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Color Expression and Mood Creation in Imagery Oil Painting
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作者 Yixuan Xu 《Journal of Contemporary Educational Research》 2024年第1期7-12,共6页
Oil painting is a traditional Western painting form.With the introduction of China and the influence of China’s traditional painting and aesthetics,the painting style became more distinctive,expanding a new developme... Oil painting is a traditional Western painting form.With the introduction of China and the influence of China’s traditional painting and aesthetics,the painting style became more distinctive,expanding a new development direction of oil painting,and thus imagery oil painting came into being.Color,as the most important element in imagery oil painting,mainly plays the role of mood creation and emotional expression.Many creators are good at injecting their thoughts and emotions into the paintings through color matching,so as to enhance the artistic expression of the paintings.This paper analyzes the color expression characteristics of imagery oil painting and explores the color expression techniques in imagery oil painting and mood creation of imagery oil painting from several aspects. 展开更多
关键词 Imagery oil painting color expression Mood creation
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Effects of Pigment Indicators on the Color Expression of Leaves of the Colored-leaf Garden Plants 被引量:1
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作者 唐存莲 《Agricultural Science & Technology》 CAS 2014年第11期1928-1934,共7页
[Objective] In this study, the relationship between the pigments and the color expression of leaves of colored-leaf plants was discussed. [Method] The colors of leaf blades of 6 kinds of plants were analyzed with the ... [Objective] In this study, the relationship between the pigments and the color expression of leaves of colored-leaf plants was discussed. [Method] The colors of leaf blades of 6 kinds of plants were analyzed with the Royal Horticultural Soci-ety Colour Chart. The chlorophyl content, carotenoids content and anthocyanin con-tent in leaf blades were determined. In addition, the color types of leaf blades, kinds of pigments, pigment contents and pigment distributions of 6 kinds of plants were compared. [Result] The chlorophyl contents ranked as Populus canadensis Moench (green leaves) 〉 Populus deltoids cv. Zhonghuahongye (purple green leaves) 〉 Populus euramericana cv. Quanhong (red leaves); Acer palmatum Thunb. (green leaves) 〉 Acer palmatum cv. Atropurpureum (purple red leaves) 〉 Acer pal-matum Thunb. cv. Atropurpureum (red leaves). The ranking of anthocyanin contents was just opposite. The chlorophyl content was negatively related to the anthocyanin content. The leaf color of plants is determined by various pigments. The more the chlorophyl is, the greener the leaf is. The more the anthocyanin is, the redder the leaf is. In the colored-leaf plants, the chlorophyl content represents about 80% of the content of pigments, the carotenoids content represents about 17%, and the an-thocyanin represents about 3%. There is a difference in the chlorophyl content be-tween colored-leaf plants and green plants. However, the relatively low chlorophyl content wil not hamper the normal life activities of colored-leaf plants. [Conclusion] We hoped to provide reference and basis for the production and landscaping of col-ored-leaf plants. 展开更多
