Research on the Culture of Innovation in Agricultural Research Institutes

This paper depicts the definition,elements and connotation of the culture of innovation in agricultural research institutes,and points out that the culture of innovation consists of conceptual culture,institutional culture,behaviour culture,and park culture.Through analysing the characteristics of the culture of innovation in agricultural research institutes,it has the following characteristics:stability,openness,systematicness,self-awareness,uniqueness.According to the general law of cultural development,we divide the development of the culture of innovation into cultural diagnosis of institutes,publicity and guidance,content building of the culture of innovation,solidifying and deepening of the culture of innovation,and points out the building path of the culture of innovation in agricultural research institutes.Finally this paper proposes the countermeasures and suggestions as follows:the building of the culture of innovation in agricultural research institutes should be combined with long-term development strategy;the building of the culture of innovation in agricultural research institutes should be combined with service and technology innovation;the building of the culture of innovation in agricultural research institutes should be combined with implementation of various kinds of specific work.

Inheritance and Innovation of Chinese Filial Piety Culture

Chinese traditional filial piety culture has gained widespread acceptance in contemporary social life and has been inherited and carried forward in a variety of ways instead of fading away with the development of economy and society.Meanwhile,under the background of urbanization,industrialization,and modernization,traditional filial piety also faces many new challenges.This paper puts forward the reflections and countermeasures concerning the inheritance and innovation of filial piety culture in the new era from perspectives of concept connotation,publicity and education,institutional guarantee,funding source,and social organizations.

The Innovative Expression of Traditional Chinese Cultural Archetypes in Animated Films: Establishing a Reliable, Admirable, and Respectable Image of China

China’s domestic animation industry is deeply rooted in its rich traditional cultural heritage.While continuously exploring and showcasing the unique charm of such cultural heritage through storytelling,imagery establishment,and spirit creation,Chinese animation also seamlessly integrates modern aesthetic characteristics and cultural values into its development within the context of the new era.By adopting a contemporary perspective,it innovatively expresses the essence of traditional culture while striving to shape and present a reliable,admirable and respectable image of China.Chinese animation aims to create credible contemporary animation images by drawing inspiration from traditional Chinese cultural archetypes.It also seeks to revitalize admirable traditional cultural imagery using vibrant and prevailing ACGN visuals,while shaping credible characters with richer cultural connotations and crafting stories with more enchanting plots to convey the spiritual essence of the Chinese nation.By establishing reliable,admirable and respectable animation images,the Chinese animation industry strives to enhance its capability to“tell China’s stories well and make the voice of China heard,”to better promote the image of China in the new era from a global perspective.

Historical Contributions and Innovative Development of China's Inclusive Culture

Inclusive culture is a dynamic pattern of cultural integration and innovative development formed in the interactions between man and nature, man and society, and man and others. Chinese culture is among the sources of inclusive culture. Being inheritable, open, assimilative, innovative and self–driven, this inclusive culture significantly contributes to China's ideological evolution, ethnic integration, religious development, economic openness, literature and art prosperity, as well as political wisdom in building a community with a shared future for mankind. Inclusiveness is key to the lasting and sustainable development of traditional Chinese culture. During China's construction of a great modern socialist country, the CPC's leadership over cultural innovation and development must be strengthened; a strong cultural confidence must always be maintained; the prosperity of socialist culture with Chinese characteristics must be further enhanced; the sustainable and integrated development of socialist culture with Chinese characteristics must be promoted; people's need for an enriched cultural life must be satisfied; and more efforts must be made to build a community with a shared future for mankind. Only in this way can the light of China's inclusive culture illuminate the future of globalization.

基于Hofstede文化维度理论的满洲里文创产品设计研究

运用Hofstede文化维度理论对本地区多元文化进行差异和认同分析,获取其价值特征、行为特征和产品取向的差异与共性,依据文化共性寻求最终的产品定性。文章围绕产品定性,运用模型筛选典型文化元素以及对应的设计要素,运用跨文化包容性设计方法展开具体的设计实践,构建了混合文化、跨文化设计的基本路径,探索了多元混合文化文创产品设计的可能,提升了满洲里地区文创产品的品质,丰富了文创产品的类型。

Cultures and Subcultures

A cross-cultural analysis of an extract of the book Lost in Translation is provided in the essay. Definitions of culture and subculture are discussed and different theories from Hofstede and Schwartz are referred to in order to validate the analysis.

