Development of Sightseeing Agricultural Landscapes Based on Bashu Culture and Red Culture Elements

The development of culture is closely related to politics and economy.There is some unique creativity in national culture.To a large extent,cultural appeal and cohesion can improve the sightseeing agricultural landscape in Bashu area.Meanwhile,the unique “red culture” of Chinese culture is a very popular representative part of Bashu sightseeing agriculture landscapes.Nowadays,when Chinese culture is vigorously promoted,Bashu culture is affected by the Going Global Strategy.Red tourism and red culture are beneficial to the rapid development of the sightseeing agricultural landscape in Bashu,which promotes the continuous construction and development of the economic and cultural development in Bashu area.Based on this,we analyzed Bashu culture and the red culture respectively,and expounded their influence on the sightseeing agricultural landscape in Bashu area and its future development.

Bashu Culture and Du Fu's Poetic Space

Bashu culture has an important position in Chinese culture. Du Fu's poems on the theme of Bashu account for a considerable portion of his poems, due to his long-term stay in Bashu and the vital effects of Bashu culture had on him. The unique Bashu culture enriched his creativity, and greatly expanded his poetic space. Du Fu's Bashu poems show the natural scenery, human geography, local customs and practices, and the cultural personality of the Bashu people. In addition, Du Fu combined organically his care for the fate of his nation and the people with Bashu culture, to realize more abundant and profound space of his poems.

Fragrant Tea and Tea Culture of Bashu

The Chinese tea drinking habit started during the Qin and Han dynasties,and had its origin in Bashu.During the Tang and Song dynasties,Bashu tea reached a high level of production with large sales.As the birthplace of the tea culture,Bashu has made great contributions to both the Chinese and global tea culture.

A Brief Analysis of the Migration of Silk Weaving Craftsmen and the Spread of Silk Weaving Techniques in the Ancient Bashu Area along the Southern Silk Road

During ancient times,silk weaving techniques already matured in the Bashu area and“Shu Satin”silk products were widely known.Shu Satin not only performed as a high-quality commodity in the Northern Silk Road trade activities,but also conveyed cultural and social significance.Credit for the importance of Shu Satin must go to the extraordinary weavers in the Bashu area.The migration and circulation of these weavers spread the exquisite brocade and sericulture techniques throughout and beyond the Bashu area,and accelerated brocade and sericulture techniques in ancient southern China,Myanmar,and Vietnam.Accordingly,the Southern Silk Road can be seen as a path to disseminate the silk weaving techniques that originated in the Bashu area.This paper takes the migration of Shu Satin as its mainline and discusses how the weaving craftsmen spread the brocade and sericulture techniques throughout southern China during their travels and migrations,and the immeasurable contributions these craftsmen made to economic and trade activities along the ancient Southern Silk Road.This paper explores the technical accumulation and dissemination of brocade craftsmen in the Bashu area from three perspectives.The first perspective is the accumulation period of the ancient silk weaving techniques-the inflow of craftsmen from central China and the development and integration of the sericulture and silk weaving techniques in the Bashu area.The second is the technique dissemination period,centered on the silk weaving craftsmen in the Chengdu region of the Bashu area.The third is the techniques’outmigration period and the migration and circulation of craftsmen throughout the Bashu area.This paper strives to outline the dynamic lines that the Bashu silk weaving craftsmen created and the spread of their exquisite weaving techniques during their migration and circulation.This will illustrate that the ancient Southern Silk Road was not only a trade and cultural exchange zone for ancient silk commodities,but more importantly,it was a dynamic space for the dissemination and development of brocade weaving techniques.

The Myths of Bashu in Chinese Culture

ⅠMyth,is the record of a nation’s mental activity in the understanding and perception of the world,and'encyclopedia'in its childhood;all the categories of humanities and social sciences today can find their origins in myths which cover such disciplines as philosophy,economics,history,religious studies,literature and fine art,as well as astronomy,geography,hydraulic engineering,and botany.When humans began to open their eyes to see the world,and gradually transcended primitive ways of life,they began to consciously and

Inheritance and Promotion of Bashu Culture

As an important part of Chinese culture,the Bashu culture,precursor of the Sichuan State,originated in the ancient Shu State and went through five dynasties;Cancong,Boguan,Yufu,Duyu and Kaiming.What remains today is the Baodun Culture,the Sanxingdui Culture,the Jinsha Culture and the Shi’erqiao Culture along with

Connotations of architectural culture transmitted in cliff carvings in the Bashu region

Based on site studies, historical literature investigation and academic communication, this work aims to dig out the cultural significance in architectural and religious aspects conveyed in cliff carvings in the Bashu region. After casting a glance at the origin and evolution of Bashu culture and religion mainly involving Daoism and Buddhism recorded in forms of cliff carvings, we concentrated on discovering the national, regional and folk architectural characters implicated in cliff carvings at different sites within the Bashu region. The cliff carvings in this region vividly depicted the evolution of the architectural culture hereof. The essence of their religious and architectural connotations can be good stuff to be input in today’s architectural design philosophy.

