The Enlightenment and Impact of Western Culture in Brand Design on the Cultural and Creative Industry

As one of the important aspects of cultural life,brand has obvious cultural attributes.As an important branch of the cultural and creative industry,brand design is not only the concrete expression of human wisdom,but also a product in the process of continuous cultural development,which can positively interpret human’s innovative spirit and innovative concept.Therefore,a systematic study on the effective use of western culture in brand design and a detailed analysis on the impact as well as enlightenment of the use of western culture in brand design on the cultural and creative industry are carried out,so as to lay a solid foundation for the improvement of the cultural innovation level in the field of brand design and the all-round development of cultural and creative industry in China.

Application of Color Psychology in Korean Brand Identity Design-Etude House

The purpose of this analysis is to delve into the application of color psychology in the logo design of Korean cosmetic brands,using Etude House as an example for an exhaustive analysis.By examining the history of the Etude House brand,the evolution of the logo design,and the changes in color choices,we analyze the traditional concepts of color symbolism in Korean culture and the culture of color in contemporary society in order to reveal the important role of color in cosmetic brand image.Through an in-depth analysis of the use of color in Etude House’s brand identity,we further analyze the impact of color on consumer emotions and purchasing behavior,as well as the potential impact of brand identity changes on market performance.Finally,the conclusions of the analysis summarize the practical application of color psychology in Etude House’s brand logo design,suggest recommendations for other Korean cosmetic brands to draw upon in their logo design,and discuss future directions.

Analysis of the Brand Visual Needs System from the Perspective of Contemporary Market Demands

Brand visual design is not only an essential bridge for companies to convey their ideas and values but also a key factor in shaping the brand image and enhancing market competitiveness.However,a pervasive concern has arisen in society that many recent graduates in brand design and visual design cannot immediately meet the demands of the design industry.Despite attempts by scholars to reform courses and teaching philosophies,there are still significant shortcomings and gaps.Therefore,based on market orientation and supply-demand concepts,this study collected in-depth recruitment demands for brand design from 74 companies and conducted systematic summarization and analysis.It synthesized a demand model consisting of three major modules and 55 content points required by companies for brand design students.Based on these demands,adjustments and plans were made to the curriculum content,aiming to construct a teaching system that not only meets market demands but also enhances students’comprehensive qualities.The goal is to cultivate more outstanding talents capable of quickly adapting to and excelling in brand design work.

Brand communication by brand experience design of APP for hotel

In the era of experience economy, customers do not always focus on the functional attributes of goods or services, but pay more attention to experiences. Therefore, firms have to manage to offer their customers a unique, memorable and valuable experience actively in the process brand establishment. With the development of mobile Internet and the use of application （APP）, the brand communication among customers and providers has been strengthened. The research purpose is to help hotel marketers figure out how to implement brand communication with brand experience of APP for hotel. It is founded that sensory brand experience design and social brand experience all have positive influence on customer brand loyalty.

Ya'an grit utensils welfare brand business model innovation and sustainable design practice

Taking "MG V Tao" post-disaster reconstruction social Innovation as an example, this paper explores the "MG V Tao" black grit brand industry situation, its existing problems, development trend and then proposes solutions through design thinking, with identifying local problems as the primary task and cultural heritage as the core, carry out innovative design and brand design strategy of commercial operations based on Online to Offline local distinctive resources. And combined with project practice, it discusses the business model innovation of non-profit brands based on emotional design. Then business model is built based on target users and market research, and product iteration is achieved through the cooperation between design workshops of several schools and local enterprises, thereby establishing a new business model to promote the sustainable local economic development.

Brand ONLY Ex-Senior Designer Signs Project with Jintian

On the afternoon of Aug.24th,Aurelien Lecour,an ex-senior designer of the famous brand ONLY,appears at a news conference in Shanghai to attend signing ceremony for his design consulting service project with

Creative Design Fulfills Brand and Fashion China Fashion Week A/W 2010-2011 Collection held in Beijing

March is a right party time for friends to get together to enjoy the smell of early spring. Moreover, people would like to take off the thick winter coat to showcase their colorful attitude towards the warm spring sunshine. Here, an annual fashion feast in Beijing not only could provide you a visual inspiration of trend, but also would tell you what’s the most "in" factors in the coming season.

