基于字形动态描述库的Webfont汉字生成方法

现有的Webfont汉字生成方法,需要设计专门的字库,工作量大且灵活性差。针对这一问题,将汉字特征点用字形动态描述库记录,在此基础上提出一种新的Webfont汉字的自动生成方法。研究基于特征点描述的汉字笔画提取、连接和优化方法,并对比基于B样条曲线和贝塞尔曲线的字形优化效果。为方便用户进行个性化字体生成,设计了用户自定义字形优化方法。实验结果证明,基于汉字字形动态描述库,用户无需下载字库,即可以在网页上生成符合自身需求的Webfont汉字。

在林业计算机制图中运用FontCreator软件制作点状图符号的方法

以LY/T 2009-2012《县级林地保护利用规划制图规范》中所示的点状符号制作为例,从创建符号文件、添加编辑符号文件、保存安装符号文件、使用符号文件等方面阐述FontCreator软件在地图符号制作中的应用,认为FontCreator软件制作专题图符简便、快捷,图符清晰规范,符合要求。

AB004.The dyslexia font OpenDyslexic facilitates visual processing of text and improves reading comprehension in adult dyslexia

Background:Proficient literacy skills and reading comprehension are crucial skills for participation and success in everyday life.One group that regularly falls short in demonstrating good reading skills are people with dyslexia.This group suffers from a range of visual deficits including the pattern of ocular movements,and distorted,blurred and reversed(or mirrored)vision of letters during reading.However,only recently designers started to develop affordable and easily implementable remedies that are supposed to reduce the visual symptoms of dyslexia such as specific dyslexia fonts.These fonts incorporate properties aimed at improving the visual and behavioural reading performance of people with dyslexia by using larger intra-and inter-word whitespace,unique letter shapes and no serifs.To date,empirical evidence about the efficacy of these fonts is contradictory,and their effects on adult dyslexics’eye movements and cognitive processing during longer reading tasks remains elusive.Methods:To bridge this gap,we measured the eye movements of adults with and without dyslexia during the reading of a set of standardised texts from the international reading speed texts(IReST;Trauzettel-Klosinski&Dietz,2012)reading battery coupled with validated comprehension questions.These texts and questions were presented either in the traditional font Times New Roman or the specific dyslexia font OpenDyslexic.Results:Here,we found that OpenDyslexic led to improvements in reading comprehension in dyslexics and non-dyslexics.These improvements were larger for dyslexics.Contrarily,participants’reading speed was unaffected by OpenDyslexic.Our eye-tracking data showed that OpenDyslexic resulted in a higher number of eye movements,reduced visual search intensity,and longer median fixation duration across participants.Particularly,median fixation duration,as a measure of cognitive load,was predictive of reading comprehension across groups.Among dyslexics,OpenDyslexic yielded increases in visual search intensity and visual ease in the form of decreases in median fixation duration and fixation to saccade ratio as well as a smaller number of falsely programmed forward saccades.Conclusions:Our findings illustrate that OpenDyslexic results in a different visual reading strategy.These findings provide empirical evidence for the efficacy of OpenDyslexic in longer standardised texts and suggest its use in everyday documents,education materials,and online sources.

按需索取的中文Web Fonts技术研究

为了使网页支持更多的字体类型,尤其是中文字体类型,提出两种基于按需索取的中文Web Fonts解决方案。对现有英文Web Fonts技术进行探讨,分析方案存在的问题,并对其浏览器兼容性进行测试。在此基础上,针对中文字体文件过大的问题,对@ font-face和Typeface.js两种方案进行优化,通过把中文字体库上传到Web服务器上,根据请求参数,按需索取字体文件和字形轮廓信息。最后通过搭建一个实际网络环境,验证了方案的有效性。

灵感工厂Handmade Font工艺：爱沙尼亚设计公司Handmade Font的Maksim Loginov分享新字体设计的创作过程

通常我们采用的材料决定着我们使用它们的方式。许多材料只能以某种方式进行弯曲或切削，因此我们尽量寻找最佳的形态。为了创作我们的这些字体．我们借助了手边所有可用的资源——铁锤、火柴、剪刀——任何可以剪．锯或完成我们要做设计的东西。

