On the Study of Translation Approaches of Culture-loaded Words in Literary Works

Culture-loaded words refer to expressions and idioms that carry typically culture messages. The peculiarity of one culture cannot be understood or accepted by readers from another culture. The uniqueness very likely makes misunderstanding and may lead to cultural vacancy in other cultures. Due to the culture differences between Chinese and English, it is hard for a translator to achieve complete equivalence at the level of word. This paper discusses the translation approaches of Chinese cultureloaded words in literary works.

A perspective from Kenneth＇s works： On musical term translation

This paper mainly discusses some translation issues on musical works and terms of musical documents. Musical term translation is established by usage, musical researchers and those who understand music have no problems of understanding the musical terms and musical instruments and names of famous musicians. Foreign scholars obtain the ideas of Chinese culture by means of published writings in the mainland, Taiwan and Hong Kong, and also from the media and the Internet. Since there are cultural differences of mainland, Taiwan and Hong Kong, they may make misunderstanding in their works related to Chinese musicians, historical events and even musical instruments. Accurate back-translation of specific terms from the works written by foreign scholars requires corresponding specific and historical knowledge, consulting dictionaries and skills of using the Internet.

On the Translation of Ceramic Art Works From the Perspective of Cross-Cultural Communication

In order to combine the aesthetic characteristics of ceramic art works with translation principles and fully convey the cultural and artistic connotations of the original works,the research was conducted and can be divided into three stages:theoretical research on translation of cross-cultural communication,appreciation of ceramic works of art,and translation practice of ceramic works of art.Through the research,we found that some methods like transliteration can be used to better promote the globalization of Chinese ceramic art and deepen cultural exchanges with other countries.

On Impacts of Cultural Soft Power on Translation -by Analyzing Popularity of Yu Hua’s Works in US

With the emergence of the Cultural School in the 1990s, researchers began to deem that translation is inevitably associated with political tendencies and aspirations of social groups, and the relationship between source language and target language has never gone beyond politics and are always entangled with power. From political perspective, this thesis will take the popularity of Yu Hua’s works in US into account to analyze and explore how cultural soft power, has impacts on translation activities, especially translation direction and source text selection.

A Study of the Translation of Chinese Idioms from Selected Works of Mao Zedong

Based on the bilingual corpus of Selected Works of Mao Zedong from Shaoxing University,this paper intended to study the English Translation of Chinese Idioms of the anthology.By comparing the translation of the idioms in different contexts,this paper analyzes the factors influencing Chinese-to-English translation,discusses the methods and strategies for translating Chinese idioms into English,and summarizes innovative conclusions.In addition to improving English proficiency,the process can enhance the learning quality of Chinese and English,translation capability,English-Chinese comparative research ability,and benefit the spreading of time-honored Chinese culture.

From Text to Field:Study on the Intercultural Communication of Music in Collection of Chinese Works and Translations by Matteo Ricci from the Perspective of Maritime Silk Road

In this paper,with Collection of Chinese Works by Matteo Ricci written by Zhu Weizheng and A summary Interpretation of Chinese literature of Matteo Ricci in Ming and Qing Dynasties written by Tang Kaijian as major research texts and historical basis,as well as intercultural communication as the major research method,the aesthetic adaptation of native music of traditional Chinese music,etiquette,sacrifice and religious customs under the description of Matteo Ricci is discussed and interpreted from the perspective of the spread of musical culture of the Maritime Silk Road,four stages of field investigation are planned,and related musical activities and local musical phenomena appearing in his literature have an on-site visit.In this way,the vital position and historical significance of Matteo Ricci’s cultural missionary activities in the music communication on the Maritime Silk Road are obtained.

