Between the City and Images:An Analysis of Mainstream Media’s Paths of Constructing the Cultural Memory of a City:Taking Chengdu Radio and Television’s“Hi Chengdu”as an Example

Mainstream media play a crucial role in constructing the cultural memory of a city.This study used 319 short videos released by“Hi Chengdu,”a new media product of Chengdu Radio and Television,as samples.Based on the grounded theory,a research framework encompassing“content,technology,and discourse”was established to explore the paths through which mainstream media construct the cultural memory.Regarding content,this paper emphasized temporal and spatial contexts and urban spaces,delving deep into the themes of the cultural memory and vehicles for it.In terms of technology,this paper discussed the practice of leveraging audio/visual-mode discourse to stitch together the impressions of a city and evoke emotional resonance to create a“flow”of memory.As for discourse,this paper looked at the performance of a communication ritual to frame concepts and shape urban identity.It is essential to break free from conventional thinking and leverage local culture as the primary driving force to further boost a city’s productivity,in order to excel in cultural communication.

The Status Quo and Problems of Red Cultural Sites in the New Era and Their Exploration Paths: Taking the Luxi Region as an Example

Red cultural site is the carrier of red culture,containing profound revolutionary history and value of the times,we should deeply excavate the intrinsic potential of red cultural sites,pay attention to the ontological protection of red cultural sites,develop and improve the red cultural innovation projects,and strengthen the red culture itself and supporting the construction.This paper takes the old revolutionary area of Luxi as an example,conducts field investigation and visits based on the local county records and party history materials,and investigates a total of five red cultural sites and memorial halls in Luxi,focusing on the actual achievements and problems exposed in the protection and development of the current red cultural sites,to provide references and thinking for the protection,development,and innovative utilization of red cultural sites in the new era of our country.

Design Strategy of Hehan Detachment Memorial Hall under the Background of Cultural Tourism

The memorial hall is an important place to learn red culture in China,which plays a positive role in carrying forward red culture and continuing revolutionary spirit.The outline of the “14^(th) Five-year” plan points out that “it should adhere to the integrated development,shape tourism with culture,highlight culture with tourism,and improve the system of integrated development of culture and tourism”.On this basis,it is proposed that the development of memorial halls in the new era needs the integration of culture and tourism.In this paper,the protection status of red culture of Hehan Detachment is investigated,and its existing problems are analyzed.The construction of Hehan Detachment Memorial Hall is taken as research object.The design strategy of the memorial hall is put forward,and rural red culture undertakings and the integrated development of culture and tourism industry are further established and improved.The research could provide a valuable reference for continuing red culture undertakings and innovating the development of culture and tourism industry at present.

Research on Residents' Perception after the Trip to Historic and Cultural Block Based on Urban Memory:A Case Study of Confucius Temple of Nanjing

From the perspective of urban memory, the paper made empirical analysis of residents' perception after the trip to the historic and cultural block, by selecting Confucius Temple of Nanjing as the typical case, using questionnaire survey, mathematical statistics and structural equation model. The results indicated that residents had different perceptions after the trip of different elements of the urban memory and some important influential factors were discussed. Moreover, some implications for local governments and planning department were proposed.

The 5^th Anniversary of the Belt and Road Initiative Witnessing the Rich Activities Held by Overseas China Cultural Centers(Ⅸ)

Nothing can separate people with common goals and ideals,not even mountains and seas. In 2013,Chinese President Xi Jinping proposed a major initiative to jointly build the Silk Road Economic Belt and the 21^st Century Maritime Silk Road.As a result,the Belt and Road Initiative has attracted worldwide attention and embraced a new journey through time and space.In the past five years,the Belt and Road Initiative has been widely recognized by the international community and has yielded positive results.Under this background,the overseas China cultural centers have played a unique role in the going global of Chinese culture by focusing on such functions as cultural exchange,teaching and training,exchange of thoughts and dialogues and information services.These regular activities have facilitated the people-to-people ties.This serial report focuses on the celebrations of the 5^th anniversary of the Belt and Road Initiative held by overseas China cultural centers since March this year.

In the Labyrinth of Memory Cultural Representations About the Warsaw Rising of 1945 in Polish Film and Media Narration

The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.

