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The history and present of art casting in China 被引量:1
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作者 Derui TAN 《China Foundry》 SCIE CAS 2004年第1期17-22,共6页
History of art casting in china has been over 5000 years. In the past few thousand years, numerous forming and decorating skills of art castings had been created, and left behind precious treasures in the world metal ... History of art casting in china has been over 5000 years. In the past few thousand years, numerous forming and decorating skills of art castings had been created, and left behind precious treasures in the world metal arts and crafts. In individual historical period and at different terrain, a unique artistic style formed, which flashed brilliant light in world artistic treasury. 展开更多
关键词 The history and present of art casting in China
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Bourriaud's Relational Aesthetics, Lacanian Aggressivity, and Teaching Contemporary Art History to Studio Art Students
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作者 Scott Contreras-Koterbay 《Journal of Literature and Art Studies》 2011年第3期190-200,共11页
Nicholas Bourriaud's relational aesthetics is regarded as a new approach to art history and criticism, but has recently been appropriated by many art programs as a pedagogical and productive strategy in the classroom... Nicholas Bourriaud's relational aesthetics is regarded as a new approach to art history and criticism, but has recently been appropriated by many art programs as a pedagogical and productive strategy in the classroom. While there is much that is positive in Bourriaud's ideas in the first sense, its translation into a studio situation is problematic. Offering a corrective through Lacanian psychoanalysis, with acknowledgement of additional figures with corresponding ideas, it is proposed that Bourriaud's ideas are valuable additions to pedagogy generally but are equally in need of modifications that encompass a critical understanding of the desire structures of both students and faculty. 展开更多
关键词 Bourriaud relational aesthetics Lacan PEDAGOGY studio art art history
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Representations of Contentious History Through Art:The Collective Trauma of Guernica
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作者 Borislava Manojlovic 《Cultural and Religious Studies》 2018年第11期630-642,共13页
The question this study is attempting to address is how art can be used as a tool for promoting sustainable peace and the formation of a critical and accountable citizen.Such humanistic function of art is challenged i... The question this study is attempting to address is how art can be used as a tool for promoting sustainable peace and the formation of a critical and accountable citizen.Such humanistic function of art is challenged in situations where society has been wounded as it often happens during and after the war.This study claims that challenges are fundamentally connected to the problem of historical narratives,especially those related to collective traumas,their use and role in shaping the views of the future generations.Narratives about the contentious past,and particularly collective traumas,are considered an important part of the cultural capital and collective identity of a society serving as a nation-building tool that unifies and glorifies the“in-group”.They can also serve to mobilize people along ethnic lines,which can lead to tensions and conflict.The aim of the study is to examine historical narratives and representations of the collective trauma of Guernica,the epicenter of the Basque identity and culture.The article concludes with an analysis of the artistic representations of collective trauma,such as the famous Picasso’s painting Guernica that has served to promote the message of peace by provoking critical thinking and accountability. 展开更多
关键词 art education PEACE COLLECTIVE TRAUMA history NARRATIVE
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Research on the Application of CAI Computer Technology in the Teaching of Western Art History
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作者 SHAN Hailan 《International English Education Research》 2019年第2期18-20,共3页
The purpose of the computer aided instruction(CAI)is to improve the teachers'teaching efficiency and stimulate the students'interests in their learning.By using the modem means of the computer aided instructio... The purpose of the computer aided instruction(CAI)is to improve the teachers'teaching efficiency and stimulate the students'interests in their learning.By using the modem means of the computer aided instruction(CAI),we can do a better job in our teaching.The application of the computer-aided instruction(CAI)in the art teaching should be guided by the new ideas and concepts in the best environment for the students to leam in the most efficient and intuitive way to promote the development of the educational modernization.The current situation of the CAI courseware assistant teaching is good as a whole,but there are still some shortcomings in three aspects:the teachers'CAI skill proficiency,the integration and sharing of the CAI teaching resources,and the frequency of the CAI courseware teaching.The teaching of the art history needs to be improved. 展开更多
