Heritage and Development of Ningbo Bone-Inlaid Wooden Works

Bone-inlaid wooden art is a very old artistic form that has a strong artistic appeal and local flavor. It can be traced back to the Longshan Culture in the late Neolithic Age, and becomes mature in the late Qing Dynasty. As time lapses, however, bone-inlaid wooden art is gradually out of sight. It was not until June 2008 when Ningbo bone-inlaid wooden art was included in the "second batch of national intangible cultural heritage protection list" that it once again caused social concern. Ningbo bone-inlaid wooden art has a long history, and its craftsmanship is complex. Many bone-inlaid wooden works in Ningbo have been damaged more or less. Therefore, workers in the field of heritage protection should undertake a more systematic protection and repair work based on scientific research, making contributions to the heritage and development of intangible cultural heritage.

传统骨木镶嵌装饰工艺的应用探析

我国的传统装饰工艺"骨木镶嵌"是在木器表面嵌入动物的骨骼,以此来进行装饰的。它是工艺美术与家具、建筑相结合的一种装饰形式,其做工考究,集雕刻与镶嵌于一身,华丽又气派。文章介绍了骨木镶嵌装饰工艺的材料、工艺、镶嵌图案的布局、文化内涵及镶嵌产品的创新设计,为现代家居制品传承和创新骨木镶嵌装饰工艺提供了思路。

中国国家博物馆藏战国错金干支仪

国博藏战国错金干支仪,1959年入藏中国历史博物馆,原在中国通史陈列中展出,但鲜为外界重视。作者最近对这件器物做了全面考察、研究。首先,通过仔细观察,对它的尺寸、形制、铭文、使用方法等,一一做了细致描述。其次,将这件器物与战国墓和汉墓出土的干支筹进行比较,认为此器铭文与河北柏乡县东小京战国墓出土的象牙干支筹字体最为相近,应属同一国别,即战国时期赵国的器物,属于三晋系统;而出土汉代干支筹的字体则可能属于新莽前后。最后,讨论了干支在中国古代文化中的历史地位和重要性。这件干支仪设计精巧,类似今日箱包上的密码锁,比干支筹更适合推算时日,而且非常罕见,对中国科学技术史和战国秦汉社会风尚研究,具有很高历史价值,值得学界关注和重视。