Construction of Intelligent Recommendation Retrieval Model of FuJian Intangible Cultural Heritage Digital Archives Resources

In order to improve the consistency between the recommended retrieval results and user needs,improve the recommendation efficiency,and reduce the average absolute deviation of resource retrieval,a design method of intelligent recommendation retrieval model for Fujian intangible cultural heritage digital archive resources based on knowledge atlas is proposed.The TG-LDA(Tag-granularity LDA)model is proposed on the basis of the standard LDA(Linear Discriminant Analysis)model.The model is used to mine archive resource topics.The Pearson correlation coefficient is used to measure the relevance between topics.Based on the measurement results,the FastText deep learning model is used to achieve archive resource classification.According to the classification results,TF-IDF(term frequency–inverse document frequency)algorithm is used to calculate the weight of resource retrieval keywords to achieve resource retrieval,and a recommendation model of intangible cultural heritage digital archives resources is built through the knowledge map to achieve comprehensive and personalized recommendation of resources.The experimental results show that the recommendation and retrieval results of the proposed method are more in line with users’needs,can provide users with personalized digital archive resources,and the average absolute deviation of resource retrieval is low,the recommendation efficiency is high,and the utilization effect of archive resources is effectively improved.

Digitizing Dunhuang Cultural Heritage:A User Evaluation of Mogao Cave Panorama Digital Library

Purpose： This study is a user evaluation on the usability of the Mogao Cave Panorama Digital Library （DL）, aiming to measure its effectiveness from the users＇ perspective and to propose suggestions for improvement. Design/methodology/approach： Usability tests were conducted based on a framework of evaluation criteria and a set of information seeking tasks designed for the Dunhuang cultural heritage, and interviews were conducted for soliciting in-depth opinions from participants. Findings： The results of the usability tests indicate that the DL was more efficient in supporting simple information seeking tasks than those of higher-complexity levels. Statistical tests reveal that there were correlations among dimensions of usability criteria and user effectiveness measures. Moreover, interview discourses exposed specific usability issues of the DL. Research limitations： This research is based on a relatively small sample size, resulting in a limited representativeness of user diversity. A larger sample size is needed for a systematic cross group comparison. Practical implications： This study evaluated the usability of the Mogao Cave Panorama DL and proposed suggestions for its improvement for better experience. The results also provide a reference to other cultural heritage DLs with panorama functions. Originality/value： This study is one of the first evaluating cultural heritage DLs from the perspective of user experience. It provides methodological references for relevant studies： the evaluation framework, the designed information seeking tasks, and the interview questions can be adopted or adapted in evaluating other visually centric DLs of cultural heritage.

Theoretical Mechanism and Implementation Path of Digital Technology Enabling Cultural Heritage Protection

Cultural heritage is an important carrier of Chinese excellent traditional culture,based on the background of digital and real integration,introducing symbiosis theory into the theoretical analysis framework of the integration and development of cultural heritage and digital technology has important academic value and practical significance.Based on the in-depth explanation of the connotation of the integration of cultural heritage and digital technology,we specifically analyze the symbiotic unit,symbiotic environment,and symbiotic mode in the dynamic symbiosis system,and discuss the application of digital technology in the protection,dissemination,and experience of cultural heritage.The integration development of Chinese cultural heritage and digital technology has made remarkable achievements,but there are still constraints such as insufficient integration depth,high user demand but weak practical application,and backward protection and utilization cognition.Therefore,it is necessary to accelerate the application and management of technology research and development,pay attention to user needs,and improve the level of social cognition,to realize the value of cultural heritage shared by the society.

A Novel Methodology: Employing Web 3.0 for Cultural Heritage Conservation

This article discusses the application of Web 3.0 technologies to enhance the preservation of cultural heritage.It examines potential uses such as digital archiving,secure transactions of cultural assets,and Web 3.0 technology as a tool in the digital film and television production industry,with a particular focus on visualised methods.By exploring these applications,the article underscores the transformative potential of Web 3.0 in addressing the challenges of cultural conservation in the digital age.The discussion highlights how decentralised frameworks,blockchain technology,and enhanced data ownership can revolutionise the management,protection,and engagement with cultural heritage,offering innovative solutions to technical and ethical issues.Through this analysis,the article aims to provide a comprehensive understanding of the role Web 3.0 can play in safeguarding our shared cultural legacy for future generations.

