This paper examines how historical narratives and fictional narratives treat China＇s loss in Tang-Goguryeo War differently to heal China＇s damaged pride. Emperor Tang Taizong （599-649） invaded Goguryeo in 645 but ...This paper examines how historical narratives and fictional narratives treat China＇s loss in Tang-Goguryeo War differently to heal China＇s damaged pride. Emperor Tang Taizong （599-649） invaded Goguryeo in 645 but failed to conquer her because of severe weather and strong resistance led by Yeon Gaesomun （603-666）. This paper argues that official histories including Jiu Tangshu （Old Book of Tang） and Xin Tangshu （New Book of Tang） focus on Emperor Tang Taizhong＇s legitimacy to invade Goguryeo because Yeon Gaesomun＇s coup d＇etat overthrew Yeongnyu-wang. These two histories also pay extra attention to Yeon Gaesomun＇s negative characters. Novels about Tang-Goguryeo War including Xue Rengui zheng Liao shi lue （薛仁贵徵辽事略）, Tang shu zhi zhuan tong su yan yi （唐书志传通俗演义）, and Shuo Tang hou zhuan （说唐后传） take a different approach to heal China＇s wounded pride. Instead of focusing on diplomatic and military legitimacy, these stories blur China＇s loss by creating a national hero Xue Rengui whose military skills, loyalty to Tang Dynasty, and dauntless rescue of Emperor Tang Taizong were constantly emphasized.展开更多
This paper takes the Wudang Mountains and Wuhan Battle Memorial Hall as examples to investigate and analyze the losses of Wuhan during the Anti-Japanese War.The paper concludes with two inspirations:to make full use o...This paper takes the Wudang Mountains and Wuhan Battle Memorial Hall as examples to investigate and analyze the losses of Wuhan during the Anti-Japanese War.The paper concludes with two inspirations:to make full use of the intangible cultural heritage spots to carry out patriotism education for primary and middle school students;and to effectively transform the cultural resources of the tourist spots in Hubei Province into cultural industries,in order to achieve the sustainable development of intangible cultural resources of Hubei Province tourist attractions.展开更多
The national government wants to penetrate into the grass-roots unit after the triumph of the Anti-Japanese War in the recovery area.Through the reorganization of the Baojia system,the government expects to achieve lo...The national government wants to penetrate into the grass-roots unit after the triumph of the Anti-Japanese War in the recovery area.Through the reorganization of the Baojia system,the government expects to achieve local autonomy and then solve the people’s livelihood issues.The new Baojia system provides a platform for people to achieve their own demands,which presents the vision of civil rights to a certain extent.However,because of the complexity of the postwar social environment,the Baojia system cannot completely represent the will of the people,and finally becomes a militarized organization that was used as a tool to carry out the government decree.展开更多
Apocalypse Now is a 1979 American epic war film set during the Vietnam War, directed and produced by Francis Ford Coppola. It was originally adapted from the novella Heart of Darkness （1902）, which was written in th...Apocalypse Now is a 1979 American epic war film set during the Vietnam War, directed and produced by Francis Ford Coppola. It was originally adapted from the novella Heart of Darkness （1902）, which was written in the colonial era. Apocalypse Now Redux （2001） is a refined version of the 1979 edition. In previous researches, most scholars only focused on either of the two adapted versions in terms of thematic discussion and narrative analysis, which have ignored the significance of the evolution of the film and the changing historical contexts. Accordingly, on the basis of narrative theory and cultural study, the thesis makes a narrative analysis of the evolution of Apocalypse Now Redux （2001）. It indicates that through some newly-inserted narrative elements in Apocalypse Now Redux （2001）, more attention is paid to minority groups, darkness in war and media quagmire, which is related to different historical and political contexts and endeavors to remind the American public of the harsh lesson of Vietnam War in the 20th century. However, efforts to restraint the war seem to be ineffective, which is fully exemplified by Iraq War in 2003展开更多
As a typical Lenin-style political party,what should be concerned most is the CPC’s (Communist Party of China) capacity in fighting against and clearing enemies.This study provides a distinct perspective to observe a...As a typical Lenin-style political party,what should be concerned most is the CPC’s (Communist Party of China) capacity in fighting against and clearing enemies.This study provides a distinct perspective to observe and recognize CPC’s ability of turning hostility into friendship.Japanese prisoners of war (POW) had been poisoned by ultra-nationalism and militarism for years,and thus were extremely difficult to be reformed.However,under the correct ideological guidance of Mao and the unremitting efforts of the CPC’s political officers and cadres,a great number of them acknowledged the CPC’s political ideology and joined the CPC’s team.展开更多