A Brief Discussion on the Development of the Silk-Weaving Industry Along the “Southern Silk Road” in Yunnan

Ancient Yunnan was one of the most significant regions along China’s ancient“Southern Silk Road.”During the Nanzhao period(738–902)of the late Tang Dynasty,Yunnan’s silk-weaving industry underwent a qualitative leap as skilled silk craftsmen from the Bashu area migrated to Yunnan and introduced mulberry planting,silkworm breeding,and advanced silk-weaving techniques from Sichuan to the region.Consequently,people in Yunnan gradually acquired expertise in brocade weaving and embroidery.Many even mastered complex silk-weaving techniques.The development and progress of the silk-weaving industry in the ancient Yunnan region were intricately linked to the economic function and value of silk as both a commodity and currency along the“Southern Silk Road.”The local government in ancient Yunnan was greatly motivated by the economic interests brought by the development of silk-related industries and recognized the significance of developing the local silk industry.They even initiated a campaign to capture skilled silk craftsmen from Sichuan,aiming to foster the growth of the silk-weaving industry in Yunnan.After years of dedicated efforts from the local government in ancient Yunnan,the region emerged as a significant hub for silk production along China’s ancient“Southern Silk Road.”Despite the devastation caused by the wars in other parts of the country,Yunnan’s silk industry continued to thrive and provide ample silk products to sustain trade along this renowned route.In the contemporary era,amidst the decline of the silk-weaving industry in eastern China,Yunnan has proposed an industrial development strategy known as“relocating the silk-weaving industry from east to west.”This involves introducing advanced silk production techniques from the eastern regions into Yunnan to enhance and enrich its local silk industry,thereby establishing it as a traditional national sector and securing a competitive position within the global silk market.The historical experience of Yunnan’s silk industry demonstrated that economic development opportunities can only be seized through proactive endeavors rather than passive anticipation.The modern Yunnan silk industry,which upholds its historical traditions,continues to actively engage in international high-end technical cooperation,thus ensuring the enduring vitality of the ancient“Southern Silk Road.”

宋祁蜀中行迹及诗文考

宋祁于北宋嘉祐年间知成都府,镇守西川,在蜀两年有余。宋祁治蜀以静,大兴文教,化育士人,同时又能入乡随俗,与民同乐,甚得民心。政事之暇,时寓诸诗,有《西州猥稿》集,可惜失传。今从《全宋诗》中考订出其入蜀后所作诗89首,庶几可还原其本来面目。另从《全宋文》以及补遗中考订出包括序文、书信、公文在内的蜀中文章92篇。以上述诗文为主,结合史书、碑传、方志、笔记等相关文献,考其蜀中行实,系以年月。

巴蜀传统年画兴盛的文化生态研究——对绵竹、梁平传统年画的考察

绵竹、梁平木版年画是巴蜀年画的代表。通过对这两个地方年画产生和发展的文化生态基础和条件进行深入的调查和研究,可以看到在巴蜀木版年画产生和发展的过程中,当地的社会文化、自然资源、产业状况对于年画产生和发展所起的重要作用。通过这一调查研究,我们可以更清楚地认识到在文化生态条件已发生重大变迁的当下,应如何建构适应木版年画保护、传承与发展的文化生态环境,找到有效促进巴蜀木版年画保护、传承与发展的新路径,使巴蜀木版年画得到高质量的保护、传承与发展。

巴蜀文化旅游走廊非物质文化遗产空间分异及影响因素

以巴蜀文化旅游走廊1200处国家级与省(市)级非物质文化遗产为研究对象,综合运用最邻近点指数、核密度分析和地理探测器的方法探究其空间分布和影响因素。研究表明,巴蜀文化旅游走廊非遗呈现明显的成渝“双核”空间集聚特征,其中传统音乐类、传统舞蹈类、曲艺类、体育、游艺与杂技类、传统美术类、传统技艺类、医药类非遗呈显著集聚,民间文学类与传统戏剧类非遗随机分布,民俗类非遗近随机分布;人文因素对非遗分布的影响比自然地理因素更显著,其中,文化因子造成的影响最强,地形地貌影响最弱,影响因子的交互作用进一步解释了非遗分布的特征。基于结果分析,提出构建巴蜀文化旅游走廊相关建议,积极引导社会经济政策在非物质文化遗产开发上的调整,有助于提升巴蜀文化旅游走廊的发展质量,构建合理的巴蜀文化旅游走廊。

巴蜀地区水口塔的形制特征与文化内涵初探

巴蜀地区传统聚落多因水而建,因水而兴,且水口处常见古塔矗立。尽管其形制、名称各有不同,但几乎无一例外地成为当地聚落文化景观的重要标志物。在广泛挖掘和整理历史文献的基础上,作者通过实地踏勘调研了部分有代表性的水口塔,分析概括了主要的形制特征及其背后蕴含的丰富文化内涵,揭示出水口塔作为重要地域性景观建筑在当代城乡文化遗产保护中的重要文化景观意义。