体育品牌体验与消费者品牌忠诚的关系研究——基于Designed to Move活动

本文以Designed to move活动为基础,分析体育品牌体验对消费者行为(品牌忠诚)的影响,这种形式的品牌体验能够给消费者的生命资产和生活价值观带来影响,具有研究价值。本文采用Brakus的SEMs模型测量品牌体验,通过实证分析,探究了感官体验、情感体验、行为体验和智力体验与品牌忠诚之间的作用关系。分析发现,感官体验、行为体验和智力体验对品牌忠诚有显著的正向影响作用,与以往研究不同的是,在体育品牌体验中情感体验对品牌忠诚影响不显著,这对体育企业的营销活动和体验手段具有现实的指导意义。

Fashion and Brand Awareness: An Evidence-Based Approach to the Analysis of Distinctive Elements in Communication

Brand identity is a key topic in fashion design and communication. It relies on several tangible and intangible elements, such as recognisability of trademarks and styles, of materials and processing details, on storytelling, values, testimonials, company history and so on. The evolution of communication strategies in the digital era, and of globalised markets, demands rational, evidence-based management of the public image of brands. This article offers a theoretical discussion of the structural elements which play a part in establishing the public identity of fashion brands in the era of digital communication, and an innovative approach to the evidence-based investigation of the identity of a number of fashion brands as perceived by customers. The approach proposed here is based on a mix of interviews exploring subjective brand awareness, and objective monitoring of visual attention through eye-tracking. The article also summarises findings obtained by applying this approach to several subjects exposed to communication artefacts produced by fashion brands in order to obtain some information of general interest regarding the factors that influence customers’ mental models.

鞋类产品设计研发典型模式及其特征研究

对国内外现有鞋类产品设计开发模式进行深入研究,总结当前鞋类产品设计研发类型。特别关注了各模式的运行特征,通过要素分析与比较,对各模式特征进行梳理和总结。此外,对鞋类产品设计研发模式的发展趋势进行了分析预测,以期为从事鞋类产品设计研发领域的专业人士提供有益的参考与借鉴。

数字场景下品牌形象设计的机制与表现

在数字化时代,品牌形象设计与数字场景之间建立了深刻的联系。这种关联体现在品牌形象设计对数字媒介的响应,以及与人文和社会场景的交融。这揭示了品牌形象设计的新机制和新表现。通过采用场景理论模型,构建基于人、机、物的数字场景,进而分析了这种关联对品牌形象设计在共构、交互和认知性方面的生发机制。进一步阐述了随着数字技术的嵌入和互联,品牌形象在新的补贴机制、关系机制下设计范式的转变,以及对人、机、物生产关系的改变,以此探讨数字场景对品牌形象设计的影响,以及在新语境下品牌形象设计的内涵和外延。

A Review on Apparel Fashion Trends, Visual Merchandising and Fashion Branding

Visual merchandising encourages customers to enter the store by making it appealing to them and influencing their perception of it. It is the art of putting together effective display designs and ideas in order to boost store traffic and sales. It’s also a way to engage with customers and influence their purchasing decisions. A fashion trend occurs when a particular item, silhouette, color, or other new look rises in popularity. It changes with the seasons, and the store serves as a hub for communicating these changes to potential customers. Because items must be sold within a certain time frame, several display tactics are used to best present the merchandise and communicate the current fashion trends to customers. Visual merchandising becomes a key aspect of difference from merchants in the same category as retail firms, particularly fashion brands, try to compete in an already saturated market. Effective branding is now a vital success component for all types of fashion firms. Fashion brands may use effective branding tactics to build equity, promote consumer brand loyalty, and increase profitability. Visual merchandising is critical for inferring various customers’ perspectives and adding value to businesses. Its major goal is no longer to make items appealing in order to sell them quickly;it is rather to stand out, develop the correct brand image, and give the greatest possible customer experience. Visual merchandising aspects, when employed correctly, can infiltrate the buyer’s brain and prompt them to generate a favorable opinion of the store, allowing it to leverage its brand image. In this context, this research review focuses and aims to study the link between visual merchandising and Apparel Fashion trends, to study the relationship between visual merchandising and fashion branding and to find out the research gaps and scope for future research directions in the area of visual merchandising applied in fashion apparel industry.

基于地域文化的品牌形象设计探究

地域文化是鲜明而特色的文化符号,其内涵包括自然地理与历史人文,将地域文化应用于品牌形象设计中,有助于品牌与当地特色更好结合与传播。目前地域文化品牌形象设计中存在设计视觉动力不足,设计内涵不突出等问题。本文通过分析地域文化中的设计资源与实际应用案例,探究地域文化视角下的品牌形象设计发展。

品牌形象视域下的日用瓷家族化设计策略研究

品牌是企业核心竞争力,产品形象是品牌塑造之基,品牌塑造是产品形象之本。家族化设计是当代产品开发与品牌形象塑造的优化策略,具有传承性、稳定性与差异性特征。家族化设计对于日用瓷设计与品牌形象传播,意义重大。以问题意识为导向,从统一造型符号的设计传承、相似纹样符号的设计延展、个性釉色符号的稳中求变、稳定工艺符号的传承创新四方面,多维度构建日用瓷家族化设计的统一传承符号,并提出日用瓷家族化设计的实现策略。通过日用瓷家族化设计,引发用户日用瓷个性与品牌形象的联想匹配体验,促进日用瓷品牌的高质量发展,实现陶瓷强国的伟大目标。

