这股潮流以庞薰琹、雷圭元等深受法国装饰艺术运动风格影响的艺术家所主导。受到西方现代美术影响的这些...</span> <span style="display:none;">所谓"工艺美院风格",是指以成立于1956年的中央工艺美术学院为代表所形成的一股席卷20世纪五六十年代的装饰绘画风潮。这股潮流以庞薰琹、雷圭元等深受法国装饰艺术运动风格影响的艺术家所主导。受到西方现代美术影响的这些装饰艺术家们同时对中国传统民艺有着深入的理解,并认识到民艺作为灵感源泉的重要性,由此尝试将传统与现代艺术相互融合。受此趋势所引领,中央工艺美术学院在20世纪60年代以后展开其漆画艺术探索。为了掌握纯正的漆工技术,乔十光、李鸿印等在20世纪60年代初前往福建的传统漆艺中心--福州跟随当地的漆工师傅研习漆艺。由此,名为"工艺美院风格"其实并不局限于中央工艺美术学院,而是源自不同地方所共同成就。就其艺术家的流动与影响而言,可以认为这种"风格"的出现与流行甚至早于中央工艺美术学院成立的1956年。而这种以中央工艺美术学院为代表的"风格",在中国现代漆画史上一直持续到上世纪80年代末,其影响直至新世纪之初。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e6%bc%86%e7%94%bb title="中国漆画">中国漆画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%b7%a5%e8%89%ba%e7%be%8e%e9%99%a2%e9%a3%8e%e6%a0%bc title="工艺美院风格">工艺美院风格</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a3%85%e9%a5%b0%e6%80%a7 title="装饰性">装饰性</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7104859125','BFnfmjw8xrsNoceWBnWxNCmsrmK/6J+VrhPjNpR0T0umzANfuJGgtQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7104859125')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7001797662" target="_blank" index="15" articleid="7001797662">从苏联美院油画教学看当代中国油画教学</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="7001797662" data-zkbycount="1">1</a></span> </dt> <dd class="no">16</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7001797662" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e6%b3%89 title="董泉"><span>董泉</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83026X" target="_blank" title="天津美术学院学报">《天津美术学院学报》</a> <span class="medal"> </span> </span><span class="vol">2018年第1期90-93,共4页</span> </dd> <dd> <span class="abstract"> <span class="">中国的油画来源于欧洲,但是对于中国的美术学院油画教学体系影响最大的应该就是20世纪50年代的学习苏联,马克西莫夫的来华教学和大批中国青年出国去苏联学习,那时中国的美术学院的油画教学体系基本都是学习苏联的。随着时代的变迁,21世...</span> <span style="display:none;">中国的油画来源于欧洲,但是对于中国的美术学院油画教学体系影响最大的应该就是20世纪50年代的学习苏联,马克西莫夫的来华教学和大批中国青年出国去苏联学习,那时中国的美术学院的油画教学体系基本都是学习苏联的。随着时代的变迁,21世纪的中国油画也有了巨大的发展和变化。本文通过研究苏联美术学院的油画教学,深入认识和理解并客观地评价苏联油画教学的本质,思考苏联油画教学对于当代中国油画教学有何影响与价值。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%8b%8f%e8%81%94 title="苏联">苏联</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd title="中国">中国</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2 title="美术学院">美术学院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b2%b9%e7%94%bb title="油画">油画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%99%e5%ad%a6 title="教学">教学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bb%b7%e5%80%bc title="价值">价值</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7001797662','gu74nL7MCVliA3rEH4QVAq8tIs+6oBHOZpaMkKUxbM48lihbb6rPsQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7001797662')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=38284986" target="_blank" index="16" articleid="38284986">油画风景写生教学的创新与实践</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="38284986" data-zkbycount="4">4</a></span> </dt> <dd class="no">17</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="38284986" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%92%8b%e5%bc%98%e7%83%a8 title="蒋弘烨"><span>蒋弘烨</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96388A" target="_blank" title="广东工业大学学报（社会科学版）">《广东工业大学学报（社会科学版）》</a> <span class="medal"> </span> </span><span class="vol">2011年第3期35-39,共5页</span> </dd> <dd> <span class="abstract"> <span class="">油画风景写生在高等美术院校中是一门重要的课程。如何在该门课程的教学中培养学生的创新能力是美术学专业教学改革的一个重要课题。文章通过在教学中实施一系列改革来探寻个人绘画语言、培养学生的创作个性、提高学生的审美能力与绘画...</span> <span style="display:none;">油画风景写生在高等美术院校中是一门重要的课程。如何在该门课程的教学中培养学生的创新能力是美术学专业教学改革的一个重要课题。文章通过在教学中实施一系列改革来探寻个人绘画语言、培养学生的创作个性、提高学生的审美能力与绘画修养,为将来该专业的学生无论从事绘画专业还是从事设计专业打下坚实的基础。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%ab%98%e7%ad%89%e7%be%8e%e6%9c%af%e9%99%a2%e6%a0%a1 title="高等美术院校">高等美术院校</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%be%8e%e6%9c%af%e5%ad%a6%e4%b8%93%e4%b8%9a%e5%ad%a6%e7%94%9f title="美术学专业学生">美术学专业学生</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b2%b9%e7%94%bb title="油画">油画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a3%8e%e6%99%af%e5%86%99%e7%94%9f title="风景写生">风景写生</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%88%9b%e6%96%b0%e8%83%bd%e5%8a%9b title="创新能力">创新能力</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('38284986','BAbXN5UN2nFLCZhtGef/Ago5mn1dkhzdxDEjDtGUNls=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('38284986')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=37243574" target="_blank" index="17" articleid="37243574">北宋翰林图画院人员地位与出身考述</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="37243574" data-zkbycount="1">1</a></span> </dt> <dd class="no">18</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="37243574" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e7%bd%97%e6%96%b0%e5%8d%8e title="罗新华"><span>罗新华</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83605B" target="_blank" title="韶关学院学报">《韶关学院学报》</a> <span class="medal"> </span> </span><span class="vol">2011年第3期117-119,共3页</span> </dd> <dd> <span class="abstract"> <span class="">北宋翰林图画院人员属于胥吏阶层,其中少数人供职画院若干年后有出职为官的可能,但在等待出职的年限、出职资格、官品、服饰等方面都有诸多限制,授官的图画院人员在经济待遇方面并无明显改善。翰林图画院人员的整体地位低于文臣、武将...</span> <span style="display:none;">北宋翰林图画院人员属于胥吏阶层,其中少数人供职画院若干年后有出职为官的可能,但在等待出职的年限、出职资格、官品、服饰等方面都有诸多限制,授官的图画院人员在经济待遇方面并无明显改善。翰林图画院人员的整体地位低于文臣、武将、内侍官及伎术官中的医官和天文官,但高于中央机构中其他部门的工匠和翰林院其他伎术人。翰林图画院对民间画工具有吸引力,但是善画的文人却很少愿意供职其中,因此,画院人员多出身于民间工匠。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%9b%be%e7%94%bb%e9%99%a2 title="翰林图画院">翰林图画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%93%81%e9%98%b6 title="品阶">品阶</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%87%ba%e8%81%8c title="出职">出职</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%be%85%e8%af%8f title="待诏">待诏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%83%a5%e5%90%8f title="胥吏">胥吏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bc%8e%e6%9c%af%e5%ae%98 title="伎术官">伎术官</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('37243574','JOGJV3ElgoUQT5pdy9txNyb/ozL9CvDu/A/QUrJOJ+4=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('37243574')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7104560683" target="_blank" index="18" articleid="7104560683">众源合流:明代宣德画院中的闽浙画风</a> </dt> <dd class="no">19</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7104560683" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e5%8f%8c%e5%8f%b6 title="董双叶"><span>董双叶</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e5%ae%b6%e7%90%aa title="董家琪"><span>董家琪</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96995X" target="_blank" title="河北学刊">《河北学刊》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2021-2022）">CSSCI</span> <span title="北大核心期刊（2020版）">北大核心</span> </span> </span><span class="vol">2021年第3期216-220,共5页</span> </dd> <dd> <span class="abstract"> <span class="">宣德画院是明宣宗时期的宫廷绘画机构,其画家系由全国各地征召而来,因受原生地域特征的深刻影响而画风迥异,一般统称明代院体绘画,以区别于明代中晚期的文人画。这些画家来源以浙、闽两地为主,因地域相连,两地画家的绘画风格又有很多融...</span> <span style="display:none;">宣德画院是明宣宗时期的宫廷绘画机构,其画家系由全国各地征召而来,因受原生地域特征的深刻影响而画风迥异,一般统称明代院体绘画,以区别于明代中晚期的文人画。这些画家来源以浙、闽两地为主,因地域相连,两地画家的绘画风格又有很多融通之处。明代宣德画院的院体风格来源于四种绘画样式和因素的并存交混:一是李成、郭熙的绘画样式及笔墨法;二是马远、夏圭的南宋院体山水画范式;三是元末吴镇的绘画风格;四是具有闽浙地域特征的绘画因素。