Research on Modelling Digital Paper-cut Preservation

This paper studies the model of the digital preservation of paper-cut after analyzing the state-of-the-art of the preservation of intangible cultural heritage at home and abroad, focusing on paper-cutting in Hebei, China in a comprehensive approach of sociology, anthropology, folk art, folklore, communication, computer, and information science. Models, methods, and solutions for the preservation and retention of national and folk cultural heritage are proposed. A virtual multimedia interactive system framework of the digital preservation of national and folk cultural heritage is constructed. The standards of paper-cut digitization are studied. The main content of the paper involves： regulated data collection and recording of the scattered Chinese folk paper-cut works in Hebei; digitization, optimization, compression, classification, icon and pattern extraction, vectorization, and work analysis of the first-hand material. This paper also investigates the demonstration, dissemination, database construction, and retrieval of the classified material, icons, and patterns; the demonstration of the reconstruction and application of icon and pattern database; the design and development of an immersive virtual gaming platform of the multi-media scenes and production process of folk paper-cut.

Global Memory Net and the development of digital image information management system: Experience and practice

Global Memory Net (GMNet) is intended to be an effective gateway to the world cultural, historical, and heritage image collections from selected academic educational and research partners in the world. Much of these unique collections of great value to education and research are not currently accessible due to distance, form, and technical barriers. This project is to find new ways to enable users to access and exploit these significant research collections via global network. As GMNet is ending its first 5-year phase in October 2005, it has contributed substantially to the community building in digital library development by ac- commodating numerous collaborators and technical staff from various parts of the world to spend 3 to 5 months as a full-member of the GMNet team in Boston. They have come from different parts of China—such as Sichuan, Hainan, Shanghai and Xi’an; Croatia; and Hanoi, Vietnam. In addition to contribute to the overall system development and enhancement of system function- alities, they have brought valuable sample image collections of their own institutions/countries, and actually developed prototype collections as a part of GMNet. This paper describes the exciting and productive experience of the first of this visiting research group in developing the GMNet’s Version 2.0 PHP-based system under Prof. Chen’s overall supervision. It also describes both the system’s technical level structure—user/Web-based application/data, and complex functionalities with multi-collection, multi-lingual, multi-modal searching capabilities; system management capabilities; as well as provisions for user uploads and retrieval for our own projects. This Version 2.0 system is built on the Linux/Apache/PHP/MySQL platform. What is described in this paper is an actual case which has formed a base for further new development by others in the research group. It demonstrates fully the value of the synergistic collaboration among global partners for universal digital library development. More information can be found in http://www.memorynet.org/.

Shared experiences across multiple devices:a new digital interactive experience method for cultural heritage based on mixed reality

In order to study the role of the new technological concept of shared experiences in the digital interactive experience of cultural heritage and apply it to the digital interactive experience of cultural heritage to solve the current problems in this field,starting from the mixed reality(MR) technology that the shared experiences rely on,proper software and hardware platforms were investigated and selected,a universal shared experiences solution was designed,and an experimental project based on the proposed solution was made to verify its feasibility.In the end,a proven and workable shared experiences solution was obtained.This solution included a proposed MR spatial alignment method,and it integrated the existing MR content production process and standard network synchronization functions.Furthermore,it is concluded that the introduction and reasonable use of new technologies can help the development of the digital interactive experience of cultural heritage.The shared experiences solution for the digital interactive experience of cultural heritage balances investment issues in the exhibition,display effect,and user experience.It can speed up the promotion of cultural heritage and bring the vitality of MR technology to relevant projects.

Evaluating visitor experience of digital interpretation and presentation technologies at cultural heritage sites:a case study of the old town,Zuoying

Digital technologies are increasingly used in the interpretation and presentation process at cultural heritage sites,shifting the manner of heritage display from previous ways,which tended to be monolithic and static,to a more diversified,experiential,and interactive approach and enabling new connections between heritage and the public.Digital experience is gradually becoming an important component of visitors’heritage experience.However,little attention has been paid to the influence and effects that these technologies have on the visitor experience,and a corresponding measurement framework for the heritage digital experience is still lacking.To contribute to the design,implementation,and management of digital display systems at cultural heritage sites,this research aims to evaluate visitors’expectations,acceptance,and experience of digital interpretation and presentation technologies.A mixed methodology,combining questionnaires based on a digital experience evaluation framework and semi-structured interviews,was adopted and used in Old Zuoying City(OZC),a typical heritage site for the application of digital display technologies in Taiwan.Our study indicates that digital display technologies received high acceptance from heritage visitors and had a positive impact on some specific aspects,such as encouraging their exploration of and further learning about the site,helping them better visualize the richness of heritage,and creating new experiences of perceiving,engaging,and communicating with history.In addition,based on the survey findings,a number of recommendations for the current stage of digital display design are presented.The survey results and evaluation framework can be used as a reference for other research on heritage visitors and to improve digital interpretation and presentation design.