字体管理终结者——Font Reserve 3．1终结字体管理的烦恼

Font Reserve 3．1是一款由Diamondsoft公司开发的字体管理软件，它将为用户管理字体提供一种新选择。Font Reserve 3．1支持所有流行的Macintosh字体格式，包括：PostScript Type 1．PostScript Multiple Master，True Type GX，TypeOne GX，Apple’s dFonts，Windows TrueType，OpenType及双字节字体，有了它用户将再不用在管理字体中苦苦。

加泰罗尼亚的蓝盒子 巴塞罗那Font 6公寓

本住宅改造项目位于巴塞罗那圣家族大教堂旁一条安静的小巷子里。建筑师希望在尽可能多地保留住宅内原有加泰罗尼亚新艺术运动时期的现代主义元素的前提下,将其改造为一个除拥有主卧室外,至少包含一间客房的休息寓所。改造过程中,建筑师保留了住宅入口处两间现状良好的卧室,其余部分予以重新建造。从入口到起居室,依然维持了入口处原有的彩色地板.

Many-Knot Spline Interpolating Curves and Their Applications in Font Design

Many-knot spline interpolating is a class of curves and surfaces fitting method presentedin 1974. Many-knot spline interpolating curves are suitable to computer aided geometric design anddata points interpolation. In this paped, the properties of many-knot spline interpolating curves arediscussed and their applications in font design are considered. The differences between many-knotspline interpolating curves and the curves genoaed by exceeding-lacking adjuStment algorithm aregiven.

The Inheritance and Application of Chinese Reverse Contrast Typeface Style

This paper discusses the inheritance and application of Chinese character reverse contrast typeface style.It begins by analyzing the visual features of Western reverse contrast typeface styles,with a focus on Caslon Italian and French Clarendon,providing a Western perspective reference for subsequent Chinese character reverse contrast typeface style designs.The paper then traces the origins of the Chinese reverse contrast style,from the calligraphy style"Lacquer Script"to the earliest printing type"フワンテール形",exploring the historical background and cultural significance of the Chinese reverse contrast style.In the methodology section of Chinese character reverse contrast typeface style design,the discussion is conducted from two dimensions:inheritance and application.In terms of inheritance,through an in-depth analysis of"Lacquer Script"and"フワンテール形"typeface style,the paper summarizes three basic theories for modern Chinese character reverse contrast typeface style design.In the application section,it examines in detail the two most influential recent typeface styles,"Ribaasu"and"Basic Artistic",outlining three directions of application:extreme horizontal stroke variations,exaggerated contrast,and diverse decorative strokes,showcasing new directions and possibilities for Chinese character reverse contrast typeface style design.This paper not only reviews the developmental history of the Chinese character reverse contrast typeface style but also analyzes the design methodology of Chinese character reverse contrast typeface style through specific case studies.

海报设计中书法字体的情感化表达形式探微

运用情感化设计理论对海报设计中书法字体的艺术内涵及审美价值进行分析,在探讨海报设计中书法字体情感化表达必要性的同时,总结出海报设计书法情感化表达的原则和路径,为当前书法艺术在海报设计中的运用提供新的设计思路。

西湖龙井茶“狮、龙、云、虎、梅”字号的历史形成及其分布

历史上“狮、龙、云、虎、梅”老字号产区是西湖龙井茶核心产区,茶园主要分布在龙井、翁家山、杨梅岭、满觉陇、梅家坞等村落,其字号大致形成于清末民国期间,尤其是民国期间其产地细分已较为详细和明确。1949年后,老字号进行归并,形成了“狮峰龙井”“梅坞龙井”“西湖龙井”3个品类,目前加上后来新增的产地品类,统称为西湖龙井茶。

基于多层次通道注意力网络的少样本字体生成

为提升字体生成的图像质量,减少字体设计的人工成本,提出基于多层次通道注意力网络的少样本字体生成的方法。首先,该方法通过风格感知注意力模块获取重要的局部特征;然后设计了一个多层次的注意力机制,较浅的层只能观察图像的局部特征,而较深的层可以观察到图像的全部特征,通过聚合不同层次的局部特征来构建新的风格特征。最后,使用了内容损失函数、风格损失函数和L 1损失函数优化模型的参数,稳定网络的训练,使生成图像在内容和风格上与目标字体保持一致。实验结果表明,该方法在未知样式的字体和未知内容的字体具有很强的泛化性。相比于其他方法,所提出的方法表现出更好的实验结果,能保持内容结构的完整和字形风格的准确性。