院体风格在明宣德画院的发展,促成了其后一个特殊的绘画流派“明代浙派”的产生。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%97%bd%e6%b5%99%e7%94%bb%e9%a3%8e title="闽浙画风">闽浙画风</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%9d%8e%e5%9c%a8 title="李在">李在</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%91%a8%e6%96%87%e9%9d%96 title="周文靖">周文靖</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7104560683','5NKYQHYhhw7xzA3su1lAT4jMWK4dTaD5/VwAMq/zYL2vHuoXykLW9g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7104560683')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=42583231" target="_blank" index="19" articleid="42583231">理性与痴狂——院体与文人画品之辩</a> </dt> <dd class="no">20</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="42583231" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e5%8b%87 title="刘勇"><span>刘勇</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=84358X" target="_blank" title="南华大学学报（社会科学版）">《南华大学学报（社会科学版）》</a> <span class="medal"> </span> </span><span class="vol">2012年第3期119-122,共4页</span> </dd> <dd> <span class="abstract"> <span class="">绘画艺术应该是最能直接表达画家本人及画家自身以外丰富多彩的情感世界的一种媒介。不同的人群均会有着不同的社会心态,在创作时,这种心态会自觉的融入到绘画作品之中。文章通过画家所处的地位和社会历史条件等因素来解析院体画与文人...</span> <span style="display:none;">绘画艺术应该是最能直接表达画家本人及画家自身以外丰富多彩的情感世界的一种媒介。不同的人群均会有着不同的社会心态,在创作时,这种心态会自觉的融入到绘画作品之中。文章通过画家所处的地位和社会历史条件等因素来解析院体画与文人绘画为何会出现两种截然相反的审美情趣,且进一步完善中国画审美中"画品"即"人品"理论观点。</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e4%ba%ba%e7%94%bb title="文人画">文人画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%90%86%e6%80%a7 title="理性">理性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%97%b4%e7%8b%82 title="痴狂">痴狂</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%a1%e7%be%8e%e6%83%85%e8%b6%a3 title="审美情趣">审美情趣</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%93%81%e6%80%a7 title="品性">品性</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('42583231','+qQayCDdHN3afDPCvHf9lHaxa+xAHM4wIuTCsVJmad4=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('42583231')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> </div> <div class="full-list" id="detail" style="display:none"> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1004865145" target="_blank" index="0" articleid="1004865145">Nanjing Painting & Calligraphy Academy</a> </dt> <dd class="no">1</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1004865145" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%3cTitle%3eZhu%2bDaoping%2b1%2bCuizhou%2bIslet%2bxuanwu%2bLake%2bNanjing%2b210009%2bChina title="<Title>Zhu Daoping 1 Cuizhou Islet xuanwu Lake Nanjing 210009 China"><span><Title>Zhu Daoping 1 Cuizhou Islet xuanwu Lake Nanjing 210009 China</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期23-23,共1页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">FOUNDED in 1979,the Nanj-ing Painting and CaligraphyAcademy consists of 20 profes-sional painters,over 40 invited paintersand a few brilliant graduates from sev-eral art schools.The academy hasemerged as a major art force,withmost of its members being young andmiddle-aged painters.The academy is composed of aChinese painting research studio,anexhibition section,arts and crafts salessection and an administrative office.In1992 the Nanjing municipal govern-ment made cotributions to the acade-my for the construction of a paintingstudio and an exhibition hall coveringa combined floor area of 1,000</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dIn title="In">In</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCalligraphy title="Calligraphy">Calligraphy</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcademy title="Academy"><u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dNanjing title="Nanjing">Nanjing</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPainting title="Painting"><u>painting</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ22 title="J22"> J22 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865145','mBS+t+RgeIbhqrmSldXZL2asVDBalLKBunmDkzmWCWi8MdDqtMVY/Q==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865145')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7112585411" target="_blank" index="1" articleid="7112585411">勉萨派唐卡非遗传承人罗布斯达的教学创新</a> </dt> <dd class="no">2</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7112585411" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%82%b9%e8%8c%82 title="邹茂"><span>邹茂</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e5%86%ac%e6%a2%85 title="刘冬梅"><span>刘冬梅</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e8%b4%b5%e5%b7%9e%e7%9c%81%e9%bb%94%e4%b8%9c%e5%8d%97%e8%8b%97%e6%97%8f%e4%be%97%e6%97%8f%e8%87%aa%e6%b2%bb%e5%b7%9e%e6%96%87%e5%8c%96%e7%a0%94%e7%a9%b6%e6%89%80>贵州省黔东南苗族侗族自治州文化研究所</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%ad%e5%a4%ae%e6%b0%91%e6%97%8f%e5%a4%a7%e5%ad%a6%e8%97%8f%e5%ad%a6%e7%a0%94%e7%a9%b6%e9%99%a2>中央民族大学藏学研究院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85113B" target="_blank" title="高原文化研究">《高原文化研究》</a> <span class="medal"> </span> </span><span class="vol">2024年第2期87-107,共21页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社科基金冷门“绝学”和国别史等研究专项“西藏明清时期嘎玛嘎赤派绘画遗存调查与研究”(项目批准号:19VJX173)</span></span> <span><span>中央民族大学2023年“道中华”研究生课程建设专项基金“汉藏交流中的唐卡流派史”的阶段性成果。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">罗布斯达1967年出生于西藏日喀则拉孜县扎西岗乡的一个唐卡绘画世家勉冲平康家族,是藏族唐卡勉萨画派国家级非物质文化遗产代表性传承人。2005年罗布斯达在拉萨创立勉萨派艺术发展中心,致力于传授唐卡绘画技艺。为进一步推动唐卡艺术的发展,他于2012年创办西藏唐卡画院,并探索出一套产、学、研相结合的唐卡教学模式。在西藏唐卡画院,罗布斯达从学生的“心力”“手力”与“眼力”三方面入手,通过进阶式教学训练,提高学生的基本功。他采用实物展示与直观教学、图书陈列与知识扩展以及参加唐卡展览等多元化的教学方法,实践着“观—练—展”相结合的教学理念,从而有效弥补了传统唐卡教学模式的单一性缺陷。自2020年起,西藏唐卡画院相继成为西藏职业技术学院与西藏大学艺术学院的教学实践基地。在与西藏职业技术学院的合作中,罗布斯达强调职业教育的实用性,不仅传授传统技艺,更注重培养学生的品德修养,使教学模式更加贴近当代社会的生产需求,实现了传统标准与现代社会生产的有机结合。同时,他注重理论与实践的融合,培养学生的创作能力,这一举措标志着罗布斯达在高等唐卡教育领域中的又一创新实践。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a5%bf%e8%97%8f%e5%94%90%e5%8d%a1 title="西藏唐卡">西藏唐卡</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bd%97%e5%b8%83%e6%96%af%e8%be%be title="罗布斯达">罗布斯达</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2%e4%bc%a0%e4%b9%a0 title="画院传习">画院传习</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ad%a6%e6%a0%a1%e6%95%99%e8%82%b2 title="学校教育">学校教育</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%99%e5%ad%a6%e5%88%9b%e6%96%b0 title="教学创新">教学创新</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dTibetan%2bthangka title="Tibetan thangka">Tibetan thangka</a></span> <span><a href=/Qikan/Search/Index?key=K%3dNorbu%2bSithar title="Norbu Sithar">Norbu Sithar</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpainting%2bacademy%2btraining title="painting academy training"><u>painting</u> <u>academy</u> training</a></span> <span><a href=/Qikan/Search/Index?key=K%3dschool%2beducation title="school education">school education</a></span> <span><a href=/Qikan/Search/Index?key=K%3dteaching%2binnovation title="teaching innovation">teaching innovation</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG6 title="G6"> G6 [文化科学—教育学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7112585411','jBFjQsoi3SxO4hnlmFXCCiKyF4yC/20zgFRPBgvTxyGAUHw52oJSGA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7112585411')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7109900245" target="_blank" index="2" articleid="7109900245">“御书院”还是“御画院”?