College art appreciation courses play an important role in cultivating students’artistic accomplishments and comprehensive development.However,as far as the traditional teaching at colleges is concerned,there exist s...College art appreciation courses play an important role in cultivating students’artistic accomplishments and comprehensive development.However,as far as the traditional teaching at colleges is concerned,there exist some problems.For example,the students are absent-minded about the teachers’intentions.The lack of communication between teachers and students results in the latter’s low enthusiasm for learning and the teaching effect is not significant.Based on the development trend of online learning and the SPOC teaching model in the teaching practice of college art appreciation courses,this paper preliminarily constructs the teaching mode and carries out the teaching practice for one semester as well as combines the teaching practice and then from the three dimensions of students,teachers,and the environment analyzes the key factors that influence teaching practice.At the same time,the paper explores the ways to promote students’enthusiasm and initiative from the aspects of learning time,content,interaction,evaluation,etc.It also corrects and perfects the teaching mode of college art appreciation course based on SPOC,aiming to provide reference for promoting students’comprehensive development and improvement in teaching effects.展开更多
The development and progress of society put forward higher requirements for the comprehensive quality of contemporary college students.As a public elective course to strengthen quality education and improve students’...The development and progress of society put forward higher requirements for the comprehensive quality of contemporary college students.As a public elective course to strengthen quality education and improve students’art accomplishment,art appreciation course has its own discipline characteristics and teaching rules.It enriches students’aesthetic concept and always cultivates their art appreciation ability through aesthetic education of excellent art works and in all over the world.How to face all the students to popularize art knowledge and cultivate their aesthetic ability is a problem that art educators think about.This paper makes an in-depth analysis of their own conditions of non art majors and expounds the coping strategies.It is hoped that it will help to broaden students’art vision,improve their art accomplishment,enhance their humanistic quality and promote their allround development.展开更多
In Naive Girls, Zhang Nan portrays three country girls with brightly decorative colors commonly seen in Chinese folk art. Their individuality is portrayed with the contrasting colors of their clothing, yet the whole p...In Naive Girls, Zhang Nan portrays three country girls with brightly decorative colors commonly seen in Chinese folk art. Their individuality is portrayed with the contrasting colors of their clothing, yet the whole picture is harmonious. The naivete of country girls is distilled into art. Delight portrays a fishing girl drying fish in the open air. On her bamboo hat hang strings of fish. The background is painted with skills used in traditional Chinese water and ink painting.展开更多
The changing climate and plateau surrounding Tibet hove nursed strong and healthy Tibetans with straightforward and unsophisticated character. Tibetans are simple and kind, with their life deeply influenced by the rel...The changing climate and plateau surrounding Tibet hove nursed strong and healthy Tibetans with straightforward and unsophisticated character. Tibetans are simple and kind, with their life deeply influenced by the religion and traditional culture of the minority nationality. Ren Jimin realistically paints the love and profound feelings of Tibetan women. Ren combines the skills of traditional Chinese and Western painting, and produces works with a mixture of colors combined with water and ink. The展开更多
Liu Shuzhen, a woman worker, has a special feeling about scraps of fabric which she creatively turns into vital artistic works. In Liu’s eyes these scraps are like women’s warm skin, able to inspire
These paintings display the high degree of skill required by Chinese painters. The paintings shown here demonstrate the painter’s skill in using line and color. On the basis of tradition, he has created something new...These paintings display the high degree of skill required by Chinese painters. The paintings shown here demonstrate the painter’s skill in using line and color. On the basis of tradition, he has created something new. The painter, Jin Hongiun, traveled to the tropical forests of southern China a number of times in recent years展开更多
Wang Erkeis a middle-aged woman with deep feelings and a strong character She has lived on the black land of the Great North Wilderness and gained abundant experience from her ups and downs She has tasted the happines...Wang Erkeis a middle-aged woman with deep feelings and a strong character She has lived on the black land of the Great North Wilderness and gained abundant experience from her ups and downs She has tasted the happiness of marriage and as well the pains of divorce in the new life she has made for herself, she feels as fresh and vital as the spring. She tried to discover the type of painting that enabled her to express her inner feelings Though she lost the chance to study at an art academy. she studied and practiced ink展开更多