Sociodemographic characteristics, cultural biases, and environmental attitudes: An empirical application of grid-group cultural theory in Northwestern China

Natural resource-management studies have become increasingly attentive to the influences of human factors. Among these,cultural biases shape people’s responses to changes in natural resource systems. Several studies have applied grid-group cultural theory to assess the effects of multiple value biases among stakeholders on natural resource management. We developed and administered a questionnaire in the Heihe River Basin(n = 364) in northwestern China to investigate the appropriateness of applying this theory in the Chinese context of natural resource management. The results revealed various cultural biases among the respondents. In descending order of prevalence, these biases were hierarchism(46.98%), individualism(26.65%), egalitarianism(18.96%), and fatalism(2.78%), with the remaining respondents(4.67%) evidencing no obvious bias. Our empirical study revealed respondents’ worldviews and the influence of sociodemographic characteristics on cultural biases, as theoretically posited. Among the variables examined, age had a positive and significant effect across all biases except individualism. The correlation of income to all cultural biases was consistently negative. Only education had a negative and significant effect across all biases. Women were found to adhere to egalitarianism, whereas men adhered to individualism and hierarchism. Thus, grid-group cultural theory was found to be appropriate in the Chinese context, with gender, age, education, and income evidently accounting for cultural biases. Relationships between environmental attitudes and cultural biases conformed with the hypothesis advanced by grid-group cultural theory. This finding may be of value in explaining individuals’ environmental attitudes and facilitating the development and implementation of natural resource-management policies.

The Asian Dimension Reflection of Hofstede’s Cultural Theory—Based on the Consumption Cognitive Characteristics of Chinese Post-90s College Students

This article is based on Hofstede’s cultural theory,taking the post-90s college students as the research object,and through a small-scale survey method,uses the cultural conflicts of the post-90s college students’cognition of“frugality”and“consumption”to explore the characteristics of their consumption outlook.The consumption behavior of post-90s college students presents a diversified structure,lacks planning,and has short-term orientation tendencies such as light luxury and impulsive consumption.At the same time,it displays an obvious living within its means and a wait-and-see attitude towards advanced consumption,focusing on the long-term orientation of its own investment in the future.The Confucian cultural characteristics of the contradictory but complementary consumption outlook of college students born in the 1990s provide Hofstede with a new perspective beyond the long-term and short-term dualistic orientation.

The Securitization of Culture of Chinese Indonesian:Paths,Failure,and Constraints

Indonesian Chinese culture is a part of Indonesian multiculturalism.However,it is challenged by“securitization”.Taking two cases as examples to explain the“securitization”of Indonesian Chinese culture.Several securitizing actors claimed that Guan Yu statue and lanterns are symbols of Chinese culture,and they claimed that they threaten the national security of Indonesia.The securitizing carriers attempt to influence the judgment of the audiences through agenda-setting and framing effects.Nevertheless,the audiences have not fully accepted the securitizing move because the Indonesians regarded the anti-Jokowi forces’tactics and“China Threat Theories”have not yet reached a consensus.The reason for the failure of this securitization process is about aspects,including the on-ground views on the cultural expressions and practices of Chineseness,the public identified the usual tricks of the anti-Jokowi forces,and there is no consensus on the so-called“China Threat Theories”in Indonesia.To preserve and promote Chineseness under the multicultural agenda,several measures have been implemented by the Indonesian government to promote the harmonious development of ethnic groups and multicultural integration in Indonesia to a certain extent.

Cultural Differences Between China and the West Behind“neijuan”

Over recent years,our society has plunged into the phenomenon of“neijuan”(in English“involution”,a kind of meaningless competition).And it even becomes a social dilemma that many people are forced to make more efforts to compete for limited social resources.This phenomenon has,of course,attracted the attention of many researchers.There are many researches about“neijuan”varying from its popularity reasons and its trend to its application,but there is very little research about the cultural differences between China and the West behind this phenomenon.Therefore,based on Hofstede’s cultural dimensions theory,this paper analyses the different manifestations of“neijuan”in China and the West and explores the cultural differences between the two.