关键词 Pigment indicator colored-leaf garden plant color expression Effect
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Color Expression of Architectural Emotion Language from the Perspective of Public Art
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作者 SUN Lin WANG Feng JI Xiang 《Journal of Landscape Research》 2016年第5期65-68,73,共5页
Against the background of "architecturalization" of public art, the significance of architectural color design lies not only in the visual element of architectural environment, but also in the emotion expres... Against the background of "architecturalization" of public art, the significance of architectural color design lies not only in the visual element of architectural environment, but also in the emotion expression of city culture and spirit of the time. Architectural colors should be constructed from the 6 aspects, namely, conveying city spirit, coordinating the environment, showing regional characteristics, reflecting public concept, obtaining public sympathy, combining cultural connotations of color and functions of space. Moreover, the impact of regional culture on architectural color should be properly handled, the emotions of architecture for the city reflected on the surface of architecture, which can reverse the convergence of city images to some extent, and promote the diversity of regional humanistic architectural landscapes. 展开更多
关键词 Public art Architecture Diversified culture Emotion language color expression
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Flavonoid content and expression analysis of flavonoid biosynthetic genes in herbaceous peony(Paeonia lactiflora Pall.)with double colors 被引量:4
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作者 WU Yan-qing WEI Meng-ran +1 位作者 ZHAO Da-qiu TAO Jun 《Journal of Integrative Agriculture》 SCIE CAS CSCD 2016年第9期2023-2031,共9页
Herbaceous peony(Paeonia lactiflora Pall.) is a famous flower with medicinal values, and its flowers have a number of medicinal constituents, especially flavonoids. In this study, a P. lactiflora cultivar with doubl... Herbaceous peony(Paeonia lactiflora Pall.) is a famous flower with medicinal values, and its flowers have a number of medicinal constituents, especially flavonoids. In this study, a P. lactiflora cultivar with double colors including white outer-petal and yellow inner-petal was used as the experimental materials to perform the qualitative and quantitative analysis of flavonoids by high-performance liquid chromatograph-electrospray ionization-mass spectrometry(HPLC-ESI-MSn) and investigate the expression patterns of flavonoid biosynthetic genes using real-time quantitative polymerase chain reaction(Q-PCR). The results showed that the colors of both petals gradually weakened with flower development. Moreover, one main anthocyanin composition(peonidin 3,5-di-O-glucoside) and five main anthoxanthin compositions(kaempferol di-hexoside, kaempferol-3-O-malonylglucoside-7-O-glucoside, quercetin-3-O-galactoside, luteolin-7-O-glucoside and isorhamnetin-3-O-glucoside) were found in the both, differing significantly in their peak areas only. Total anthocyanin, anthoxanthin and flavonoid contents in white outer-petal and yellow inner-petal gradually decreased during flower development, and were consistently higher in white outer-petal. Furthermore, the