Ink freehand brushwork is the soul and the highest level of artistic spirit in art categories such as painting and sculpture.Sculpture art and Chinese ink painting art have their own commonalities.I attempted to inves...Ink freehand brushwork is the soul and the highest level of artistic spirit in art categories such as painting and sculpture.Sculpture art and Chinese ink painting art have their own commonalities.I attempted to investigate the stone carvings of Huo Qubing’s tomb in the Western Han Dynasty,combined with Tang Dynasty tomb carvings,which greatly helped me in the creation of Chinese ink painting art.I drew inspiration and nutrients from it,and realized what is art.What is the spirit of art?You can find the answer from it.展开更多
Teaching evaluation is an indispensable part of the teaching system of junior high school.In order to inherit the excellent traditional Chinese culture and arts,traditional Chinese painting has been paid more and more...Teaching evaluation is an indispensable part of the teaching system of junior high school.In order to inherit the excellent traditional Chinese culture and arts,traditional Chinese painting has been paid more and more attention to in the fine arts curriculum of rural junior high school.This paper takes the classroom teaching evaluation of traditional Chinese painting as a form of fine arts in rural junior high school as the research object,and analyzes the problems existing in the classroom teaching evaluation of traditional Chinese painting in rural junior high school.This paper puts forward the corresponding improvement measures from the aspects of comprehensive evaluation object,concrete evaluation content,flexible evaluation language and diversified evaluation subjects,in order to improve the evaluation level of fine arts teachers'classroom teaching,improve students'aesthetic cognition and learning interest in traditional Chinese painting,and cultivate students'innovative thinking and spirit.展开更多
This paper investigates the reproduction of Chinese painting in the digital age. In particular, how does a website asan interface influence viewers’ response to a Chinese handscroll? The paper begins with a critical ...This paper investigates the reproduction of Chinese painting in the digital age. In particular, how does a website asan interface influence viewers’ response to a Chinese handscroll? The paper begins with a critical description of aweb interface of Freer Gallery of Art and Arthur M. Sackler Gallery, followed by an analysis of the originalpainting. Fishermen on an Autumn River, that the interface digitizes and displays. The last section points out theinfluence of digitization on the relationship between viewers and digital heritage.展开更多
The evolution of tools plays a very important role in promoting the development of a kind of painting and can even shape the development.In the process of the development of Chinese painting,the emergence and improvem...The evolution of tools plays a very important role in promoting the development of a kind of painting and can even shape the development.In the process of the development of Chinese painting,the emergence and improvement of writing brush and xuan paper have directly led to the reform of the categories and methods of Chinese painting.During this period,the relationship between Chinese painting art and the medium of water is getting closer and closer.The uncontrollability of water also provides more possibilities for the uniqueness and changeable pen and ink effect of Chinese painting.It can be said that without the unique tools and medium of Chinese painting,the art of Chinese painting may lose its most important support.展开更多
ZHANG Qing was initially drawn to the bird and flower paint-ings of the Tang and Song dynasties (7th-12th centuries). Later,Qing Dynasty (1644-1911) artist Ren Bonian, famous for hispaintings of figures, also became a...ZHANG Qing was initially drawn to the bird and flower paint-ings of the Tang and Song dynasties (7th-12th centuries). Later,Qing Dynasty (1644-1911) artist Ren Bonian, famous for hispaintings of figures, also became an important influence.Although Zhang Qing considers his style to be firmly rooted in tradi-展开更多
The history of Chinese painting and calligraphy mounting can date back to the Warring States period(475-221 BC).This unique craftsmanship saw its heydays in
The reclusive dwelling is an important part of the traditional philosophical culture of ancient China.The Chinese spiritual imagery of reclusion is mainly represented by narrative mediums of poems,paintings,and garden...The reclusive dwelling is an important part of the traditional philosophical culture of ancient China.The Chinese spiritual imagery of reclusion is mainly represented by narrative mediums of poems,paintings,and garden works,resulting in artistic visualization with poetic implication.The article analyzed six Chinese landscape paintings of reclusive dwelling theme,in terms of narrative medium,visualization,and implication.The intention is to conclude the reclusive dwelling schema of Chinese landscape painting and study a visualizing methodology involved spiritual implication on dwelling,which could be beneficial to both contemporary art and architectural creations.展开更多
Born in August 1954 in Taian,Shandong Province, the renowned painter Wu Jinliang has been obsessed with painting since his childhood.Wu made a name for himself by creating a number of excellent paintings when he serve...Born in August 1954 in Taian,Shandong Province, the renowned painter Wu Jinliang has been obsessed with painting since his childhood.Wu made a name for himself by creating a number of excellent paintings when he served in the army.After graduating from the Jinghua Fine Arts School,he continued his studies at the China Central Academy of Fine Arts. Wu received training from many painting masters,such as Dong Shouping,a great contemporary master of calligra-展开更多