During his teens, Li Shaozhou painted what he saw simply because he took pleasure in it Afler gradualing from high school, Li went to work in a rural area. After staying there for two years, he joined the army, where ...During his teens, Li Shaozhou painted what he saw simply because he took pleasure in it Afler gradualing from high school, Li went to work in a rural area. After staying there for two years, he joined the army, where he decided to learn painting in order to depict his experiences Ho gat the chance to study at the Aris Academy of the Chinese People’s Liberation Army majoring in展开更多
Luo Zhongli. now a professor with the Oil Painting Department in the Sichuan Academy of Fine Arts became famous in the Chinese painters’ circle in 1980 with his enormous painting, Father. This painting also led the
The mythological goddess known as N(?)wa was a representative figure of Chinese primitive matriarchy. With her brush, Annie Leung expresses admiration for N(?)wa’s heroic feat of mending the hole in the sky with a co...The mythological goddess known as N(?)wa was a representative figure of Chinese primitive matriarchy. With her brush, Annie Leung expresses admiration for N(?)wa’s heroic feat of mending the hole in the sky with a colorful stone even as the flood waters rose around her.展开更多
Zhuo Dehui graduated from Guangzhou Academy of Fine Arts in 1973 with a specialty in lacquer painting, and shortly thereafter began teaching at the school. Zhuo has conducted research and actively created decorative a...Zhuo Dehui graduated from Guangzhou Academy of Fine Arts in 1973 with a specialty in lacquer painting, and shortly thereafter began teaching at the school. Zhuo has conducted research and actively created decorative art for many decades, and has often led groups of students deep into the areas inhabited by minority nationalities, The two paintings shown here represent his impressions and depictions展开更多
Lang Chengwen, born in Rui’an. Zhejiang Province in 1945. is a senior painter at Zhejiang Art Academy. He specializes in mountains and waters, figures, and flowers and birds.
Applique is a folk art in Yanchuan County on Loess Plateau in northern Shaanxi Province. Taking a piece of cloth, a pail of scissors, a needle and thread, rural women cut freehand and sew carefully. Cloth pieces are c...Applique is a folk art in Yanchuan County on Loess Plateau in northern Shaanxi Province. Taking a piece of cloth, a pail of scissors, a needle and thread, rural women cut freehand and sew carefully. Cloth pieces are carefully placed and sewn together. The appliques are used as decorations for children’s clothes and wedding ceremonies or as gifts for a new born展开更多
Painter Liu Mi said: "My important task as a woman is to contribute more love to the world." Perhaps her paintings themselves, through the truth. goodness and beauty they portray. can be seen as her contribu...Painter Liu Mi said: "My important task as a woman is to contribute more love to the world." Perhaps her paintings themselves, through the truth. goodness and beauty they portray. can be seen as her contribution towards creating a better world. Here are two oil paintings by Liu Mi.展开更多
In the past, many Chinese artists have beenafraid they would be criticized for lagging behindthe world in their conceptions. They are eager todo something unconventional or unorthodox. Theiractions are very similar wi...In the past, many Chinese artists have beenafraid they would be criticized for lagging behindthe world in their conceptions. They are eager todo something unconventional or unorthodox. Theiractions are very similar with the trend Liu展开更多
文摘College art appreciation courses play an important role in cultivating students’artistic accomplishments and comprehensive development.However,as far as the traditional teaching at colleges is concerned,there exist some problems.For example,the students are absent-minded about the teachers’intentions.The lack of communication between teachers and students results in the latter’s low enthusiasm for learning and the teaching effect is not significant.Based on the development trend of online learning and the SPOC teaching model in the teaching practice of college art appreciation courses,this paper preliminarily constructs the teaching mode and carries out the teaching practice for one semester as well as combines the teaching practice and then from the three dimensions of students,teachers,and the environment analyzes the key factors that influence teaching practice.At the same time,the paper explores the ways to promote students’enthusiasm and initiative from the aspects of learning time,content,interaction,evaluation,etc.It also corrects and perfects the teaching mode of college art appreciation course based on SPOC,aiming to provide reference for promoting students’comprehensive development and improvement in teaching effects.
