Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patter...Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patterns continued to innovate in inheritance and add new themes.Among them,the emergence of landscape painting decorative patterns reflected the unique artistic charm of ceramics in the Qing Dynasty,which not only found a new space for Chinese landscape painting,but also added new vitality to Chinese ceramic art.This paper makes a preliminary introduction to the development of ceramic landscape decoration in the Qing Dynasty.展开更多
This paper analyses the decorative polychrome painting of architectural members(caihua)that has survived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng e...This paper analyses the decorative polychrome painting of architectural members(caihua)that has survived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng emperor,the Hall of Mental Cultivation was the residence and centre of daily governance for Chinese emperors.Combining information gained through on-site surveys and scaled drawings executed during a recent conservation project with evidence from historical records and other sources,this study finds that the remaining decorative polychrome painting can be dated to four different historical phases:the reign of the Jiajing emperor;the late Ming and early Qing dynasties;the reign of the Qianlong emperor;and the late Qing Dynasty and beginning of the Republic of China.It reveals that the designs of decorative polychrome painting on architectural members are closely related to changes in the functions of the buildings and imperial use.As part of an investigative conservation project,the study aims to provide a reliable basis for the conservation and repair work in the next step.展开更多
文摘Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patterns continued to innovate in inheritance and add new themes.Among them,the emergence of landscape painting decorative patterns reflected the unique artistic charm of ceramics in the Qing Dynasty,which not only found a new space for Chinese landscape painting,but also added new vitality to Chinese ceramic art.This paper makes a preliminary introduction to the development of ceramic landscape decoration in the Qing Dynasty.
文摘This paper analyses the decorative polychrome painting of architectural members(caihua)that has survived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng emperor,the Hall of Mental Cultivation was the residence and centre of daily governance for Chinese emperors.Combining information gained through on-site surveys and scaled drawings executed during a recent conservation project with evidence from historical records and other sources,this study finds that the remaining decorative polychrome painting can be dated to four different historical phases:the reign of the Jiajing emperor;the late Ming and early Qing dynasties;the reign of the Qianlong emperor;and the late Qing Dynasty and beginning of the Republic of China.It reveals that the designs of decorative polychrome painting on architectural members are closely related to changes in the functions of the buildings and imperial use.As part of an investigative conservation project,the study aims to provide a reliable basis for the conservation and repair work in the next step.
