In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical c...In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical case of providing aneffective model of “literature’s overseas distribution”. The successful experience of itstranslating-cum-disseminating model can be concluded as follows: all the translatorsare from China and overseas with cross-cultural background; the selection oftranslation is stylistically far-ranging among the Mainland, Taiwan and Hong Kong,and feminine literature in modern China is highly valued; translating method aims atconvoying the original literary aesthetics, and disseminating channels are manifold;the foreign recipients are common and professional readers; the eminent effects canbe proved by its considerable sales, library collections and acceptance in the targetcountries and regions. From the successful model of translation of Renditions Series,five implications can be made out for the modern Chinese literature’s “Going-global”:domestic and overseas translators cooperate well with all-round cultural identities; theselection holds onto diversification and literary character; various spreading channelsshould be broadened; target readers should be accurately located and continuouslywidened; translating and disseminating effects can be focused on and analyzed, so asto adjust and improve the corresponding sections in the model.展开更多
Modern Chinese literature witnessed the popularity of Sichuan writers like Li Jieren and Sha Ting,who were well known for their distinctive regional characters and the experiences portrayed in their works,telling unad...Modern Chinese literature witnessed the popularity of Sichuan writers like Li Jieren and Sha Ting,who were well known for their distinctive regional characters and the experiences portrayed in their works,telling unadulterated“Sichuan Stories”and depicting lives in the context of Ba-Shu culture.People even consider their works to be the modern“Chronicles of Huayang(Huayang Guo Zhi)in modern time.”However,when we look at Ba Jin,his works are not like typical Sichuan writers(such as Guo Moruo,Li Jieren,Sha Ting,and Ai Wu).He did not pay much attention to depicting the customs and lives in Sichuan,and we can seldom find the flavor of Ba-Shu culture in his works.When editing Chinese Literature and Regional Culture in the 20th Century in 1995,Yan Jiayan so commented,“To study Sichuan literature Ba-Shu culture,it is not appropriate to pick Ba Jin(though he was a great writer with great contributions)”(Li,1997).As it were,the relationship between Ba Jin and the Ba-Shu culture is delicate.Ba Jin showed his distinctive choices and pursuit in this relationship.By studying the“regionalism”and“non-regionalism”of Ba Jin’s works,we can better understand Ba Jin and his writing.It is also enlightening for us to review the future development of Ba-Shu culture.展开更多
文摘In the process of Chinese Literature’s “Going-out” project, it istypical of the dilemma faced by the external translation and dissemination of modernChinese literature. The Renditions Series serves as a classical case of providing aneffective model of “literature’s overseas distribution”. The successful experience of itstranslating-cum-disseminating model can be concluded as follows: all the translatorsare from China and overseas with cross-cultural background; the selection oftranslation is stylistically far-ranging among the Mainland, Taiwan and Hong Kong,and feminine literature in modern China is highly valued; translating method aims atconvoying the original literary aesthetics, and disseminating channels are manifold;the foreign recipients are common and professional readers; the eminent effects canbe proved by its considerable sales, library collections and acceptance in the targetcountries and regions. From the successful model of translation of Renditions Series,five implications can be made out for the modern Chinese literature’s “Going-global”:domestic and overseas translators cooperate well with all-round cultural identities; theselection holds onto diversification and literary character; various spreading channelsshould be broadened; target readers should be accurately located and continuouslywidened; translating and disseminating effects can be focused on and analyzed, so asto adjust and improve the corresponding sections in the model.
文摘Modern Chinese literature witnessed the popularity of Sichuan writers like Li Jieren and Sha Ting,who were well known for their distinctive regional characters and the experiences portrayed in their works,telling unadulterated“Sichuan Stories”and depicting lives in the context of Ba-Shu culture.People even consider their works to be the modern“Chronicles of Huayang(Huayang Guo Zhi)in modern time.”However,when we look at Ba Jin,his works are not like typical Sichuan writers(such as Guo Moruo,Li Jieren,Sha Ting,and Ai Wu).He did not pay much attention to depicting the customs and lives in Sichuan,and we can seldom find the flavor of Ba-Shu culture in his works.When editing Chinese Literature and Regional Culture in the 20th Century in 1995,Yan Jiayan so commented,“To study Sichuan literature Ba-Shu culture,it is not appropriate to pick Ba Jin(though he was a great writer with great contributions)”(Li,1997).As it were,the relationship between Ba Jin and the Ba-Shu culture is delicate.Ba Jin showed his distinctive choices and pursuit in this relationship.By studying the“regionalism”and“non-regionalism”of Ba Jin’s works,we can better understand Ba Jin and his writing.It is also enlightening for us to review the future development of Ba-Shu culture.
