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What is "Chinese Modem Calligraphy"? An Exploration of the Critical Debate on Modem Calligraphy in Contemporary China
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作者 Adriana lezzi 《Journal of Literature and Art Studies》 2015年第3期206-216,共11页
Since the mid-1980s Chinese calligraphy art has undergone a radical change and has opened itself to experimentation. Nowadays in China this artistic revolution has sparked a vivid debate among the art critics on three... Since the mid-1980s Chinese calligraphy art has undergone a radical change and has opened itself to experimentation. Nowadays in China this artistic revolution has sparked a vivid debate among the art critics on three main topics: (1) definition of the phenomenon; (2) analysis of its nature; and (3) classification of the artistic production. In this article, all these aspects are analysed in order to give a comprehensive view of the present theoretical discussion and of its future development. 展开更多
关键词 Chinese Modem Calligraphy (CMC) contemporary china art critic critical debate modernity contemporary art modem art
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China Children’s Art Theatec
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《China & The World Cultural Exchange》 1993年第3期47-47,共1页
CHINA Chilren’s Art Thea-ter,located just off Wangfuj-ing Street in downtown Bei-jing,is the only state-level children’sart palace in China.It was built in1956.Kalimeris Flower,the first play toopen the theater,set ... CHINA Chilren’s Art Thea-ter,located just off Wangfuj-ing Street in downtown Bei-jing,is the only state-level children’sart palace in China.It was built in1956.Kalimeris Flower,the first play toopen the theater,set a record for thelongest run in cnildren’s theater andbecame a milestone in the historyof moden children’s drama in newChina.Kalimeris Flower is a movingfairy tale of a boy living in 展开更多
关键词 DRAMA CHILDREN milestone TEACH china CHILDREN s art Theatec RECORD PsYCHOLOGY YOUNG finally
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People's Festival under the “Oriental Pearl” TV Tower——The Third China Shanghai International Arts Festival
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《China & The World Cultural Exchange》 2002年第1期12-14,共3页
关键词 TV Tower People’s Festival under the The Third china shanghai International arts Festival Oriental Pearl
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China's Specialized Art Education
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《China & The World Cultural Exchange》 1996年第4期10-15,共6页
关键词 In chinas specialized art Education
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Long-Standing History and Eternal Artistic Charm——China's Kunju Opera Art
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《China & The World Cultural Exchange》 2001年第5期4-6,共3页
关键词 Long-standing History and Eternal artistic Charm In chinas Kunju Opera art
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Master Artist Zhang Ding——The Pinnacle in the Ilistory of Modern China's Art
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《China & The World Cultural Exchange》 2002年第4期20-22,共3页
He designed the national emblem of thePeople’s depublic of China, was a primary painterof the mural in the Beijing Capital Airport, ananimator of "Ne Zha Makes Havoc of the Sea", arenowned cartoonist, one o... He designed the national emblem of thePeople’s depublic of China, was a primary painterof the mural in the Beijing Capital Airport, ananimator of "Ne Zha Makes Havoc of the Sea", arenowned cartoonist, one of the founders of 展开更多
关键词 ZHANG The Pinnacle in the Ilistory of Modern chinas art Master artist Zhang Ding
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Export of China's Arts and Crafts
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作者 Zhao Lixin Jiao Jianfeng 《China's Foreign Trade》 1997年第12期21-21,共1页
The export of China’s arts and crafts has a long history. Its origins can be traced back to the ancient silk road. Arts and crafts are the epitome of China’s splendid national culture of several thousand years, play... The export of China’s arts and crafts has a long history. Its origins can be traced back to the ancient silk road. Arts and crafts are the epitome of China’s splendid national culture of several thousand years, playing an important part in the economic, trade and cultural exchanges between China and the rest of the world. China’s arts and crafts represented by paintings, embroidery,cloisonn(?) and ceramics are Well known all over the world. China is one of the largest producers and exporters of paintings, 展开更多
关键词 Export of chinas arts and Crafts
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Making His Own Way─Visiting Zhang Xianghua, Dean of China's Xi'an Research Institute of Fine Arts
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《China & The World Cultural Exchange》 1996年第4期35-37,共3页
关键词 ZHANG Visiting Zhang Xianghua Making His Own Way Dean of chinas Xi’an Research Institute of Fine arts
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China’s Achievements at International Arts Competitions in 1996
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《China & The World Cultural Exchange》 1997年第1期69-70,共2页
关键词 chinas Achievements at International arts Competitions in 1996
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Nuo Drama-Precursor of China's Dramatic Art
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作者 Lu Yaoru 《China & The World Cultural Exchange》 2000年第5期16-17,共2页
关键词 Nuo Drama-Precursor of chinas Dramatic art
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Stamps of New China Sun Zi's Art of War 
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《China Today》 1996年第8期6-6,共1页
StampsofNewChinaSunZi'sArtofWarSunZi'sArtofWaristheearliestbookonthesubjectandafamousmilitaryworkofancientCh... StampsofNewChinaSunZi'sArtofWarSunZi'sArtofWaristheearliestbookonthesubjectandafamousmilitaryworkofancientChina.Itdrawsonthee... 展开更多
关键词 stamps of New china sun Zi’s art of War
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Advancing Arts One village’s oil paintings lead the development of south China’s cultural industries
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作者 Zheng Yang 《ChinAfrica》 2013年第8期52-53,共2页
The Dafen art museum, the largest such museum in Shenzhen, was built int he village in 2007 to he a platform for art exhibitions and exchange,
关键词 Advancing arts One village’s oil paintings lead the development of south chinas cultural industries
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China's Arts and Crafts Playing Yueqin from Behind,clay figure of Huishan.
