When considering anthologies of African American poetry in the 21 st century,it is noteworthy how much the legacy of the Black Arts Movement of the 1960s and 1970s both positively and negatively shapes their aesthetic...When considering anthologies of African American poetry in the 21 st century,it is noteworthy how much the legacy of the Black Arts Movement of the 1960s and 1970s both positively and negatively shapes their aesthetic politics,framing,and reception.This essay considers how these anthologies use the Black Arts Movement to frame their version of Black poetry and the way they come at questions of literary and cultural lineage,the relationship of Black poetry to African American experience,and formal tradition and innovation.展开更多
Black writers adapted jazz music to“say the unsayable”or employed the“jazz aesthetic,”which includes improvisation,citation,and variation as a stylistic device to distance their literature from European forms of n...Black writers adapted jazz music to“say the unsayable”or employed the“jazz aesthetic,”which includes improvisation,citation,and variation as a stylistic device to distance their literature from European forms of narration.These elements can also be found in M.NourbeSe Philipp poetry collection She Tries Her Tongue,Her Silence Sofily Breaks(1988)which rigorously challenges the way language and words are perceived.Philip denounces the Western ideology of non-ambiguity,dichotomies,and narration altogether by engaging the reader as jazz musicians engage their audience.What role did music play in the Black resistance?What is the“jazz aesthetic”and how is it incorporated into Black diasporic literature?How does jazz music create community and how did Black female musicians speak up in a rather hypermasculine jazz universe?How does Philip incorporate the jazz aesthetic,improvisation,and womanist thoughts in her poems?And what is the intention of noise,dissonance,and(musical)violence?展开更多
文摘When considering anthologies of African American poetry in the 21 st century,it is noteworthy how much the legacy of the Black Arts Movement of the 1960s and 1970s both positively and negatively shapes their aesthetic politics,framing,and reception.This essay considers how these anthologies use the Black Arts Movement to frame their version of Black poetry and the way they come at questions of literary and cultural lineage,the relationship of Black poetry to African American experience,and formal tradition and innovation.
文摘Black writers adapted jazz music to“say the unsayable”or employed the“jazz aesthetic,”which includes improvisation,citation,and variation as a stylistic device to distance their literature from European forms of narration.These elements can also be found in M.NourbeSe Philipp poetry collection She Tries Her Tongue,Her Silence Sofily Breaks(1988)which rigorously challenges the way language and words are perceived.Philip denounces the Western ideology of non-ambiguity,dichotomies,and narration altogether by engaging the reader as jazz musicians engage their audience.What role did music play in the Black resistance?What is the“jazz aesthetic”and how is it incorporated into Black diasporic literature?How does jazz music create community and how did Black female musicians speak up in a rather hypermasculine jazz universe?How does Philip incorporate the jazz aesthetic,improvisation,and womanist thoughts in her poems?And what is the intention of noise,dissonance,and(musical)violence?