Sites to Remember： Performing the Landscape in Cultural History

This paper aims to compare and contrast two site-specific performance productions, both designed to grapple with processes of cultural remembrance, whilst also operating as successful tourist attractions. The narratives encompassed by both productions revolve around shared Australian histories, for audiences attracted by place and what it is able to represent. Re-enactments of past events call into the present a consideration of what still remains, with both shows enabling new subjective interpretations of earlier times. The defining difference between the two, however, rests in the context of each performance, in the one case as a commodification of heritage and in the other case as the desire to produce an artistic yet popular theatrical product. Ballarat＇s, Sovereign Hill＇s light and sound show, Blood on the Southern Cross celebrates and commemorates, in mega-spectacle style, the Eureka Stockade, one of Australia＇s key historical events. Using a mechanised display of the original goldmining site of the Eureka rebellion, the performance is operated by computers with video-projection, multi-phonic sound, and moving model forms, with audiences moved around the massive site on transporters. The Piccolo Tales, a contrasting performance most notably in terms of size, unfolds the history of Kings Cross, through its setting in the miniscule iconic Piccolo Bar, in one of the tiny side streets of Sydney＇s bustling and densest suburb. This paper encompasses an investigation of how the cultural inscriptions of the two specific sites interweave with the performance styles, materials, political and social positioning of the works. Previous performance studies examining site-specificity are utilised, including the author＇s analysis of particular festival performances as ＂place-making＂ （Hayes, 2012, 2013）. Smith＇s （2009） model of ＂signposts＂ is used to consider acting within site-specific productions in a new light, whilst both performances are more completely analysed through Schneider＇s （2011） concept of incomplete pasts forming ＂cycles of memory＂.

China Cultural Center in Rabat:A Platform to Share Chinese Culture and Enhance Friendship

In celebration of the Mid-Autumn Festival in 2020,China Cultural Center(CCC)in Rabat presented an artistic feast to share Chinese culture and increase exchanges with local Moroccans.To celebrate the Mid-Autumn Festival in 2020,China Cultural Center(CCC)in Rabat hosted a series of online events to share Chinese culture and increase exchanges with local Moroccans.

Tourists’ Perception of Celebrity Memorial Hall Under Red Tourism Back-ground:A Case Study of Wu Lanfu Memorial Hall

Wu Lanfu Memorial Hall is taken as research object. By combining web text analysis with questionnaire research, comprehensive analysis of tourist experience information (thematic background, scenic area services and hardware infrastructure) of research object is conducted under red tourism perspective. Via further correlation analysis, the dimensions that influence visitors’perception and experience of celebrity memorial hall are found, which attempts to contribute to the more comprehensive promotion of the tourism experience of red tourist attractions. Research results are as below. First, visitors are generally satisfied with the overall perception of celebrity memorial hall, and celebrity memorial hall occupies an indispensable position in the red tourism system. Second, visitors’ potential perception of memorial hall is quite different from their actual perception, and the quality of scenic spots does not match its potential perception. Third, celebrity effect plays a prominent role in red tourism attractions. Fourth, celebrity memorial hall play an important role in the inheritance and dissemination of red culture. Corresponding improvement suggestions are put forward in this paper based on above conclusions, and it aims to provide the reference for the development of red tourism and the spread of red culture in ethnic regions.

Collective Memory and Cultural Symbol:on the Culture of Place Names in Zhengzhou Street

Street culture is an object of sociological studies,from the perspective of community research,sociological theories help to solve such problems as construction of new community and inheritance of community cultures.Old streets and lanes in Zhengzhou City have been given with profound place name culture through the long history of development.Understanding and application of place name culture from the perspective of collective memory and cultural symbol is of great value to urban development and protection of intangible cultural heritage.

＂They Are Married to kunqu＂ ——Cultural Studies Inspired by a Chinese Traditional Theatre

In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu＇s appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting.

A Glimpse of Hong Kong ＂Chineseness＂： Pre-existing Tunes as the Redemption of a Cultural Identity

When the umbrellas were held up against the tear gas attack in the protest on September 28, 2014, the hot issue raised by the marathon-like Yellow Umbrella Movement was not only the matter of politics but also a coincidence created for the Hong Kong locals to face, or to be faced with an already moot cliche： How the Hongkongese can redef＇me and redeem their almost lost socio-cultural identity, particularly under the increasingly hegemonic influences and the socio-cultural invasion of the mainland after the 1997 Handover. My present paper is not intended to discuss the topic of identity on the platform of politics, or the postcolonial studies such as transculturation or cultural hybridty. But instead, I am far more interested in locating such issue on the aesthetic dimension of collective memory, which is revealed in two local contemporary Hong Kong compositions. In the process of shaping and reshaping a form of＂HongKongeseness＂ in which the composers tend to create and the local listeners tend to experience, albeit transient, can appear in every nuance of the sonic metaphor embedded in the pre-existing indigenous tunes of a self-contained compositional work.