The Missing of Emotional Feelings in the Translation of Ci Works——A Comparison between Yulingling and Its Translation

Yulinling is a famous piece of Ci by Liu Yong of the Song Dynasty.It is one long-cherished classical in lamenting the sorrow of departure.The author pictures a gloomy scene of separation:the cold autumn,the long corridor,the misty sea and the lonely boat,all the scenes depicting the sorrow and unwillingness of the separation between the two who are in deep love.The translator translated it into Eng lish in order to express his depressive feelings but he did not convey the depressive meaning of the original Ci in full extend.He lost some of the intentional feelings of the original in his translation.Through the comparison between Yulingling and its translation,the paper dis cusses the missing of emotional feelings in the translation of Ci works.

Analysis of Chinglish in Chinese-English Translated lyrics

As English spreads across China, Chinglish appears and causes difficulties in international communication and does harm to the spreading of Chinese culture. This paper analyses six types of manifestation of the Chinglish in translated lyrics. And the author finds that although Chinglish could be a tool to produce an effect of amusement, it is still a misshapen and hybrid English and can be the inhibition of a successful international communication.

A Brief Discussion on the Cultural Differences Reflected in the Translation between Chinese and English in the Film Works

With the increasingly frequent economic and political exchanges and close ties between countries in the world, the cul-tural carriers represented by film works have become an important form of communication between countries. In this context, moreand more attention has been paid to the translation of film works, and practitioners in this field also want to bring more smooth anddeep viewing experience to other audiences. Starting from the difference between Chinese translation and English translation, thispaper explores the specific elements of cultural differences and the reasons for this phenomenon, hoping to contribute to a compre-hensive and in-depth exchange of world culture.

Strategies of Back Translation of Works on China Written by Modern Foreign Scholars--Illustrated by Translation of Chinese Characteristics

Since 1980s,with the deepening of the cultural communication between China and western countries,more and more works on China written by modern foreign scholars are translated into Chinese,and most of the versions are of high quality. But there also exist some common deficiencies,the most representative of which lie in the versions reflecting the Chinese elements,that is,the versions are ( 1) less formal; ( 2) less idiomatical and ( 3) unable to correct the errors of the original. However,translation practice shows that back translation is an effective way to solve the problems above. Based on the discussion of the back translation theory and his experience from translating Chinese Characteristics,the author presents some corresponding strategies about back translation.

On Implicit Information Translation of Shakespeare' s Works from the Perspective of Relevance Theory:In the Case of Zhu' s Translation and Liang' s Translation

The Relevance Theory put forward by Sperber and Wilson not only gives rise to a new research on pragmatics, but also provides a new theoretic foundation for other disciplines. Gutt applies the theory to translation and gives a relevance-theoretic account of translation. The relevance-theoretic communicative model provides rational explanation for existence of the implicit information. The appropri ate treatment of the implicit information is consistent with readers' cognitive environment and expectation. Human communication de pends on not only the text, but also the inferential context. The adequate contextual effect is derived from the correct judgment and infer ence of the implicit information in communication. Therefore, the translator should match the original author' s intention with target text readers' expectation to make sure that they yield adequate contextual effects with appropriate processing efforts. Implicitness is one of the features of Shakespeare' s works. It is more demanding for the translators to catch and transfer to the target readers the implicit information. Zhu Shenghao and Liang Shiqiu, the two famous translators adopt different translation strategies to deal with the implicit information in the works.

Context Awareness and Word-rendering in the Teaching of Chinese-English Translation

In the teaching of Chinese-English（C-E） translation, the cultivation of students＇ awareness of context is very important. As far as word-rendering in C-E translation is concerned, contextual analysis can help student solve such problems as the precise comprehension of the SL（source language） words, the translation of vague words and polysemous words, the conveyance of implicature and non-correspondence of word meaning.

Chinese-English Translation of Advertisements

This paper is on the Chinese-English advertisement translation. It gives people an orderly discussion with examples in three parts:the problems in current advertisement translation, the causes of these problems, essential steps of making the Chinese-English translation of advertisement onto an appropriate way. This paper also suggests the principles of Chinese-English advertisement translation:natural, precise and understandable.

