On the Identity Construction in Question Methods and Answer Methods of Speakers： For the Discourses in Antigone

Linguistics classifies question methods into certain types. There are kinds of question methods, such as alternative question method, yes-no question method, specific question method, direct question method, indirect question method, echo question method, tag question method, miracle question method and so on. And this paper will set the characteristic discourses of protagonists in the drama of Antigone by the ancient Greek tragedian Sophocles as a research example, so as to analyze the protagonist＇s pragmatics motivation in the conversation strategies when communicating with three people in different social identity, that is to say, this paper will analyze the way that the selected question and answer methods used by the protagonist to achieve the effect of being recognized as king identity but not as a tyrant in fact. According to the dramatic text, this paper tends to make a further research on the characters＇ self-identity construction ground on the discourse characteristic of the characters. And from the perspective of modem linguistic, it is the analysis of the motivation in question methods, and the advantage and disadvantage on the discourse right implied in answer methods, that contribute to the further research on how the social identity construction and the classic character image are successfully made.

Folded Voice——An Ecofeminist Analysis ofAntigone

Through a profound analysis of the novel Antigone from a brand-new ecofeminist perspective,the thesis reveals the significance of ecofeminism emphasized in the novel,reflects its theme of establishing "harmony but not submit passively" be tween the center and the others during the process of going toward the center from the margin.

The Hegelian Tragedy, Negative Dialectic and Ethical Substance in Sophocles＇ Antigone

Breaking with Aristotle＇s theory of tragedy in which the grand magnitude of the spirit of the tragic hero somehow trapped and misguided by a certain tragic flaw arouses the audiences＇ emotional intensity of pity and fear for the functioning of catharsis, Hegel analyzes the structure of tragedy in terms of the social conflict, in the case of Sophocles＇ Antigone, between the ruler Creon and the rebel Antigone, the patriarchal state and the individual woman, the civil codes and the divine law. Rejecting Creon＇s dictatorship and performing civil disobedience, Antigone intentionally buries the dead body of her brother Polyneices at the cost of being sentenced to death. Through this sacrifice, Antigone exposes the structural fissure of the civil society embedded in decaying morality for realizing the higher ideal of divine law and ethics. Through Antigone＇s sacrifice, the paradox of self-denial and self-elevation manifests the inner principle of dialectic through which the very opposite forces of contradiction engender the dynamic facets of the formation of modern civil society. As Hegelian dialectic is driven by its inner principle of negativity or negation of negation, through self-denial, Antigone transcends the moral codes of the mundane world for reaching the higher divine will. Yet, this dialectical ascending does not indicate a transcendent hero beyond the human world; instead, through the means of self-denying sacrifice, Antigone accomplishes the purpose of the divine will and conveys the divine spirit incarnated in the human flesh. For Hegelian tragic hero, the external and internal conflicts lead to the realization of self-consciousness and the ultimate consummation of heroic identity. Instead of being conditioned by Aristotelian tragic flaw and unconquerable fate, for Hegel, Antigone explicates the modern rebellious spirit of free will, and this martyrdom, not in the sense of scapegoat as the passive substitute for the sin of collective human community, presents a modern sense of tragic hero, an incarnated flesh invested with politically radical spirit. The flesh figure of heroine Antigone exemplifies the immanent power of ethical substance and dialectically transforms the divine will into the earthly spirit. Thus, this paper aims to investigate into the shift from Aristotle＇s concept of tragic hero to Hegelian dialectic tragedy and further examines how Hegelian tragic hero engenders the historical move into Western modernity through negative dialectic and accomplishes the self-other positioning of ethical substance presented in Sophocles＇ Antigone.

Analysis of Sophocles’s Antigone from the Perspective of Spatial Theory

In Foucault’s spacial theory,human body,as a unique space unit,is a space unit,and space is the basis of power operation.Therefore,the thesis takes the body as the carrier to explore the relationship between space and power.Space is also existential.Human being is a kind of spatial being,which just leads us to reveal the meaning of“being”.The trigger point of the tragedy of Antigone is whether the body of his brother Polyneices should be buried or not.The monarch,Creon,consolidated his throne by punishing the body of Polyneices in the most basic space and not allowing him to be buried.As a result,state-based power was resisted,and Antigone was opposed to Creon by strengthening family-based space.The conflict of power causes the tragedy of Antigone,and at the same time,it leads to the thinking of“being”.