Margaret Atwood’s works have been carried out around the problems faced by women in modern society.The Hand⁃maid’s Tale is no exception;it focuses on problems related to the female body.This paper,with the help of F...Margaret Atwood’s works have been carried out around the problems faced by women in modern society.The Hand⁃maid’s Tale is no exception;it focuses on problems related to the female body.This paper,with the help of Foucault’s theory and feminist theories,discusses the protagonist’s resistance through the body and how this resistance develops from reading to writing.Her reading,achieved through the means of gaze,involves reading the textual materials and the subtext of the natural and social surroundings.Her writing,achieved through the means of female writing,serves as the protagonist’s most significant and effective resistance against the patriarchal dictatorship.展开更多
This article utilizes the trope of domesticity/domestication in order to explore notions of gendered temporality in Hou Hsiao-hsien＇s Cafe Lumiere （2003）. In dialogue with the Chinese writer Eileen Chang and Wester...This article utilizes the trope of domesticity/domestication in order to explore notions of gendered temporality in Hou Hsiao-hsien＇s Cafe Lumiere （2003）. In dialogue with the Chinese writer Eileen Chang and Western theories about women＇s time and domestic temporality, the article proposes that the works of both Hou and Chang can be described as instances of ecriture feminine that interrogate an ambivalence toward domesticity. Drawing on Chantal Akerman＇s film in contrast to that of Hou, the article further demonstrates how the use of the cinematographic long take domesticates time and space, as well as the ways in which the horror of everyday domesticity have been captured through what Rey Chow calls ＂feminine details.＂ Finally, the present article argues that Cafe Lumiere domesticates a fear of domesticity and pregnancy through a reconfiguration of linear and cyclical time, a reversal of gender roles in its protagonists, and a privileging of aurality over visuality in its cinematic style, such that it presents the potential for a new kind of union and a new kind of futurity premised upon reordered gendered forms of temporality.展开更多
文摘Margaret Atwood’s works have been carried out around the problems faced by women in modern society.The Hand⁃maid’s Tale is no exception;it focuses on problems related to the female body.This paper,with the help of Foucault’s theory and feminist theories,discusses the protagonist’s resistance through the body and how this resistance develops from reading to writing.Her reading,achieved through the means of gaze,involves reading the textual materials and the subtext of the natural and social surroundings.Her writing,achieved through the means of female writing,serves as the protagonist’s most significant and effective resistance against the patriarchal dictatorship.
文摘This article utilizes the trope of domesticity/domestication in order to explore notions of gendered temporality in Hou Hsiao-hsien＇s Cafe Lumiere （2003）. In dialogue with the Chinese writer Eileen Chang and Western theories about women＇s time and domestic temporality, the article proposes that the works of both Hou and Chang can be described as instances of ecriture feminine that interrogate an ambivalence toward domesticity. Drawing on Chantal Akerman＇s film in contrast to that of Hou, the article further demonstrates how the use of the cinematographic long take domesticates time and space, as well as the ways in which the horror of everyday domesticity have been captured through what Rey Chow calls ＂feminine details.＂ Finally, the present article argues that Cafe Lumiere domesticates a fear of domesticity and pregnancy through a reconfiguration of linear and cyclical time, a reversal of gender roles in its protagonists, and a privileging of aurality over visuality in its cinematic style, such that it presents the potential for a new kind of union and a new kind of futurity premised upon reordered gendered forms of temporality.
