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Mirror Stage Theory Analysis of Bravery in Zootopia(2016)and Nezha(2019)
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作者 ZOU Jia-cheng 《Journal of Literature and Art Studies》 2024年第1期40-47,共8页
American Hollywood animated films have conquered the world.In recent years,many successful works have appeared in domestic animated films,bringing new vitality to the Chinese animated film industry.Based on Lacan’s M... American Hollywood animated films have conquered the world.In recent years,many successful works have appeared in domestic animated films,bringing new vitality to the Chinese animated film industry.Based on Lacan’s Mirror Stage Theory,this study attempts to start from the bravery of Judy and Nezha,the protagonists of Zootopia(2016)and Nezha(2019).It analyzes and compares their embodiment,formation,influence and reflection with real society to solve the problems of the two brave characters’formation causes,characteristic differences and social influences,including racial discrimination,individualism in American society and family problems in Chinese society.This study sheds light on the transmission of intercultural values in animated films. 展开更多
关键词 Mirror Stage theory Zootopia nezha:birth of the demon child Judy nezha Bravery
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论动画片《哪吒之魔童降世》中的对倒策略
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作者 牛雪彪 刘景福 《厦门理工学院学报》 2021年第6期22-26,共5页
《哪吒之魔童降世》在角色塑造、场景处理、视听语言转换等方面均深入营造了“对倒”这种独特的艺术表现手法。通过“对倒”手法,影片将传统神话故事中的形象符码进行创意转化,创造出形而上的镜像世界,成功将传统文化形象符码进行现代... 《哪吒之魔童降世》在角色塑造、场景处理、视听语言转换等方面均深入营造了“对倒”这种独特的艺术表现手法。通过“对倒”手法,影片将传统神话故事中的形象符码进行创意转化,创造出形而上的镜像世界,成功将传统文化形象符码进行现代性转化,实现了对传统经典形象符码的创意开掘,塑造出区别于传统拥有人性善恶的当代神话人物形象与当代性审美特征,并一以贯之,重新诠释了母体文本的意义,给人们带来了时尚、新奇的独特体验。如此构建的突破,不仅契合了当代人的生存语境,反映了永恒的时代命题,也体现了国产动画电影的蜕变和成熟。 展开更多
关键词 动画片 《哪吒之魔童降世》 对倒影像 形象符码
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