数字时代的文化记忆:档案学视域下数字记忆的研究图景与展望

数字记忆是数字时代的记忆新形态,是实施国家文化数字化战略的重要载体。论文利用CiteSpace软件对档案学视域下数字记忆研究的相关文献进行可视化分析,结合人工阅读,描绘数字记忆的研究图景与未来展望,以期为提升档案馆数字文化服务能力提供借鉴。目前研究主要集中于数字记忆的概念内涵、档案馆在数字记忆构建中的功能定位、数字记忆资源建设、数字记忆项目建设以及对数字记忆的理论反思等五个方面。未来建议加强记忆资源聚合、多元协同机制、用户参与机制、典型创新案例和人才培养模式研究。

文化记忆理论视角下三线工业遗产的活化设计策略研究

三线工业遗产是我国社会主义工业化独立自主探索的典型代表,亟需厘清从记忆传承到文化认同的逻辑理路和实践进路。本文以文化记忆理论视角明确了三线工业遗产具备时间、空间、功能三个维度且存在互济、内嵌的逻辑关系,通过建构的方式形成凝聚性结构空间;分析了文化记忆空间营造的过程中的文化记忆要素特性,从文本、意象、仪式三系统进行文化表征、符号象征化的实践路径探讨;总结出参与—唤醒—认同的递进式活化路径,最后提出记忆重现、场景营造、记忆共创的可行性设计策略,为提升三线精神在中华民族红色精神传承中的结构性力量提供有益参考。

民族志动画中的跨越“在场”与记忆“再现”——基于湘西苗族仙娘仪式影像的实践反思

文化记忆是一个民族凝聚群体、实现文化认同的重要内核,其中族群仪式作为一种具体的文化行为深嵌于特定的社会情景场域,对集体记忆和文化记忆的构筑起到关键作用,一直是人类学研究的重要议题。民族志动画通过一套特别的视觉媒介符号体系进行知识生产与意义呈现,在表达回忆、经历等抽象经验方面可跨越“在场”时空屏障,为新时代的影视人类学提供新的范式实验和新的模态可能。基于湘西苗族仙娘仪式影像实践,通过与文化持有者开展互为主体性合作和反身性对话,可生成饱含原住民真切情感的民族志动画影像文本,在影像志的“抒写”中实现仪式记忆的“再现”与族群文化记忆的表达。

老字号品牌文化记忆的叙事性视觉再生设计研究

在当今社会,消费结构和理念正在经历深刻变革,老字号品牌文化记忆因未被转化为可满足现代传播需求的形式,亟需有效激活其再生价值并提升品牌效应。深入分析老字号品牌文化记忆内涵及当代传承状况,探究叙事性视觉再生设计方法体系和当代叙事性传播模式,提出将老字号品牌的文化记忆与叙事性视觉设计相结合的创新理念。进一步探索品牌年轻化、数字化、多维化的视觉再生设计策略,为老字号品牌的复兴和形象升级提供切实可行的设计思路。

优秀文化档案元素代入思政教育体系研究述评和推进策略

中华优秀传统文化档案蕴含着丰富的思想政治教育资源,能够切实提升思政教育体系建设的厚度和效度。目前,关于中华优秀传统文化档案元素代入思政教育相关文献的研究观点主要集中在建设现状、价值意义及方法策略等三个方面,体现出学科交叉、着力点较为分散、理论和实践研究不平衡等特点。本文通过梳理该主题的成果,总结近年来中华优秀传统文化档案元素代入思政教育体系的研究现状,对其推进路径进行探究,以期实现中华优秀传统文化档案的全景呈现与全民共享,为推动文化传承、增强文化自信、建设文化强国提供参考。

庆典仪式和文化记忆——纪念西南第一届戏剧展览会80周年

1944年,在欧阳予倩、田汉、熊佛西、瞿白音等人的倡导下,西南第一届戏剧展览会在桂林举办。来自西南八省的28个单位、895位演职员参加了演出,与会者达千人之数。演出剧目有话剧23个,歌剧1个,平剧29个,桂剧8个等,总计演出170场,观众达十多万人次。西南第一届戏剧展览会具备人类学家维克多·特纳所谓庆典的三要素:“精神”发言人、戏剧节的创作者的作品、戏剧节的欢腾场面的记忆。用皮埃尔·诺拉的“记忆之场”学说,从庆典仪式、作品展现、文化记忆、剧展意义四个方面来阐释,它已作为一种庆典仪式和文化记忆载入中国现代戏剧史册。

商丘历史名人文化教育资源的开发与利用

历史名人文化资源是一些杰出的历史人物在文明演进历程中创造的物质文化和精神文化的载体,是一个地区历史文化的重要象征,承载着区域变迁的历史记忆。开发和利用历史名人文化教育资源,可以使这些优秀的物质文化和精神文化在新时代重新焕发生机。商丘作为一个历史悠久的文化古城,拥有丰富的历史名人文化教育资源。开发这些丰富的历史名人文化教育资源,对于保护和传承历史文化遗产、提升城市形象、推动文化旅游业发展、提高公众文化素养等都具有重要意义。

“一带一路”出版走出去和文化记忆建构

聚焦“一带一路”出版走出去,提炼出其文化记忆建构路径,为“一带一路”出版更好地走出去提供借鉴。本文从文化记忆的视角出发,以“一带一路”出版走出去为研究对象,探究“一带一路”文化记忆建构的内在逻辑和价值旨归,提出通过在历时和共时维度上立体呈现中华文化经典、以“他者”视角融入“世界共同体”、以多模态的传播模式助力文化行业繁荣,以文化记忆的力量来推动构建人类命运共同体。