Cultural Vacancy in Chinese-English Translation and Its Compensation Strategies

Attempts are made to explore the relationship between culture and translation, reasons are illustrated for the phenomenonof cultural vacancy and compensation methods for cultural vacancy are demonstrated in Chinese-English translation. Such strate-gies as literal translation, liberal translation, transliteration, annotation and cultural omission are of great guidance to our transla-tion practice.

Mapping the small-world properties of brain networks in Chinese to English simultaneous interpreting by using functional near-infrared spectroscopy

The aim of this study is to examine the small-world properties of functional brain networks inChinese to English simultaneous interpreting(SI)using functional near-infrared spectroscopy(INIRS),In particular,the fNIRS neuroimaging combined with complex network analysis wasperformed to extract the features of functional brain networks underling three translationstrategies associated with Chinese to English SI:"transcoding"that takes the"shortcut"linkingtranslation equivalents between Chinese and the English,code-mixing"that basically does notinvolve blingual procesing,and"transphrasingn that takes the long route"involving amonolingual processing of meaning in Chinese and then another monolingual processing ofmeaning in English.Our results demonstrated that the small-world net work topology was able todistinguish well bet ween the transcoding,code-mixing and transphrasing strategies related toChinese to English SI.

Peer Feedback in Chinese-English Paragraph Translation Practice:A Case Study

This pilot research is to explore the efficacy of peer feedback in translation teaching and learning in the context where College English Test has great influence on university’s language teaching and learning through a case study.It will shed some light on pedagogical thinking in the context of Chinese ESL teaching and learning.

On Errors in Chinese-English Translation of Public Signs

With more attentions being paid to the research of the Chinese-English translation of public signs,errors and mistakes can be frequently observed in some places and occasions due to different cultural backgrounds as well as diversified function of public signs.For that reason,the author venture to analyses the problems existing in Chinese-English translation of public signs on the level of linguistic and culture such as spelling errors,harsh tones and so on.Meanwhile the author offer some strategies and principles of translation based on the communicative translation method and as well as the quality of translators perspectives,including the methods of functional priority,of utilization of Pin Yin and so on,hoping to optimize the quality of the public signs translation so as to publicize China and promote the image of China and arose the attention and awareness of the translators.

On the Cultural Untranslatability in Chinese-English Literary Translation

The paper is intended to study the cultural untranslatability in Chinese-English literary translation and its compensation with a view to find some practical strategies in translation when untranslatabiltiy occurs. Based on Eugene A. Nida’s classification of language culture, the author analyzes causes of cultural untranslatability in terms of ecological culture, material culture, social culture, religious culture, and linguistic culture through specific examples. As the cultural untranslatability is conditioned, variable, and dynamic, some translation strategies are proposed for tranferring untranslatability to translatability.

Chinese-English translation of banners for conventions and exhibitions： A skopos perspective

As China＇s convention and exhibition industry strides forward to internationalization, Chinese-English translation of banners for conventions and exhibitions is more frequent than ever before. Based on Vermeer＇s skopos theory, the core theory of functionalist approaches, the paper analyzes authentic examples and highlights the techniques of translation for this type. With representative examples, the paper illustrates the necessity of adopting skopos theory in Chinese-English translation of banners for conventions and exhibitions.

A brief analysis of the classical poetry Chinese-English translation： From the perspective of ＂Beauty in three aspects＂

With the growing of mutual communication between different cultures, the translation of classical Chinese poetry becomes quite significant in the contemporary times. This paper first briefly introduces classical Chinese poetry, major classical Chinese poetry translation schools and their representatives, and professor XU Yuan-zhong＇s famous principle of ＂Beauty in three aspects＂. In order to help disseminate this part of Chinese culture through discussing how the reader of the translation may be inspired, moved and aesthetically entertained in the same way as one reads the original, this paper will analyze the classical poetry Chinese-English translation from the perspective of ＂Beauty in three aspects＂, namely, in three parts--beauty in meaning, beauty in sound and beauty in form. Thus, it serves the purpose to offer a relatively comprehensive view of the classical poetry Chinese-English translation.