关键词 CAI computer technology ASSISTANT TEACHING WESTERN art history TEACHING
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The Modern History of England in Art
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作者 Qiang Hao 《Review of Educational Theory》 2020年第4期40-43,共4页
Images are the key for us to sort out modern British history and study the development of early industrial civilization.This paper takes the most classic representative works of those immortal artists in the long rive... Images are the key for us to sort out modern British history and study the development of early industrial civilization.This paper takes the most classic representative works of those immortal artists in the long river of British art to create a section of immortal history,and review the historical fragments of modern Britain from the painting brush of art masters,and intuitively feel the historical customs,dress etiquette and natural scenery of Britain at that time. 展开更多
关键词 BRITAIN IMAGE Painting art Modern history
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Causes and Solutions in Construction of the Historical Conception of Senior High School Fine Art Students
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作者 Jiaxiang Yang Gu Chen 《Review of Educational Theory》 2020年第3期31-36,共6页
Artistic specialty students are relatively special in high school education of our country,fine art students is one of them.This article explains the reasons for the current problems to art students in the process of ... Artistic specialty students are relatively special in high school education of our country,fine art students is one of them.This article explains the reasons for the current problems to art students in the process of constructing the conception of history,combining with the actual conditions,it tentatively proposes corresponding solutions to promote the deepening development of the history teaching of art students and the construction of the conception of history,carry out the educational requirements of“strengthening moral education and cultivating people”in the teaching process. 展开更多
关键词 Fine art students Historical conception history teaching
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Long-Standing History and Eternal Artistic Charm——China's Kunju Opera Art
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《China & The World Cultural Exchange》 2001年第5期4-6,共3页
关键词 Long-Standing history and Eternal artistic Charm In China’s Kunju Opera art
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Virtual Reality and Learning: A Case Study of Experiential Pedagogy in Art History
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作者 James Hutson Trent Olsen 《Journal of Intelligent Learning Systems and Applications》 2022年第4期57-70,共14页
While images are central to the discipline of art history, surprisingly little research has been conducted on the uses of digital environments for teaching in the discipline. Over the past decade, more studies have em... While images are central to the discipline of art history, surprisingly little research has been conducted on the uses of digital environments for teaching in the discipline. Over the past decade, more studies have emerged considering the egalitarian space that can be used by students and teachers in web-based applications and social media. A body of literature has begun to emerge out of a small network of scholars and educators interested in digital humanities and art history, providing examples of how new tools can be integrated into the standard slideshow and lecture format of the field. At the same time, the latest technology that proves revolutionary for the field has had very little study-virtual reality (VR). Additionally, sensory evidence for digital art history and the creation of immersive interactive and multimodal environments for knowledge production is still underexplored. As multiple educational metaverses are currently under development, understanding best practices and pedagogical use of VR has never been timelier. This study seeks to review the pedagogical use of VR in art history current in the field and introduces results from a study of the most effective ways to use these immersive experiences using Bloom’s revised taxonomy. Results confirm that the most effective method to structure VR assignments is to provide training on the technology, provide students with the necessary instructional material to introduce the concept, skill or technique to be learned, create or select an immersive experience that reinforces that topic, and conclude with a debrief or discussion about major takeaways from the experience. 展开更多
关键词 Virtual Reality XR Learning Outcomes art history Experiential Pedagogy
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Gloriaus in History and Flourishing in Friendship──A Review of the Arts and Culture in Jiangsu
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《China & The World Cultural Exchange》 1998年第5期4-7,共4页
关键词 A Review of the arts and Culture in Jiangsu Gloriaus in history and Flourishing in Friendship
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The Function of Generalization in Art History:Understanding Art across Traditions
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作者 大卫.戴维斯 《文艺理论研究》 CSSCI 北大核心 2016年第1期8-19,共12页