——郭熙的供职情况及相关问题考辨</a> </dt> <dd class="no">3</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7109900245" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%82%96%e9%9b%aa title="肖雪"><span>肖雪</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%9b%9b%e5%b7%9d%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6%e8%89%ba%e6%9c%af%e7%a0%94%e7%a9%b6%e9%99%a2>四川师范大学艺术研究院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报（美术与设计）">《南京艺术学院学报（美术与设计）》</a> <span class="medal"> <span title="北大核心期刊（2020版）">北大核心</span> </span> </span><span class="vol">2023年第3期78-82,I0002,I0003,共7页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">郭熙为北宋画院画家,由画院艺学升迁至画院待诏,这几乎已经成为中国古代画史的习惯性叙述。然而值得注意的是,在北宋的画史文献材料《图画见闻志》与《宣和画谱》中关于郭熙的供职之处有“御书院”与“御画院”两个地方。那么,郭熙究竟供职于哪里,以及他又官至何处待诏?对此,本文将通过对郭熙供职情况的考察,探究画史材料中出现的“御书院”“御画院”与“图画院”三者之间的关系,厘清郭熙的供职之处及其升迁历程。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e5%be%a1%e4%b9%a6%e9%99%a2 title="御书院">御书院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%be%a1%e7%94%bb%e9%99%a2 title="御画院">御画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%be%e7%94%bb%e9%99%a2 title="图画院">图画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ad%a6%e5%a3%ab%e9%99%a2 title="学士院">学士院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%be%85%e8%af%8f title="翰林待诏">翰林待诏</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dRoyal%2bAcademy title="Royal Academy">Royal <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dRoyal%2bPainting%2bAcademy title="Royal Painting Academy">Royal <u>painting</u> <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dPicture%2bAcademy title="Picture Academy">Picture <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dScholar%27s%2bCollege title="Scholar's College">Scholar's College</a></span> <span><a href=/Qikan/Search/Index?key=K%3dHanlin%2bDaizhao title="Hanlin Daizhao">Hanlin Daizhao</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ203 title="J203"> J203 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7109900245','hwDi4QybFaveTWaWJUSt6e41ndlgbjHe4+VDzBany1bDZAwMJMzh3A==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7109900245')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7110905140" target="_blank" index="3" articleid="7110905140">上海美专学生王卓艺术轨迹考</a> </dt> <dd class="no">4</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7110905140" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%8d%a2%e6%b0%b8%e7%90%87 title="卢永琇"><span>卢永琇</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%a4%a9%e6%b4%a5%e7%be%8e%e6%9c%af%e9%a6%86>天津美术馆</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82425X" target="_blank" title="艺术探索">《艺术探索》</a> <span class="medal"> </span> </span><span class="vol">2023年第5期50-56,共7页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">王卓在上海美专接受了系统的美术教育,是一位本土培养的艺术家。他毕业后从事美术教育工作并不断进行油画、水彩和美术摄影的创作,后在艺术报纸、平面设计等媒体中展露才华。他助力艺术家的发展,助推天津市立美术馆的发展,为我们了解近代北方地区美术面貌保留下大量的珍贵资料。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e7%8e%8b%e5%8d%93 title="王卓">王卓</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%8a%e6%b5%b7%e7%be%8e%e4%b8%93 title="上海美专">上海美专</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%a4%a9%e6%b4%a5%e5%b8%82%e7%ab%8b%e7%be%8e%e6%9c%af%e9%a6%86 title="天津市立美术馆">天津市立美术馆</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b2%b9%e7%94%bb title="油画">油画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%91%84%e5%bd%b1 title="摄影">摄影</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dWang%2bZhuo title="Wang Zhuo">Wang Zhuo</a></span> <span><a href=/Qikan/Search/Index?key=K%3dPrivate%2bShanghai%2bAcademy%2bof%2bFine%2bArts title="Private Shanghai Academy of Fine Arts">Private Shanghai <u>academy</u> of Fine Arts</a></span> <span><a href=/Qikan/Search/Index?key=K%3dTianjin%2bMunicipal%2bMuseum%2bof%2bArt title="Tianjin Municipal Museum of Art">Tianjin Municipal Museum of Art</a></span> <span><a href=/Qikan/Search/Index?key=K%3dOil%2bpainting title="Oil painting">Oil <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dPhotography title="Photography">Photography</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ03 title="J03"> J03 [艺术—艺术理论] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7110905140','ypblgnqXVDvGa4VoKvqaIDrKulSrCLBeh5vtz9GBZb9PvlTLUoCNLA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7110905140')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=41108744" target="_blank" index="4" articleid="41108744">论清宫瓷胎画珐琅彩性质与地位</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="41108744" data-zkbycount="6">6</a></span> </dt> <dd class="no">5</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="41108744" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%ad%94%e5%85%ad%e5%ba%86 title="孔六庆"><span>孔六庆</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%bc%a0%e5%80%a9 title="张倩"><span>张倩</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%97%e4%ba%ac%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>南京艺术学院美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报（美术与设计）">《南京艺术学院学报（美术与设计）》</a> <span class="medal"> <span title="北大核心期刊（2011版）">北大核心</span> </span> </span><span class="vol">2012年第1期39-44,181-182,共6页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">对于具有对外交流礼品功用的珐琅彩,康熙帝的老师高士奇认为"其成功与否关乎政治",雍正帝力求"内庭恭造之式",乾隆帝像康熙、雍正一样对清宫瓷胎画珐琅彩指导入微。康熙对西方珐琅彩的向往与追求奠定了发展基础,雍正趋向成熟,康、雍画珐琅立足于中国传统题材,乾隆则明显引进西方画面,于是工艺与画面这两者均呈现中西合璧的性质。珐琅彩材质中的"砷"元素对于粉彩的发生发展起关键作用,使中国陶瓷绘画的发展有了新转折。也使中国陶瓷绘画的发展状态从自身系统改变到中、西两种文化系统结合,这条新思路的开端意义,无疑是历史性的。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b8%85%e5%ae%ab%e7%93%b7%e8%83%8e%e7%94%bb%e7%8f%90%e7%90%85%e5%bd%a9 title="清宫瓷胎画珐琅彩">清宫瓷胎画珐琅彩</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e6%80%a7 title="院体性">院体性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e8%a5%bf%e5%90%88%e7%92%a7%e6%80%a7 title="中西合璧性">中西合璧性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%bd%ac%e6%8a%98%e7%82%b9 title="转折点">转折点</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dColour%2benamel%2bof%2bpainting%2bon%2bporcelain%2bbody%2bin%2bthe%2bpalace%2bof%2bQing%2bDynasty%2bThe%2bquality%2bof%2bimperial%2bart%2bacademy%2binterweave%2bthe%2bfine%2bpoints%2bof%2bWestern%2bart%2bwith%2btraditional%2bChinese%2bpainting%2bturning%2bpoint title="Colour enamel of painting on porcelain body in the palace of Qing Dynasty The quality of imperial art academy interweave the fine points of Western art with traditional Chinese painting turning point">Colour enamel of <u>painting</u> on porcelain body in the palace of Qing Dynasty The quality of imperial art <u>academy</u> interweave the fine points of Western art with traditional Chinese <u>painting</u> turning point</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ527 title="J527"> J527 [艺术—艺术设计] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('41108744','0Me9hFahhoLBMRuMobpBc7i3fDm4lDoof3Fc5Xd2QUs=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('41108744')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=8759166" target="_blank" index="5" articleid="8759166">西蜀画院有无考辨</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="8759166" data-zkbycount="4">4</a></span> </dt> <dd class="no">6</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="8759166" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%9f%a9%e5%88%9a title="韩刚"><span>韩刚</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%9b%9b%e5%b7%9d%e5%a4%a7%e5%ad%a6%e7%be%8e%e6%9c%af%e5%ad%a6%e7%b3%bb>四川大学美术学系</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86576X" target="_blank" title="贵州大学学报（艺术版）">《贵州大学学报（艺术版）》</a> <span class="medal"> </span> </span><span class="vol">2003年第2期53-58,共6页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">自上世纪80年代以来,西蜀有“画院”或创建有“翰林图画院”为中国绘画史上有画院之始,几乎成了中国美术史学界公认的史实。