The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era,which is self-evident in the commemorative value of China’s revolutionary struggle history.F...The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era,which is self-evident in the commemorative value of China’s revolutionary struggle history.For example,in Shanxi,China,woodcut art activities and social practice promotion activities organized around the theme of the Anti-Japanese War are also everywhere,which all show the people’s nature of the Chinese people during the revolutionary struggle from the two aspects of the red culture of the Anti-Japanese War and traditional art and culture,and its humanistic connotation is quite profound.In this paper,we first introduce the historical origin of woodcut during the Anti-Japanese War,and then show the people’s value connotation of woodcut art activities in Shanxi.This paper mainly discusses the image narration,language and picture narration and construction significance of woodcuts in Shanxi’s War of Resistance,fully reveals the narrative nature of image media,strives to arouse people’s recognition of this period of Shanxi’s War of Resistance culture and history,and reflects the realistic value and significance of Shanxi’s War of Resistance Woodcuts art activities.展开更多
Base on the strategic bombardment to destroy willpower of Chinese Anti-Japanese war, in the Second World War, Japanese aircrafts were nondiscriminatorily bombing China’s cities, which committed crimes against humanit...Base on the strategic bombardment to destroy willpower of Chinese Anti-Japanese war, in the Second World War, Japanese aircrafts were nondiscriminatorily bombing China’s cities, which committed crimes against humanity. Actually, the US army nondiscriminatorily bombed Hiroshima and Nagasaki and damaged the human rights too. The US army, however, speeded up Japanese surrender and protected more people’s rights to life. It is never forgotten that the painful game of protecting and damaging human rights between Japanese militarism and anti-fascist alliance.展开更多
The Chinese Anti-Japanese War was a battle between human rights protections and abuses, between civilization and brutality, and between justice and evil. During the war, the human rights of Chinese people were complet...The Chinese Anti-Japanese War was a battle between human rights protections and abuses, between civilization and brutality, and between justice and evil. During the war, the human rights of Chinese people were completely violated by the Japanese aggressors, causing an unprecedented human rights catastrophe. At the same time, Chinese people vigorously resisted the aggression in order to defend the national survival right and safeguard the human peace against war. The history of human rights’ victory over human rights abuses tells us: aggressive wars are the most serious violations of human rights. We must protect people’s right to peace for every country in the world. In order to avoid violations of human rights by war once again, we must safeguard the international postwar order and prevent the revival of fascism, whose essences are contempt for and trample on human rights. Therefore we have to respect and protect human rights and defend both the collective rights of every nation and the individual rights of every person in the world.展开更多
The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti...The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti-Japanese War films and teleplays is abnormally high, and their values deeply enmeshed in a radical nationalism. The result is a general trend towards a ＂carnival of vengeful images.＂ Given the potential harms implicit in this situation, the question of just what kind of war narratives are appropriate for the contemporary circumstances of globalization should receive serious attention and reconsideration from society at large.展开更多
Since 1949,Chinese mainland historians and creators in film and television,novels,and reportage have continued to shape the heroic image of female groups in the base areas of the Communist Party of China(CPC)during th...Since 1949,Chinese mainland historians and creators in film and television,novels,and reportage have continued to shape the heroic image of female groups in the base areas of the Communist Party of China(CPC)during the Anti-Japanese War.They participated in production,women's mobilization,and reconstruction of the rural political order Tike men.55 They pursued the equality between men and women,marked by freedom of marriage,and also participated in regional guerrilla warfare to combat the Japanese puppet army"as men."However,in the remote villages of north China at the end of the Qing dynasty and the beginning of the Republic of China,it was not common for women to unbind their feet.In wartime,most women over twenty years of age were forever left with the"three-inch golden lotus"(sancun jinlian)feet.The damage of the war accelerated their acceptance of the CPC's emancipation concepts and policies and presented them with an opportunity to actively implement them.The experience of survival drastically changed traditional aesthetics,ideas,and customs related to women.Physical and psychological changes occurred as a result of the war;women began to go out of their homes to participate in the work of the Women's Salvation Association and the Youth Salvation Association,and a group of women achieved marriage equality between men and women in the form of"divorce her husband"(qi xiu fu).Due to pressure,women carried more physical and mental responsibilities,faced insufficient advocacy for their rights,and the aesthetics and mentality of womanhood underwent change.展开更多