艺术史述说例证着巴克桑德尔(Michael Baxandall)所称的对绘画的"推论式批评",而巴氏则又可谓沃尔海姆(Richard Wollheim)所谓"作为救回的批评"的一个例证,本文试图探讨如何评估这些述说的充分性。问题在于,我们要... 艺术史述说例证着巴克桑德尔(Michael Baxandall)所称的对绘画的"推论式批评",而巴氏则又可谓沃尔海姆(Richard Wollheim)所谓"作为救回的批评"的一个例证,本文试图探讨如何评估这些述说的充分性。问题在于,我们要如何对阐释设定更为普遍的"科学"限制,让这些述说的阐释性质以及那些要提供跨文化跨历史理解的诉求一致起来。针对格尔兹探讨的阐释的人种志中提出的问题,本文清理了沃尔海姆有关巴克桑德尔的说法,亦即沃氏认为巴氏所述乃"个案内的概括"而非"跨个案的概括"。为此,针对格尔兹所谓的"个案内的概括",本文提出一种"实用主义的"解读。这样的解读目标在于提供一个"可理解的框架",以便确定一套推定的能指的位置;这个框架存在的理由在于能够服务于我们的阐释实践所植根的认知兴趣。本文认为,巴氏对"推论式批评"的辩护应该视为一种类似于"实用主义"方式的辩护方法。为此,本文从启发式原则的角度,分析了巴氏的论述。 展开更多
关键词 艺术史 阐释 迈克尔·巴克桑德尔 推论式批评 格尔兹 个案内概括
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Chinese Dance-an Art with a Long History
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《China & The World Cultural Exchange》 1997年第2期30-32,共3页
关键词 Chinese Dance-an art with a Long history
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The Value of Tomb Murals in Chinese Art History
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《China & The World Cultural Exchange》 1995年第2期19-20,共2页
关键词 The Value of Tomb Murals in Chinese art history
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Tracing to the Pedigree Origin of Craig Clunas's View of Chinese Art History
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作者 Na Yan 《教育研究前沿(中英文版)》 2022年第2期149-154,共6页
Craig Clunas's academic thinking is deeply influenced by western deconstruction and post-colonialism,among which Foucault's thought of"discourse power"and Bourdieu's theory of"cultural capit... Craig Clunas's academic thinking is deeply influenced by western deconstruction and post-colonialism,among which Foucault's thought of"discourse power"and Bourdieu's theory of"cultural capital"are the most well-known.The knowledge system constructed by the academic circles in Europe and America has great inspiration for Craig Clunas in the study of the history of Chinese art,which enables him to draw knowledge nutrients from these theories,fully consider and learn from these viewpoints and form his own theoretical framework.Craig Clunas integrates the"interdisciplinary"research ideas of western scholars in his research,and tries to use the theories of economics,sociology and anthropology to solve the specific problems of art history.The following is a brief talk about the important influence of two French scholars on Craig Clunas. 展开更多
关键词 Craig Clunas Thinking of Chinese art history Cross-Cultural Perspective INSPIRATION
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The Integration of Network Teaching and Chinese Art History Education in Colleges
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作者 Tiantian Hou 《Journal of Contemporary Educational Research》 2021年第5期47-50,共4页
Based on the network teaching model,this article briefly summarizes the development of Chinese art history education in universities,analyzes the importance of integrating network teaching in Chinese art history lesso... Based on the network teaching model,this article briefly summarizes the development of Chinese art history education in universities,analyzes the importance of integrating network teaching in Chinese art history lessons,and explores the integration strategy. 展开更多
关键词 Network teaching model Colleges and universities Chinese art history teaching Integration strategy
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A Monument in the History of Grotto Art
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《China & The World Cultural Exchange》 2000年第3期24-26,共3页
关键词 A Monument in the history of Grotto art
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概念、视角、叙述与古代中国墓葬美术史书写——巫鸿The Art of the Yellow Springs:Understanding Chinese Tombs评述 被引量:4
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作者 刘晓达 《广东第二师范学院学报》 2012年第1期106-112,共7页
在大量美术考古材料不断出土的情况下,新方法、新视角以及由此衍生出的一些重要的学术概念,构成了最近30年来古代中国墓葬美术史研究的总体特征。如空间性、物质性、时间性这三个学术概念就建构了巫鸿新作《黄泉下的美术——宏观中国古... 在大量美术考古材料不断出土的情况下,新方法、新视角以及由此衍生出的一些重要的学术概念,构成了最近30年来古代中国墓葬美术史研究的总体特征。如空间性、物质性、时间性这三个学术概念就建构了巫鸿新作《黄泉下的美术——宏观中国古代墓葬》的研究线索,也体现出作者希望以提出若干重要学术概念为依托,重新思考古代中国墓葬美术发展的内在理路。同时所呈现出的叙述与分析风格及美术史观,相对于传统的中国美术通史叙述方式,则具有更为宽广的学术视野。这些特征都为以后的古代中国墓葬美术史研究,提供了一个可以继续探索的桥梁。 展开更多
关键词 中国墓葬美术史 巫鸿 《黄泉下的美术》 学术概念 叙述框架
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Su Shi's Yellow Tower and Its History
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作者 QIN Fei XU Jianguo 《Journal of Landscape Research》 2021年第3期9-12,共4页
This paper introduced the history of Su Shi ordering to build the Yellow Tower in the Northern Song Dynasty,and also the cause and effect of rebuilding the Yellow Tower in the 1980s.From its first construction to the ... This paper introduced the history of Su Shi ordering to build the Yellow Tower in the Northern Song Dynasty,and also the cause and effect of rebuilding the Yellow Tower in the 1980s.From its first construction to the process of its several times of collapsing and rebuilding,the Yellow Tower has reflected cultural connotations and spiritual value of different periods,thus the textual research on the history of Yellow Tower is essential for the research on the development of Xu-style landscape architecture. 展开更多
关键词 Su Shi Yellow Tower Architectural arts Architectural history
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Logic as an Art and Logic as a Science" Is It Only Precedents or Tradition?