然而,经我们研究发现,这一所谓的开创性的重大史实纯属乌有。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2 title="画院">画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%9b%be%e7%94%bb%e9%99%a2 title="翰林图画院">翰林图画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e9%99%a2 title="翰林院">翰林院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%be%85%e8%af%8f title="翰林待诏">翰林待诏</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dpainting%2bacademy title="painting academy"><u>painting</u> <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bPainting%2bHouse%2bof%2bthe%2bImperial%2bAcademy title=" Painting House of the Imperial Academy"> <u>painting</u> House of the Imperial <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bImperial%2bAcademy title=" Imperial Academy"> Imperial <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bthe%2bsecretary%2bof%2bthe%2bImperial%2bAcademy title=" the secretary of the Imperial Academy"> the secretary of the Imperial <u>academy</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ209 title="J209"> J209 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('8759166','V/kFXW3GvpwG4kEKQrqic0Lu7m4xq0vxiJePyadBRvs=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('8759166')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=36225483" target="_blank" index="6" articleid="36225483">两宋画院教育初探</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="36225483" data-zkbycount="2">2</a></span> </dt> <dd class="no">7</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="36225483" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%a1%be%e5%b9%b3 title="顾平"><span>顾平</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%a8%e5%8b%87 title="杨勇"><span>杨勇</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%8a%e6%b5%b7%e5%a4%a7%e5%ad%a6%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>上海大学美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80655X" target="_blank" title="南京艺术学院学报（美术与设计）">《南京艺术学院学报（美术与设计）》</a> <span class="medal"> <span title="北大核心期刊（2008版）">北大核心</span> </span> </span><span class="vol">2010年第6期17-25,共9页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>国家社科基金艺术学项目<两宋画院研究>(08BF43)</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">美术教育与美术创作的关系密不可分,宋朝画院的建立对于美术创作具有深远的影响,其中美术教育起到了不可低估的作用,但是由于资料的阙如,关于两宋美术教育的目的、内容和方式、方法等一系列问题至今没有一个令人满意的答案,本文尝试对两宋时期的美术教育进行探索,希望对此问题有一定的帮助。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%a4%e5%ae%8b%e7%94%bb%e9%99%a2 title="两宋画院">两宋画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e5%ad%a6 title="画学">画学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%a7%81%e4%ba%ba%e6%95%99%e5%ad%a6 title="私人教学">私人教学</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dimperial%2bart%2bacademies%2bof%2bthe%2btwo%2bSong%2bDynasties title="imperial art academies of the two Song Dynasties">imperial art academies of the two Song Dynasties</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe%2blearning%2bof%2bpainting title="the learning of painting">the learning of <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dpersonal%2beducation title="personal education">personal education</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ02 title="J02"> J02 [艺术—艺术理论] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('36225483','hfGlhgLBTF3pieq5SaKlzFH9Vqa5085ScWjWk27JljM=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('36225483')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=43167453" target="_blank" index="7" articleid="43167453">再论“金陵八家”与画派</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="43167453" data-zkbycount="3">3</a></span> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="43167453" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%91%a8%e7%a7%af%e5%af%85 title="周积寅"><span>周积寅</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%97%e4%ba%ac%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>南京艺术学院美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85510X" target="_blank" title="艺术百家">《艺术百家》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2012-2013）">CSSCI</span> <span title="北大核心期刊（2011版）">北大核心</span> </span> </span><span class="vol">2012年第5期92-102,6+332-343+345,共11页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">清代画史上之所以称"金陵八家"是因为这八位画家的艺术成就及其在当时的影响是相当的,有一定的代表性。有人将"金陵八家"视为"金陵画派"或是"金陵画派的中坚与核心";也有人从清初金陵文人画家和院体画家中筛选出十位精英组合成"金陵画派",甚至将所有清初画坛上包括"金陵八家"多种说法的十九人在内的风格不同的各派系画家,只要住在金陵的,统统称为"金陵画派"。本文论述何谓画派,也即中国传统画派形成的三个条件:要风格相近、要传承关系一致,要有权威性的开派人物。其中"风格相近"是最主要的。画派命名标志,以地域命名也好,以开派人物命名也好,若离开了这三个条件,便不成其一派。文章最后指出,新世纪掀起一股打造画派热,是违背画派形成规律的。古代画派是带有宗派性的,往往门户起见,互为指摘,不可取,还是不人为打造的好,最好是一人一派。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e7%be%8e%e6%9c%af%e5%8f%b2 title="中国美术史">中国美术史</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%87%91%e9%99%b5%e5%85%ab%e5%ae%b6 title="金陵八家">金陵八家</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e6%b4%be title="画派">画派</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a3%8e%e6%a0%bc title="风格">风格</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a7%84%e5%be%8b title="规律">规律</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e4%ba%ba%e7%94%bb title="文人画">文人画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%89%93%e9%80%a0 title="打造">打造</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%80%e4%ba%ba%e4%b8%80%e6%b4%be title="一人一派">一人一派</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dJinling%2bEight%2bCelebrated%2bPainters%2b title="Jinling Eight Celebrated Painters ">Jinling Eight Celebrated <u>paint</u>ers </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bPainting%2bSchool%2b title=" Painting School "> <u>painting</u> School </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bStyle%2b title=" Style "> Style </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bRule%2b title=" Rule "> Rule </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bLiterati%2bPainting%2b title=" Literati Painting "> Literati <u>painting</u> </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bAcademy%2bPainting%2b title=" Academy Painting "> <u>academy</u> <u>painting</u> </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bForge title=" Forge"> Forge</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bOne%2bPainter%2bOne%2bSchool title=" One Painter One School"> One <u>paint</u>er One School</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ110.9 title="J110.9"> J110.9 [艺术—艺术理论] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('43167453','AfuL91DphDzPzrqPkRUm3IK9DGbpf/lR4ixIDWu2u6c=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('43167453')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=72696582504849574851485053" target="_blank" index="8" articleid="72696582504849574851485053">兼综与开拓——从“浙派之祖”戴进看明代院体画的时代演进</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="72696582504849574851485053" data-zkbycount="2">2</a></span> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="72696582504849574851485053" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e5%8f%8c%e5%8f%b6 title="董双叶"><span>董双叶</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b2%b3%e5%8c%97%e7%a7%91%e6%8a%80%e5%a4%a7%e5%ad%a6%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2>河北科技大学艺术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96995X" target="_blank" title="河北学刊">《河北学刊》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2019-2020）">CSSCI</span> <span title="北大核心期刊（2017版）">北大核心</span> </span> </span><span class="vol">2019年第3期192-198,共7页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">戴进是明代著名画家及院体画代表人物,但当时画坛对其画风和地位毁誉纷纭。