文摘The development and progress of society put forward higher requirements for the comprehensive quality of contemporary college students.As a public elective course to strengthen quality education and improve students’art accomplishment,art appreciation course has its own discipline characteristics and teaching rules.It enriches students’aesthetic concept and always cultivates their art appreciation ability through aesthetic education of excellent art works and in all over the world.How to face all the students to popularize art knowledge and cultivate their aesthetic ability is a problem that art educators think about.This paper makes an in-depth analysis of their own conditions of non art majors and expounds the coping strategies.It is hoped that it will help to broaden students’art vision,improve their art accomplishment,enhance their humanistic quality and promote their allround development.
文摘In Naive Girls, Zhang Nan portrays three country girls with brightly decorative colors commonly seen in Chinese folk art. Their individuality is portrayed with the contrasting colors of their clothing, yet the whole picture is harmonious. The naivete of country girls is distilled into art. Delight portrays a fishing girl drying fish in the open air. On her bamboo hat hang strings of fish. The background is painted with skills used in traditional Chinese water and ink painting.
文摘The changing climate and plateau surrounding Tibet hove nursed strong and healthy Tibetans with straightforward and unsophisticated character. Tibetans are simple and kind, with their life deeply influenced by the religion and traditional culture of the minority nationality. Ren Jimin realistically paints the love and profound feelings of Tibetan women. Ren combines the skills of traditional Chinese and Western painting, and produces works with a mixture of colors combined with water and ink. The
文摘Liu Shuzhen, a woman worker, has a special feeling about scraps of fabric which she creatively turns into vital artistic works. In Liu’s eyes these scraps are like women’s warm skin, able to inspire
文摘These paintings display the high degree of skill required by Chinese painters. The paintings shown here demonstrate the painter’s skill in using line and color. On the basis of tradition, he has created something new. The painter, Jin Hongiun, traveled to the tropical forests of southern China a number of times in recent years
文摘Wang Erkeis a middle-aged woman with deep feelings and a strong character She has lived on the black land of the Great North Wilderness and gained abundant experience from her ups and downs She has tasted the happiness of marriage and as well the pains of divorce in the new life she has made for herself, she feels as fresh and vital as the spring. She tried to discover the type of painting that enabled her to express her inner feelings Though she lost the chance to study at an art academy. she studied and practiced ink
文摘During his teens, Li Shaozhou painted what he saw simply because he took pleasure in it Afler gradualing from high school, Li went to work in a rural area. After staying there for two years, he joined the army, where he decided to learn painting in order to depict his experiences Ho gat the chance to study at the Aris Academy of the Chinese People’s Liberation Army majoring in
文摘Luo Zhongli. now a professor with the Oil Painting Department in the Sichuan Academy of Fine Arts became famous in the Chinese painters’ circle in 1980 with his enormous painting, Father. This painting also led the
文摘The mythological goddess known as N(?)wa was a representative figure of Chinese primitive matriarchy. With her brush, Annie Leung expresses admiration for N(?)wa’s heroic feat of mending the hole in the sky with a colorful stone even as the flood waters rose around her.
文摘Zhuo Dehui graduated from Guangzhou Academy of Fine Arts in 1973 with a specialty in lacquer painting, and shortly thereafter began teaching at the school. Zhuo has conducted research and actively created decorative art for many decades, and has often led groups of students deep into the areas inhabited by minority nationalities, The two paintings shown here represent his impressions and depictions
文摘Lang Chengwen, born in Rui’an. Zhejiang Province in 1945. is a senior painter at Zhejiang Art Academy. He specializes in mountains and waters, figures, and flowers and birds.
文摘Applique is a folk art in Yanchuan County on Loess Plateau in northern Shaanxi Province. Taking a piece of cloth, a pail of scissors, a needle and thread, rural women cut freehand and sew carefully. Cloth pieces are carefully placed and sewn together. The appliques are used as decorations for children’s clothes and wedding ceremonies or as gifts for a new born
文摘Painter Liu Mi said: "My important task as a woman is to contribute more love to the world." Perhaps her paintings themselves, through the truth. goodness and beauty they portray. can be seen as her contribution towards creating a better world. Here are two oil paintings by Liu Mi.
文摘In the past, many Chinese artists have beenafraid they would be criticized for lagging behindthe world in their conceptions. They are eager todo something unconventional or unorthodox. Theiractions are very similar with the trend Liu
