This paper explores the relationship between resource constraints and innovation of new firms.Drawing upon the relevant literature,we incorporate resource constraints as the antecedent to the bricolage-innovation link...This paper explores the relationship between resource constraints and innovation of new firms.Drawing upon the relevant literature,we incorporate resource constraints as the antecedent to the bricolage-innovation link.Compared to prior studies that treated resource constraints as a one-dimensional variable,we operationalize it along two dimensions:knowledge constraints and financial constraints.Our argument posits that knowledge constraints and financial constraints act as catalysts for innovation in new firms,with bricolage serving as a mediating role.To test our hypotheses,we conducted a survey involving 183 entrepreneurs in the United States.The data analysis demonstrates that bricolage fully mediates the relationship between knowledge con‐straints and innovation and partially mediates the relationship between financial constraints and innovation.Theoretical and practical implications are discussed.展开更多
Although exploration and exploitation, as a pair of paradoxical organizational outcomes, are generated by different causal conditions, the conjunction of their respective causal antecedents has yet to be fully examine...Although exploration and exploitation, as a pair of paradoxical organizational outcomes, are generated by different causal conditions, the conjunction of their respective causal antecedents has yet to be fully examined. Combining environmental uncertainty, unit interdependence, entrepreneurial bricolage and firm life cycle stage in a qualitative comparative analysis (QCA), the distinct causal configurations of exploration and exploitation are formalized and compared based on a survey of founders or high-level managers in 63 small firms. Results show that contrasted relationships between entrepreneurial bricolage and unit interdependenee exist in that the two antecedents are partial substitutes in exploration whereas they are complements in exploitation when combined with other conditions. This study provides empirical evidence on the causal configurations of exploration and exploitation and deepens our current understanding of ambidexterity.展开更多
Ronald Johnson’s relationship to outsider art has long been recognized as crucial to our understanding of his poetry.In interviews and other statements,the poet often affirms his connections with the self-taught make...Ronald Johnson’s relationship to outsider art has long been recognized as crucial to our understanding of his poetry.In interviews and other statements,the poet often affirms his connections with the self-taught makers of fantastic,visionary sculptural environments.The works of such figures as Simon Rodia,le Facteur Cheval,Raymond Isidore,and James Hampton serve as formal and thematic models for the enormous verbal construction that is ARK.In this essay,I argue that although Johnson is by no means an outsider artist-he is a formally schooled,sophisticated late modernist poet-his fascination with these figures betrays a powerful longing to achieve a state of original innocence which he perceives in their work,but which he knows that he cannot claim.The gates of Eden,as it were,are closed to the poet.By examining a number of passages in ARK,I determine that the great poem which Johnson composes serves as the gorgeous compensation for the loss of belief that artists such as Rodia and Hampton still hold.Treating language as bricolage,in much the same way some of these artists gather the basic material for their work through oddments and cast offs,Johnson transforms his poem into“scrapture”-a text made of scraps that form a scripture leading poet and reader to a state of rapture.展开更多
文摘This paper explores the relationship between resource constraints and innovation of new firms.Drawing upon the relevant literature,we incorporate resource constraints as the antecedent to the bricolage-innovation link.Compared to prior studies that treated resource constraints as a one-dimensional variable,we operationalize it along two dimensions:knowledge constraints and financial constraints.Our argument posits that knowledge constraints and financial constraints act as catalysts for innovation in new firms,with bricolage serving as a mediating role.To test our hypotheses,we conducted a survey involving 183 entrepreneurs in the United States.The data analysis demonstrates that bricolage fully mediates the relationship between knowledge con‐straints and innovation and partially mediates the relationship between financial constraints and innovation.Theoretical and practical implications are discussed.
文摘Although exploration and exploitation, as a pair of paradoxical organizational outcomes, are generated by different causal conditions, the conjunction of their respective causal antecedents has yet to be fully examined. Combining environmental uncertainty, unit interdependence, entrepreneurial bricolage and firm life cycle stage in a qualitative comparative analysis (QCA), the distinct causal configurations of exploration and exploitation are formalized and compared based on a survey of founders or high-level managers in 63 small firms. Results show that contrasted relationships between entrepreneurial bricolage and unit interdependenee exist in that the two antecedents are partial substitutes in exploration whereas they are complements in exploitation when combined with other conditions. This study provides empirical evidence on the causal configurations of exploration and exploitation and deepens our current understanding of ambidexterity.
文摘Ronald Johnson’s relationship to outsider art has long been recognized as crucial to our understanding of his poetry.In interviews and other statements,the poet often affirms his connections with the self-taught makers of fantastic,visionary sculptural environments.The works of such figures as Simon Rodia,le Facteur Cheval,Raymond Isidore,and James Hampton serve as formal and thematic models for the enormous verbal construction that is ARK.In this essay,I argue that although Johnson is by no means an outsider artist-he is a formally schooled,sophisticated late modernist poet-his fascination with these figures betrays a powerful longing to achieve a state of original innocence which he perceives in their work,but which he knows that he cannot claim.The gates of Eden,as it were,are closed to the poet.By examining a number of passages in ARK,I determine that the great poem which Johnson composes serves as the gorgeous compensation for the loss of belief that artists such as Rodia and Hampton still hold.Treating language as bricolage,in much the same way some of these artists gather the basic material for their work through oddments and cast offs,Johnson transforms his poem into“scrapture”-a text made of scraps that form a scripture leading poet and reader to a state of rapture.