究其原因,除了浙派绘画与文人画之争的社会大背景外,戴进画风之多样性和复杂性也是重要因素。其画风兼具南北二宗,形式多样,虽被誉为"浙派之祖",但也蕴含有元代文人画的因素,具有兼综前人和开辟新风的双重特点,承前启后,在明代院体画乃至中国绘画史上占有重要地位。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%88%b4%e8%bf%9b title="戴进">戴进</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e4%ba%ba%e7%94%bb title="文人画">文人画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b5%99%e6%b4%be title="浙派">浙派</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dDai%2bJin title="Dai Jin">Dai Jin</a></span> <span><a href=/Qikan/Search/Index?key=K%3dacademy%2bstyle%2bpainting title="academy style painting"><u>academy</u> style <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dliterati%2bpainting title="literati painting">literati <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dZhejiang%2bPainting%2bSchool title="Zhejiang Painting School">Zhejiang <u>painting</u> School</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ212 title="J212"> J212 [艺术—美术] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dK248 title="K248"> K248 [历史地理—中国史] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('72696582504849574851485053','Phu75v4YeJZhTmae0qQVsz51t3V7wKvvtYFBTIubkEXD1QEfFHHhpaGXJked241lCFc8ltlG3QA=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('72696582504849574851485053')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=9470939" target="_blank" index="9" articleid="9470939">中国古代画院沿革考</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="9470939" data-zkbycount="4">4</a></span> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="9470939" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%a1%be%e5%b9%b3 title="顾平"><span>顾平</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%97%e4%ba%ac%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2%e5%ad%a6%e6%8a%a5%e7%bc%96%e8%be%91%e9%83%a8>南京艺术学院学报编辑部</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86576X" target="_blank" title="贵州大学学报（艺术版）">《贵州大学学报（艺术版）》</a> <span class="medal"> </span> </span><span class="vol">2004年第1期16-21,共6页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">中国历史上画院建制的形成、发展过程渊远流长。它源于宫廷绘画 ,并伴随其繁荣而繁荣。宋代画院是我国历史上最为繁荣时期 ,在画史产生了深远的影响。这些影响来源于三方面的变化 :第一 ,画院画格与画家思想的变化 ;第二 ,画院的建制 ;第三 ,表现题材转向花鸟、山水。考证画院的沿革我们还可得出如下结论 :画家身份 ,表现为逐渐文人化的趋势 ;创作任务和题材 ,表现为从侧重于宣教的人物、故事逐渐向赏玩化的山水、花鸟变化 ;绘画风格 ,从表现自然之貌走向表现自然之趣 ,进而表现画面之趣。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2%e6%b2%bf%e9%9d%a9 title="画院沿革">画院沿革</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%8b%e4%bb%a3%e7%94%bb%e9%99%a2 title="宋代画院">宋代画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2%e5%bb%ba%e5%88%b6 title="画院建制">画院建制</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bevolution%2bof%2bChinese%2bancient%2bpainting%2bacademy title="the evolution of Chinese ancient painting academy">the evolution of Chinese ancient <u>painting</u> <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bpainting%2bacademy%2bof%2bthe%2bSong%2bDynasty title=" painting academy of the Song Dynasty"> <u>painting</u> <u>academy</u> of the Song Dynasty</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bthe%2borganizational%2bsystem%2bof%2bthe%2bpainting%2bacademy title=" the organizational system of the painting academy"> the organizational system of the <u>painting</u> <u>academy</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ209 title="J209"> J209 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('9470939','QTSsmPuhAHHqzqKH69XmCewykf3Fc0UPgpJWagUsP7c=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('9470939')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7106694991" target="_blank" index="10" articleid="7106694991">试论南宋院体山水画的诗意内蕴</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="7106694991" data-zkbycount="2">2</a></span> </dt> <dd class="no">11</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7106694991" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%88%e9%87%8e title="陈野"><span>陈野</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b5%99%e6%b1%9f%e7%9c%81%e7%a4%be%e4%bc%9a%e7%a7%91%e5%ad%a6%e9%99%a2>浙江省社会科学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80159X" target="_blank" title="浙江社会科学">《浙江社会科学》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2021-2022）">CSSCI</span> <span title="北大核心期刊（2020版）">北大核心</span> </span> </span><span class="vol">2022年第3期131-138,106,160,161,共11页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">诗画融合是中国古代绘画传统的主要特征和重要成就。画史上论述诗画融合,一般都聚焦于文人画传统,将诗书画印合一视为文人画的典型特征。南宋院体山水画在古代绘画中占有重要地位,但已有研究大多从绘画技法上对之加以认可,而无关乎"诗画融合""诗画一律"等相关于诗意内蕴这一中国绘画艺术传统最为推崇的艺术风格与内在精神特质层面。深入南宋院体山水画发展历程,可见大量蕴含浓郁诗意的作品,体现出融于构图、笔墨等形式语言本质层面的诗画融合境界,由内而外地散发出中国古典绘画艺术民族特征的韵致。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8d%97%e5%ae%8b%e9%99%a2%e4%bd%93%e5%b1%b1%e6%b0%b4%e7%94%bb title="南宋院体山水画">南宋院体山水画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%97%e7%94%bb%e8%9e%8d%e5%90%88 title="诗画融合">诗画融合</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%af%97%e6%84%8f title="诗意">诗意</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dSouthern%2bSong%2bDynasty%2bacademy-style%2blandscape%2bpainting title="Southern Song Dynasty academy-style landscape painting">Southern Song Dynasty <u>academy</u>-style landscape <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dfusion%2bof%2bpoetry%2band%2bpainting title="fusion of poetry and painting">fusion of poetry and <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dpoetry title="poetry">poetry</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ212 title="J212"> J212 [艺术—美术] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dK245 title="K245"> K245 [历史地理—中国史] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7106694991','6VHanuCwIIuW3flAFumSf5uziaYXSzFlia38qPXIb2q+yvK3uqZ0TA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7106694991')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=15436106" target="_blank" index="11" articleid="15436106">南宋初院画的兴盛及其原因</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="15436106" data-zkbycount="3">3</a></span> </dt> <dd class="no">12</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="15436106" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%82%93%e4%b9%94%e5%bd%ac title="邓乔彬"><span>邓乔彬</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%9a%a8%e5%8d%97%e5%a4%a7%e5%ad%a6%e6%96%87%e5%ad%a6%e9%99%a2>暨南大学文学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83891A" target="_blank" title="广州大学学报（社会科学版）">《广州大学学报（社会科学版）》</a> <span class="medal"> </span> </span><span class="vol">2005年第3期5-10,共6页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">南宋初年宋金停战,经济、社会有较大发展,宋高宗恢复了画院。