expression patterns of nine structural genes in P. lactiflora flavonoid biosynthetic pathway showed that the expression levels of phenylalanine ammonialyase gene(Pl PAL), chalcone synthase gene(PlC HS), flavanone 3-hydroxylase gene(PlF 3H), anthocyanidin synthase gene(PlA NS) and UDP-glucoside: flavonoid 5-O-glucosyltransferase gene(Pl F5GT) in two petals basically presented declined tendencies, and transcription levels of Pl PAL, Pl CHS, Pl ANS, Pl F3 GT and Pl F5 GT also tended to be higher in white outer-petal, which was correlated with their flavonoid contents. These results would lay a solid foundation for the exploration and utilization of flavonoid resources in P. lactiflora flowers. 展开更多
关键词 herbaceous peony flower color flavonoids gene expression
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Genetics and Expression of the Brown Lint Gene in Colored Cotton
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作者 JIA Yin-hua,SUN Jun-ling,ZHOU Zhong-li,PAN Zao-e,DU Xiong-ming(Cotton Research Institute,Chinese Academy of Agricultural Sciences Key Laboratory of Cotton Genetic Improvement,Ministry of Agriculture,Anyang,Henan 455000,China) 《棉花学报》 CSCD 北大核心 2008年第S1期93-,共1页
The major cotton grown commercially in the world is white lint,but recently many people prefer to have garments made by natural colored cotton.This can be used directly in textile industries,avoiding the complicated a... The major cotton grown commercially in the world is white lint,but recently many people prefer to have garments made by natural colored cotton.This can be used directly in textile industries,avoiding the complicated and unsafe processes of bleaching and dying,and thus it is eco-friendly.However,little is known about the heredity of the colored lint gene in colored cotton.In the present study, 展开更多
关键词 GENE Genetics and expression of the Brown Lint Gene in colored Cotton
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Effect of ploidy level on expression of lycopene biosynthesis genes and accumulation of phytohormones during watermelon(Citrullus lanatus) fruit development and ripening 被引量:4
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作者 DOU Jun-ling YUAN Ping-li +6 位作者 ZHAO Sheng-jie HE Nan ZHU Hong-ju GAO Lei JI Wan-li LU Xu-qiang LIU Wen-ge 《Journal of Integrative Agriculture》 SCIE CAS CSCD 2017年第9期1956-1967,共12页
The difference between lycopene and phytohormone levels among diploid, triploid and tetraploid plants of two watermelon cultivars during fruit growth and ripening was studied. The expression pattern of five genes(phy... The difference between lycopene and phytohormone levels among diploid, triploid and tetraploid plants of two watermelon cultivars during fruit growth and ripening was studied. The expression pattern of five genes(phytoene synthase(PSY1), phytoene desaturase(PDS), ζ-carotene desaturase(ZDS), carotenoid isomerase(CRTISO), and lycopene β-cyclase(LCYB)) was analyzed in details. In red-fleshed cultivar Mimei, lycopene content increased rapidly from 25 to 35 days after pollination(DAP), and then decreased at 40 DAP. Triploid and tetraploid fruit had higher levels of lycopene than diploid. Moreover, triploid tended to contain more lycopene than tetraploid during fruit growth and ripening stages. However, little amount of lycopene(0–2 mg kg–1 fresh weight(FW)) in yellow-fleshed cultivar Huangmei was found during all fruit development