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作者 XIE JUN 《China Today》 1996年第7期73-73,共1页
China'sArtsandCraftsPlayingYueqinfromBehind,clayfigureofHuishan.HuishanofWuxi,JlangsuProvince,hasanover400-y... China'sArtsandCraftsPlayingYueqinfromBehind,clayfigureofHuishan.HuishanofWuxi,JlangsuProvince,hasanover400-yearhistoryofmakin... 展开更多
关键词 chinas arts and Crafts Playing Yueqin from Behind clay figure of Huishan
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Art and Life of Manchu Paper-Cut Artist Ni Youzhi
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作者 Lin Tong 《Journal of Contemporary Educational Research》 2022年第12期38-43,共6页
The advice to“disclose the family business to no one”has remained in my mind for a long time.It influenced how I perceived the works of Ni Youzhi,a paper-cut artist,which are shrouded in mystery and marked with her ... The advice to“disclose the family business to no one”has remained in my mind for a long time.It influenced how I perceived the works of Ni Youzhi,a paper-cut artist,which are shrouded in mystery and marked with her family’s hue.I certainly feel proud and understand the sense of mission for this inheritance that has been passed down from generation to generation[2].However,her Manchu paper-cut changed dramatically over time despite my best efforts to preserve this“heirloom”[3].Looking back on her journey of creation,her trajectory of inheritance,creation,transformation,and regression was marked clearly. 展开更多
关键词 Manchu paper-cutting Changbai Mountain chinas intangible cultural heritage Paper-cut art art
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Human Rights Implications of the Civil Code of the People's Republic of China
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作者 朱虎 XIANG Na(Translated) 《The Journal of Human Rights》 2022年第6期1178-1201,共24页
Putting the people first in human rights protection is the most distinctive feature of the outlook on human rights in contemporary China. The codification of the Civil Code of the People’s Republic of China reflects ... Putting the people first in human rights protection is the most distinctive feature of the outlook on human rights in contemporary China. The codification of the Civil Code of the People’s Republic of China reflects the people’s legislation for themselves, which is guided by the principle of putting the people first in its external system and internal values. Functionally, the Civil Code of the People’s Republic of China reflects the obligation of the country to protect human rights, constructs the framework relationship between the country and individual people, and perfects the mechanism for human rights protection. The continuous expansion of the types, contents, and functions of civil rights in the Civil Code of the People’s Republic of China is required by the broad scope of human rights, with an aim to realize a happy life for the people, the most important human rights, and protect people’s personal rights, property rights, and right to dignity through specific rules. The universal sharing of human rights requires the universality of the subjects of civil rights. The equal sharing of human rights requires the equality of forms of civil rights protection. Meanwhile, it further requires the substantive equality of civil rights protection. Attention is paid to protecting the rights and interests of specific groups in external and embedded ways. 展开更多