由于建制与北宋不同,高宗对画家奖掖甚力,大批南渡的院画家充分发挥了艺术才能,造就出绘画的中兴。伴随着文人画的退潮,南宋院画较之北宋有不少发展进步,究其原因,是多方面的。而与高宗个人相关的,主要有四点:一是高宗宣扬"中兴",绘画转向历史题材,促进了画院人物画的发展;二是能充分发挥不同画家的专长和创造性,使院画各类作品艺术水平普遍提高;三是画家不再拘守某种范式,有较大的创作自由;四是高宗较尊重画家的创作个性,较重视画家的创作权,使画家的主体意识增强。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8d%97%e5%ae%8b title="南宋">南宋</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e7%94%bb title="院画">院画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%85%b4%e7%9b%9b title="兴盛">兴盛</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%8b%e9%ab%98%e5%ae%97 title="宋高宗">宋高宗</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%aa%e4%ba%ba%e4%bd%9c%e7%94%a8 title="个人作用">个人作用</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dSouth-Song%2bDynasty title="South-Song Dynasty">South-Song Dynasty</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2b%2bAcademy%2bPainting title=" Academy Painting"> <u>academy</u> <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2b%2bthriving title=" thriving"> thriving</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2b%2bSong%2bGao-zong%2b title=" Song Gao-zong "> Song Gao-zong </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bindividual%2brole title=" individual role"> individual role</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ120.9 title="J120.9"> J120.9 [艺术—艺术理论] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('15436106','yQnq4tuSjYY5PzUtzS5LIcH7/z04XkyHW+oKSZVsWmI=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('15436106')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1000010431" target="_blank" index="12" articleid="1000010431">“以诗入画”——从郭熙《早春图》看宋代画院绘画的审美特质</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="1000010431" data-zkbycount="3">3</a></span> </dt> <dd class="no">13</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1000010431" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%ad%99%e5%80%a9 title="孙倩"><span>孙倩</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b2%b3%e5%8d%97%e7%90%86%e5%b7%a5%e5%a4%a7%e5%ad%a6%e6%96%87%e6%b3%95%e5%ad%a6%e9%99%a2>河南理工大学文法学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83424A" target="_blank" title="宜宾学院学报">《宜宾学院学报》</a> <span class="medal"> </span> </span><span class="vol">2007年第8期116-117,共2页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">宋代是中国绘画史上极重要的时期,这表现在宋代画院绘画不仅具有高度的写实性,而且进一步引入了"以诗入画"的美学原则。本文以宋代院画家郭熙的代表作《早春图》为切入点,阐述宋代画院绘画"以诗入画"的特点。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e3%80%8a%e6%97%a9%e6%98%a5%e5%9b%be%e3%80%8b title="《早春图》">《早春图》</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%94%bb%e9%99%a2 title="画院">画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bb%a5%e8%af%97%e5%85%a5%e7%94%bb title="以诗入画">以诗入画</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dPainting%2bof%2b%27Early%2bSpring%27 title="Painting of 'Early Spring'"><u>painting</u> of 'Early Spring'</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAcademy%2bof%2bPainting title="Academy of Painting"><u>academy</u> of <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dPoetry%2bContaining%2bPainting title="Poetry Containing Painting">Poetry Containing <u>painting</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ212.26 title="J212.26"> J212.26 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1000010431','c4socuTxv6ehxAJCJlJLP3t6Tg1GL99aj/7+B89UnPdOplWyZIzdaA==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1000010431')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=46448817" target="_blank" index="13" articleid="46448817">再谈敦煌壁画临摹</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="46448817" data-zkbycount="4">4</a></span> </dt> <dd class="no">14</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="46448817" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%8e%e5%85%b6%e7%90%bc title="李其琼"><span>李其琼</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%95%a6%e7%85%8c%e7%a0%94%e7%a9%b6%e9%99%a2>敦煌研究院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=82885X" target="_blank" title="敦煌研究">《敦煌研究》</a> <span class="medal"> <span title="中文社会科学引文索引-扩展（2012-2013）">CSSCI</span> <span title="北大核心期刊（2011版）">北大核心</span> </span> </span><span class="vol">2013年第3期22-27,共6页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">敦煌壁画临摹工作早就开始了。有序的敦煌壁画临摹工作从国立敦煌艺术研究所开始,到今日的敦煌研究院已有近七十年从不间断的壁画临摹历史,六十余年间历经国立敦煌艺术研究所、敦煌文物研究所、敦煌研究院三次命名,反映了不同历史时期人们对敦煌壁画临摹工作的认识和要求,是有鲜明区别的,敦煌的临摹工作始终沿着目标明确的道路前进。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%a6%e7%85%8c%e5%a3%81%e7%94%bb%e4%b8%b4%e6%91%b9 title="敦煌壁画临摹">敦煌壁画临摹</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9b%bd%e7%ab%8b%e6%95%a6%e7%85%8c%e8%89%ba%e6%9c%af%e7%a0%94%e7%a9%b6%e6%89%80%e9%98%b6%e6%ae%b5 title="国立敦煌艺术研究所阶段">国立敦煌艺术研究所阶段</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%a6%e7%85%8c%e6%96%87%e7%89%a9%e7%a0%94%e7%a9%b6%e6%89%80%e9%98%b6%e6%ae%b5 title="敦煌文物研究所阶段">敦煌文物研究所阶段</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%a6%e7%85%8c%e7%a0%94%e7%a9%b6%e9%99%a2%e9%98%b6%e6%ae%b5 title="敦煌研究院阶段">敦煌研究院阶段</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dCopying%2bof%2bDunhuang%2bwall%2bpainting title="Copying of Dunhuang wall painting">Copying of Dunhuang wall <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bPeriod%2bof%2bDunhuang%2bArt%2bResearch%2bInstitute title=" Period of Dunhuang Art Research Institute"> Period of Dunhuang Art Research Institute</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bPeriod%2bof%2bResearch%2bInstitute%2bof%2bDunhuang%2bCultural%2bRelics title=" Period of Research Institute of Dunhuang Cultural Relics"> Period of Research Institute of Dunhuang Cultural Relics</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bPeriod%2bof%2bDunhuang%2bAcademy title=" Period of Dunhuang Academy"> Period of Dunhuang <u>academy</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ218.6 title="J218.6"> J218.6 [艺术—美术] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dK879.41 title="K879.41"> K879.41 [历史地理—考古学及博物馆学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('46448817','GlpSg13uqOt58L/XVq41J9oZfgQFwMWgKUywQaFu6tg=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('46448817')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7104859125" target="_blank" index="14" articleid="7104859125">20世纪五六十年代中国漆画 “工艺美院风格”的形成</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="7104859125" data-zkbycount="2">2</a></span> </dt> <dd class="no">15</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7104859125" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e4%bd%95%e6%8c%af%e7%ba%aa title="何振纪"><span>何振纪</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%ad%e5%9b%bd%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>中国美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=80267X" target="_blank" title="艺术生活">《艺术生活》</a> <span class="medal"> </span> </span><span class="vol">2020年第5期46-53,共8页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>2017年度国家社科基金艺术学重大项目“中国传统工艺的当代价值研究”(课题编号:17ZD05)子课题研究成果。