stages. In Mimei, transcript level of PSY1 was generally higher than the other four genes, and LCYB gene expression was the lowest among all five genes being tested. PSY1, CRTISO and LCYB genes showed higher transcript levels in polyploid than in diploid fruit. By contrast, in Huangmei, transcript level of LCYB was not the lowest, but only lower than that of PSY1. PSY1, CRTISO and LCYB genes showed higher expression levels in diploid than in polyploid fruit. In Mimei, the negative correlation between gibberellane(GA) content and lycopene accumulation was determined in all three different ploidy fruits, while a positive correlation was observed between abscisic acid(ABA) content and lycopene accumulation only in diploid watermelon. These results indicated that different lycopene contents in different ploidy watermelons is regulated by the differential transcription expression of the lycopene metabolic genes and phytohormones. 展开更多
关键词 watermelon lycopene gene expression ploidy flesh color phytohormone
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米切尔绘画中的色彩探析
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作者 赵诗怡 《色彩》 2024年第5期37-39,共3页
本文旨在研究米切尔绘画中的色彩表达,从观念与绘画主题出发探析了其色彩观形成的原因。具体分析米切尔作品中的色彩运用,论述画家个人的记忆与情感如何介入其创作过程,并最终形成具有主观性色彩的画面表达。以此阐明米切尔对于主观色... 本文旨在研究米切尔绘画中的色彩表达,从观念与绘画主题出发探析了其色彩观形成的原因。具体分析米切尔作品中的色彩运用,论述画家个人的记忆与情感如何介入其创作过程,并最终形成具有主观性色彩的画面表达。以此阐明米切尔对于主观色彩、观念与技法的独特理解,分析这位艺术家独特的色彩风格,以及对后世艺术家的启示。 展开更多
关键词 琼•米切尔 色彩 美国抽象表现主义
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色彩运用在油画创作中的角色与运用技巧
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作者 霍亚楠 《色彩》 2024年第3期95-97,共3页
色彩在油画创作中扮演着至关重要的角色,不仅丰富了画面的语言和情感表达,还营造了独特的意境与氛围,带给观者美的享受与视觉冲击。通过分析不同风格与创作流派如印象派、写实主义、抽象派和表现主义中的色彩运用,本文探讨了色彩对油画... 色彩在油画创作中扮演着至关重要的角色,不仅丰富了画面的语言和情感表达,还营造了独特的意境与氛围,带给观者美的享受与视觉冲击。通过分析不同风格与创作流派如印象派、写实主义、抽象派和表现主义中的色彩运用,本文探讨了色彩对油画风格的影响以及色彩运用的技法与技巧,包括色彩搭配的和谐美、色彩对比的动态美和色彩渐变的统一美。这些技法与技巧为油画创作提供了无限的可能性,使画家能够以更深层次的情感和意识形态来表达自己的创作理念。 展开更多
关键词 色彩美学 油画创作 印象派 写实主义 表现主义 抽象派
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英汉颜色词修辞色彩比较研究 被引量:14
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作者 张宗久 《四川外语学院学报》 CSSCI 北大核心 2008年第1期114-119,共6页
颜色词是每一个民族的语言中不可缺少的重要部分,具有重要的修辞功能,同时也反映着一个民族的文化传统,反映语言使用者的认知过程。人类认知的共同性,反映以使用不同母语的人使用颜色词的相似性。在使用两种语言进行交际时,应兼顾颜色... 颜色词是每一个民族的语言中不可缺少的重要部分,具有重要的修辞功能,同时也反映着一个民族的文化传统,反映语言使用者的认知过程。人类认知的共同性,反映以使用不同母语的人使用颜色词的相似性。在使用两种语言进行交际时,应兼顾颜色修辞功能的差异和共同点。 展开更多
关键词 颜色词 英汉对比 基本色彩 表情色彩 联想色彩
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构成之环:本源美学的回归——从抽象表现主义到色域境界 被引量:1
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作者 郝文杰 《大连大学学报》 2011年第4期98-100,共3页
西方现代艺术对本源意识的追思,贯穿于各种流派之中,以抽象表现主义与色域绘画为代表来阐明其对本源美学的回归意向,具有学术价值;抽象表现主义与色域绘画在对艺术本源的境界追求上,走向了自觉,而这也正是艺术的真正开端。
关键词 本源意识 抽象表现主义 色域绘画
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诗与梦的演绎——陈少平水彩艺术解读
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作者 周勋君 《鄂州大学学报》 2004年第1期39-42,共4页
水彩是一门外来艺术,如何使这门具有自己特殊绘画语言的艺术与中国传统绘画的逸笔神韵相结合,使这门世界性艺术打上中国文化的烙印,并被世界人民所接受,是水彩画家和理论家们长期思考的一个问题。陈少平先生以其独特的艺术经历和体验,... 水彩是一门外来艺术,如何使这门具有自己特殊绘画语言的艺术与中国传统绘画的逸笔神韵相结合,使这门世界性艺术打上中国文化的烙印,并被世界人民所接受,是水彩画家和理论家们长期思考的一个问题。陈少平先生以其独特的艺术经历和体验,对此作出了探索。他在充分利用水彩个性化语言的同时,以表现的手法参透中国古典绘画的象外之象,并揉合了民间美术的率真与质朴,创造了一种独特的中国水彩的艺术面貌。 展开更多
关键词 陈少平 水彩艺术 色彩 形式关 民族化 意境
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“表现主义”对当代高温颜色釉陶瓷绘画的美学影响
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作者 章朝辉 《陶瓷研究》 2019年第1期114-116,共3页