The interpretation of the traditional Chinese paintings done by Xie Lijun vividly expresses a woman’s tolerance and silence. In traditional Chinese paintings black is the main component and the function of the color ...The interpretation of the traditional Chinese paintings done by Xie Lijun vividly expresses a woman’s tolerance and silence. In traditional Chinese paintings black is the main component and the function of the color red is only to provide a striking contrast, so it is only used occasionally. On the contrary, in "Spotless. ,Jade-Like Personality." the color red is the main color in the painting. So different from its usual function, the red set against the quiet internal world passes from the expression of the figure’s eyes. The red color adds more elegance and inlplicit meaning to the work.展开更多
The Chinese painting Flood Ouerflows Jinshan Temple draws its subject from a beautiful and well-known legend,The white Snake.In the tale Jinshan was an islet in the Yangtze River of yesteryear.Inorder to aave her husb...The Chinese painting Flood Ouerflows Jinshan Temple draws its subject from a beautiful and well-known legend,The white Snake.In the tale Jinshan was an islet in the Yangtze River of yesteryear.Inorder to aave her husband kept in a temple at the top of the isle.Bai Niangzi.incarnation of the whitesnake.bravely fought Monk Fahat.She borrowed the Yangtze River’s water to overcome Jinshan Templeand force Fahai to release her husband.展开更多
Qi Zilai inherited the painting skills of her grandfather Qi Baishi, a giant of contemporary Chinese painting. She is the only woman of the third generation of Qi family painters, Qi Zilai has been deeply influenced by
Yang Hua, a female painter from Hainan Province forms her style of modern Chinese painting with an original, exotic and ingenious means of artistic expression. Full of vigor, her paintings convey intimacy among human ...Yang Hua, a female painter from Hainan Province forms her style of modern Chinese painting with an original, exotic and ingenious means of artistic expression. Full of vigor, her paintings convey intimacy among human beings. She expresses her feelings towards nature and society through her dimly visible and disorderly pictures. The harmony of abstract展开更多
Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bo...Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bold." Inspired from within, this woman painter’s work is a natural revelation; her paint gives artistic life to the mountains, rivers, grasses and trees of her motherland.展开更多
In traditional landscape painting in China,water has always occupied an important artistic position and space,and painters in different ages had different ways to express water.Systematically sorting out the methods o...In traditional landscape painting in China,water has always occupied an important artistic position and space,and painters in different ages had different ways to express water.Systematically sorting out the methods of water painting in Chinese painting is of great significance for us to gain a comprehensive understanding of the artistic styles,cultures and artistic languages of different times.It is also of great reference value for those learning Chinese painting.展开更多
Aesthetics in China is different from that in the West which is centered on the logical approach to the concept of "beauty," and is highly typified by chewing, tasting, and pondering, a process full of intui...Aesthetics in China is different from that in the West which is centered on the logical approach to the concept of "beauty," and is highly typified by chewing, tasting, and pondering, a process full of intuition and contemplation. Instead of "beauty," "charm" is the central category in Chinese painting, presenting a different aesthetic system from that in the western world.展开更多
基金This article is part of the research results of the National Social Science Foundation’s major project in the field of art(Project number 21ZD12).
文摘Ink freehand brushwork is the soul and the highest level of artistic spirit in art categories such as painting and sculpture.Sculpture art and Chinese ink painting art have their own commonalities.I attempted to investigate the stone carvings of Huo Qubing’s tomb in the Western Han Dynasty,combined with Tang Dynasty tomb carvings,which greatly helped me in the creation of Chinese ink painting art.I drew inspiration and nutrients from it,and realized what is art.What is the spirit of art?You can find the answer from it.
基金Research Project on Degree and Postgraduate Education and Teaching Reform of Jiangxi Normal University(YJG201804).
文摘Teaching evaluation is an indispensable part of the teaching system of junior high school.In order to inherit the excellent traditional Chinese culture and arts,traditional Chinese painting has been paid more and more attention to in the fine arts curriculum of rural junior high school.This paper takes the classroom teaching evaluation of traditional Chinese painting as a form of fine arts in rural junior high school as the research object,and analyzes the problems existing in the classroom teaching evaluation of traditional Chinese painting in rural junior high school.This paper puts forward the corresponding improvement measures from the aspects of comprehensive evaluation object,concrete evaluation content,flexible evaluation language and diversified evaluation subjects,in order to improve the evaluation level of fine arts teachers'classroom teaching,improve students'aesthetic cognition and learning interest in traditional Chinese painting,and cultivate students'innovative thinking and spirit.
