The Innovative Expression of Traditional Chinese Cultural Archetypes in Animated Films: Establishing a Reliable, Admirable, and Respectable Image of China

China’s domestic animation industry is deeply rooted in its rich traditional cultural heritage.While continuously exploring and showcasing the unique charm of such cultural heritage through storytelling,imagery establishment,and spirit creation,Chinese animation also seamlessly integrates modern aesthetic characteristics and cultural values into its development within the context of the new era.By adopting a contemporary perspective,it innovatively expresses the essence of traditional culture while striving to shape and present a reliable,admirable and respectable image of China.Chinese animation aims to create credible contemporary animation images by drawing inspiration from traditional Chinese cultural archetypes.It also seeks to revitalize admirable traditional cultural imagery using vibrant and prevailing ACGN visuals,while shaping credible characters with richer cultural connotations and crafting stories with more enchanting plots to convey the spiritual essence of the Chinese nation.By establishing reliable,admirable and respectable animation images,the Chinese animation industry strives to enhance its capability to“tell China’s stories well and make the voice of China heard,”to better promote the image of China in the new era from a global perspective.

The Religious Image of Modern China in the Perspective of Western Peregrinators

Missionaries were a major force of western peregrination to China in modern times.Confucianism,Taoism,Buddhism and various folk deities,as the main competitors of Christianity,were the two perspectives from which western peregrinators(especially missionaries)observed the religious image of China,and the two dimensions from which peregrinators described the religious image of China.Missionaries in China paid more attention to“idolatry”in Chinese Confucianism,Buddhism and Taoism,while peregrinators noticed more popular phenomena of folk deities and various superstitions.The heretical religion of“idolatry”and feudal superstition were the two main cognitive sources for peregrinators to construct the religious image of modern China,and jointly shaped the religious image of modern China.

The Social Image of Modern China in the Perspective of Western Peregrinators

Since the middle and late 18th century,as Chinese civilization entered a downward trajectory,the social image of China built by the Western society before modern times as a land of wisdom,virtue and faith with vast territory,abundant resources,prosperity and inclusive civilization had gradually collapsed.As peregrinators to China had a deeper understanding of China,the overall disappearance of urban and rural poetry and the overall decline of social groups constituted the historical base map for peregrinators to construct the social image of modern China.

The Moral Image of Modern China in the Perspective of Western Peregrinators

Since modern times,the West had gradually measured the standard and image of civilization of a country or a nation from the trinity of material,spirit and morality.Peregrinators to China mostly used such words as“hypocritical”,“dirty”,“indifferent”,“selfish”,“cruel”and“insensitive”to represent the moral and spiritual image of Chinese people.Peregrinators to China in the 19th century constructed a depraved and corrupt moral image of China in a three-dimensional perspective from individual moral depravity to overall despicability of the nation.

Representation of the Image of Modern China in the Perspective of the Purpose of Peregrination in China

Since the middle and late 18th century,the purpose of western peregrinators to China had been in a gradual process from geological survey,to commercial route exploration,commercial development,and then the struggle to divide power and sphere of influence.The purpose,mode,theme and narrative strategy of missionaries,scientific explorers,business travelers and pilgrims traveling in China were the main elements that affected the representation,construction and production of the image of modern China,as well as the main factors that formed the differentiation of the image of China.

The Cultural and Artistic Image of Modern China in the Perspective of Western Peregrinators

Culture and art had always been the main field of western cognition of China.Since the middle and late 18th century,as Chinese civilization was on a downward trajectory,the image of oriental civilization with a long history,prosperity,inclusiveness and harmony gradually disappeared,and“ancient”and“decline”became the main keywords to describe Chinese culture and art by western peregrinators.

The Political and Educational Image of Modern China in the Perspective of Western Peregrinators

Before the 19th century,the image of China shaped by western countries was mainly based on politics and education.China’s political and educational system in the 19th century had become a frame of reference for highlighting the superiority of western politics and education.The authoritarian and decadent politics of enslavement and politicized education that imprisoned creation was the historical base map for western peregrinators to construct the political and educational image of modern China,and the result of the transformation from the construction of“utopian image”to the construction of“ideological image”.

The Formation of the Image of Modern China in the West from the Perspective of Travel Guides

Since the Middle Ages,the collective memory of China in the West had been based on the texts written by peregrinators to China,represented by Marco Polo and the missionary community.After the 19^(th) century,travel guide,another form of text to guide potential peregrinators to China,began to appear.They selectively recorded and subjectively evaluated the landscape and life of China,with distinct individual characteristics,which had significant influence on the formation and dissemination of the image of China.

The Image of North China in the Perspective of Western Peregrinators in the 19^(th) Century

With the increasing number of western peregrinators to China,the number of travellers to Beijing and the Great Wall continued to increase,forming the north China peregrination route.This paper analyzed the concrete impression of western peregrinators on Beijing and the Great Wall,and held that the structural characteristics of western peregrinators were caused by the change of trade requirements.

The Image of Southwest China in the Perspective of Modern Western Peregrinators

The paper analyzed the scenery along the Yangtze River and southwest peregrination route in the perspective of western peregrinators through relevant texts of modern western peregrinators.On the one hand,the peregrinators to China were struck by the picturesque and peculiar landscape of southwest China,and praised the Chinese art,culture and architectural images in their texts.On the other hand,these texts concealed the reality of the miserable life of Chinese people at that time.