</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">所谓"工艺美院风格",是指以成立于1956年的中央工艺美术学院为代表所形成的一股席卷20世纪五六十年代的装饰绘画风潮。这股潮流以庞薰琹、雷圭元等深受法国装饰艺术运动风格影响的艺术家所主导。受到西方现代美术影响的这些装饰艺术家们同时对中国传统民艺有着深入的理解,并认识到民艺作为灵感源泉的重要性,由此尝试将传统与现代艺术相互融合。受此趋势所引领,中央工艺美术学院在20世纪60年代以后展开其漆画艺术探索。为了掌握纯正的漆工技术,乔十光、李鸿印等在20世纪60年代初前往福建的传统漆艺中心--福州跟随当地的漆工师傅研习漆艺。由此,名为"工艺美院风格"其实并不局限于中央工艺美术学院,而是源自不同地方所共同成就。就其艺术家的流动与影响而言,可以认为这种"风格"的出现与流行甚至早于中央工艺美术学院成立的1956年。而这种以中央工艺美术学院为代表的"风格",在中国现代漆画史上一直持续到上世纪80年代末,其影响直至新世纪之初。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e6%bc%86%e7%94%bb title="中国漆画">中国漆画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%b7%a5%e8%89%ba%e7%be%8e%e9%99%a2%e9%a3%8e%e6%a0%bc title="工艺美院风格">工艺美院风格</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%a3%85%e9%a5%b0%e6%80%a7 title="装饰性">装饰性</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dChinese%2blacquer%2bpainting title="Chinese lacquer painting">Chinese lacquer <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bacademy%2bstyle%2bof%2barts%2band%2bcrafts title="the academy style of arts and crafts">the <u>academy</u> style of arts and crafts</a></span> <span><a href=/Qikan/Search/Index?key=K%3ddecorative title="decorative">decorative</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ110.95 title="J110.95"> J110.95 [艺术—艺术理论] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dJ223.9 title="J223.9"> J223.9 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7104859125','BFnfmjw8xrsNoceWBnWxNCmsrmK/6J+VrhPjNpR0T0umzANfuJGgtQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7104859125')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7001797662" target="_blank" index="15" articleid="7001797662">从苏联美院油画教学看当代中国油画教学</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="7001797662" data-zkbycount="1">1</a></span> </dt> <dd class="no">16</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7001797662" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e6%b3%89 title="董泉"><span>董泉</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%bb%b6%e5%ae%89%e5%a4%a7%e5%ad%a6%e9%b2%81%e8%bf%85%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2>延安大学鲁迅艺术学院</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%8a%e6%b5%b7%e5%a4%a7%e5%ad%a6%e4%b8%8a%e6%b5%b7%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>上海大学上海美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83026X" target="_blank" title="天津美术学院学报">《天津美术学院学报》</a> <span class="medal"> </span> </span><span class="vol">2018年第1期90-93,共4页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">中国的油画来源于欧洲,但是对于中国的美术学院油画教学体系影响最大的应该就是20世纪50年代的学习苏联,马克西莫夫的来华教学和大批中国青年出国去苏联学习,那时中国的美术学院的油画教学体系基本都是学习苏联的。随着时代的变迁,21世纪的中国油画也有了巨大的发展和变化。本文通过研究苏联美术学院的油画教学,深入认识和理解并客观地评价苏联油画教学的本质,思考苏联油画教学对于当代中国油画教学有何影响与价值。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e8%8b%8f%e8%81%94 title="苏联">苏联</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd title="中国">中国</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2 title="美术学院">美术学院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b2%b9%e7%94%bb title="油画">油画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%99%e5%ad%a6 title="教学">教学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bb%b7%e5%80%bc title="价值">价值</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dthe%2bSoviet%2bUnion title="the Soviet Union">the Soviet Union</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChina title="China">China</a></span> <span><a href=/Qikan/Search/Index?key=K%3dart%2bacademies title="art academies">art academies</a></span> <span><a href=/Qikan/Search/Index?key=K%3doil%2bpainting title="oil painting">oil <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dteaching title="teaching">teaching</a></span> <span><a href=/Qikan/Search/Index?key=K%3dvalue title="value">value</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ213-4 title="J213-4"> J213-4 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7001797662','gu74nL7MCVliA3rEH4QVAq8tIs+6oBHOZpaMkKUxbM48lihbb6rPsQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7001797662')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=38284986" target="_blank" index="16" articleid="38284986">油画风景写生教学的创新与实践</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="38284986" data-zkbycount="4">4</a></span> </dt> <dd class="no">17</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="38284986" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%92%8b%e5%bc%98%e7%83%a8 title="蒋弘烨"><span>蒋弘烨</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%b9%bf%e4%b8%9c%e5%b7%a5%e4%b8%9a%e5%a4%a7%e5%ad%a6%e8%89%ba%e6%9c%af%e8%ae%be%e8%ae%a1%e5%ad%a6%e9%99%a2>广东工业大学艺术设计学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96388A" target="_blank" title="广东工业大学学报（社会科学版）">《广东工业大学学报（社会科学版）》</a> <span class="medal"> </span> </span><span class="vol">2011年第3期35-39,共5页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>2010年广东工业大学高教研究基金项目"培养美术学专业多能一专的创新人才提升就业竞争力"的研究成果之一</span></span> <span><span>项目编号:2010F15</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">油画风景写生在高等美术院校中是一门重要的课程。如何在该门课程的教学中培养学生的创新能力是美术学专业教学改革的一个重要课题。文章通过在教学中实施一系列改革来探寻个人绘画语言、培养学生的创作个性、提高学生的审美能力与绘画修养,为将来该专业的学生无论从事绘画专业还是从事设计专业打下坚实的基础。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e9%ab%98%e7%ad%89%e7%be%8e%e6%9c%af%e9%99%a2%e6%a0%a1 title="高等美术院校">高等美术院校</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%be%8e%e6%9c%af%e5%ad%a6%e4%b8%93%e4%b8%9a%e5%ad%a6%e7%94%9f title="美术学专业学生">美术学专业学生</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b2%b9%e7%94%bb title="油画">油画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a3%8e%e6%99%af%e5%86%99%e7%94%9f title="风景写生">风景写生</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%88%9b%e6%96%b0%e8%83%bd%e5%8a%9b title="创新能力">创新能力</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dhigher%2bart%2bacademy title="higher art academy">higher art <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bfine%2barts%2bmajors title=" fine arts majors"> fine arts majors</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2boil%2bpainting title=" oil painting"> oil <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2blandscape%2bsketch title=" landscape sketch"> landscape sketch</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2binnovation%2bability title=" innovation ability"> innovation ability</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG642 title="G642"> G642 [文化科学—高等教育学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('38284986','BAbXN5UN2nFLCZhtGef/Ago5mn1dkhzdxDEjDtGUNls=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('38284986')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=37243574" target="_blank" index="17" articleid="37243574">北宋翰林图画院人员地位与出身考述</a> <span class="cited">被引量：<a href="javascript:void(0)" data-articleid="37243574" data-zkbycount="1">1</a></span> </dt> <dd class="no">18</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="37243574" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e7%bd%97%e6%96%b0%e5%8d%8e title="罗新华"><span>罗新华</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e9%9f%b6%e5%85%b3%e5%ad%a6%e9%99%a2%e7%be%8e%e6%9c%af%e5%ad%a6%e9%99%a2>韶关学院美术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=83605B" target="_blank" title="韶关学院学报">《韶关学院学报》</a> <span class="medal"> </span> </span><span class="vol">2011年第3期117-119,共3页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">北宋翰林图画院人员属于胥吏阶层,其中少数人供职画院若干年后有出职为官的可能,但在等待出职的年限、出职资格、官品、服饰等方面都有诸多限制,授官的图画院人员在经济待遇方面并无明显改善。