文摘This paper examines how historical narratives and fictional narratives treat China＇s loss in Tang-Goguryeo War differently to heal China＇s damaged pride. Emperor Tang Taizong （599-649） invaded Goguryeo in 645 but failed to conquer her because of severe weather and strong resistance led by Yeon Gaesomun （603-666）. This paper argues that official histories including Jiu Tangshu （Old Book of Tang） and Xin Tangshu （New Book of Tang） focus on Emperor Tang Taizhong＇s legitimacy to invade Goguryeo because Yeon Gaesomun＇s coup d＇etat overthrew Yeongnyu-wang. These two histories also pay extra attention to Yeon Gaesomun＇s negative characters. Novels about Tang-Goguryeo War including Xue Rengui zheng Liao shi lue （薛仁贵徵辽事略）, Tang shu zhi zhuan tong su yan yi （唐书志传通俗演义）, and Shuo Tang hou zhuan （说唐后传） take a different approach to heal China＇s wounded pride. Instead of focusing on diplomatic and military legitimacy, these stories blur China＇s loss by creating a national hero Xue Rengui whose military skills, loyalty to Tang Dynasty, and dauntless rescue of Emperor Tang Taizong were constantly emphasized.
基金This paper is one of the research results of the Humanities and Social Science Project of the Ministry of Education,“Research on the crime of Japanese army destroying documents in central China during the Anti-japanese war—Taking University libraries,museums and archives collections as an example”(item number:15YJA770016).
文摘This paper takes the Wudang Mountains and Wuhan Battle Memorial Hall as examples to investigate and analyze the losses of Wuhan during the Anti-Japanese War.The paper concludes with two inspirations:to make full use of the intangible cultural heritage spots to carry out patriotism education for primary and middle school students;and to effectively transform the cultural resources of the tourist spots in Hubei Province into cultural industries,in order to achieve the sustainable development of intangible cultural resources of Hubei Province tourist attractions.
文摘The national government wants to penetrate into the grass-roots unit after the triumph of the Anti-Japanese War in the recovery area.Through the reorganization of the Baojia system,the government expects to achieve local autonomy and then solve the people’s livelihood issues.The new Baojia system provides a platform for people to achieve their own demands,which presents the vision of civil rights to a certain extent.However,because of the complexity of the postwar social environment,the Baojia system cannot completely represent the will of the people,and finally becomes a militarized organization that was used as a tool to carry out the government decree.
文摘Apocalypse Now is a 1979 American epic war film set during the Vietnam War, directed and produced by Francis Ford Coppola. It was originally adapted from the novella Heart of Darkness （1902）, which was written in the colonial era. Apocalypse Now Redux （2001） is a refined version of the 1979 edition. In previous researches, most scholars only focused on either of the two adapted versions in terms of thematic discussion and narrative analysis, which have ignored the significance of the evolution of the film and the changing historical contexts. Accordingly, on the basis of narrative theory and cultural study, the thesis makes a narrative analysis of the evolution of Apocalypse Now Redux （2001）. It indicates that through some newly-inserted narrative elements in Apocalypse Now Redux （2001）, more attention is paid to minority groups, darkness in war and media quagmire, which is related to different historical and political contexts and endeavors to remind the American public of the harsh lesson of Vietnam War in the 20th century. However, efforts to restraint the war seem to be ineffective, which is fully exemplified by Iraq War in 2003
文摘As a typical Lenin-style political party,what should be concerned most is the CPC’s (Communist Party of China) capacity in fighting against and clearing enemies.This study provides a distinct perspective to observe and recognize CPC’s ability of turning hostility into friendship.Japanese prisoners of war (POW) had been poisoned by ultra-nationalism and militarism for years,and thus were extremely difficult to be reformed.However,under the correct ideological guidance of Mao and the unremitting efforts of the CPC’s political officers and cadres,a great number of them acknowledged the CPC’s political ideology and joined the CPC’s team.
