Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In Ame...Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.展开更多
As a literary slogan given to a special meaning by history, ‘reality＇ has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature ...As a literary slogan given to a special meaning by history, ‘reality＇ has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature Movement＇ of May 4th Movement,‘reality＇, as the characterization of scientific rationality spirit and an imposition on the description of the objective reality, has been incorporated into the perspective of Modern Chinese literature： In the 1950s and 1960s, it protested to obtain an independent literary discourse as a saving weapon; in the early 1980s, it‘restored＇ realism as a theory starting point of ‘re-enlightenment＇. In the late 1980s, with the conversion of historical context, and the subversion and reconstruction of Western ‘refer to＇ concept to ＂reality＂ concept of traditional epistemology, ‘reality＇ ended its historic mission, and thus to retire展开更多
The Shanghai East China Electric Power Building,which was completed in 1988,is widely accepted as one of the first postmodern high-rise buildings in Shanghai.Based on articles published in mass media and professional ...The Shanghai East China Electric Power Building,which was completed in 1988,is widely accepted as one of the first postmodern high-rise buildings in Shanghai.Based on articles published in mass media and professional magazines,interviews with relevant stakeholders and social media debates,this paper focuses on two controversies regarding the building’s peculiar architectural form.The first occurred between 1988 and 1992,when the building’s postmodern appearance aroused heated debates among architectural professionals.The second happened between 2015 and 2018,when the building’s postmodern appearance was planned to be replaced with a slated Art Deco surface during its renovation into a boutique hotel.This paper reveals how a thirst for‘form innovation’emerged in the specific social and professional environment shortly after China’s opening-up,and how professional and public awareness of the value of late 20th century architectural heritage was stimulated in the early 21st century in the search for an alternative representation of urban identity other than the widely accepted Art Deco style.This paper emphasises the public meaning of architectural forms in arguing for institutional co-operation in systematic evaluation and conservation legislation for late twentieth century Chinese architectural heritage sites to maintain the historical diversity of the cityscape during urban regeneration.展开更多
The Shanghai East China Electric Power Building,which was completed in 1988,is widely accepted as one of the first postmodern high-rise buildings in Shanghai.Based on articles published in mass media and professional ...The Shanghai East China Electric Power Building,which was completed in 1988,is widely accepted as one of the first postmodern high-rise buildings in Shanghai.Based on articles published in mass media and professional magazines,interviews with relevant stakeholders and social media debates,this paper focuses on two controversies regarding the building’s peculiar architectural form.The first occurred between 1988 and 1992,when the building’s postmodern appearance aroused heated debates among architectural professionals.The second happened between 2015 and 2018,when the building’s postmodern appearance was planned to be replaced with a slated Art Deco surface during its renovation into a boutique hotel.This paper reveals how a thirst for‘form innovation’emerged in the specific social and professional environment shortly after China’s opening-up,and how professional and public awareness of the value of late 20th century architectural heritage was stimulated in the early 21st century in the search for an alternative representation of urban identity other than the widely accepted Art Deco style.This paper emphasises the public meaning of architectural forms in arguing for institutional co-operation in systematic evaluation and conservation legislation for late twentieth century Chinese architectural heritage sites to maintain the historical diversity of the cityscape during urban regeneration.展开更多
文摘Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.
文摘As a literary slogan given to a special meaning by history, ‘reality＇ has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature Movement＇ of May 4th Movement,‘reality＇, as the characterization of scientific rationality spirit and an imposition on the description of the objective reality, has been incorporated into the perspective of Modern Chinese literature： In the 1950s and 1960s, it protested to obtain an independent literary discourse as a saving weapon; in the early 1980s, it‘restored＇ realism as a theory starting point of ‘re-enlightenment＇. In the late 1980s, with the conversion of historical context, and the subversion and reconstruction of Western ‘refer to＇ concept to ＂reality＂ concept of traditional epistemology, ‘reality＇ ended its historic mission, and thus to retire
基金National Natural Science Foundation of China:Study on Design Strategies of Ordinary Building Renewal Based on the Everyday Efficiency of Urban Space(No.51778419).
文摘The Shanghai East China Electric Power Building,which was completed in 1988,is widely accepted as one of the first postmodern high-rise buildings in Shanghai.Based on articles published in mass media and professional magazines,interviews with relevant stakeholders and social media debates,this paper focuses on two controversies regarding the building’s peculiar architectural form.The first occurred between 1988 and 1992,when the building’s postmodern appearance aroused heated debates among architectural professionals.The second happened between 2015 and 2018,when the building’s postmodern appearance was planned to be replaced with a slated Art Deco surface during its renovation into a boutique hotel.This paper reveals how a thirst for‘form innovation’emerged in the specific social and professional environment shortly after China’s opening-up,and how professional and public awareness of the value of late 20th century architectural heritage was stimulated in the early 21st century in the search for an alternative representation of urban identity other than the widely accepted Art Deco style.This paper emphasises the public meaning of architectural forms in arguing for institutional co-operation in systematic evaluation and conservation legislation for late twentieth century Chinese architectural heritage sites to maintain the historical diversity of the cityscape during urban regeneration.
基金National Natural Science Foundation of China:Study on Design Strategies of Ordinary Building Renewal Based on the Everyday Efficiency of Urban Space(No.51778419).
文摘The Shanghai East China Electric Power Building,which was completed in 1988,is widely accepted as one of the first postmodern high-rise buildings in Shanghai.Based on articles published in mass media and professional magazines,interviews with relevant stakeholders and social media debates,this paper focuses on two controversies regarding the building’s peculiar architectural form.The first occurred between 1988 and 1992,when the building’s postmodern appearance aroused heated debates among architectural professionals.The second happened between 2015 and 2018,when the building’s postmodern appearance was planned to be replaced with a slated Art Deco surface during its renovation into a boutique hotel.This paper reveals how a thirst for‘form innovation’emerged in the specific social and professional environment shortly after China’s opening-up,and how professional and public awareness of the value of late 20th century architectural heritage was stimulated in the early 21st century in the search for an alternative representation of urban identity other than the widely accepted Art Deco style.This paper emphasises the public meaning of architectural forms in arguing for institutional co-operation in systematic evaluation and conservation legislation for late twentieth century Chinese architectural heritage sites to maintain the historical diversity of the cityscape during urban regeneration.