“三融入,一反哺”:植物生理学课程思政探索与实践

课程思政是立德树人的根本任务,针对植物生理学教学中课程思政元素融入不够,育智重于育人的不足。以文化自信为切入点,采取“三融入,一反哺”策略,即将处于世界领先地位的中国古代传统农业思想、近现代中国植物生理学家的成就、西南联合大学(简称“西南联大”)的卓越贡献和科研反哺教学融入植物生理学教学。激发学生的学习热情,提高创新能力;增强文化自信,提升专业认同感。

文化与医学视域下对当代中医情志学说研究的思考

中医学根植于中国传统文化。儒、释、道三家思想为中国传统文化的基石和精髓,是中医情志学说形成和发展的文化和思想根源。中医情志学说的“形神一体观”“以心神为主导的五脏藏神论”“人格体质论”等核心理论及其中医情志病防治的“天人合一”“形神合一”“意象思维”等理念蕴含着丰富的文化内涵,是不同于现代心理学、精神病学的独特理论体系。该文通过剖析中医情志学说的文化内涵,在文化与医学视域下,探讨当代中医情志学说的继承与创新,认为当代情志学说的研究应着重于以下几个领域:不同人格体质的情志病发病及防治的流行病学和生物学基础研究;不同人格体质情志病的证候规范化判别模式研究;跨文化的情志学说研究;当代社会文化对情志病发病影响的研究;加强具有本土文化特色的情志病防治研究。在文化和医学视域下研究中医情志学说,不仅有助于继承和发扬其特色和优势,构建具有中国本土特色的精神心理理论和实践体系,且在当前医学全球化的背景下,通过理论和技术的交流,实现其理论创新与实践应用。

基于可拓创新模式的盘瑶文创产品设计评价研究

目的为了提升民族特色文创产品的设计表达水平,构建从“产品”到“生活”的有效链接,减少设计中民族文化知识利用率低、产品组织结构与源文化逻辑不连贯等问题,引入可拓创新模式构建民族特色文创产品设计评价模型。方法从盘瑶文化的多维语义出发,按照“文化要素+创意语言”的方式构建基元模型。通过因子分析建立评价指标,为克服文创产品评价中单一评价方法的局限性,引入一种融合主客观的博弈论组合赋权法求解指标的综合权重,根据权重结果筛选出优度较高的设计元素,结合可拓图解和要素关联,生成科学而有效的创意设计方案。结果该方法能够提升文创产品设计过程中元素运用的准确度和优度,为从设计构思到元素转化搭建完整的路径,也为民族文化创新设计提供了新的思路。结论可拓学的引入把设计视角从“物”转向了“事”,对设计思维过程进行形式化推导,转变了设计半经验化与黑箱化的思维现状,帮助设计师选择创新思维的方向,形成具有创意的设计方案。

中国式现代化与“综合创新”文化观

自从近代中西文化相遇并发生剧烈碰撞与交融以来,中国思想界和知识界所必须面对的核心问题或焦点问题,就是如何处理中西文化关系的问题。为此,中国思想家们提出了多种不同的方案,历史上形成和现实中较有影响的主要有“中体西用论”“综合创新论”“中国本位论”“全盘西化论”“中西古今论”“西体中用论”“河东河西论”“中国模式论”等。在这些方案中,“综合创新论”无论在方法论上还是在文化实践上都更具有合理性和优越性。“综合创新”文化观自20世纪30年代被提出以来不断传承发展,经历了张申府、张岱年的“三流合一”论,方克立的“马魂中体西用”论,以及第三期发展的历史进程。在全面推进中国式现代化的今天,“综合创新”文化观具有无可置疑的当代价值,它也应该以“中国式现代化”为时代主题而得到提升和发展。

