Inheritance and Innovation of Chinese Filial Piety Culture Restated

Chinese traditional filial piety culture has gained widespread acceptance in contemporary social life and has been inherited and carried forward in a variety of ways instead of fading away with the development of economy and society.Meanwhile,under the background of urbanization,industrialization,and modernization,traditional filial piety also faces many new challenges.This paper puts forward the reflections and countermeasures concerning the inheritance and innovation of filial piety culture in the new era from perspectives of concept connotation,publicity and education,institutional guarantee,funding source,and social organizations.

Research on the Culture of Innovation in Agricultural Research Institutes

This paper depicts the definition,elements and connotation of the culture of innovation in agricultural research institutes,and points out that the culture of innovation consists of conceptual culture,institutional culture,behaviour culture,and park culture.Through analysing the characteristics of the culture of innovation in agricultural research institutes,it has the following characteristics:stability,openness,systematicness,self-awareness,uniqueness.According to the general law of cultural development,we divide the development of the culture of innovation into cultural diagnosis of institutes,publicity and guidance,content building of the culture of innovation,solidifying and deepening of the culture of innovation,and points out the building path of the culture of innovation in agricultural research institutes.Finally this paper proposes the countermeasures and suggestions as follows:the building of the culture of innovation in agricultural research institutes should be combined with long-term development strategy;the building of the culture of innovation in agricultural research institutes should be combined with service and technology innovation;the building of the culture of innovation in agricultural research institutes should be combined with implementation of various kinds of specific work.

Inheritance and Innovation of Chinese Filial Piety Culture

Chinese traditional filial piety culture has gained widespread acceptance in contemporary social life and has been inherited and carried forward in a variety of ways instead of fading away with the development of economy and society.Meanwhile,under the background of urbanization,industrialization,and modernization,traditional filial piety also faces many new challenges.This paper puts forward the reflections and countermeasures concerning the inheritance and innovation of filial piety culture in the new era from perspectives of concept connotation,publicity and education,institutional guarantee,funding source,and social organizations.

Historical Contributions and Innovative Development of China's Inclusive Culture

Inclusive culture is a dynamic pattern of cultural integration and innovative development formed in the interactions between man and nature, man and society, and man and others. Chinese culture is among the sources of inclusive culture. Being inheritable, open, assimilative, innovative and self–driven, this inclusive culture significantly contributes to China's ideological evolution, ethnic integration, religious development, economic openness, literature and art prosperity, as well as political wisdom in building a community with a shared future for mankind. Inclusiveness is key to the lasting and sustainable development of traditional Chinese culture. During China's construction of a great modern socialist country, the CPC's leadership over cultural innovation and development must be strengthened; a strong cultural confidence must always be maintained; the prosperity of socialist culture with Chinese characteristics must be further enhanced; the sustainable and integrated development of socialist culture with Chinese characteristics must be promoted; people's need for an enriched cultural life must be satisfied; and more efforts must be made to build a community with a shared future for mankind. Only in this way can the light of China's inclusive culture illuminate the future of globalization.

Cultures and Subcultures

A cross-cultural analysis of an extract of the book Lost in Translation is provided in the essay. Definitions of culture and subculture are discussed and different theories from Hofstede and Schwartz are referred to in order to validate the analysis.

The Innovative Expression of Traditional Chinese Cultural Archetypes in Animated Films: Establishing a Reliable, Admirable, and Respectable Image of China

China’s domestic animation industry is deeply rooted in its rich traditional cultural heritage.While continuously exploring and showcasing the unique charm of such cultural heritage through storytelling,imagery establishment,and spirit creation,Chinese animation also seamlessly integrates modern aesthetic characteristics and cultural values into its development within the context of the new era.By adopting a contemporary perspective,it innovatively expresses the essence of traditional culture while striving to shape and present a reliable,admirable and respectable image of China.Chinese animation aims to create credible contemporary animation images by drawing inspiration from traditional Chinese cultural archetypes.It also seeks to revitalize admirable traditional cultural imagery using vibrant and prevailing ACGN visuals,while shaping credible characters with richer cultural connotations and crafting stories with more enchanting plots to convey the spiritual essence of the Chinese nation.By establishing reliable,admirable and respectable animation images,the Chinese animation industry strives to enhance its capability to“tell China’s stories well and make the voice of China heard,”to better promote the image of China in the new era from a global perspective.

