Good translations play a very important role in cultural exchange.The idea of reception aesthetics think the reader as the center in translation process.This paper will study the translation of culture-loaded words fr...Good translations play a very important role in cultural exchange.The idea of reception aesthetics think the reader as the center in translation process.This paper will study the translation of culture-loaded words from the perspective of reception aesthetics.It is divided into five parts.The first part mainly introduces the background and theoretical foundation of this paper,the second part introduces the writer’s works,the third part gives examples to analyze the culture-loaded words appearing in The Golden Cangue,the fourth part gives examples of the translation methods,and the fifth part is the conclusion.It aims to provide a reference for the English translation of culture-loaded words.展开更多
近些年张爱玲作为译者尤其是自译者的身份备受关注,人们在对其成就极度认可的同时,也质疑了她译作中的政治色彩。该文以其经典之作《金锁记》的自译文本——The Golden Cangue为个案,简析张氏坚守中国文化语境的异化策略及保留中国古典...近些年张爱玲作为译者尤其是自译者的身份备受关注,人们在对其成就极度认可的同时,也质疑了她译作中的政治色彩。该文以其经典之作《金锁记》的自译文本——The Golden Cangue为个案,简析张氏坚守中国文化语境的异化策略及保留中国古典文学传统的翻译艺术,证实她在自译中所坚守的中国文化本位。展开更多
在中国现代文学史中,张爱玲是少有的进行双语创作与海外传播的作家。本文拟关注张爱玲的《金锁记》这一文本在西方文化语境中的改写与自译现象,尝试还原其在英语世界改写、翻译、出版的曲折历程,以及作家呈现出的作品风格、创作观念、...在中国现代文学史中,张爱玲是少有的进行双语创作与海外传播的作家。本文拟关注张爱玲的《金锁记》这一文本在西方文化语境中的改写与自译现象,尝试还原其在英语世界改写、翻译、出版的曲折历程,以及作家呈现出的作品风格、创作观念、写作重点与翻译策略的变化。从《金锁记》到The Rouge of The North,作品的悲剧烈度和主人公的疯狂程度都有所降低,语言风格从浓丽转为平实;而到了《金锁记》最终的自译版本The Golden Cangue,译文又尽可能遵循原文,翻译方法以直译为主,翻译策略以异化为主,以最大限度地保留原作的语言风格。此外,创作观念的变化、西方读者不同的期待视野、作者的自我东方主义倾向及西方中心主义观点下的文化歧视等是在作家改写与自译的过程中不得不提及的。展开更多
文摘Good translations play a very important role in cultural exchange.The idea of reception aesthetics think the reader as the center in translation process.This paper will study the translation of culture-loaded words from the perspective of reception aesthetics.It is divided into five parts.The first part mainly introduces the background and theoretical foundation of this paper,the second part introduces the writer’s works,the third part gives examples to analyze the culture-loaded words appearing in The Golden Cangue,the fourth part gives examples of the translation methods,and the fifth part is the conclusion.It aims to provide a reference for the English translation of culture-loaded words.
文摘在中国现代文学史中,张爱玲是少有的进行双语创作与海外传播的作家。本文拟关注张爱玲的《金锁记》这一文本在西方文化语境中的改写与自译现象,尝试还原其在英语世界改写、翻译、出版的曲折历程,以及作家呈现出的作品风格、创作观念、写作重点与翻译策略的变化。从《金锁记》到The Rouge of The North,作品的悲剧烈度和主人公的疯狂程度都有所降低,语言风格从浓丽转为平实;而到了《金锁记》最终的自译版本The Golden Cangue,译文又尽可能遵循原文,翻译方法以直译为主,翻译策略以异化为主,以最大限度地保留原作的语言风格。此外,创作观念的变化、西方读者不同的期待视野、作者的自我东方主义倾向及西方中心主义观点下的文化歧视等是在作家改写与自译的过程中不得不提及的。
