A Survey of English Translation Studies of Lu You’s Poetry Based on the Data Analysis of Domestic Academic Journals (2001-2022)

This article presents a comprehensive analysis of the current state of research on the English translation of Lu You’s poetry, utilizing a data sample comprising research papers published in the CNKI Full-text Database from 2001 to 2022. Employing rigorous longitudinal statistical methods, the study examines the progress achieved over the past two decades. Notably, domestic researchers have displayed considerable interest in the study of Lu You’s English translation works since 2001. The research on the English translation of Lu You’s poetry reveals a diverse range of perspectives, indicating a rich body of scholarship. However, several challenges persist, including insufficient research, limited translation coverage, and a noticeable focus on specific poems such as “Phoenix Hairpin” in the realm of English translation research. Consequently, there is ample room for improvement in the quality of research output on the English translation of Lu You’s poems, as well as its recognition within the academic community. Building on these findings, it is argued that future investigations pertaining to the English translation of Lu You’s poetry should transcend the boundaries of textual analysis and encompass broader theoretical perspectives and research methodologies. By undertaking this shift, scholars will develop a more profound comprehension of Lu You’s poetic works and make substantive contributions to the field of translation studies. Thus, this article aims to bridge the gap between past research endeavors and future possibilities, serving as a guide and inspiration for scholars to embark on a more nuanced and enriching exploration of Lu You’s poetry as well as other Chinese literature classics.

An Investigation into the Case of Multi-interpretation in Poetry Translation

In translating poems, it is very common that different people have quite different versions of the same poem. This paper therefore intends to expound upon the underlying factors from the perspective of Hermeneutics,by exploring the relationship between the textual meaning and the textual significance of a poem, as well as the relationship between the author's intention and the textual intention of a poem, aiming to explain the key element in translating poems—multi-interpretation.

Reasons of Taoism in Robert Bly's Poetry

Bly's preference of Taoist thoughts to Western philosophy and ideology in his poetry has its deeper reasons. It is his secluded life attitude and his poetics construction that promote him to learn from the ancient Chinese poetry which contains adequate Taoist ideas.

An Ecofeminist Study of Emily Dickinson's Nature Poems

There have been tremendous numbers of researches on Emily Dickinson and her poetry no matter abroad or at home.Herkeen concern and love for nature has aroused today's Eco-critical researchers' interest;her unique writing styles,amazing images,novel structures,anti-convention and challenge of tradition have became a high point in the feminist reading.This paper tries to in-terpret Dickinson's awareness of ecofeminism through reading of her poems.

Emily Dickinson and Her Works

Love is one of the themes of Dickinson's poetry. Love is both sweet and painful, both strong and lingering described in her works. In the poem "Wild Nights: Wild Nights!" the speaker reveals all her innermost feelings to her love. Love is expressed in an unabashed manner. These bitter and sweet interwoven contradictions constitute the tone of her love of poetry.

Sylvia Plath And Her Poetry Viewed In Psychological Aspect

Sylvia Plath is a major representative of the American confessional poetry. Her idiosyncratic poetry and her suicide in1963 aroused an intensive interest and study on her and her poems that hasn't subsided until now. This paper tries to explore the so-called Sylvia Plath myth and analyzes the various factors that molded her extreme psychology, theme and style by Lacanian psychoanalytic approach.

Poet Zang Kejia Talks About Mao Zedong’s Poetry—Commemorating Mao Zedong’s Centenary

ZANG Kejla was already a well-known fi-gure in Chinese literary circles during the1930s.Mao Zedong used to invite him tothe Qingzheng Hall to talk about poetry and edita few pieces,and the two became good friends.AsMao’s 100th birthday approached,I visited thepoet to talk with him about the late chairman’spoetry.Mao Zedong is a name known across theworld.A great revolutionary,politician and mili-tary scientist,he was also a poet at heart.Someforeign observers once wondered that“a poet hadcreated a new China.”His pieces have a veryrevolutionary flavor that recount to his readers

Rebellious Spirit in Shelley’s Poetry

雪莱的诗歌反映了他争取平等和自由的反叛思想。诗歌中揭示了他对上层阶级的诅咒 。

Confucianism in Du Fu＇s Poetry and Sun Dayu＇s Translation

The great Chinese poet Du Fu＇s poetry in the Dang Dynasty has important significance in the development of the world culture. Confucianism is the main theme of his poetry, which penetrates connotation of benevolence, love of all life and self-cultivation. The famous poet Sun Dayu strived to highlight ideological content and the essence of Confucianism in Du Fu＇s poetry through translation. On the basis of deep understanding of the source text and careful choice of words, Sun Dayu mainly used literal translation, free translation and explanation in order to make the target readers know the spirit of Confucianism. His translation activities showed solicitude for national destiny and historical responsibility.

The Influence of Miao Nationality’s Culture in Yuan Xiang Region on the Later Poetry Creation of Qu Yuan

Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.