关键词 Civil Code of the People’s Republic of china human rights protection civil rights protection outlook on human rights in contemporary china
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城市艺术节:特色化与国际化双向互动——艺术节公众沟通的ISC模式 被引量:11
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作者 张敏 张超 朱晴 《艺术百家》 CSSCI 北大核心 2013年第3期18-23,共6页
艺术节是城市定期举办的综合性节庆活动,体现一个城市的国际形象、文明程度、跨文化交流与国际合作能力,其短期效果虽不及奥运、世博等大型活动,但从可持续发展角度看,它的为城市专有、公众认同、资源整合、国际传播、文化特色、长时段... 艺术节是城市定期举办的综合性节庆活动,体现一个城市的国际形象、文明程度、跨文化交流与国际合作能力,其短期效果虽不及奥运、世博等大型活动,但从可持续发展角度看,它的为城市专有、公众认同、资源整合、国际传播、文化特色、长时段周期性持续效应等特点,决定了它在全球化城市竞争与合作中,特别是资源市场和品牌创新领域,具有不可替代的作用。城市艺术节的深层意义,在于为主办城市的全球化资源整合创造机遇。在当代产能过剩条件下,资源整合的实质是需求交换。问题在于我们文化市场最大需求最强,然而文化产出和营销起步最晚,做得最不足。这就对特色化自主研发和国际化品牌传播提出了迫切要求。特色化与国际化双向互动由此成为文化城市建设的基本路径,艺术节沟通的主要依据与追求。当前艺术节有必要立足于城市特色化建设实践,从内容到形式追求个性化发展,克服同质化倾向,在特色化与国际化双向互动过程中,切实形成资源个性的不可替代性,进而与城市一起走向世界。这一途径,或可概括为ISC模式,即可持续整合沟通。 展开更多
关键词 当代中国 城市艺术节 特色化开发 国际化传播 公众沟通 IsC模式
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地域生态与文化经验:西南当代艺术的流变与转型
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作者 王蓓蕾 《贵州大学学报(艺术版)》 2024年第1期119-124,共6页
20世纪80年代初期,继乡土美术与伤痕美术之后,西南当代艺术形成了具有表现主义特质的“生命流”创作倾向,以一种非理性的个体化的艺术表现偏离和批判了当时的主流艺术和价值。20世纪90年代以来,在相继兴起的政治波普、新生代、卡通与图... 20世纪80年代初期,继乡土美术与伤痕美术之后,西南当代艺术形成了具有表现主义特质的“生命流”创作倾向,以一种非理性的个体化的艺术表现偏离和批判了当时的主流艺术和价值。20世纪90年代以来,在相继兴起的政治波普、新生代、卡通与图像转向等艺术潮流中,西南当代艺术突破1980年代地域性的局限而构成中国当代艺术中最有活力的景观。2008年以后,相对落后与边缘的社会经济文化状况,使西南地区艺术家不断出走以寻求发展空间,社会的开放加剧了艺术人才的流动与流失,西南当代艺术作为一个艺术概念更多是一种基于历史延续性的表述而不是基于当下在地性的所指。近年来大量乡村艺术活动与项目的举行形成了新的艺术动向,当代艺术的再乡土化可能成为西南当代艺术的新趋势。 展开更多
关键词 西南地区 当代艺术 艺术生态 流变与转型
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沉浸式体验与审美消费——以北京SKP-S商场中的当代艺术元素为例 被引量:2
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作者 冯乐群 李维 《齐齐哈尔大学学报(哲学社会科学版)》 2021年第6期122-126,共5页
北京的SKP-S商场营造了以"数字-模拟未来"为主题的沉浸式科幻购物场景,构建了一个感觉经验不断流动生成的当代审美空间。当代艺术的审美感知嵌入消费文化,充分参与了商场外部陈设空间的建构与产品的生产过程,延展为一种新的... 北京的SKP-S商场营造了以"数字-模拟未来"为主题的沉浸式科幻购物场景,构建了一个感觉经验不断流动生成的当代审美空间。当代艺术的审美感知嵌入消费文化,充分参与了商场外部陈设空间的建构与产品的生产过程,延展为一种新的时尚范式。新型媒介技术的介入催生了多感官、互动性、开放性的审美体验,构筑了极具感受性的购物氛围。沉浸式商业空间以一种新的感性存在模式与感知类型,在与观者的互动交流中获得了新的意义生成,重塑了都市人的感性经验结构与生活方式,成为当代"感觉共同体"的具体化表达。 展开更多
关键词 沉浸式体验 审美消费 感觉 sKP-s 当代艺术
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诗意的理性:S-M.A.O.的方法与实践 被引量:7
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作者 张斌 林沄 《时代建筑》 2003年第4期102-116,共15页
本文以跨学科的视角对西班牙建筑师胡安·卡洛斯,桑丘·欧西纳加和索尔·玛德丽德霍斯的建筑进行了考察,以当代哲学和艺术的空间观念为线索来阐述他们的建筑方法,试图描述出他们独特的将理念物化为空间的理性途径。
关键词 s-M.A.O.方法 空白 调子 折叠 西班牙当代建筑 当代艺术
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科学主义影响下的中国现代美术与批评
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作者 李洋 《上海视觉》 2023年第2期93-99,共7页
在清末民初的文献中,从新文体至白话文的出现,是与科学主义在中国的传播相伴而行的。从专门化的学问到普适性的价值观念,科学主义也不同程度地参与了现代美术的塑造,涉及到美术的技术化改进与学理化转型,使得美术成为了现代社会与人文... 在清末民初的文献中,从新文体至白话文的出现,是与科学主义在中国的传播相伴而行的。从专门化的学问到普适性的价值观念,科学主义也不同程度地参与了现代美术的塑造,涉及到美术的技术化改进与学理化转型,使得美术成为了现代社会与人文的重要组成部分。而美术与科学早期的互文关系,则多体现在当时学界的争鸣之中,以批评的先声形式进行了最初的理论架构。从讨论的文体到辩证的分析,也体现了科学话语共同体的建构在现代美术乃至人文发展中所起到的潜移默化作用。 展开更多
关键词 美术批评 科学主义 民国 人文科学 现代汉语
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