Sociodemographic characteristics, cultural biases, and environmental attitudes: An empirical application of grid-group cultural theory in Northwestern China

Natural resource-management studies have become increasingly attentive to the influences of human factors. Among these,cultural biases shape people’s responses to changes in natural resource systems. Several studies have applied grid-group cultural theory to assess the effects of multiple value biases among stakeholders on natural resource management. We developed and administered a questionnaire in the Heihe River Basin(n = 364) in northwestern China to investigate the appropriateness of applying this theory in the Chinese context of natural resource management. The results revealed various cultural biases among the respondents. In descending order of prevalence, these biases were hierarchism(46.98%), individualism(26.65%), egalitarianism(18.96%), and fatalism(2.78%), with the remaining respondents(4.67%) evidencing no obvious bias. Our empirical study revealed respondents’ worldviews and the influence of sociodemographic characteristics on cultural biases, as theoretically posited. Among the variables examined, age had a positive and significant effect across all biases except individualism. The correlation of income to all cultural biases was consistently negative. Only education had a negative and significant effect across all biases. Women were found to adhere to egalitarianism, whereas men adhered to individualism and hierarchism. Thus, grid-group cultural theory was found to be appropriate in the Chinese context, with gender, age, education, and income evidently accounting for cultural biases. Relationships between environmental attitudes and cultural biases conformed with the hypothesis advanced by grid-group cultural theory. This finding may be of value in explaining individuals’ environmental attitudes and facilitating the development and implementation of natural resource-management policies.

The Asian Dimension Reflection of Hofstede’s Cultural Theory—Based on the Consumption Cognitive Characteristics of Chinese Post-90s College Students

This article is based on Hofstede’s cultural theory,taking the post-90s college students as the research object,and through a small-scale survey method,uses the cultural conflicts of the post-90s college students’cognition of“frugality”and“consumption”to explore the characteristics of their consumption outlook.The consumption behavior of post-90s college students presents a diversified structure,lacks planning,and has short-term orientation tendencies such as light luxury and impulsive consumption.At the same time,it displays an obvious living within its means and a wait-and-see attitude towards advanced consumption,focusing on the long-term orientation of its own investment in the future.The Confucian cultural characteristics of the contradictory but complementary consumption outlook of college students born in the 1990s provide Hofstede with a new perspective beyond the long-term and short-term dualistic orientation.

The Securitization of Culture of Chinese Indonesian:Paths,Failure,and Constraints

Indonesian Chinese culture is a part of Indonesian multiculturalism.However,it is challenged by“securitization”.Taking two cases as examples to explain the“securitization”of Indonesian Chinese culture.Several securitizing actors claimed that Guan Yu statue and lanterns are symbols of Chinese culture,and they claimed that they threaten the national security of Indonesia.The securitizing carriers attempt to influence the judgment of the audiences through agenda-setting and framing effects.Nevertheless,the audiences have not fully accepted the securitizing move because the Indonesians regarded the anti-Jokowi forces’tactics and“China Threat Theories”have not yet reached a consensus.The reason for the failure of this securitization process is about aspects,including the on-ground views on the cultural expressions and practices of Chineseness,the public identified the usual tricks of the anti-Jokowi forces,and there is no consensus on the so-called“China Threat Theories”in Indonesia.To preserve and promote Chineseness under the multicultural agenda,several measures have been implemented by the Indonesian government to promote the harmonious development of ethnic groups and multicultural integration in Indonesia to a certain extent.

基于Hofstede文化维度理论的满洲里文创产品设计研究

运用Hofstede文化维度理论对本地区多元文化进行差异和认同分析,获取其价值特征、行为特征和产品取向的差异与共性,依据文化共性寻求最终的产品定性。文章围绕产品定性,运用模型筛选典型文化元素以及对应的设计要素,运用跨文化包容性设计方法展开具体的设计实践,构建了混合文化、跨文化设计的基本路径,探索了多元混合文化文创产品设计的可能,提升了满洲里地区文创产品的品质,丰富了文创产品的类型。

基于Hofstede文化维度理论的跨文化产品设计研究

目的 针对全球化不断深入的社会背景,探索基于Hofstede文化维度理论的跨文化产品设计模型,并进行实践研究.方法 结合理论推导和案例分析,对权力距离、个人主义、男性主义、不确定性回避、长期目标和放纵性等六个文化维度所体现的产品语言进行梳理,从目标用户的价值取向、行为取向和设计取向进行了跨文化产品设计的文化差异分析,并通过对文化产品设计的要素的总结,规划了跨文化产品设计的要素.在此基础上,提出了基于Hofstede文化维度理论的跨文化产品设计模型和应用方法.结论 针对法国用户的糖果盒产品设计实践,验证了所提出的跨文化产品设计模型的可行性与有效性.研究成果有助于帮助设计师转变文化设计思维,促进我国文化产品的国际输出和文化元素的传播.