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作者 Konstantin Skripnik 《Journal of Philosophy Study》 2013年第12期1109-1117,共9页
Nowadays the answer to the question "what is logic?" seems very simple and obvious--"logic is a science," and after that usually one says what is this science about. As for the expressions "logic is an art" or ... Nowadays the answer to the question "what is logic?" seems very simple and obvious--"logic is a science," and after that usually one says what is this science about. As for the expressions "logic is an art" or "the art of logic," then they are only metaphors or some kind of "facon de parler" used in serious scientific discourse. One of my aims here is to trace (on the base of as authentic texts as a commentator literature) the line of development of dichotomy "logic as an art--logic as a science" and to demonstrate that both these feat uses of logic have fundamental historical roots and play very important conceptual role in any theorizing about logic. Despite the fact that (modern) logic is undoubtedly a science, it can be interpreted as an art, moreover, the analysis of logic from this point of view expands, it seems to me, the researching possibilities in the field of the philosophy of logic at least in better understanding what is logic, what creates its unity independently from the historical period of its development, topics, and methods. 展开更多
关键词 LOGIC art of logic logic as a science history of logic
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Reverberating Chinese Traditional Folk Art in a Contemporary Context
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作者 Kong Ho 《History Research》 2013年第1期31-40,共10页
Envisioned as a practice-based research, this paper explored Chinese traditional folk arts and crafts with a focus on traditional decorative patterns, vivid colors, and symbolic motifs that enliven Foshan style paper-... Envisioned as a practice-based research, this paper explored Chinese traditional folk arts and crafts with a focus on traditional decorative patterns, vivid colors, and symbolic motifs that enliven Foshan style paper-cuttings, New Year wood block prints, paper kites, festival lanterns, and Shiwan pottery figures from the areas of Foshan and Shiwan, near Guangzhou, China. The goal of this research was to create a series of original paintings by investigating Chinese traditional folk arts and handcrafts and integrating them physically or ichnographically on Ho's new body of paintings. Chinese traditional motifs including Chinese characters and Buddhist iconographies had already been important motifs in the contemporary Western paintings of Kong Ho for the past 10 years. This paper examined not only the artistic, cultural, and historical values but also the impacts of Chinese traditional folk arts and era~ on Ho's painting through a personal research travel and studies of a certain amount of Chinese paper-cuttings, folk prints, pottery, and handcrafts found in the famous Foshan Folk Art Studio and Foshan City Shiwan Ceramics Factory in Foshan, China. Furthermore, this paper investigated the symbolic meanings founded in Ho's spiritual paintings with strong Chinese heritage and how he reinterpreted those artifacts in a contemporary context. 展开更多
关键词 Chinese cultural and art history traditional Chinese folk arts and contemporary Chinese paintings
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From Fashion to Art: the Combination of Fashion and Exhibition
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作者 Xiting Peng 《Proceedings of Business and Economic Studies》 2020年第3期58-60,共3页
In recent years,fashion exhibitions have become a major force for attracting guests outside catwalks and shops.This article will mainly talk about the history of fashion exhibitions,the influence of fashion exhibition... In recent years,fashion exhibitions have become a major force for attracting guests outside catwalks and shops.This article will mainly talk about the history of fashion exhibitions,the influence of fashion exhibitions and the controversies of fashion exhibitions. 展开更多
关键词 Fashion exhibition history art museum Main influence
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