After the opening of ports in the late Qing Dynasty,Western culture was introduced into China.The local entertainment life presented the phenomenon of the coexistence of the East and the West.A large number of folk en...After the opening of ports in the late Qing Dynasty,Western culture was introduced into China.The local entertainment life presented the phenomenon of the coexistence of the East and the West.A large number of folk entertainment activities were recorded in the Dianshizhai Pictorial which have the function of cultural choice and value dissemination as well as current affairs.This research attempts to use literary analysis and case study to collate the entertainment life in the Dianshizhai Pictorial,combing the characteristics of the late Qing dynasty,and summarizing the value of entertainment in Dianshizhai Pictorial publishing.展开更多
With its unique title art,Dianshizhai Pictorial has become an important document for the study of the intersection of news communication and traditional Chinese culture in the Late Qing Dynasty.This study explores the...With its unique title art,Dianshizhai Pictorial has become an important document for the study of the intersection of news communication and traditional Chinese culture in the Late Qing Dynasty.This study explores the formation mechanism,artistic features,and social influence of the title,from historical allusion,report content,stylistic structure to the appearance of sound and rhyme.Through this research,we hope to reveal the unique charm of the Dianshizhai Pictorial title and its important position in the history of journalism and communication,and to provide a new perspective for understanding the changes of Chinese traditional culture in the process of modernization.展开更多
Dianshizhai Pictorial,originated in 1884,is the first pictorial of news and current affairs in China’s modern history.Its elegant and prevailing expression forms greatly broadened the audience range of the publicatio...Dianshizhai Pictorial,originated in 1884,is the first pictorial of news and current affairs in China’s modern history.Its elegant and prevailing expression forms greatly broadened the audience range of the publication and became an important graphic material for studying the transformation of social life in the late Qing Dynasty of China.This paper claims to give a brief account of the“history of painting”in modern China and provides a spacious research perspective for the above studies.展开更多
文摘After the opening of ports in the late Qing Dynasty,Western culture was introduced into China.The local entertainment life presented the phenomenon of the coexistence of the East and the West.A large number of folk entertainment activities were recorded in the Dianshizhai Pictorial which have the function of cultural choice and value dissemination as well as current affairs.This research attempts to use literary analysis and case study to collate the entertainment life in the Dianshizhai Pictorial,combing the characteristics of the late Qing dynasty,and summarizing the value of entertainment in Dianshizhai Pictorial publishing.
文摘With its unique title art,Dianshizhai Pictorial has become an important document for the study of the intersection of news communication and traditional Chinese culture in the Late Qing Dynasty.This study explores the formation mechanism,artistic features,and social influence of the title,from historical allusion,report content,stylistic structure to the appearance of sound and rhyme.Through this research,we hope to reveal the unique charm of the Dianshizhai Pictorial title and its important position in the history of journalism and communication,and to provide a new perspective for understanding the changes of Chinese traditional culture in the process of modernization.
基金贵州省2018年度哲学社会科学规划国学单列课题阶段性成果,宋元时期宋人别集的编纂与刊刻研究,Serial Number 18GZGX25晚清都市媒体的表意实践--论《点石斋画报》(1884-1898)对性别伦理的认知与表达,Serial Number 202010015034《点石斋画报》(1884-1898)的图文艺术性、现代性传播与出版研究,Serial Number Eb202008.
文摘Dianshizhai Pictorial,originated in 1884,is the first pictorial of news and current affairs in China’s modern history.Its elegant and prevailing expression forms greatly broadened the audience range of the publication and became an important graphic material for studying the transformation of social life in the late Qing Dynasty of China.This paper claims to give a brief account of the“history of painting”in modern China and provides a spacious research perspective for the above studies.