文化资源到文化资本:体育非遗的创造性转化路径

体育非物质文化遗产是中华民族的文化瑰宝,形成于历史,存活于当代,延续于未来。本研究从文化资本理论出发,运用实地考察、逻辑分析等研究方法深层挖掘体育非物质文化遗产的价值。研究阐释体育非物质文化遗产资源转化为文化商品、文化资本、文化产业的历程。体育非物质文化遗产资源创造性转化为文化资本的4种路径:项目品牌路径、单体开发路径、数字媒体路径和节庆文旅路径。研究认为,体育非遗文化资源资本化是我国优秀传统体育文化创造性传承的有效路径。

中华民族共同体视阈下巴蜀文化的特征与时代意义

巴蜀文化是指从古至今在川、渝两地生活的各族人民共同创造的地域文化,它既是中华优秀传统文化的重要组成部分,亦是中华文明重要文化元素表现的集合,还是最能体现中华文明连续性、创新性、统一性、包容性、和平性五个突出特性的地域文化之一。巴蜀地区受自然环境和移民文化的影响,在数千年的发展过程中孕育并产生了以天宝、《格萨尔王传》、茶马古道等为代表的知名人物、著作及遗迹,不仅丰富和发展了中华民族文化宝库,是中华民族宝贵的精神和物质文化遗产,还反映了中国各民族交往交流交融的历史,对当今铸牢中华民族共同体意识具有重要的借鉴作用。

论巴蜀文化对李白的影响

李白出生于蜀中,成长于蜀中,深受巴蜀士风、道风、文风的浸润和影响。在巴蜀士文化传统的滋养下,李白少时便有远大的理想,主动作为,积极进取,从不消沉,从不绝望,并保持着独立的人格。在巴蜀道风的熏陶下,李白入道、炼丹、服药,有着坚定执着的神仙道教信仰。同时,李白又能够将这种信仰和自己强烈的建功立业之心统一起来,融合儒道思想,一生追求功成身退,矢志不渝。李白的诗文风格,谓之“清雄奔放”:其“放”,与扬马大赋的艺术影响密不可分;其“清”,则与陈子昂的复古文风息息相关。

巴蜀文化旅游走廊建设背景下地方文旅产业品牌力提升研究——以成都市龙泉驿区为例

巴蜀文化旅游走廊建设为成渝两地文旅产业发展和城市文化品牌提升创造了良好机遇。作为巴蜀文化旅游走廊上的关键节点,成都市龙泉驿区在文旅产业品牌文化、品牌传播和品牌延伸方面优势突出、成效显著,同时也面临一些发展问题。提升其文旅产业品牌力的路径包括:抢抓机遇,用好用活政策,促进文旅产业提档升级;顺势而为,依靠极核力量做大做强文旅产业品牌;加强团结协作,协同其他城市全面融入巴蜀文旅走廊建设;深挖文化内涵,强化本土文化研究保护与传承利用;强化政府主导,吸引社会资金投入;加强队伍建设,积极引进高端专业人才。

中国古代区域性城镇防御体系营建历程分析——以南宋晚期巴蜀城寨堡为例

从城镇体系形成历程的角度对中国古代防御性城镇体系进行研究。该文以南宋晚期巴蜀山城防御城镇体系城寨堡为例,回顾了防御性城镇体系发展历程,概述了防御性城镇体系历史环境与基本特点,从区域角度展现了城镇军事防御空间的主从关系与联动机制,最后,评价了区域防御性城镇体系的价值与意义。

基于巴地汉阙文化的跨学科综合性教学策略研究

在“大语文”建设背景下,跨学科综合性课程突破传统语文学科壁垒,对于提升学生语文核心素养具有重要实践价值。巴地汉阙蕴含着巴蜀本地历史文化意义,该文以巴地汉阙文化为载体探索跨学科综合性教学策略,采用多样化的教学策略,创建真实情境,打破学科壁垒,使巴地汉阙文化融入日常语文教学,并将语文学科知识与当地特色、生活情境以及其他学科知识融合发展,帮助学生在多元情境中高效提升语文核心素养,突出学生在课堂中的主体地位。

百年文翁研究述论

西汉景、武之际的蜀守文翁,是我国古代著名循吏,其兴学化蜀、勤政爱民的史绩,勇于创新的精神,对巴蜀历史和中华文明有卓越的创造性贡献。本文从文翁生平、文翁政绩、文翁兴学与古代教育、文翁化蜀与巴蜀文化以及文翁资料整理与研究等五个方面分析了百年来学界关于文翁研究的学术成果,并由此提出未来文翁研究的些许思考,以期对文翁研究的进一步深化与拓展有所裨益。

巴蜀山地传统建筑营建中的环境观及其创新应用

地理环境与移民环境的相互交融,构筑起巴蜀地域多元融合、包容开放的文化地理环境,促成传统建筑艺术和技术的交流融会。首先,针对复杂山地条件,总结巴蜀山地传统建筑营建中以经济实用的技术策略向自然争取空间,打破常规以营造富有创新变化空间的营造手段;其次,归纳巧妙利用山地地形,将场地改造融入建筑空间艺术,为建筑和环境增添气势的巴蜀山地传统建筑空间组合方式;最后,在分析巴蜀山地传统建筑与环境相适应的营建理念和方法基础上,通过实践项目探索该环境观影响下具有地域特色的现代山地建筑设计创作之路。