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A Critical Analysis of the Legality of Fan-subbing in Copyright Law
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作者 Zeng Yueying 《Contemporary Social Sciences》 2019年第6期130-155,共26页
This study offers a critical analysis of "fan-subbing" from the perspective of copyright and translation right, which is conducted given that fan-subbing has greatly impacted my cross-cultural experience of ... This study offers a critical analysis of "fan-subbing" from the perspective of copyright and translation right, which is conducted given that fan-subbing has greatly impacted my cross-cultural experience of entertainment. A fansub(short for fan-subtitled) is a new version of any foreign movie or TV series that has been translated from the original language by fans and subtitled into other languages. The reason fan-subbers do this is mostly that they want to support their favorite movies, TV series or animations, and to help them become popular worldwide. Putting subs on the top of or below a video itself is not illegal if one is doing this for his or her own entertainment, someone else has the exclusive right to sell and distribute that work, and the fan-subber is performing in a way not as a seller or a distributor. Thus, in many countries, writing subtitles for any movie, TV series, or other cultural products and spreading them to the public for free is considered a violation of copyright. Within Viki, there are benefits to becoming a fan-subber. These include not having to pay the ad removal fee, early access to some dramas, and more. Though some solutions have appeared in order to help handle the legal and ethical issues around fan-subbing, this has resulted in very few positive effects, against all expectations. The copyright law of many countries provides protections for normal works and specifies that copyright owners have the right to translate. Japanese companies have been continually protesting the indiscriminating translation of Japanese anime into Chinese, while the subtitle groups also bear the additional harm of being infringed by others while infringing on the copyright of others. In the copyright law of some countries, there is a right to translate. 展开更多
关键词 SUBTITLE fan-subbing translation right COPYRIGHT
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美国深夜脱口秀在中国:文本透明性,文本快感与政治自反(英文)
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作者 崔迪 刘瀚敏 《国际新闻界》 CSSCI 北大核心 2019年第5期93-109,共17页
Although late-night talk shows are largely absent in Chinese television landscape, the genre has gained popularity among Chinese viewers on Internet platforms. First, we draw from the concept of narrative transparency... Although late-night talk shows are largely absent in Chinese television landscape, the genre has gained popularity among Chinese viewers on Internet platforms. First, we draw from the concept of narrative transparency and briefly discuss how late-night talk shows have the ability to appear culturally familiar despite their unfamiliar origins. Then we examine how the practice of 'subbing' by fans renders these shows accessible to other fans and viewers. The fan-subtitling help highlight certain elements of these shows, namely playfulness and contentiousness, which intersect with China’s Internet culture. Through interviews with fans and analysis of data from fan forum posts and online discussions, this study shows how these familiar interpretive tools help make sense of the American late-night talk shows and further provide a basis for consumption pleasure and reflexivity. 展开更多
关键词 Late-night TALK show Online culture fan-subbing AUDIENCE research
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