针式打印字体电离层垂测数据自动提取技术

对于针式打印字体电离层垂测数据扫描图片的像素偏低、字体不连通、文本行粘连无法检测等问题,提出了一种基于CRNN深度学习框架的数据自动提取技术,该技术主要包括图像预处理、文本检测、序列文本识别和识别结果版面处理4个模块。首先,对于3种不同行间距类型的针式打印字体垂测数据扫描图片采用图像模板匹配、降噪处理和倾斜矫正等方法进行图像预处理。然后对预处理后的图片利用投影法进行文本检测加以分割,其中投影分割检测算法中加入了垂直投影、水平投影和检测候选框修正功能,可有效处理粘连文本区域,提高检测精度。最后,考虑到图片数组长度不一,避免切分字符,所以将分割后的文本识别问题转化为序列学习问题,利用CRNN深度学习算法进行文本识别,再通过坐标融合算法,将识别结果保存成Excel标准化格式,从而实现数据自动提取保存。实验结果表明,本研究所提出的算法,文本检测召回率97.7%,文本识别综合评价指标F值就单个字符识别率97.49%,整组字符识别率94.78%,并与其他算法进行了比较,验证了其有效性,因此本文所提算法具有较高的实用性,能满足工程应用实际需求.

汉语词切分和字号对阅读知觉广度的影响:眼动的证据

本研究采用移动窗口范式,探讨汉语词切分线索和字号对阅读知觉广度的影响,采用3(词切分线索:不切分、正确词切分、错误词切分)×2(字号:大、小)×4(窗口:L1R2、L1R3、L1R4、整行)的被试内实验设计。结果发现,字号与窗口交互作用不显著,词切分线索、字号与窗口的交互作用也不显著。结果表明,字号对汉语阅读知觉广度的影响可能非常有限,词切分线索也不调节字号对汉语阅读知觉广度的影响。

传承与创新视角下的金农“漆书”字库字体及延展应用设计

目的 分析金农“漆书”的审美特征,并应用到当代汉字设计中,使所设计的字库产品既有金农书法的金石气韵,又符合当代的应用语境,以此促进金农“漆书”艺术的传承和字库风格多元化的发展。方法 从诸多博物馆调研金农“漆书”作品并分析整理,以南京博物院典藏金农“漆书”作品《盛仲交小传》为蓝本,其他作品为参考,从分析造型中的点、横、竖、撇、捺、折、钩等笔画元素入手,凝练与总结“漆书”视觉符号和文化内涵;除了遵循字库字体的基本原则外,还运用“完全复现法”“旧字新构法”“异字结合法”“形意合一法”的创新与传承性的原则与方法,对提取的元素进行重构、融合、创新,最后结合用户思维的研发策略进行设计应用。结论 结合金农“漆书”书法元素进行字库字体设计,可以提升字库产品的文化内涵与价值,让人们更多地了解金农的“漆书”艺术,有利于书法艺术传承与创新,有助于探讨解决书法艺术与当代字体设计之间的矛盾关系,为书法艺术在字库字体设计中的应用实践提供有益参考。

The Automatic Generation of Chinese Outline Font Based on Stroke Extraction

A new method to obtain spline outline description of Chinese font based onstroke extraction is presented. It has two primary advanages: (1) the qualityof Chinese output is greatly improved; (2) the memory requirement is reduced.The method for stroke extraction is discussed in detail and experimental resultsare presented.

Chinese TrueType Font Support in X Window

it is of great significance to provide Chinese TrueType font support in X Window. This paper describes the work of adding a Chinese ThueType font ren- derer under X's font support mechanism. First, the origin of the idea is introduced, followed by a brief study of ThueType font and its rasterization algorithm, then the font support mechanism in X Window is discussed. Finally, an overall illustration of the Chinese ThueType font renderer is given.

“鬱”与简化字“郁”的异同

“鬱”和简化字“郁”字在《说文解字》中是两个不同的字,检索历代字书、辞书、韵书,以及研究成果,从字形发展、义项和叠字等历时层面来考察“鬱”和“郁”字的异同,从共时层面观察现代方言中的“鬱”与“郁”,确认“鬱”与“郁”字在古代是音义不同,但又在义项上部分相通的字。现代虽将“鬱”简化为“郁”,但方言中仍保留着二者的不同之意。