Empirical Research on Tourists' After-trip Perception of Landscape Preference in the Confucius Temple in Nanjing City

Thurstone’s Comparative Judgment Model was applied to measure characteristics of tourists’after-trip perception of landscape preference in the Confucius Temple,a famous historical block in Nanjing City.The results show that(a)as time goes by,the tourists’time perception differentiation has continuously sublimated from the general experience into the peak experience,and gradually evolved into the core experience element in the overall perception.In terms of content,perceptional contents of tourists decrease in sequence of the Confucian culture,the commercial culture and the culture of refined scholars.As a whole,tourists’after-trip perception differentiation has 3 sections:halo zone,sub-halo zone,and gray zone.(b)Because of tourism development,the Confucian culture is influenced by other cultures,and the commercial culture shows the trend of"over-generalization",and the culture of refined scholars has weakening carriers and modes of inheritance.Inheritance of its unique cultural connotations deserves increasing attention.

Interpreting The Clockmaker from the Perspective of Greenblatt’s Cultural Poetics

Thomas·C·Haliburton(1796-1865)establishes a literary fame as“the first Canadian writer to establish an international reputation”and a great humorist,with the publication of his masterpiece The Clockmaker(1836).Centering on Nova Scotia,the origin place of Canadian literature and the first British colony in Canada,the book conveys deep concerns on local reality under the British colonization in the 1830s.Haliburton as a Loyalist firmly opposes violent revolution against the British Empire whereas promotes gradual evolution in the colony.This is a typical demonstration of ideological contradictions in colonies.Greenblatt’s Cultural Poetics generally explores political consciousness and ideology in literary texts.It surpasses the dichotomy mode of Western radical ideology and never views the relationship between domination and resistance as a simple confrontation.From the perspective of Greenblatt’s Culture Poetics,this essay interprets the process of“improvisation of power”,“subversion”and“containment”in the colony reflected in The Clockmaker in order to explore Nova Scotians’awakening of independence awareness in the 1830s.

Comparative Analysis of Two Famous English Versions of Analects of Confucius

The Analects of Confucius is a great Chinese classic with far-reaching influence all over the world.There are many translation versions of it,among which Thomas Cleary’s and Arthur Waley’s translation are the most well-known.Based on careful study,this paper makes a comparative analysis of the translation versions of Cleary and Waley,mainly from two aspects:the translation of key words and the translation of special sentence patterns and rhetoric.After a detailed comparative analysis of some typical examples,it is concluded that:Cleary’s translation is easy for western readers to understand because many culture-specific items are deleted.And Waley’s translation tries to be faithful to the style of the original text,thus building a bridge for western scholars to study Confucius.

Shandong Winery of Confucius Family's Banquet Liquor

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翻译文学的本土化策略探析——以The World’s Desire两个译本解读为例

目标语意识形态和诗学是影响翻译文学本土化的两个重要操控因素。林纾、周作人对英国冒险小说家哈格德The World’s Desire的翻译有着诸多差异,体现了意识形态和诗学在翻译本土化过程中所发挥的作用。这两个译本折射了翻译文学在中国的传播演变过程,也对中国文学翻译出口有一定的借鉴意义。

谈T·S艾略特文艺批评

托马斯·斯特恩斯·艾略特是美国和英国争相拥有的名士。他兼诗人、评论家、戏剧家于一身。在美国,艾略特的论著比他的诗歌的影响更为深远。他提出了“非个人化”与“客观对应物”等新的诗歌创作原则,对现代文学批评,特别是英美新批评派及诗歌创作产生了巨大的影响,推动了诗歌创作和文艺批评的发展、繁荣。文章从四个阶段来探究艾略特文艺批评发展的轨迹。

殊途同归——T.S.艾略特的诗学本体论和哈罗德·布鲁姆的“影响的焦虑”之比较

T.S.艾略特和哈罗德·布鲁姆是20世纪两位著名的文学理论批评家,但是他们对文学的传统和文学写作方式的态度截然不同。艾略特的诗学本体论反对浪漫主义,提倡诗人在写作的时候应该消除个性,依附于比个人有价值的伟大传统。布鲁姆推崇浪漫主义,认为传统给予后来诗人不健康的影响,后来诗人的写作都是出于对前辈诗人影响的焦虑。艾略特和布鲁姆的理论均指出了文学创作中的规律,他们本人也都反映出对方理论的特征。艾略特本人就是"影响的焦虑"的典范,布鲁姆的写作也深深得益于传统。更重要的是,尽管他们的意见相左,他们都一致强调创新,因为创新永远是文学发展的动力。

Aristotle and Hollywood： Dramatic Structure From Ancient Greece to Avatar ＆ Beyond