中华优秀传统文化赋能国潮产品的创新路径研究

以传统文化元素赋能的国潮产品是现代社会中具有重要文化内涵和市场潜力的新型消费品,意味着我国本土潮流产品进入现代化设计领域。通过分析中华优秀传统文化赋能国潮产品的文化价值和审美价值,深入了解中国传统文化在国潮产品中的设计理念,从文化提取、重组文化元素、融合现代元素以及注重情感共鸣四个方面进行创新,探索现代国潮产品设计新思路,从而不断追求文化传承与创新的平衡,找到传统与现代的完美结合点,以创造具有时代感和传统价值的产品。

习近平文化思想对马克思主义文化理论的创新性发展

习近平文化思想创造性地推动了马克思主义文化理论的中国化时代化发展,是马克思主义文化理论的当代形态,其创新性主要体现在马克思主义文化作用论、建设论和多元论三个方面。在马克思主义文化作用论方面,习近平文化思想重视文化的作用,将文化提升到国家和民族之魂的高度上,创造性地提出了建设社会主义文化强国的构想,提出“四个自信”并强调文化自信的重要地位。在马克思主义文化建设论方面,习近平文化思想坚持中国特色社会主义文化发展道路,以“两个结合”开辟马克思主义发展新境界,以社会主义核心价值观作为文化强国的价值引领。在马克思主义文化多元论方面,习近平文化思想主张文化多元化,反对一切形式的文化霸权,讲好中国故事,让中华文化走向世界,创造性地提出了构建“人类命运共同体”思想。

我国《公共文化服务保障法》的理论新担当与现代化新使命

《公共文化服务保障法》是我国文化领域的基础性法律,在《文化产业促进法》等其他文化基础法尚未出台、文化法律体系尚不成熟的当下,《公共文化服务保障法》应当切实担负起支撑文化法律体系建设,承托文化法学理论研究,促进文化强国建设的使命。在理论层面,《公共文化服务保障法》担负着诠释文化法之基本属性,厘清文化法学之建构逻辑的任务。廓清《公共文化服务保障法》蕴含的缘起于行政法底色的文化基础法属性,以及承托的有限政府有为市场有力社会建设、公民基本文化权利保障、文化治理新秩序营造等理论逻辑,是加强新时代文化法学理论研究的内在需求。在现实层面,因应我国公共文化现代化,乃至中国式现代化的基本要求,推进《公共文化服务保障法》深入实施及发展完善,从而推动公共文化管理现代化、促进人民精神生活共同富裕、扩大公共文化双重参与是《公共文化服务保障法》落实时代使命,从文本走向实践的必由之路。

论新时代党的文艺创新理论的教育价值

新时代党的文艺创新理论是党在新时代中国特色社会主义建设事业的伟大实践中形成的智慧结晶,为广大文艺工作者提供了科学指导与努力方向。要深入学习习近平总书记关于文艺工作的重要论述,深刻把握新时代党的文艺创新理论的鲜明特质与主要内涵,领会新时代党的文艺创新理论在升华理想信念、夯实辩证思维、提升创新能力、夯实文化自信等方面所蕴含的重要教育价值,以科学的世界观、方法论推动理论与实践的融合共进,为充分实现新时代党的文艺创新理论的教育价值奠定坚实基础。

中国共产党治国理政思想之源探析

中国共产党治国理政思想源于马克思主义理论、中华优秀传统文化、新民主主义革命、世界优秀文明成果。马克思主义奠定了中国共产党治国理政的科学性和真理性、人民性和实践性、开放性和时代性。中华优秀传统文化浸润了中国共产党治国理政的和合思维、天下情怀、责任担当。新民主主义革命炼就了中国共产党治国理政的自强品格、斗争精神、统战本领。世界优秀文明成果拓宽了中国共产党治国理政的世界眼光、思维空间、有效方法。

场景理论视角下科技创新推动数字文化空间塑造研究

从场景理论的真实性、戏剧性和合法性三个维度出发,将数字文化空间的各空间要素与文化价值呈现相融合,探析科技创新应如何进一步推动数字文化空间塑造。从真实性维度提出要强化文化品牌IP意识、促进用户的文化认同;从戏剧性维度提出要满足异质性文化需要、激发用户自主创新动力;从合法性维度提出要保障网络信息安全,维护文化表达的平等权利。