从Hofstede的文化视角看中国文化在创新中的作用

文化与国家的创新能力有着密切的关系。从Hofstede的文化视角出发,对当前中国文化的特征进行了分析,从文化对新产品开发的影响和文化对新产品的市场接受程度的影响两个方面探讨了中国文化在创新中的作用。

基于Hofstede理论的内蒙古青年价值观测度与分析

价值观是个人或群体对人生、社会及世界的认知与情感的一部分,在社会文化上有着鲜明的体现。以Hofstede文化五维度理论对内蒙古青年价值观的解析发现:当代内蒙古青年价值取向由重视集体性价值转向追求个体性价值,缩小权力差距的意愿增长,追求事业成功与物质成就的刚性特征明显,不确定性规避的取向较高,传统社会显著的长期取向逐渐向短期取向转变。

从Hofstede理论看中国文化对人力资源发展的影响

以Hofstede为代表的西方理论的分析方法,从他人的视角来研究和讨论中国文化因素在何种程度上影响HRD的做法及其影响方式;以此分析中国文化或与此相关的行为特质的起源、内涵、人文精神,以期带来不同的视角和分析结果。

Derivation and Creation of Confucian Cultural Structure and Function Theory from the Theory of Material Structure and Function

By studying the relationship between physical structure and function in physical chemistry, the author breaks through the limitation of the western narrow social and cultural structure and function theory, and further derives and founds the Confucian cultural structure and function theory, thus creating a new research methodology and broadening the research horizon. Through the research, it is found that the Confucian culture structure consists of the hard structure ＂ritual＂ and the soft structure ＂benevolence＂, and based on this constructs three-outline, five- principal, four-moral, eight- virtul, five cardinal principals and other Confucian culture, so that these have a social management function, resulting in a 2000-year stable Chinese social order, which also provides reference for the social management of Chinese government today.

Cultural Differences Between China and the West Behind“neijuan”

Over recent years,our society has plunged into the phenomenon of“neijuan”(in English“involution”,a kind of meaningless competition).And it even becomes a social dilemma that many people are forced to make more efforts to compete for limited social resources.This phenomenon has,of course,attracted the attention of many researchers.There are many researches about“neijuan”varying from its popularity reasons and its trend to its application,but there is very little research about the cultural differences between China and the West behind this phenomenon.Therefore,based on Hofstede’s cultural dimensions theory,this paper analyses the different manifestations of“neijuan”in China and the West and explores the cultural differences between the two.

“三融入,一反哺”:植物生理学课程思政探索与实践

课程思政是立德树人的根本任务,针对植物生理学教学中课程思政元素融入不够,育智重于育人的不足。以文化自信为切入点,采取“三融入,一反哺”策略,即将处于世界领先地位的中国古代传统农业思想、近现代中国植物生理学家的成就、西南联合大学(简称“西南联大”)的卓越贡献和科研反哺教学融入植物生理学教学。激发学生的学习热情,提高创新能力;增强文化自信,提升专业认同感。

中华优秀传统文化赋能国潮产品的创新路径研究

以传统文化元素赋能的国潮产品是现代社会中具有重要文化内涵和市场潜力的新型消费品,意味着我国本土潮流产品进入现代化设计领域。通过分析中华优秀传统文化赋能国潮产品的文化价值和审美价值,深入了解中国传统文化在国潮产品中的设计理念,从文化提取、重组文化元素、融合现代元素以及注重情感共鸣四个方面进行创新,探索现代国潮产品设计新思路,从而不断追求文化传承与创新的平衡,找到传统与现代的完美结合点,以创造具有时代感和传统价值的产品。

On the Translation of Chinese Film Title from the Perspective of Conceptual Adaption Theory

As the rapid development of Internet, the film is an effective way to transmit Chinese culture through the language adaption. And the film title can catch people's eyes more quickly. Some scholars think that the translation of Chinese film titles should from the Functional Perspective. Some scholars think that it should do from the perspective of Skopos Theory. However, there are not enough scholars try to do it from the Perspective of the Contextual Adaption Theory. It is important to find an idea to translate the Chinese film titles to achieve that. So, this thesis try to find a effective way to translate the Chinese film titles. According to the contextual adaption theory, this thesis draws a conclusion that the translators can directly use the Chinese images in the film titles.

文化与医学视域下对当代中医情志学说研究的思考

中医学根植于中国传统文化。儒、释、道三家思想为中国传统文化的基石和精髓,是中医情志学说形成和发展的文化和思想根源。中医情志学说的“形神一体观”“以心神为主导的五脏藏神论”“人格体质论”等核心理论及其中医情志病防治的“天人合一”“形神合一”“意象思维”等理念蕴含着丰富的文化内涵,是不同于现代心理学、精神病学的独特理论体系。该文通过剖析中医情志学说的文化内涵,在文化与医学视域下,探讨当代中医情志学说的继承与创新,认为当代情志学说的研究应着重于以下几个领域:不同人格体质的情志病发病及防治的流行病学和生物学基础研究;不同人格体质情志病的证候规范化判别模式研究;跨文化的情志学说研究;当代社会文化对情志病发病影响的研究;加强具有本土文化特色的情志病防治研究。在文化和医学视域下研究中医情志学说,不仅有助于继承和发扬其特色和优势,构建具有中国本土特色的精神心理理论和实践体系,且在当前医学全球化的背景下,通过理论和技术的交流,实现其理论创新与实践应用。