笔谈:数字化为文明赋彩——文物和文化遗产数字技术应用现状与实践路径

数字技术在文化遗产领域的应用已从最初的信息储存和传输,发展到数据处理分析,进而进化到今天的自动化和智能化处理与展示,在文化遗产研究、记录、保护、利用等方面起到了至关重要的作用。当前,我国基本形成覆盖文物保护工作全链条的数字化解决方案,并不断创新核心技术与设备,形成通用技术与国际并驾齐驱、特色技术引领国际潮流的发展趋势。数字技术在考古遗址三维空间信息的获取、分析、模拟、研究和展示等全过程中发挥着重要作用,为古代遗址与自然环境之间的人地关系等研究开辟了新的途径。新一代测绘技术,可实现对建成遗产三维数字形式的记录与保存,在精度、纹理、展示分析、交互以及文物古建的数字修复等方面具有不可替代的价值。通过“空间历史大数据”途径,可以打破过往人文学科与空间操作之间的知识鸿沟与技术壁垒,促进文化遗产以体系化技术操作实现“公众化”,通过文化空间实践达成未来城乡高质量发展和历史人文知识存续之间的良性互动。数字化实践在非物质文化遗产保护中的应用范围在不断扩大,已然从保存、宣传扩展到传承、振兴的层面。从全球视野审视数字化这一新兴领域的发展历程和前沿动态,文化遗产数字化面临着建立更完善的数据资源等挑战。

“携手前进”与推动绿色、数字经济发展--新加坡2023年回顾与2024年展望

2023年,政治方面,尚达曼当选新加坡第9任总统,新加坡政党多元性得到强化。以副总理兼财政部部长黄循财为核心的第四代领导团体通过《新加坡携手前进》报告,逐步明确新加坡未来发展蓝图。外交方面,新加坡坚持“大国平衡”和立足东盟的外交政策,与中国建立了全方位高质量的前瞻性伙伴关系。经济方面,受制造业和货物贸易增长放缓的影响,新加坡经济增速趋缓,仅实现约1%的增长,但旅游业稳健复苏,数字经济和绿色经济的快速发展成为经济发展的新动能;新加坡仍坚持贸易立国,与中国签署《关于进一步升级〈自由贸易协定〉的议定书》,与南方共同市场正式签署《南方共同市场—新加坡自由贸易协定》,进一步织密了自由贸易网络。文化方面,通过《新加坡文化遗产计划2.0》、“年轻变革者文化遗产启动津贴”等实现了文化遗产的创新开发利用,增强了新加坡国民的身份认同。展望2024年,新加坡将稳定推动领导权力的交接,第四代领导团体将继续通过“新加坡携手前进”议程进一步明确未来发展方向,并凝聚共识,助力下一届大选;将继续坚持“大国平衡”和立足东盟的外交政策,积极拓展国际合作空间;经济方面预计将实现1.0%~3.0%的增长。

“数字化生存”条件下中华多民族非遗传播的新生态

“数字化生存”已成当代生存新趋势,对中国这样的多民族国家来说,各民族非物质文化遗产应该有机会共同享有数字化传播红利,从而构建起新的文化认同与民族国家共识。在文化传播新生态构建中,当前需要重点打造的议程包括两方面:一是突破特定民族非遗在物理小区域传承传播的传统,在中华民族整体的新文化叙事空间中,能让“独特性”通过多民族共同体建设出协同参与的新文化。二是获得虚拟空间全球开放传播福利的同时,按照数字媒介空间规则,如何再造传统小族群、小地域非遗在新世界中的发声机制,实现多民族文化内生的多样性在虚拟世界里的创新再造。探究全球流通的非遗文化产品和数字技术如何被传播再造者利用,首先是实现非遗数字化活态的基本策略,可以让非遗在数字化时代寻找海内外的发展空间,并成为全球化推广的一种生存模式。其次,观察这些数字化活态的形成过程如何催生出新的民族文化表达形式,可以在创新基础上弘扬中华传统文化的基因。同时,对于多民族文化遗产在数字媒介空间里的重新诠释与扩散,则能够通过传播新技术与数字叙事的构建,营造出有利于中华多民族非遗传承发展的新生态。

非遗视角下苗族蜡染技艺的数字化传承

蜡染技艺作为中国非物质文化遗产的重要组成部分,正面临着传承困境和现代化转型的挑战。文章聚焦于探索数字化时代背景下非遗苗族蜡染技艺的创新传承方法,分析了非遗蜡染技艺传承中存在的闭塞性、局限性和单一性问题,提出建立多元化技艺体验中心、开发数字化技艺传承渠道、完善全面化技艺反馈机制等举措,助力非遗苗族蜡染实现现代化转型。

