2018 witnessed some unprecedently strict regulations on national media content production and distribution by the Chinese National Radio and Television Administration(NRTA).On its annual recommended lists of excellent...2018 witnessed some unprecedently strict regulations on national media content production and distribution by the Chinese National Radio and Television Administration(NRTA).On its annual recommended lists of excellent national TV series,there is a noticeable increase in historical series in line with core socialist values.Since late 2019,there has been a strict home-quarantine policy amid the COVID-19 pandemic.Accompanied by the newly introduced three-child birth policy in the context of the country’s low fertility rate and significant ageing,a re-emphasis on traditional Confucian ideologies incented by the Chinese authorities emerged:the primary identity of women being an understanding wife and loving mother.Furthermore,thus,a manifestation of such enforced patriarchal ideologies and cultural values is visible in the country’s strictly regulated media content.This study sets off from a corpus of national recommended TV lists to investigate the myth of women’s fates in amid-pandemic Chinese TV series that are appraised and supported by authorities to explore how their identities are constructed and potentially abused under patriarchal media production.展开更多
THE large-scale TV program, Gems of the Country, has had several airings on prime time CCTV, and has been warmly received each time, winning the unanimous praise of viewers. The program actively promotes Chinese natio...THE large-scale TV program, Gems of the Country, has had several airings on prime time CCTV, and has been warmly received each time, winning the unanimous praise of viewers. The program actively promotes Chinese national culture, boosting national morale, and bringing the splendid culture of China to the world.The initiator, chief planner and chief director of this program is Li Dongge, a graduate of the Xi’an University of展开更多
This research attempts to introduce a preliminary reflection on Di Renjie＇s past and contemporary representations, in order to decode the language of contemporary imagery found in Chinese media culture and to decide ...This research attempts to introduce a preliminary reflection on Di Renjie＇s past and contemporary representations, in order to decode the language of contemporary imagery found in Chinese media culture and to decide which of his historical and literary identities is now the most acknowledged in Chinese imagery. Moreover, we will briefly advance some reflections on whether Robert Hans van Gulik＇s representation has or not totally influenced Chinese imagery.展开更多
文摘2018 witnessed some unprecedently strict regulations on national media content production and distribution by the Chinese National Radio and Television Administration(NRTA).On its annual recommended lists of excellent national TV series,there is a noticeable increase in historical series in line with core socialist values.Since late 2019,there has been a strict home-quarantine policy amid the COVID-19 pandemic.Accompanied by the newly introduced three-child birth policy in the context of the country’s low fertility rate and significant ageing,a re-emphasis on traditional Confucian ideologies incented by the Chinese authorities emerged:the primary identity of women being an understanding wife and loving mother.Furthermore,thus,a manifestation of such enforced patriarchal ideologies and cultural values is visible in the country’s strictly regulated media content.This study sets off from a corpus of national recommended TV lists to investigate the myth of women’s fates in amid-pandemic Chinese TV series that are appraised and supported by authorities to explore how their identities are constructed and potentially abused under patriarchal media production.
文摘THE large-scale TV program, Gems of the Country, has had several airings on prime time CCTV, and has been warmly received each time, winning the unanimous praise of viewers. The program actively promotes Chinese national culture, boosting national morale, and bringing the splendid culture of China to the world.The initiator, chief planner and chief director of this program is Li Dongge, a graduate of the Xi’an University of
文摘This research attempts to introduce a preliminary reflection on Di Renjie＇s past and contemporary representations, in order to decode the language of contemporary imagery found in Chinese media culture and to decide which of his historical and literary identities is now the most acknowledged in Chinese imagery. Moreover, we will briefly advance some reflections on whether Robert Hans van Gulik＇s representation has or not totally influenced Chinese imagery.