It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar （2009）, the basic structure and development closely ＂follows＂ the guidelines for drama and storytelling laid out by Aristotle in his The Poetics, written several thousand years ago. We are specifically speaking of three act （beginning, middle, and ending） structure, focusing more on plot than character, and the need for a final resolution （catharsis）. But throughout literary and cinematic history, not everyone has followed these rules. Ironically, we take a close look at the award-winning Greek director Theo Angelopoulos＇ Ulysse＇s Gaze （1995） staring Harvey Keitel, as an example of a very non-Aristotelian approach to filmmaking and storytelling. Angelopoulos＇ film is character rather than plot centered on the Harvey Keitel figure and the journey of the narrative can be broken down to between 8-10 acts, depending how you describe them. We discuss many of the standard American ＂how to write screenplay book＂ authors such as Syd Field, while bringing a variety of authors such as Lajos Egri （The Art of Dramatic Writing） who criticize both Aristotle＇s Poetics and the way it has been interpreted for centuries especially in Hollywood. We conclude that there is a middle ground as well, for while Casablanca （1942） has a clear three act structure, it does not give us a happy romantic ＂Hollywood＂ ending/resolution as Rick insists that Lisa leave with her husband.

T. S. Eliot＇s Spiritual Journey in Designing The Cocktail Party as a Drama of Conversion

In his quest for spiritual fulfillment, Thomas Stearns Eliot conducts a meticulous religious study which teaches him distinctive interpretations of human existence and their various functions that they are supposed to assume in the world. Eliot＇s personal attachment to religious knowledge and his reflections of religious studies inevitably manifest themselves in his literary works; be it his dramas or poems, mostly in the forms of philosophical and psychoanalytical analysis of his characters and the detected problems observed in their relationships. The Cocktail Party, a play starting off as a drawing-room comedy soon converts to a serious analysis of human psychology and the nature of human interactions. While engaging with these particular points, the play offers possibilities to discuss several religious allusions, though dealt with subtly. Integrated with religion, characters＇ attitudes towards a given situation and their final decision position them in their quest either in ＂hypothetical＂ enlightenment or in a ＂supposed＂ repetition of a vicious circle. The enforcing power behind the play is interestingly a psychiatrist, who adds dynamism and mystery to the plot and has a special task in making the play a drama of conversion. The inner conflicts of the characters which ultimately lead to a series of problems in their relationships are the main concern which causes the characters search for different solutions. Accordingly, they make their own choices to cease their inner struggles. This paper aims to explore the concept of conversion in Eliot＇s The Cocktail Party with references to the playwright＇s religious journey in his literary career.

Research on the Investment Effect of Chinese Cultural “Going Out” —Empirical Evidence from the Countries along the “Belt and Road”

This paper is based on 2006-2017 relevant data of 56 countries along the “Belt and Road” to find out the investment effect of cultural “going out”. The empirical results show that: cultural “going out” has a significant promotion effect on China’s foreign direct investment;this effect has national heterogeneity, which is more effective for emerging markets and developing countries;for some traditional influence factors, such as traditional GDP per capita and time for diplomatic relations, cultural “going out” has a substitution effect. Finally, according to the empirical results, put forward targeted suggestions.

U.S.’ Recognition, Evaluation of China-U.S. Educational Cooperation and Its Enlightenment to China--Analysis Based on the Survey Reports by U.S.’Policy Elites

Educational cooperation is one of the key factors to embody humanistic exchanges and promote the development of international relations.Through the analysis of four survey reports on China-U.S.educational cooperation,it is found that American policy elites generally attach importance to the distribution of power,the application of law,mutual benefit between the two countries in educational cooperation,and pay attention to the potential motivation and influence of China.China should rationally refer to the views and suggestions,strengthen the effectiveness of dialogue mechanism,enhance the credibility of international discourse,and at the same time encourage the negotiation and governance among cooperative universities,so as to promote the stable and sustainable development of education cooperation.

“诗”之“言”--论孔子诗学的哲学意义

孔子诗学视域中“不学诗,无以言”,从“诗”之意义视域的转换、“学诗”与“学礼”的对应、“诗”之“言”的价值依据,推动了孔子诗学“哲学的突破”。“《诗》《书》执礼,皆雅言也”,意味着孔子诗学的道德取向、语辞与语气的温文尔雅、“温柔敦厚”的君子人格、“执礼”与“仁”的相通。我们既不能仅以现代汉语的修辞方式,也不能以古希腊哲学传统的诗性语言,来评判孔子诗学视域中“诗”之“言”与“雅言”的思想价值,唯其如此,孔子诗学的哲学意义才能得到更合理的安顿与理解。