Study on Dickinson＇s Works under Intertextual Context

Based on intertextuality point of view, researching and studying Dickinson＇s background, education, her family, as well as the society where she lived. Analyzing the Dickinson＇s poets and other writers＇ or poets＇ works in different contexts of classical inheritance, and philosophical thought. To break up the text of the solitary, put the text in the associative network of readers＇ experience, take the text as the link of the writer and the readers, and connect the inheritance, experience of the writer and the readers＇ reading. Use the method of intertextuality to interpret the non-meaning of the text, then to understand the significance of existence of Dickinson＇s works. This thesis mainly studies from the following aspects： It reveals the intertextuality of the works of Dickinson and Shakespeare, Isaac Watts and some Romantic poets from the point of classical context. By studying from the point of Transcendentalism and Existentialism, It explores the intertexutality relationship between Dickinson and Emerson, Thoreau as well as other writers. It also disserts the significance and influences of Dickinson＇s works through comparing and analyzing the intertextuality between Dickinson and Li Qingzhao, Xi Murong, as well as Annebaby.

Boundary of Domestication:Christianized Imagery in English Translations of Mao Zedong’s Poetry

The abundant imagery in Mao Zedong’s poetry is of great political and cultural significance and its English translation plays a major role in spreading New China’s influences worldwide.Comparison reveals that,in translations of a particular kind of imagery with supernatural meanings,some translators took a domesticating stance and Christianized some images with supernatural connotations,adding to them strong Western mythological features.It misinterprets the political and cultural connotations of the original,which is harmful to establish a proper political image and cultural confidence,and violates Mao’s translation thoughts and expectations.Christianization and its causes should be critically investigated.New boundaries should be set for foreignization and domestication methods.By viewing the relationships between the translator’s subjectivity and the author’s will,as well as the pursuit of translation effect and the defence of ideological security,new discourse will be explored to tell the Chinese stories with profound political and cultural thoughts in Mao’s poetry in a correct and well-accepted way.

A Comparative Study of the Three Chinese Translated Versions of Poetry in Jane Eyre

In poetry translation,the translator’s subjectivity in translation activities determines the quality of translation to a great extent,for the translator must try to retain the imagery of the original poetry through their own understanding of the original work.By comparing the three Chinese translated versions of poetry in Jane Eyre by Huang Yuanshen,Zhu Qingying and Wu Junxie,this paper finds that the diachronic interpretation in the process of poetry creation,which is beneficial to the communication between the original work and the readers,helps the readers to experience the aesthetic beauty of the original poetry.

The Image and Text Relationship in TANG Yin＇s Scroll of Poetry and Painting

This paper seeks to examine the image and text relationship in TANG Yin＇s scroll of poetry and painting from three aspects： The first aspect focuses upon the schema type of its image and text relationship in physical form; the second aspect, explores the text＇s/poetry＇s functions of anchorage and relay while appreciating those images/paintings; the third aspect, traces the semiosis process of image, exploring how image and text as cultural products in the epistemological world mediates with the phenomenological world

The Triumph of Poetry over Time in Shakespeare's Sonnets

Since the study of Shakespeare's sonnets came to China,people come to an agreement that there is more than one theme running through these sonnets.The most popular and well-accepted ones are singing for fairness,kindness and truth,singing for friendship,and singing for love.Among all these themes,time,running through these sonnets from the beginning to the end,is absolutely one of the most important.In the eyes of the poet,time is cruel and destructive;however,he figures out poetry as a key way to triumph over it.This article attempts to argue for the triumph of poetry over time in Shakespeare's sonnets based on an analysis to the poetry.

The“Flaneur”in Modernist Poetry

Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneur”and conveys the poet’s reflections on urban life and urban people.By analyzing the characteristics and development of this image in modernist poetry,we can gain a deeper understanding of modernist poetry and urban life.

“三维转换”视角下的杜甫诗歌两译本对比研究

选取许渊冲及宇文所安(Stephen Owen)的杜甫诗歌英译本为研究语料,采用自建语料库,结合量性与质性研究方法,根据生态翻译学中的“整合适应选择度”这一概念,从“三维转换”视角对比分析两译本,一方面展现了两位译者在语言维、文化维和交际维所作的适应性选择的异同,另一方面映现出其译本背后的翻译思想。研究旨在通过两译本的对比分析为中国古典诗歌英译策略的选择提供借鉴与参考,探索出一条适于中国诗歌对外传播的路径。

论核心素养导向的小学语文儿童诗阅读教学

当下的小学语文儿童诗阅读教学存在价值窄化、审美淡化、情感浅化、表达弱化、效能减化等问题,其根源在于儿童诗阅读教学目标、教学内容、教学实施的交错失位。研究认为,解决这些问题宜以核心素养为导向,立足儿童诗文体特质炼制教学内容,进而重构多维语文教育价值:浸润诗韵,提升语言直觉;感受诗境,丰富审美体验;体会诗情,深化文本理解;涵泳诗意,促进创意表达;汲取诗趣,推动生命成长;建构起“双线一体化”的核心素养教学路径。

杜甫对林寿图诗歌创作的影响

林寿图是晚清时期的政治家、文学家,也是少陵原杜甫祠堂重修的出资人。在林寿图学诗的过程中,杜甫一直是他诗歌中重要的取法对象,又由于他与杜甫拥有相似的经历,使之与杜甫产生了精神上的共鸣。杜甫对林寿图诗歌创作的影响主要体现在题材与主题、语词和艺术手法三方面,林寿图还会在诗歌中直接使用杜甫的相关典故,以表达对杜甫的追思。