At the start of the post WWII era,the United States led the world to establish a political and economic order for freer trade,military cooperation,and economic development in low income countries.The program was far f...At the start of the post WWII era,the United States led the world to establish a political and economic order for freer trade,military cooperation,and economic development in low income countries.The program was far from perfect,but it gave the world decades of growth,expansion,and increased freedom and opportunity.More people in more countries raised their living standards more significantly than in any other period of human history.Freer trade and avoidance of major wars benefited people everywhere.The U.S.leadership is nevertheless much weaker now.Countries cannot agree on trade treaties to remove further barriers,and the growing size and importance of several countries with diverse interests make agreements harder to reach.Terrorism in parts of the world restricts the spread of markets.A likely outcome will be slower growth of the world economy in the future.展开更多
As a book review of Medicine Empire in American Literature of the 20th Century by Jiang Tianping’s team, thispaper provides an examination of the developing process of the western medicine’s interaction with the imp...As a book review of Medicine Empire in American Literature of the 20th Century by Jiang Tianping’s team, thispaper provides an examination of the developing process of the western medicine’s interaction with the imperialpolitics in the 20th century. It points out that the book has made a great contribution to the interdisciplinary research,medical research, especially western colonialism research.展开更多
This essay examines an American 19th-century sculpture, Howard Roberts＇ Hypatia, both historically and aesthetically （see Figures 1 and 2）. Problems of interpretation are found at both levels because of limited doc...This essay examines an American 19th-century sculpture, Howard Roberts＇ Hypatia, both historically and aesthetically （see Figures 1 and 2）. Problems of interpretation are found at both levels because of limited documentation. However, a speculative analysis adapting Plotinus＇ notions on the ＂delight of the intellect＂ and of ＂seeing＂ assist in considering beauty in the carved form, even if the subject is grave. What prompted this commission and who commissioned this work are questions to be considered.展开更多
This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmma...This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmmaker had very specific ideas concerning the hierarchy of the visual arts. While he is known for embracing a wide range of media and materials, by 1919 his aesthetic thought reveals a desire to elevate the painting over all other media. This formation of a visual paragone was initially influenced by his involvement in the interdisciplinary circles which surrounded both Alfred Stieglitz and Walter and Louise Arensberg in New York City. In particular, his lifelong friendship with the poet and writer William Carlos Williams would shape his aesthetic thought leading to his elevation of painting over all other media. Sheeler＇s paragone would begin to form during his stays at the rural Doylestown House in Bucks County, Pennsylvania. This rural home, which he first rented with fellow painter Morton Schamberg in 1916, would become an artistic refuge for both artists. While commercial photography was beginning to take up more if his time in Philadelphia, it was the retreats to the Doylestown house that enabled Sheeler to continue experiments in painting and begin to think of the photograph as something other than a document of architectural work. At this early stage in his artistic career, Sheeler was beginning to form his own hierarchy and contribute to the continuing argument of painting versus photography.展开更多
文摘At the start of the post WWII era,the United States led the world to establish a political and economic order for freer trade,military cooperation,and economic development in low income countries.The program was far from perfect,but it gave the world decades of growth,expansion,and increased freedom and opportunity.More people in more countries raised their living standards more significantly than in any other period of human history.Freer trade and avoidance of major wars benefited people everywhere.The U.S.leadership is nevertheless much weaker now.Countries cannot agree on trade treaties to remove further barriers,and the growing size and importance of several countries with diverse interests make agreements harder to reach.Terrorism in parts of the world restricts the spread of markets.A likely outcome will be slower growth of the world economy in the future.
基金This paper is funded by 2017’s Hunan Provincial Funding Project“Colonial Medicine Research in English Literature”(17YBA343)National Funding Project“Research on disease consciousness and national anxiety in English literature of the 16th and 17th centuries”(16BWW056)Hunan Provincial Social Science Achievement Review Committee project“Oriental Medical Imagination from a Post-colonial Perspective”(XSP18YBC029)and“American Literature Project”193ysk011).
文摘As a book review of Medicine Empire in American Literature of the 20th Century by Jiang Tianping’s team, thispaper provides an examination of the developing process of the western medicine’s interaction with the imperialpolitics in the 20th century. It points out that the book has made a great contribution to the interdisciplinary research,medical research, especially western colonialism research.
文摘This essay examines an American 19th-century sculpture, Howard Roberts＇ Hypatia, both historically and aesthetically （see Figures 1 and 2）. Problems of interpretation are found at both levels because of limited documentation. However, a speculative analysis adapting Plotinus＇ notions on the ＂delight of the intellect＂ and of ＂seeing＂ assist in considering beauty in the carved form, even if the subject is grave. What prompted this commission and who commissioned this work are questions to be considered.
文摘This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmmaker had very specific ideas concerning the hierarchy of the visual arts. While he is known for embracing a wide range of media and materials, by 1919 his aesthetic thought reveals a desire to elevate the painting over all other media. This formation of a visual paragone was initially influenced by his involvement in the interdisciplinary circles which surrounded both Alfred Stieglitz and Walter and Louise Arensberg in New York City. In particular, his lifelong friendship with the poet and writer William Carlos Williams would shape his aesthetic thought leading to his elevation of painting over all other media. Sheeler＇s paragone would begin to form during his stays at the rural Doylestown House in Bucks County, Pennsylvania. This rural home, which he first rented with fellow painter Morton Schamberg in 1916, would become an artistic refuge for both artists. While commercial photography was beginning to take up more if his time in Philadelphia, it was the retreats to the Doylestown house that enabled Sheeler to continue experiments in painting and begin to think of the photograph as something other than a document of architectural work. At this early stage in his artistic career, Sheeler was beginning to form his own hierarchy and contribute to the continuing argument of painting versus photography.