翰林图画院人员的整体地位低于文臣、武将、内侍官及伎术官中的医官和天文官,但高于中央机构中其他部门的工匠和翰林院其他伎术人。翰林图画院对民间画工具有吸引力,但是善画的文人却很少愿意供职其中,因此,画院人员多出身于民间工匠。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e7%bf%b0%e6%9e%97%e5%9b%be%e7%94%bb%e9%99%a2 title="翰林图画院">翰林图画院</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%93%81%e9%98%b6 title="品阶">品阶</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%87%ba%e8%81%8c title="出职">出职</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%be%85%e8%af%8f title="待诏">待诏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%83%a5%e5%90%8f title="胥吏">胥吏</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%bc%8e%e6%9c%af%e5%ae%98 title="伎术官">伎术官</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dImperial%2bPainting%2bAcademy title="Imperial Painting Academy">Imperial <u>painting</u> <u>academy</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bposition title=" position"> position</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2brecruitment%2bby%2bimperial%2bedict title=" recruitment by imperial edict"> recruitment by imperial edict</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bpromotion%2bfrom%2bfolk%2bpainters title=" promotion from folk painters"> promotion from folk <u>paint</u>ers</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bsuccession%2bto%2bthe%2bancestral%2bposition title=" succession to the ancestral position"> succession to the ancestral position</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bguarantee%2band%2breferral title=" guarantee and referral"> guarantee and referral</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ120.9 title="J120.9"> J120.9 [艺术—艺术理论] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('37243574','JOGJV3ElgoUQT5pdy9txNyb/ozL9CvDu/A/QUrJOJ+4=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('37243574')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7104560683" target="_blank" index="18" articleid="7104560683">众源合流:明代宣德画院中的闽浙画风</a> </dt> <dd class="no">19</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7104560683" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e5%8f%8c%e5%8f%b6 title="董双叶"><span>董双叶</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%91%a3%e5%ae%b6%e7%90%aa title="董家琪"><span>董家琪</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e6%b2%b3%e5%8c%97%e7%a7%91%e6%8a%80%e5%a4%a7%e5%ad%a6%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2>河北科技大学艺术学院</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e7%9f%b3%e5%ae%b6%e5%ba%84%e5%b9%bc%e5%84%bf%e5%b8%88%e8%8c%83%e9%ab%98%e7%ad%89%e4%b8%93%e7%a7%91%e5%ad%a6%e6%a0%a1>石家庄幼儿师范高等专科学校</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=96995X" target="_blank" title="河北学刊">《河北学刊》</a> <span class="medal"> <span title="中文社会科学引文索引-来源（2021-2022）">CSSCI</span> <span title="北大核心期刊（2020版）">北大核心</span> </span> </span><span class="vol">2021年第3期216-220,共5页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">宣德画院是明宣宗时期的宫廷绘画机构,其画家系由全国各地征召而来,因受原生地域特征的深刻影响而画风迥异,一般统称明代院体绘画,以区别于明代中晚期的文人画。这些画家来源以浙、闽两地为主,因地域相连,两地画家的绘画风格又有很多融通之处。明代宣德画院的院体风格来源于四种绘画样式和因素的并存交混:一是李成、郭熙的绘画样式及笔墨法;二是马远、夏圭的南宋院体山水画范式;三是元末吴镇的绘画风格;四是具有闽浙地域特征的绘画因素。院体风格在明宣德画院的发展,促成了其后一个特殊的绘画流派“明代浙派”的产生。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%97%bd%e6%b5%99%e7%94%bb%e9%a3%8e title="闽浙画风">闽浙画风</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%9d%8e%e5%9c%a8 title="李在">李在</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%91%a8%e6%96%87%e9%9d%96 title="周文靖">周文靖</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dacademy%2bpainting title="academy painting"><u>academy</u> <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dFujian%2band%2bZhejiang%2bpainting%2bstyle title="Fujian and Zhejiang painting style">Fujian and Zhejiang <u>painting</u> style</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLi%2bZai title="Li Zai">Li Zai</a></span> <span><a href=/Qikan/Search/Index?key=K%3dZhou%2bWenjing title="Zhou Wenjing">Zhou Wenjing</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ209 title="J209"> J209 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7104560683','5NKYQHYhhw7xzA3su1lAT4jMWK4dTaD5/VwAMq/zYL2vHuoXykLW9g==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7104560683')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=42583231" target="_blank" index="19" articleid="42583231">理性与痴狂——院体与文人画品之辩</a> </dt> <dd class="no">20</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="42583231" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e5%88%98%e5%8b%87 title="刘勇"><span>刘勇</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e5%8d%97%e5%8d%8e%e5%a4%a7%e5%ad%a6%e8%ae%be%e8%ae%a1%e8%89%ba%e6%9c%af%e5%ad%a6%e9%99%a2>南华大学设计艺术学院</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=84358X" target="_blank" title="南华大学学报（社会科学版）">《南华大学学报（社会科学版）》</a> <span class="medal"> </span> </span><span class="vol">2012年第3期119-122,共4页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">绘画艺术应该是最能直接表达画家本人及画家自身以外丰富多彩的情感世界的一种媒介。不同的人群均会有着不同的社会心态,在创作时,这种心态会自觉的融入到绘画作品之中。文章通过画家所处的地位和社会历史条件等因素来解析院体画与文人绘画为何会出现两种截然相反的审美情趣,且进一步完善中国画审美中"画品"即"人品"理论观点。</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e9%99%a2%e4%bd%93%e7%94%bb title="院体画">院体画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%87%e4%ba%ba%e7%94%bb title="文人画">文人画</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%90%86%e6%80%a7 title="理性">理性</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%97%b4%e7%8b%82 title="痴狂">痴狂</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%ae%a1%e7%be%8e%e6%83%85%e8%b6%a3 title="审美情趣">审美情趣</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%93%81%e6%80%a7 title="品性">品性</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dacademy%2bpainting title="academy painting"><u>academy</u> <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bliterati%2bpainting title=" literati painting"> literati <u>painting</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2brational title=" rational"> rational</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bcrazy%2b title=" crazy "> crazy </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2baesthetic%2btaste%2b title=" aesthetic taste "> aesthetic taste </a></span> <span><a href=/Qikan/Search/Index?key=K%3d%2bcharacter title=" character"> character</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ202 title="J202"> J202 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('42583231','+qQayCDdHN3afDPCvHf9lHaxa+xAHM4wIuTCsVJmad4=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip 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