中国传统文化在国潮服饰的设计应用研究

文章从国潮服饰的设计角度出发,探讨了中国传统文化在服饰设计中的应用。通过分析国潮服饰的发展历程、特点以及中国传统文化的内涵,得出了中国传统文化在国潮服饰设计中的重要性,并提出了相关的设计方法和策略。国潮服饰立足于传统文化,并将传统文化传递给大众。国潮品牌的成功崛起不仅让设计者看到了传统文化与品牌设计融合的希望,也极大增强了人们对民族文化的自信。中华优秀传统文化在国潮服饰设计中具有重要的价值和意义,其独特的魅力和文化内涵为现代服饰设计注入了新的活力,提供了无限的创意灵感。

TouchDesigner软件在服装品牌策划课程中的教学研究

研究旨在探究将TouchDesigner软件应用于服装品牌策划课程教学中的有效性。以本科服装与服饰设计专业学生为研究对象,将TouchDesigner引入课堂辅助教学,鼓励学生运用此软件完成课题实践,探索其在提升学生创意设计能力、拓展服装表现手段以及丰富品牌策划方面的潜力。研究采用创新教学实践和学生问卷调查相结合的方法,评估TouchDesigner软件在服装品牌策划课程中的教学效果与学生学习体验,并探讨其对服装设计教育的贡献。结果表明,TouchDesigner为学生提供了创新的视觉化工具,有助于拓展他们的创意和设计技能。

文化基因视域下区域农产品品牌视觉形象设计

随着国家对乡村振兴事业的进一步扶持,区域农产品品牌化已成为必然趋势。针对现阶段区域农产品品牌视觉形象良莠不齐、同质化严重的现状,探索文化基因视域下区域农产品品牌视觉形象的设计原则与设计策略,旨在通过地域文化赋能品牌的方式打造差异化定位,为其创意设计及其延展提供源源不断的设计动力;层次分析法的介入可以通过为创意设计提供量化依据,来克服传统方案在择优过程中的绝对主观性,从而减少品牌的试错成本。

时代变革下民族品牌标志升级路径——以“永久牌”为例

文章为剖析民族品牌标志设计顺应时代洪流而做出的变化与演进,以代表性民族品牌“永久牌”为研究对象,结合中国近现代大事件节点,以点带面分析时代变革下的民族品牌标志升级的外在表征与内在逻辑,进而归纳其自适应发展规律。研究得出:民族品牌标志设计作为品牌形象树立、传播的核心要素,具有极强的时代关联性,是政治、经济、文化等多方面要素综合影响后的结果,这在中国近现代纷繁的变革之下表现尤甚。同时,民族品牌标志设计存在积极响应与被动接受的细化区分,能够以小见大反映品牌不同阶段的发展趋势及自身定位。百年民族品牌在发展过程中,标志设计需汲取历史经验:顺应时代变化做出适应性调整,同时也需保有中华自身独特的文化内涵。

基于深度学习的比亚迪汽车品牌家族化造型设计研究

为有效减少人工介入,实现汽车品牌家族化造型特征的智能分析与提取。以比亚迪汽车品牌为例,通过构建汽车前脸造型图像数据库,采用深度学习卷积神经网络作为特征识别算法,结合类别激活映射为可视化分析手段。基于造型数据库可快速、自动有效的挖掘品牌造型特征,实现造型基因的智能分析与提取。该方法从学科交叉的角度改变了设计学领域对汽车品牌造型基因依赖于专家经验、人工归纳提取的现状,深度学习技术作为有效的设计辅助工具,能够极大地提升设计效率,提高当前汽车品牌家族化造型特征的分析技术水平。

原创品牌的手作设计“在地性”问题探论

目的通过对手作设计“在地性”问题的分析,一边呈现手作与设计的互动形态,另一边,也依托手作设计形态深度诠释中国设计“在地性”概念的内涵和外延。方法选取典型案例分析手作与设计的身份转换、场所迁徙,呈现手作设计与不同文化场域的关联性。在生产力与生产关系的社会结构中探究手作的生产性,在手作与设计的互动形态中寻根原创力、彰显设计的造物本体。结果手作设计以中国当代社会发展为场域,关乎三个层面的基本要素:(1)身份化问题;(2)行动力问题;(3)生产性问题。三层要素相互依存,共同建构起中国设计的“在地性”问题。结论手作设计“在地性”问题缘起于全球在地化语境下中国设计的文化自觉、中国手艺的身份认同。“在地”包含向下扎根、向上生长的两个方向,折射在手作设计上,就是设计寻根手艺、手艺走向设计的原创力开拓路径。寻根手艺大地,手作设计在身份转型的价值补偿中呈现主体间性;走向日常生活现代化,手作设计在城市与乡村的场域变迁中游走;回溯生产本体,手作设计在劳动与人的互为中演进主体性价值。