数字化时代非物质文化遗产的知识产权保护:基础、困境及应对

步入数字时代,随着技术与经济的进步,非物质文化遗产的良性传承与发展对知识产权保护提出了更高的要求。加强非物质文化遗产数字化知识产权保护,既回应了非物质文化遗产数字化创新发展的现实需要,又与非物质文化遗产数字化保护与传承的利益平衡需求相契合。现阶段我国非物质文化遗产数字化知识产权保护存在权利主体模糊、权利客体形态复杂、权利内容不清及权利交易不畅的现实困境。对此,为促进非物质文化遗产数字化传承与发展,可以从明晰相关权利主体、构建分层保护体系、廓清相关权利主体的利益边界及建设非物质文化遗产知识产权交易平台入手,破解当前的保护困境。

人工智能视域下非遗服饰数字化再现与创新设计研究

非遗服饰承载着丰富的历史文化,具有独特的艺术价值,但随着社会的发展逐渐濒临失传,急需借助现代技术手段进行有效保护和创新传承。在信息技术飞速发展的背景下,人工智能已成为推动各领域创新的强大引擎。在非遗服饰的数字化再现与创新设计中,人工智能可以辅助建设数字化档案,进行复原和重现,可以利用虚拟现实技术进行互动体验,可以基于机器学习进行设计创新,为非遗服饰的数字化再现与创新设计提供理论指导,切实推动非遗服饰的保护和传承。

数字化视角下传统技艺类非遗的传承与创新路径研究——以建窑建盏烧制技艺为例

“建窑建盏烧制技艺”作为国家级传统技艺类非遗项目,折射着宋代工艺美学与造物思想之内蕴,凝聚着中华民族的智慧与精神。文章基于数字化视角,围绕建盏的历史文化源流、现实传承困境、创新发展策略等内容展开探讨,指出了适应建窑建盏烧制技艺的保护与发展路径。传统技艺类非遗的传承与创新需要深度挖掘新兴数字技术、发挥新媒体传播的优势,将数字技术与非遗融合创新、共荣共享,以实现传统技艺类非遗在数字化时代的活态传承与永续发展。

AIGC技术+动画对非遗文化数字经济发展的影响

动画创作作为非遗文化数字经济发展的重要组成部分,人们一直追求提高非遗文化数字经济发展的效率和质量的平衡。非遗文化动画创作领域,AIGC技术应用也越来越多。随着人工智能技术的快速发展,越来越多的领域开始应用AI技术来提升效率和创造力,动画创作作为一种复杂而耗时的艺术形式,也受益于人工智能技术的进步。本文将探讨AIGC技术+动画对非遗文化数字经济发展的影响,并分析其未来的发展趋势。

大运河苏北段非物质文化遗产数字化保护与传承现状——以宿迁市为例

数字化浪潮席卷全球,带动了全球产业的数字化转型。如何借力数字技术更好地实现非物质文化遗产的保护与传承成为学界热议的话题。为了更加深入地了解大运河苏北段非物质文化遗产数字化保护与传承现状,文章将研究对象聚焦于宿迁市,运用实地调研、人物访谈等方法,详细梳理了宿迁市非物质文化遗产数字化保护的现状。总体而言,大运河苏北段非物质文化遗产的数字化保护与传承尚处于起步阶段,存在工作机制不健全、专项保护资金缺乏、数字化传播手段单一等问题。

基于体验的非遗文化数字化展陈设计创新

研究基于体验的非遗文化数字化展陈设计创新,并探索其在文化传承、文化教育方面的应用,从研究成果、体验策略设计和社会影响等多个角度对展陈创新进行探讨,以期为非遗传统文化的数字化保护与发展提供理论支持和实践指导。

文化遗产数字叙事信任模型:概念与框架

信任是数字环境下文化遗产数字叙事的基础。文化遗产数字叙事是一种具有重构和演绎特质的叙事方式,在数字化、数据化和艺术化阶段会产生不同的信任问题。作为一种特殊的信息系统,文化遗产数字叙事的人机交互特征体现出系统、信息和用户之间的相互连通和协同影响,系统叙事的可信度和用户体验的信任感构成了信任模型的双向动态互动,涉及文化遗产信息资源、叙事性架构、数字化呈现、系统本身的功能建设和知识服务,以及用户的意图和行动。文化遗产数字叙事信任模型不仅有助于提升文化遗产的数智化活化利用水平,促进对文化遗产信息资源的深度挖掘、叙事内容的创意演绎、文化内涵的有效阐释与呈现,而且有望为可信的文化遗产数字叙事提供理论和实践指导,助力文化遗产数字化转型发展。