Re-Contextualizing Lu Xun＇s Early Thought and Poetics in the Journal Henan

In this paper I will re-contextualize Lu Xun＇s early thought, as evidenced in his lengthy classical-style essays, which are concerned with issues in literature, philosophy, politics and aesthetics during an era when China was facing profound cultural changes. Part of their significance lies in the way they provide us with an unabashed glimpse at what Lu Xun set out to accomplish, early on, in his new-found literary career. Although they are mainly the product of his final Lehrjahre （years of study） in Japan, the fact that he chose to include the two longest of them in the very first pages of his important 1926 anthology Fen （The grave） indicates that he considered the views expressed therein neither too immature nor too pass- to reprint at the height of his career as a creative writer. In fact, he wrote that one of his reasons for doing so was that a number of the literary figures and issues treated in these essays had, ironically, taken on an increased relevance for China ＂since the founding of the Republic.＂ The central concern of all the essays turns on questions of cultural crisis and transition. What I propose to do in this paper is to re-examine the essays within the context in which they first appeared, i.e., the expatriate Chinese journal Henan, then published in Tokyo as an unofficial organ of the anti-Manchu Tongmenghui （Revolutionary Alliance）.

述论《关雎》诗解

“诗解”一词包含两层意蕴,一是对诗文本的疏解,二是对诗所负载的社会功用的判定。《关雎》原为先民歌谣,在儒学独尊的背景下被奉为圭臬,历代研究者对其不断注解疏正,诗解延传更迭,赋予《关雎》个人进德、主文谲谏、人伦教化等社会意义或功能。回顾千年的《关雎》诗解史,“诗学”和“经学”构成了两条基本的阐释路径。该文选取《关雎》诗解发展中较为重要的时间节点,论及先秦、两汉、宋代、清代、近代的代表诗解,希冀以此把握《关雎》诗解的发展脉络。新时代再读《关雎》,其体现了完满的男女相合之义,当为礼制影响下的爱情诗之冠冕,是古典爱情诗歌范式。

上博《诗论》简的作者和作年──兼论子羔也可能传《诗》

上海博物馆２９支《诗论》简，不能全归诸孔子名下，其 中既有孔子之说，也有孔子弟子之说。孔子这位解《诗》的弟子，很可能是子羔。传孔子和 子羔《诗》说的，是孔子弟子子羔以外的再传弟子。先秦儒家传《诗》，孔子以下，是多元 而并非单线，其中也有子羔一系。

复调理论与生存世界的主体间性——从巴赫金诗学看莫言小说的复调叙事

莫言以复调叙事肯定生命主体在场的内在精神与逻辑视角与巴赫金的对话思想相吻合,其创作通过人物的内心对话、现实与寓言的交融、视角的切换等方式构建了一个以平等对话为基础的主体间性生存世界,表现出生命存在本真的边界模糊与无序状态,为小说文本的多义性提供了广阔的空间,亦使之成为一个多所指、多中心对话交往的主体间性话语场域,表现出鲜明的后现代意义。

唐代佛教寺院文化与诗歌创作

以寺院、精舍、招提、兰若等为题材的诗歌在唐诗中占有相当的比重,构成了唐人诗歌创作的一个重要现象。唐人诗歌中这类题材数量的众多,是唐代佛教兴盛与佛教寺院文化发达影响的结果。佛教寺院独特的山水景观与人造景观,为诗人提供了创作之诗思与素材;诗人独游与群游寺院时,作为一种表现与交流的需要以及在寺院的寺壁题诗,刺激了诗人创作的兴趣;而以官僚文人以及寺僧为首,在寺院组织的诗会联唱活动,也对诗人的创作以及联唱体式诗歌的发展产生了巨大的影响。

从春秋祀孔到孔子纪念日:民国时期时间秩序重构的一个个案

根据民国时期相关史料,分析这一时期孔子诞日的旧历日期以及以这一旧历日期为基础的孔子诞日纪念的日期确定方法,发现孔子纪念日在民国时期的改造与确立是政府以时间秩序重构实现社会秩序重构的一个缩影。这一过程围绕两条线索展开:一是通过对周期性制度时间的规定与控制实现社会控制,这主要体现在政府对孔子诞日的指定与移置上;二是通过这种周期性纪念仪式的改造来重构和强化社会记忆,当官方对这一周期性纪念日的起点做出重新规定时,这一重构行为已经开始。

上博简《孔子诗论》对诗教学说的理论贡献

上博简《孔子诗论》对儒家诗教学说的理论贡献体现在说诗体系与理论创造两个方面。《孔子诗论》突破了此前断章取义、借此证彼的说诗方法,说诗始终着眼于作品本身;作者第一次对颂、大雅、小雅、国风四类作品大旨进行归纳,这有助于说诗走向体系化。竹书作者将战国前期儒家的性情学说和礼学家的礼义思想落实到《诗》学研究之中,初步呈现出“发乎情,止乎礼义”的理论倾向,这对此后儒家构建说诗理论模式具有重要的启示意义。