Analysis of Some Characteristics of the Fault Activities in Eastern China by Satellite Images

Active faults have special electromagnetic effect and remote sensing characteristics, and exhibit unique im-agery marks in satellite images. A comprehensive comparison of images of active faults in eastern China and ananalysis of geologic and geomorphic data can tell us some characteristics of fault activity in the area during theneotectonic period: 1) The fault activities of the north-south tectonic zone, North China and Taiwan werestronger than those of southeastern and northeastern China; 2) the faulting in the north-south tectonic zone,North China and Taiwan has continued up to now, and most of the fault activites in southeastern andnorth-eastern China have become weaker since the Middle Pleistocene; 3) the activity is unsteady in time, mostbeing intermittent, or episodic, i.e. alternately strong and weak; 4) most active faults of a definite size can be di-vided into several segments which somewhat differ from each other in the characteristics of the activity.

World Petroleum Congress Demonstrating Improved Image of China Petroleum Industry

On 1-5 September 2002, the 17th World Petroleum Congress was successfully convened in Rio de Janeiro, Brazil with 3000 delegates coming from 59 countries and regions. Representatives from CNPC,Sinopec and CNOOC attended the congress.

China Receives Images From SuperView-1

Launched on December 28,2016,the Super View-1 satellite has operated for over 70 days at an altitude of 530km.The initial results of in-orbit commissioning show that the images from the Super View-1 satellite are clear with radiation resolution reaching 11 bits pixel.The geospatial positioning accuracy without ground control pointing is5-8 m,the elevation relative accuracy is1 m.The maximum single scene can be60 km×70 km,enabling some 900。

China's Image in The Painted Veil from the Perspective of Orientalism

William Somerset Maugham(1874-1965),one of the most popular writers of the twentieth century,is famous for his exquisitenarrative technique.The Painted Veil tells a touching story with unique narrative style.This paper takes Edward Said's postcolonial crit-ical theory of orientalism as its theoretical foundation to conduct a study of The Painted Veil in detail with an intention to explore China's image and disclose the cultural hegemony of Maugham.The Painted Veil about demonizing and distorting China's image is based onthe perspective of Orientalism,which is inextricably linked to Maugham's cultural hegemony thought.

CHINA＇S IMAGE IN AFRICA RESTS WITH CHINA＇S SUCCESSFUL STORIES IN AFRICA

China’s image in Africa depends on an‘African China success story’.First decade of the 21^(st) Century experienced a rise in efforts to cultivate public diplomacy among different nations to augment practices in bilateral relations.Public diplomacy has been mostly pronounced within the framework of soft power as a means of establishing appeal and grounding the likeability of one’s nation in foreign shores.China has been at the

Typical Travel Events and the Reversal of Modern Image of China

In order to open up the Chinese market,Britain sent two missions to China in 1791 and 1816.The most powerful colonial empire in the world met the most powerful feudal empire in the world.The two sides led the negotiations and exchanges with the concepts of "tribute" and "equal diplomacy",and the failure of the missions of Macartney and Amherst to China was inevitable.The travel texts completed by the members of the mission recorded the process of travel to China and their views on China in detail.Two typical travel events in China completely reversed the western image of China.

THE ANALYSIS OF REMOTE SENSING IMAGES FOR ACTIVE FAULTS AND EARTHQUAKES IN CHINA

The Landsat image information has recently been widely applied to structural geology, especially to the analysis of lineaments, owing to their macroscopic, visual and comprehensive features. The images will be more effective when applied to the interpretation of active faults. Active faults are widely ditributed in China. Much attention has been paid to the study of active faults both in China and abroad. There is certain controversy concerning the implication of the term "active fault". Strictly speaking, the term should refer only to the faults that are still active in the present day. However, the term also usually refers to the faults which have been active continually or intermittently from the Quaternary (or the end of Tertiary) to the present day. We propose that the tones and the configurations of features on Landsat images are the principal keys to the interpretation of active faults. The faults, which display the most prominent

Images of the Conquest of China

On October 19,2007,the mark Fendi was set on the Great Wall of China.This image,among many others of its kind,has been widely disseminated on the screens around the world (the internet and television).So it is an artistic event,it had also emerged yet an atmosphere authoritarian,quasi-military.

Research on the Characteristics of Collective Impression of China in the Perspective of Modern Western Peregrinators

Since modern times,western countries had influenced the formulation of rules for travelling China through a series of gunboat diplomacy and a series of unequal treaties,and promoted the formation of three major peregrination routes,namely south China centered on Guangzhou and Shanghai,southwest China centered on the Yangtze River and Chengdu,and north China centered on Beijing and the Great Wall.Overpopulation,lack of curiosity and knowledge,difficulties in board and lodging,good onlookers,beauty of exotic scenery,and intensive farming were the common perceptions of the collective impression of China by the three types of peregrinators coming to China.These perceptions were the historical map for the west to construct the image of modern China,and had a profound influence on the formation of China’s image of “the inferior other”.