文摘The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era,which is self-evident in the commemorative value of China’s revolutionary struggle history.For example,in Shanxi,China,woodcut art activities and social practice promotion activities organized around the theme of the Anti-Japanese War are also everywhere,which all show the people’s nature of the Chinese people during the revolutionary struggle from the two aspects of the red culture of the Anti-Japanese War and traditional art and culture,and its humanistic connotation is quite profound.In this paper,we first introduce the historical origin of woodcut during the Anti-Japanese War,and then show the people’s value connotation of woodcut art activities in Shanxi.This paper mainly discusses the image narration,language and picture narration and construction significance of woodcuts in Shanxi’s War of Resistance,fully reveals the narrative nature of image media,strives to arouse people’s recognition of this period of Shanxi’s War of Resistance culture and history,and reflects the realistic value and significance of Shanxi’s War of Resistance Woodcuts art activities.
文摘Base on the strategic bombardment to destroy willpower of Chinese Anti-Japanese war, in the Second World War, Japanese aircrafts were nondiscriminatorily bombing China’s cities, which committed crimes against humanity. Actually, the US army nondiscriminatorily bombed Hiroshima and Nagasaki and damaged the human rights too. The US army, however, speeded up Japanese surrender and protected more people’s rights to life. It is never forgotten that the painful game of protecting and damaging human rights between Japanese militarism and anti-fascist alliance.
文摘The Chinese Anti-Japanese War was a battle between human rights protections and abuses, between civilization and brutality, and between justice and evil. During the war, the human rights of Chinese people were completely violated by the Japanese aggressors, causing an unprecedented human rights catastrophe. At the same time, Chinese people vigorously resisted the aggression in order to defend the national survival right and safeguard the human peace against war. The history of human rights’ victory over human rights abuses tells us: aggressive wars are the most serious violations of human rights. We must protect people’s right to peace for every country in the world. In order to avoid violations of human rights by war once again, we must safeguard the international postwar order and prevent the revival of fascism, whose essences are contempt for and trample on human rights. Therefore we have to respect and protect human rights and defend both the collective rights of every nation and the individual rights of every person in the world.
文摘The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti-Japanese War films and teleplays is abnormally high, and their values deeply enmeshed in a radical nationalism. The result is a general trend towards a ＂carnival of vengeful images.＂ Given the potential harms implicit in this situation, the question of just what kind of war narratives are appropriate for the contemporary circumstances of globalization should receive serious attention and reconsideration from society at large.
文摘Since 1949,Chinese mainland historians and creators in film and television,novels,and reportage have continued to shape the heroic image of female groups in the base areas of the Communist Party of China(CPC)during the Anti-Japanese War.They participated in production,women's mobilization,and reconstruction of the rural political order Tike men.55 They pursued the equality between men and women,marked by freedom of marriage,and also participated in regional guerrilla warfare to combat the Japanese puppet army"as men."However,in the remote villages of north China at the end of the Qing dynasty and the beginning of the Republic of China,it was not common for women to unbind their feet.In wartime,most women over twenty years of age were forever left with the"three-inch golden lotus"(sancun jinlian)feet.The damage of the war accelerated their acceptance of the CPC's emancipation concepts and policies and presented them with an opportunity to actively implement them.The experience of survival drastically changed traditional aesthetics,ideas,and customs related to women.Physical and psychological changes occurred as a result of the war;women began to go out of their homes to participate in the work of the Women's Salvation Association and the Youth Salvation Association,and a group of women achieved marriage equality between men and women in the form of"divorce her husband"(qi xiu fu).Due to pressure,women carried more physical and mental responsibilities,faced insufficient advocacy for their rights,and the aesthetics and mentality of womanhood underwent change.