高温颜色釉的诸多材质,在不同气氛烧出的不同色彩。色彩的结晶与流动性产生的丰富色彩机理等等,这些几乎与崇尚个性,不拘泥于传统的表现主义有些天然的共性。
关键词 表现主义 高温颜色釉的材质 精神与观念 新的价值
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“高望近寻”的炽情与“彩弦色音”的芳华——领略王雪飞的绘画世界
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作者 陆猛 《技术与教育》 2018年第2期57-63,共7页
通过对王雪飞艺术作品的解读与创作发展过程的梳理,揭示她绘画世界中的精神理念与情感波涛的涌动轨迹。王雪飞的艺术创作主要呈现为泛表现主义与非女性主义特色,在《情殇系列》《婚礼系列》《鱼水系列》《花系列》等极具个人风貌的作品... 通过对王雪飞艺术作品的解读与创作发展过程的梳理,揭示她绘画世界中的精神理念与情感波涛的涌动轨迹。王雪飞的艺术创作主要呈现为泛表现主义与非女性主义特色,在《情殇系列》《婚礼系列》《鱼水系列》《花系列》等极具个人风貌的作品中,以"彩弦色音"般的现代视觉语言讲述了具有准传记性质的"青春叙事"与"成长故事"。王雪飞在对徐渭、梵·高、蒙克等作持续"高望"过程中,通过艺术创作完成了一次自我辨识、自我确认与自我成长的"近寻"周期。 展开更多
关键词 王雪飞 泛表现主义 非女性主义 高望近寻 彩弦色音
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浅析美国抽象表现主义绘画的风格类型 被引量:1
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作者 韩丽丽 《蚌埠学院学报》 2012年第4期30-32,共3页
通过分析把美国抽象表现主义画家分为两大类:从风格上看,以波洛克和德·库宁等为代表的画家把动作和姿态作为创作的基础,认为过程是至关重要的,被称为"行动绘画";以纽曼、罗斯科和马瑟韦尔等为代表的画家,讲究大片的统一... 通过分析把美国抽象表现主义画家分为两大类:从风格上看,以波洛克和德·库宁等为代表的画家把动作和姿态作为创作的基础,认为过程是至关重要的,被称为"行动绘画";以纽曼、罗斯科和马瑟韦尔等为代表的画家,讲究大片的统一的色形或色块,表达一种抽象的符号或形象性的作品,被称为"色域绘画"。 展开更多
关键词 抽象表现主义 行动绘画 色域绘画 形式美
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光的轨迹
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作者 汤德良 《苏州丝绸工学院学报》 2001年第5期92-94,共3页
光在西方传统的写实绘画中是一个重要的造型元素 ,也是西方写实绘画的一个主要特征。本文追踪光在写实绘画中的历史发展轨迹 ,分析绘画用光的起源、成熟及其演变 ,试图探寻其规律 ,并研究光在绘画中作为视觉语言的审美价值。
关键词 绘画 视觉语言 审美价值 明暗造型
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试论表现主义对服装设计的影响
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作者 钟信群 夏剑武 《纺织科技进展》 CAS 2009年第5期79-81,共3页
服装设计是人类心理的一种表现形式,受以蒙克为代表的表现主义的影响,欧洲许多服装设计师都大胆应用表现主义中的精神,以服装作为载体,对客观形态进行夸张、变形乃至怪诞处理来表达内心世界。探索表现主义和服装设计的内在联系,对当今... 服装设计是人类心理的一种表现形式,受以蒙克为代表的表现主义的影响,欧洲许多服装设计师都大胆应用表现主义中的精神,以服装作为载体,对客观形态进行夸张、变形乃至怪诞处理来表达内心世界。探索表现主义和服装设计的内在联系,对当今服装设计的发展和研究有着深刻意义。 展开更多
关键词 表现主义 服装设计 夸张 心理 色彩 思想 设计影响
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表现主义油画色彩风格在影像艺术情感表达中的作用研究
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作者 陈艳 《色彩》 2023年第12期71-73,共3页
表现主义油画色彩风格是20世纪初兴起的一种艺术流派,以其强烈的表现力和丰富的色彩运用而著称。本文旨在探讨表现主义油画色彩风格在影像艺术情感表达中的作用。通过深入研究表现主义油画色彩的特点与对情感的直接影响,从象征性、氛围... 表现主义油画色彩风格是20世纪初兴起的一种艺术流派,以其强烈的表现力和丰富的色彩运用而著称。本文旨在探讨表现主义油画色彩风格在影像艺术情感表达中的作用。通过深入研究表现主义油画色彩的特点与对情感的直接影响,从象征性、氛围塑造以及角色塑造等角度分析色彩在情感表达中的重要意义。同时,本文也将展示表现主义油画色彩风格在情感表达中的多样性与独特性,为未来相关研究提供一定的指导。 展开更多
关键词 表现主义 油画色彩风格 影像艺术 情感表达
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中国传统绘画精神与具象表现绘画色彩关联性研究
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作者 张耀文 《流行色》 2023年第3期33-35,共3页
具象表现绘画是一种以艺术现象学作为理论依托,强调视觉直接性的一种绘画方法论,其通过对视觉性和创作主体心性的不断求真,来表现画家对事物的原初感受和画家内在主体性。具象表现绘画与我国传统绘画中存在诸多共同的表征特点,尤其是在... 具象表现绘画是一种以艺术现象学作为理论依托,强调视觉直接性的一种绘画方法论,其通过对视觉性和创作主体心性的不断求真,来表现画家对事物的原初感受和画家内在主体性。具象表现绘画与我国传统绘画中存在诸多共同的表征特点,尤其是在色彩方面,因此在具象表现绘画传入中国后,在众多艺术家的不懈努力下,形成诸多优秀的绘画作品。在色彩方面,它与中国传统绘画有着诸多相通之处,本文首先对具象表现绘画的内涵和色彩表现方式进行交代,进而通过艺术家的作品对具象表现绘画的色彩进行分析,最后探究具象表现绘画与中国传统绘画精神在色彩方面的关联性。 展开更多
关键词 中国传统绘画精神 具象表现绘画 色彩 艺术风格
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“育”与“域”——罗斯科的早期艺术教育理论与艺术实践
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作者 宋寒儿 宋露儿 《美术》 CSSCI 北大核心 2024年第11期146-149,共4页
作为美国抽象表现主义中“色域绘画”的代表艺术家,马克·罗斯科在20世纪40年代中后期形成了他的典型风格——“复合形式”。而在“复合形式”之前,即20世纪40年代之前,罗斯科已经在艺术教育等领域积累了丰富的理论思考,摸索出独特... 作为美国抽象表现主义中“色域绘画”的代表艺术家,马克·罗斯科在20世纪40年代中后期形成了他的典型风格——“复合形式”。而在“复合形式”之前,即20世纪40年代之前,罗斯科已经在艺术教育等领域积累了丰富的理论思考,摸索出独特的自我风格。这一阶段理论与实践的成果对其后期典型风格的形成有着深远的影响。本文的研究重点将聚焦罗斯科20世纪30年代至40年代的艺术教育理论与实践创作,以期深化对罗斯科艺术更为全面、深入的认知。 展开更多
关键词 罗斯科 抽象表现主义 色域绘画 艺术教育
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