文摘This paper investigates the reproduction of Chinese painting in the digital age. In particular, how does a website asan interface influence viewers’ response to a Chinese handscroll? The paper begins with a critical description of aweb interface of Freer Gallery of Art and Arthur M. Sackler Gallery, followed by an analysis of the originalpainting. Fishermen on an Autumn River, that the interface digitizes and displays. The last section points out theinfluence of digitization on the relationship between viewers and digital heritage.
文摘The evolution of tools plays a very important role in promoting the development of a kind of painting and can even shape the development.In the process of the development of Chinese painting,the emergence and improvement of writing brush and xuan paper have directly led to the reform of the categories and methods of Chinese painting.During this period,the relationship between Chinese painting art and the medium of water is getting closer and closer.The uncontrollability of water also provides more possibilities for the uniqueness and changeable pen and ink effect of Chinese painting.It can be said that without the unique tools and medium of Chinese painting,the art of Chinese painting may lose its most important support.
文摘ZHANG Qing was initially drawn to the bird and flower paint-ings of the Tang and Song dynasties (7th-12th centuries). Later,Qing Dynasty (1644-1911) artist Ren Bonian, famous for hispaintings of figures, also became an important influence.Although Zhang Qing considers his style to be firmly rooted in tradi-
文摘The history of Chinese painting and calligraphy mounting can date back to the Warring States period(475-221 BC).This unique craftsmanship saw its heydays in
基金This paper is supported by the projects:Humanities and Social Sciences Project of the Ministry of Education of China(21YJCZH228)Research Startup Fund Project of North China University of Technology.
文摘The reclusive dwelling is an important part of the traditional philosophical culture of ancient China.The Chinese spiritual imagery of reclusion is mainly represented by narrative mediums of poems,paintings,and garden works,resulting in artistic visualization with poetic implication.The article analyzed six Chinese landscape paintings of reclusive dwelling theme,in terms of narrative medium,visualization,and implication.The intention is to conclude the reclusive dwelling schema of Chinese landscape painting and study a visualizing methodology involved spiritual implication on dwelling,which could be beneficial to both contemporary art and architectural creations.
文摘Born in August 1954 in Taian,Shandong Province, the renowned painter Wu Jinliang has been obsessed with painting since his childhood.Wu made a name for himself by creating a number of excellent paintings when he served in the army.After graduating from the Jinghua Fine Arts School,he continued his studies at the China Central Academy of Fine Arts. Wu received training from many painting masters,such as Dong Shouping,a great contemporary master of calligra-
文摘The interpretation of the traditional Chinese paintings done by Xie Lijun vividly expresses a woman’s tolerance and silence. In traditional Chinese paintings black is the main component and the function of the color red is only to provide a striking contrast, so it is only used occasionally. On the contrary, in "Spotless. ,Jade-Like Personality." the color red is the main color in the painting. So different from its usual function, the red set against the quiet internal world passes from the expression of the figure’s eyes. The red color adds more elegance and inlplicit meaning to the work.
文摘The Chinese painting Flood Ouerflows Jinshan Temple draws its subject from a beautiful and well-known legend,The white Snake.In the tale Jinshan was an islet in the Yangtze River of yesteryear.Inorder to aave her husband kept in a temple at the top of the isle.Bai Niangzi.incarnation of the whitesnake.bravely fought Monk Fahat.She borrowed the Yangtze River’s water to overcome Jinshan Templeand force Fahai to release her husband.
文摘Qi Zilai inherited the painting skills of her grandfather Qi Baishi, a giant of contemporary Chinese painting. She is the only woman of the third generation of Qi family painters, Qi Zilai has been deeply influenced by
文摘Yang Hua, a female painter from Hainan Province forms her style of modern Chinese painting with an original, exotic and ingenious means of artistic expression. Full of vigor, her paintings convey intimacy among human beings. She expresses her feelings towards nature and society through her dimly visible and disorderly pictures. The harmony of abstract
文摘Though small and graceful, Zhang Leiping has a painting style that is straightforward and unconstrained. "Usually, I’m timid," she says. "But once I have the pointing brush in my hand, I become very bold." Inspired from within, this woman painter’s work is a natural revelation; her paint gives artistic life to the mountains, rivers, grasses and trees of her motherland.
文摘In traditional landscape painting in China,water has always occupied an important artistic position and space,and painters in different ages had different ways to express water.Systematically sorting out the methods of water painting in Chinese painting is of great significance for us to gain a comprehensive understanding of the artistic styles,cultures and artistic languages of different times.It is also of great reference value for those learning Chinese painting.
文摘Aesthetics in China is different from that in the West which is centered on the logical approach to the concept of "beauty," and is highly typified by chewing, tasting, and pondering, a process full of intuition and contemplation. Instead of "beauty," "charm" is the central category in Chinese painting, presenting a different aesthetic system from that in the western world.
