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Transition and Transgression of Identity in Chuck Palahniuk's Survivor
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作者 Drd. Ali Mohammed Hasan 《Sino-US English Teaching》 2018年第1期38-43,共6页
The post-modernist concerning with identity and subjectivity posits that identity is multi-faceted and constantly gets re-constructed by choice. This results in increasingly fragmented and unstable identities leading ... The post-modernist concerning with identity and subjectivity posits that identity is multi-faceted and constantly gets re-constructed by choice. This results in increasingly fragmented and unstable identities leading to an inevitable breakdown in social relationships and sanity. A limited and dependable set of coherent identities began to fragment into a diverse and unstable series of competing identities. Post-modernism stifled the idea of nation, religion, family, and identity as bedrocks of stability and security. Disillusioned post-modernist world has deconstructed the well-defined boundaries that governed the life, otherwise, transition and transgression through and across these domains became the norm that allowed negotiation in daily lives. Where the subject became a terminal of multiple networks, consciously enacting the repetitions through which identity was getting produced and changed, demonstrating identity's "performativity". Establishing that what we believe to be true is only a construction or an interpretation of reality, shaped by our own socially constructed bias, thereby putting to scrutiny the idea of reality and real itself, which removed any sense of objective reality and with it the notion of an objective self. Identity is constantly changing and transitioning, the idea of the self which is entangled with multiplicity, heterogeneity, difference and ceaselessly becoming caught between the present and future, real and unreal, death and life. This research paper will carry out an analysis on evidential aspects in the selected novel and will further interpret the episodes of transition and transgressions that inform this novel. 展开更多
关键词 TRANSGRESSION SUBJECTIVITY IDENTITY TRANSITION chuck palahniuk
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消费文化语境与男性气质危机——论查克·帕拉纽克的《搏击俱乐部》
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作者 孝红波 《辽宁师范大学学报(社会科学版)》 2013年第5期732-736,共5页
《搏击俱乐部》是一部诊断美国当代社会文化症候的经典之作,查克·帕拉纽克以其犀利的语言、深邃的笔触揭示了20世纪末美国的社会问题。在消费文化的背景下,现代人变得浮躁焦虑、麻木虚荣,曾经的伦理道德和价值标准在追名逐利和浮... 《搏击俱乐部》是一部诊断美国当代社会文化症候的经典之作,查克·帕拉纽克以其犀利的语言、深邃的笔触揭示了20世纪末美国的社会问题。在消费文化的背景下,现代人变得浮躁焦虑、麻木虚荣,曾经的伦理道德和价值标准在追名逐利和浮夸攀比中日渐沦丧和退化,处于消费主义重压之下的现代男性更是处于崩溃的边缘,男性气质面临危机。我们将立足当代消费文化语境,借鉴鲍德里亚的消费社会理论和康奈尔的多元男性气质理论,采用文本分析与社会历史语境相结合的解读方法,以查克·帕拉纽克的代表作《搏击俱乐部》为阐释文本,探讨20世纪末美国消费社会中的男性气质危机问题。小说展示了查克对消费时代的"X一代"人的独特思考和人文关怀。 展开更多
关键词 查克·帕拉纽克 《搏击俱乐部》 消费文化 男性气质 身份建构
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